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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Motives
Non classifié
43
Piano & claviers
Piano seul
65
Orgue
22
Piano, Voix
6
Piano Facile
3
Accompagnement Piano
2
Piano (partie séparée)
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 4 mains
1
Orgue, Trompette (duo)
1
Piano Trio: piano, violon, violoncelle
1
Piano, Voix et Guitare
1
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
4
Guitare
4
Guitare (partie séparée)
2
Voix
Chorale SATB
17
Chorale 3 parties
8
Chorale 2 parties
4
Chorale SSAA
2
Chorale TTBB
2
Voix Soprano, Piano
1
Chorale Unison
1
+ 2 instrumentations
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Vents
Flûte traversière et Piano
7
Saxophone (partie séparée)
5
Quatuor de Saxophones: 4 saxophones
5
Saxophone Alto et Piano
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Clarinette
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette et Piano
3
Saxophone Tenor
2
Flûte traversière, Orgue (duo)
2
Saxophone et Orgue
2
Quatuor de Flûtes : 4 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Alto
2
Flûte, Violon
1
Flûte, Clarinette (duo)
1
Flûte traversière
1
Hautbois (partie séparée)
1
2 Flûtes traversières (duo)
1
3 Saxophones (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette et Basson
1
Hautbois, Piano (duo)
1
Saxophone Soprano et Piano
1
Saxophone Baryton, Piano
1
3 Clarinettes (trio)
1
2 Clarinettes (duo)
1
2 Saxophones (duo)
1
+ 23 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de Cuivres
6
Trombone (partie séparée)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette (partie séparée)
3
2 Euphoniums et 2 Tubas
1
Trompette
1
2 Trompettes (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 4 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violoncelle, Piano
4
Alto, Piano
4
Violon et Piano
3
Violon
3
Trio à Cordes: violon, alto, violoncelle
2
Alto seul
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Violoncelles (duo)
1
Contrebasse (partie séparée)
1
Harpe, Trombone (duo)
1
Violon, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
+ 8 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
111
Orchestre à Cordes
6
Orchestre
6
Ensemble Jazz
4
Orchestre de chambre
3
Ensemble de cuivres
3
Ensemble de Percussions
2
Cloches
1
Piano et Orchestre
1
Batterie (partie séparée)
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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XYLOPHONE
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Vous avez sélectionné:
Motives
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
4 partitions trouvées
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Introduction and Fantasia
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Philip Rugel
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Introduction and Fantasia
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Imagine Music - Digital
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SheetMusicPlus
Woodwind Quintet - SKU: IZ.CMW212 Composed by Philip Rugel. Score and Parts. 46 pages. Imagine Music - Digital #CMW212. Published by Imagine Music - Dig...
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Woodwind Quintet - SKU: IZ.CMW212 Composed by Philip Rugel. Score and Parts. 46 pages. Imagine Music - Digital #CMW212. Published by Imagine Music - Digital (IZ.CMW212). 9 x 12 inches.Introduction and Fantasia is a whimsical piece based on the Protestant hymn known as the Doxology. After a short introduction, the oboe enters with the main theme accompanied by a fluttering flute. This quickly leads to a mode change and a quick cadence. The fantasia begins.The fantasia section of the piece is comprised of numerous motives being thrown from instrument to instrument while fragments of the Doxology are heard at all ranges. It's a battle for prominence between the secular motives and the religious theme. A constant sense of racing motion lies beneath the struggle. Which theme will be victorious? Introduction and Fantasia is a woodwind quintet for advanced players not afraid of a challenge. It is a fast-paced piece which requires solid technical skill and a soloist spirit of all five players. It is also an extremely fun piece to play and it is the composer's hope that instrumentalists will find a great amount of joy playing it.
$32.00
Course of Empire
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Kyle Vanderburg
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Course of Empire
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NoteForge
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
Caprice
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Daniel Burwasser
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Caprice
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Head and Stem
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1379053 Composed by Daniel Burwasser. 21st Century,Contest,Festi...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1379053 Composed by Daniel Burwasser. 21st Century,Contest,Festival. 52 pages. Head and Stem #963765. Published by Head and Stem (A0.1379053). Caprice†for woodwind quintet was completed in February 2024, and as the title implies encapsulates the spirit of persistent transformation in both mood and tempo. The composition highlights the blending of several short thematic motives through the use of eighth note/quarter note rhythms as well as through dotted rhythms in various guises. These same patterns also appear in the slower sections where there is far less volatility. The softer moments of the work drastically reshape the piece for much needed repose. --Daniel Burwasser, NYC, 2024 https://www.danielburwasser.com/Send an email to the composer: danielburwasser9@gmail.com.
$20.00
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
#
Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
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