English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music for Organ
Non classifié
4 856
Piano & claviers
Orgue
7 956
Piano grosses notes
3 300
Piano seul
692
Piano, Voix et Guitare
559
Piano, Voix
417
Piano Facile
209
Orgue, Trompette (duo)
162
Orgue, Piano (duo)
138
Clavier
62
Instruments en Do
46
2 Pianos, 4 mains
27
Accompagnement Piano
20
Piano Trio: piano, violon, violoncelle
16
Orgue, Voix
15
1 Piano, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
13
Fake Book
6
2 Orgues (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue et Orchestre
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano (partie séparée)
2
Clavecin
2
2 Pianos, 8 mains
1
Accordéon
1
+ 20 instrumentations
Retracter
Guitares
Guitare notes et tablatures
75
Ligne De Mélodie, (Paroles) et Accords
66
Guitare
49
Ukulele
26
Paroles et Accords
18
Ukulele Baryton
17
Mandoline
11
Basse electrique
11
2 Guitares (duo)
10
4 Guitares (Quatuor)
9
Piano, Guitare (duo)
8
Banjo
5
Guitare (partie séparée)
4
3 Guitares (trio)
3
Dulcimer
1
Orchestre à Plectres
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
2 206
Chorale 2 parties
444
Chorale 3 parties
261
Chorale Unison
209
Voix duo, Piano
100
Chorale TTBB
79
Voix duo
68
Chorale SSAA
37
Chorale, Orgue
37
Voix moyenne, Piano
26
Voix haute
17
Chorale
13
Voix Soprano, Piano
12
Soli, choeur mixte et accompagnement
12
Chorale SSATB
12
Chorale SSAATTBB
9
Voix basse, Piano
7
Voix seule
7
Voix Alto, Piano
5
Chorale SSATTB
4
Voix duo, Orgue
4
Voix Baryton, Piano
3
Voix Tenor
3
Voix Tenor, Piano
3
Chorale SATBB
1
Voix Soprano
1
Voix, Guitare
1
+ 22 instrumentations
Retracter
Vents
Flûte traversière et Piano
115
Clarinette et Piano
103
Quatuor de Saxophones: 4 saxophones
93
Flûte, Hautbois, Clarinette, Basson
92
Saxophone Alto et Piano
84
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
81
2 Saxophones (duo)
68
Hautbois, Piano (duo)
64
Quatuor de Clarinettes: 4 clarinettes
63
Flûte traversière
57
Saxophone Tenor et Piano
52
Quintette de Saxophone: 5 saxophones
52
Clarinette
51
Saxophone et Orgue
46
Saxophone Soprano et Piano
44
Saxophone (partie séparée)
41
Ensemble de Clarinettes
34
Saxophone Tenor
33
Piccolo
31
2 Clarinettes (duo)
31
Saxophone Alto
30
Flûte traversière, Orgue (duo)
28
Flûte, Clarinette (duo)
28
3 Saxophones (trio)
27
2 Flûtes traversières (duo)
25
Saxophone Baryton, Piano
22
3 Clarinettes (trio)
21
Ocarina
16
Cor anglais, Piano
16
Hautbois (partie séparée)
16
Quatuor de Flûtes : 4 flûtes
15
Ensemble de saxophones
13
Flûte à bec Soprano
13
Quintette de Clarinettes: 5 clarinettes
13
Saxophone
12
Clarinette, Orgue
12
Quintette de Flûte : 5 flûtes
11
Ensemble de Flûtes
11
Flûte à bec Alto
11
Harmonica
10
Clarinette Basse, Piano
9
Saxophone, Clarinette (duo)
8
Quatuor de Flûtes à bec
8
2 Flûte à bec (duo)
8
Trio de Flûtes: 3 flûtes
7
Clarinette, Guitare (duo)
6
Flûte, Violon
6
Flûte, Hautbois, Clarinette (trio)
5
Flute (partie séparée)
5
Clarinette, Violon (duo)
5
Hautbois, Orgue
5
Hautbois, Basson (duo)
5
Cor Anglais
4
Clarinette, Violoncelle (duo)
4
Clarinette (partie séparée)
4
Flûte, Violoncelle
4
Saxophone et Harpe
4
Clarinette, Trompette (duo)
4
Saxophone Soprano
4
2 Hautbois (duo)
4
Flûte et Guitare
4
Flûte, Saxophone (duo)
4
Clarinette, Basson (duo)
3
3 Flûtes à bec (trio)
3
2 Clarinettes, Piano
3
Hautbois, Flûte
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Harpe (duo)
3
Flûte, Hautbois, Basson
3
Hautbois, Harpe
3
Flûte à bec Soprano, Piano
2
Flûte à bec Tenor
2
Clarinette et Alto
2
Flûte, Violon, Piano
2
Flûte, Alto (duo)
2
Instruments en Mib
1
Cor anglais et Harpe (duo)
1
Flûte à bec Alto, Piano
1
2 Cors Anglais Et Pianoforte
1
Hautbois
1
Flûte irlandaise
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Trompette (duo)
1
Clarinette Basse
1
Hautbois, Clarinette (duo)
1
Flute, harpe et violon
1
2 Clarinettes, Basson
1
Flûte à bec, Guitare (duo)
1
Hautbois, Violoncelle
1
Ensemble de Hautbois
1
Flûte, Clarinette, Violon (trio)
1
2 Saxophones, Piano
1
Piccolo, Piano
1
Clarinette, Orchestre
1
+ 89 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
142
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
142
2 Trompettes, Clavier (piano ou orgue)
94
Trompette, Piano
81
Trombone et Piano
62
Trompette
60
Tuba et Orgue
50
Cor et Piano
45
Trombone, Orgue
41
Trombone
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
36
2 Trompettes (duo)
26
2 Trombones (duo)
25
Trompette, Cor (duo)
22
Ensemble de Trombones
20
Euphonium, Piano (duo)
19
Cor
19
Tuba
18
Cor anglais, Piano
16
Tuba et Piano
16
Cor et Orgue
15
Trompette (partie séparée)
13
2 Cors (duo)
13
Trombone (partie séparée)
12
Ensemble de Trompettes
12
3 Trombones (trio)
10
Quatuor de cuivres: 4 trombones
9
Trompette, Trombone (duo)
9
Quatuor de Cuivres
8
Quatuor de cuivres: 2 trompettes, 2 trombones
7
Quatuor de cuivres: 4 cors
7
Trompette, Saxophone (duo)
5
3 Trompettes (trio)
5
Cor Anglais
4
2 Tubas (duo)
4
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums (duo)
3
Cor et Harpe
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor (partie séparée)
3
Trombone, Tuba (duo)
3
Trio de Cuivres
2
Trompette, Harpe
2
2 Euphoniums et 2 Tubas
2
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Tuba (partie séparée)
1
Trombone, Cor (duo)
1
Clarinette, Cor (duo)
1
4 Tubas
1
Trombone basse et Piano
1
Bass Clef Instruments
1
Instruments en Sib
1
3 Tubas (trio)
1
3 Cors (trio)
1
Ensemble de Cors
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
187
Violon et Piano
132
Violoncelle, Piano
93
Alto, Piano
80
Violon
68
Violon, Violoncelle (duo)
44
Violoncelle
44
Harpe
40
Trio à Cordes: violon, alto, violoncelle
39
Violoncelle, Orgue
32
Alto seul
31
Violon, Orgue
27
Violon, Alto (duo)
26
2 Violons (duo)
21
2 Violoncelles (duo)
20
Alto (partie séparée)
12
Contrebasse, Piano (duo)
10
2 Harpes (duo)
9
Ensemble d'Altos
9
Contre Basse
9
Alto, Orgue
8
Ensemble de Violons
8
Trio à Cordes: 2 violons, violoncelle
8
Piano Trio: Violon, Alto, Piano
8
Harpe et Orgue
7
Violon, Guitare (duo)
7
Harpe, Flûte (duo)
6
Violon (partie séparée)
6
Contrebasse (partie séparée)
6
Alto, Violoncelle (duo)
5
2 Altos (duo)
5
Alto, Guitare (duo)
5
Violoncelle , Guitare (duo)
4
Harpe, Trombone (duo)
4
Harpe, Violoncelle (duo)
4
4 Violoncelles
4
Violoncelle (partie séparée)
3
Harpe, Violon (duo)
3
Harpe (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
2 Contrebasses (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Voix
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
Quatuor à cordes: 4 violons
2
Alto et Harpe
2
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
230
Cloches
220
Orchestre
134
Orchestre à Cordes
122
Ensemble de cuivres
116
Orchestre de chambre
72
Ensemble Jazz
48
Batterie
16
Jazz combo
12
Marimba et Orgue
5
Vibraphone
4
Fanfare
4
Ensemble de Percussions
3
Piano et Orchestre
2
Xylophone
2
Batterie (partie séparée)
2
Marimba
2
Big band
1
Timbales
1
Percussion (partie séparée)
1
+ 15 instrumentations
Retracter
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Instruments
ACCORDEON
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BANJO
BASSE
BASSON
BATTERIE
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
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VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
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ENFANTS : EVEIL - IN…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
PATRIOTIQUE
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Vous avez sélectionné:
Music for Organ
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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Passacaglia and Fugue in c minor BWV 582 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.74…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.747431 Composed by Johann Sebastian Bach. Arranged by Darrell Goforth. Baroque,Wedding. Score and parts. 27 pages. Darrell Harrison Goforth #6637809. Published by Darrell Harrison Goforth (A0.747431). Bach didn't just write music for organ, but his organ music is some of his finest work. The Passacaglia and Fugue in c minor (BWV 582) is an example of some of his finest work.
$24.99
23.04 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Johann Sebastian Bach
#
Darrell Goforth
#
Passacaglia and Fugue in c minor BWV 582 for Woodwind Quintet
#
Darrell Harrison Goforth
#
SheetMusicPlus
Allegro (from "Concerto for Four Claviers") (G min) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 H
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.813410 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209865. Published by Regis Bookshar (A0.813410). Woodwind Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Woodwind Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
32.27 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
Allegro (from "Concerto for Four Claviers") (A min) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 H
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.813388 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209781. Published by Regis Bookshar (A0.813388). Woodwind Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Woodwind Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
32.27 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
23.05 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Harmony Music No.1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,Chamber,Classical. 26 pages. Philip Le Bas #728449. Published by Philip Le Bas (A0.1127840). An arrangement by Philip Le Bas of a very early wind quintet written by Edward Elgar while still based in Worcester in 1878-9, entitled Harmony Music No.1, after the German Harmoniemusik, meaning music for wind instruments. His quintet group (in which he played the bassoon) consisted of two flutes, an oboe, a clarinet and a bassoon, which by modern standards is rather unusual (omitting the usual French horn). He agreed to write a quintet for the group once a week, and he claimed to have written most of them during the 25-minute sermons at St. George's R.C. Church, where he had taken over the organ-playing from his father (and where the arranger ministered for three years in the 1990s!) It is a wonderful, cheerful, tuneful short piece (4-5 minutes long), but the original version is rarely performed, perhaps because of its difficulty on several fronts. First it is very fast, challenging performers' ability to tongue rapidly. Secondly, it repeatedly leaves no time to breathe, especially for the flautists (meaning that it has to be performed even faster, in order to get through it.) Thirdly, Elgar's oboist must have been extremely versatile, as its part is very low indeed in places (several low B's played pp at speed.) Finally, published copies seem to have rather a lot of editorial errors... This arrangement was therefore created in the hope that the piece might become more accessible and be more frequently performed. Although the bassoon part remains Elgar's, the other four players are used imaginatively to overcome many of the difficulties of the original. For example, the original low oboe parts are here played by one of the clarinets instead, and the severe breathing problems are solved by sharing repeated quavers between the four higher instruments.
$5.99
5.52 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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E Elgar
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Philip Le Bas
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Harmony Music No.1
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Philip Le Bas
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SheetMusicPlus
Bach Little Fugue in G Minor for Wind Quintet BWV 578
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.796898 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.796898 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. 26 pages. Stephanie Daige #6040559. Published by Stephanie Daige (A0.796898). This little fugue is one of Bach's most famous and beloved organ works. Reimagined for woodwind quintet, it is a challenging and fun setting for this fugue. The five instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments add a whole new dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of this wind instruments, which obviously wasn't an issue in the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music recital, a church, or an online virtual concert. It would also work as prelude or lobby music. Duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for brass quintet and double reed ensemble. Please check out my other arrangements at: https://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
16.59 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor for Wind Quintet BWV 578
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Stephanie Daige
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SheetMusicPlus
Communion (for Wind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1219628 By Andrew Lamb. By William Faulkes (1863-1933). Arranged by Andrew Lamb. 19th Century,Chamber,Christian,Religious. 10 pages. Andrew Lamb #815992. Published by Andrew Lamb (A0.1219628). Title: CommunionComposer: William Faulkes (1863-1933)Arranger: Andrew LambDescription: This is a transcription of Andante Religioso by Henry Smith (1813-1879).William Faulkes was a renowned British composer and organist, born in 1863. He began his musical career as a choirboy at York Cathedral, where he developed his love for music. Faulkes went on to study music and became a distinguished organist, playing at prestigious cathedrals and churches throughout England. He also developed a reputation as a gifted composer, writing works for organ, choir, and orchestra. Faulkes’ music was known for its delicacy, simplicity, and expressive qualities. His work was admired by many, including the renowned composer Sir Edward Elgar. Faulkes was awarded numerous honours throughout his career, including the Order of the British Empire. He died in London in 1933, leaving behind a legacy of beautiful music that continues to inspire and delight music lovers to this day.
$6.00
5.53 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Andrew Lamb
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Andrew Lamb
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Communion
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Andrew Lamb
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
9.16 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
5 Classical Wedding Music for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
55.31 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner
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Woods Only
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Co
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5 Classical Wedding Music for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
A Mighty Fortress (Woodwind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download …
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.918904 By Jubal's Lyre Music. By Johann Pachelbel and Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christian,Classical,Contest,Festival,Sacred. 26 pages. Jubal's Lyre Music Publishers #6564719. Published by Jubal's Lyre Music Publishers (A0.918904). Here is a compelling setting of Martin Luther’s hymn A Mighty Fortress Is Our God (EIN FESTE BURG) by Johann Pachelbel (1653-1750). Originally composed for organ, it has been arranged for Woodwind Quintet with optional keyboard. Two harmonizations of the isometric version of the hymn are also provided. The first is a standard harmonization found in many hymnals. The second is based on the concluding Chorale of Cantata 80 by Johann Sebastian Bach (1685-1750). Including the music of both Bach and Pachelbel, this arrangement serves as an excellent introduction to the music of the Baroque era and the contributions of great Lutheran composers. It also provides opportunities to discuss the time of the Reformation. For worship the arrangement can be played alone or it can be used to accompany congregational singing. Additional arrangements are available for Brass, Strings, and Concert Band. For more music and information, visit www.jubalslyre.com/music.
$9.99
9.21 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Jubal's Lyre Music
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Martin Dicke
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A Mighty Fortress
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Jubal's Lyre Music Publishers
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SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.774064 Arra…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.774064 Arranged by Anthony Giamanco. Christian,Concert,Easter,Sacred. 23 pages. Whole Tone Press #6638599. Published by Whole Tone Press (A0.774064). Expertly arranged for wind quintet, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the oboe above the drone of the horn and bassoon. Then the bassoon takes the melody, transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, now taken up by the clarinet. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a D6/9 chord. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel
$5.50
5.07 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FORTY DAYS - Wind Quintet
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Whole Tone Press
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SheetMusicPlus
Arioso No. 1 (by Filippo Capocci, arr. for Wind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1197651 Composed by Filippo Capocci (1840-1911). Arranged by Andrew Lamb. Chamber,Romantic Period. 32 pages. Andrew Lamb #796832. Published by Andrew Lamb (A0.1197651). Title: AriosoAlternative Title: 10 Pieces for Organ or Pedal PianoComposer: Filippo Capocci (1840-1911)Arranger: Andrew LambDescription: This is my transcription for Quintet of Arioso No. 1, by Italian Organist and composer Filippo Capocci (1840-1911). The piece is from the collection Dix Pieces pour Orgue. The music was originally published in 1894 and is written in the Romantic style.
$12.00
11.06 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Filippo Capocci
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Andrew Lamb
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Arioso No. 1
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Andrew Lamb
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SheetMusicPlus
Lohengrin – Elsa’s Procession to the Cathedral (for Woodwind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Organ, Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Intermediate - …
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Organ, Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Intermediate - Digital Download Composed by Richard Wagner (1813-1883). Arranged by Kenneth Abeling. Post- Romantic. Score, Set of Parts. 21 pages. Published by LINCOLN MUSIC PUBLICATIONS
Elsa’s Procession to the Cathedral from Lohengrin by Richard Wagner transcribed for Woodwind Quintet. This is an intermediate level piece suitable for general performance and perhaps some religious services as well. An optional Organ part is included to enhance the ending if available. Playing time approximately 5:20. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/Elsa’s Procession to the Cathedral from Lohengrin by Richard Wagner transcribed for Woodwind Quintet. This is an intermediate level piece suitable for general performance and perhaps some religious services as well. An optional Organ part is included to enhance the ending if available. Playing time approximately 5:20. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
$14.99
13.82 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Richard Wagner (1813-1883)
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Kenneth Abeling
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Lohengrin – Elsa’s Procession to the Cathedral
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
5 Famous Songs by Bach for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957284 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957284 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748165. Published by Woods Only, Arrangements (A0.957284). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11896992: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11898993: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900074: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901035: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190269Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known a.
$39.99
36.87 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bach, Martin Luther
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Ander
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where it is also known a.
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5 Famous Songs by Bach for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
5 Famous Songs by Bach for Tenor Sax Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957295 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957295 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748247. Published by Woods Only, Arrangements (A0.957295). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897712: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899813: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900334: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901655: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190373Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism.
$39.99
36.87 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Tenor Sax Quintet
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Woods Only, Arrangements
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SheetMusicPlus
5 Famous Songs by Bach for English Horn Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957290 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957290 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748233. Published by Woods Only, Arrangements (A0.957290). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for english horn quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897512: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899713: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900214: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901435: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190361Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestant.
$39.99
36.87 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Bach, Martin Luther
#
Ander
#
5 Famous Songs by Bach for English Horn Quintet
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Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Recorder Choir Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957288 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957288 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748227. Published by Woods Only, Arrangements (A0.957288). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for recorder choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897412: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899653: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900154: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901295: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190351Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protesta.
$39.99
36.87 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Bach, Martin Luther
#
Ander
#
5 Famous Songs by Bach for Recorder Choir Quintet
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Woods Only, Arrangements
#
SheetMusicPlus
Jean-Thierry Boisseau: Introduction et Passacaille for wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.53…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.534720 Composed by Jean-Thierry Boisseau. 20th Century,Contemporary. Score and parts. 50 pages. Musik Fabrik Music Publishing #6359987. Published by Musik Fabrik Music Publishing (A0.534720). An expressionist piece in two continuous sections. Jean-Thierry Boisseau is a prolific French composer, specialized in music for the organ.
$28.95
26.69 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: Introduction et Passacaille for wind quintet
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Musik Fabrik Music Publishing
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SheetMusicPlus
I Had Much Grief
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.88…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
7.32 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Handel - Behold the Lamb of God (from Messiah) (for Woodwind Quintet & optional Organ)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.514564 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Easter. 12 pages. LINCOLN MUSIC PUBLICATIONS #3421203. Published by LINCOLN MUSIC PUBLICATIONS (A0.514564). Behold the Lamb of God from George Fredrick Handel’s Messiah, transcribed for Woodwind Quintet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist! To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 2:40  Preview this score on YouTube: https://www.youtube.com/watch?v=q62l-6smMfEÂ
$13.99
12.9 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
George Frideric Handel
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Kenneth Abeling
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Handel - Behold the Lamb of God
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Thou Wilt Keep Him in Perfect Peace (for Woodwind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1293536 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1293536 Composed by Samuel Sebastian Wesley. Arranged by Kenneth Abeling. Classical,Sacred. 12 pages. LINCOLN MUSIC PUBLICATIONS #884025. Published by LINCOLN MUSIC PUBLICATIONS (A0.1293536). Thou Wilt Keep Him in Perfect Peace by Samuel Sebastian Wesley, or S. S. Wesley transcribed for Woodwind Quintet. This is intermediate level transcription of what is perhaps the organist and composer’s most popular and beautiful Anthems/Hymns. The organ part is optional but a nice addition if available. The playing time is approximately 3:30. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$13.99
12.9 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Samuel Sebastian Wesley
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Kenneth Abeling
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Thou Wilt Keep Him in Perfect Peace
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Clef Club March for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - …
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1411895 Composed by James Reese Europe. Arranged by Charles Decker. 20th Century,Contest,Festival,Historic,Multicultural,World. 23 pages. Charles Decker Music Press #994126. Published by Charles Decker Music Press (A0.1411895). Organizer, promoter, composer and conductor James Reese Europe, called by Eubie Blake the Martin Luther King of Musicâ€, was the leading figure in the African-American music scene of New York City in the 1910's. Europe composed the spirited Clef Club March as the signature theme for his 125 member Clef Club orchestra that performed at Carnegie Hall from 1912 to 1915. During World War I, Europe directed the 369th Infantry Regiment Harlem Hellfighters Band to great acclaim in performances throughout France. Arranged for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon, the historically important work has audience appeal and is accessible for less experienced performers. The recording is of the entire edition.To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99
11.98 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
James Reese Europe
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Charles Decker
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Clef Club March for Woodwind Quintet
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Charles Decker Music Press
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SheetMusicPlus
Mozart - Ave Verum Corpus (for Woodwind Quintet and Optional Organ)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.515053 Composed by Wolfgang Amadeus Mozart. Arranged by Kenneth Abeling. Classical,Sacred,Wedding. 12 pages. LINCOLN MUSIC PUBLICATIONS #4627599. Published by LINCOLN MUSIC PUBLICATIONS (A0.515053). Ave Verum Corpus (Hail, true body) transcribed for Woodwind Quintet with optional Organ by Kenneth Abeling. Ave Verum Corpus is considered to be one of the most beautiful classical compositions ever written and certainly one of Mozart’s most memorable. This is a rather easy arrangement, performable with the Organ (or not cues added) and suitable for various religious or sacred events including Weddings. Playing time: 2:15 To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$13.99
12.9 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Kenneth Abeling
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Mozart - Ave Verum Corpus
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Vivaldi – L’inverno “Winter” 2. Largo from The Four Seasons - (for Woodwind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.514717 Composed by Antonio Vivaldi. Arranged by Kenneth Abeling. Baroque,Classical,Sacred,Wedding. 10 pages. LINCOLN MUSIC PUBLICATIONS #3520021. Published by LINCOLN MUSIC PUBLICATIONS (A0.514717). This is 2. Largo (in Eb major) From Vivaldi’s The Four Seasons or Concerto No. 4 in F minor, Op. 8, RV 297, Winter (L'inverno). Transcribed here for Woodwind Quintet by Kenneth Abeling. This transcription is suitable for advanced Intermediate musicians and is suitable for numerous performance applications including Religious Services and Weddings! The Organ part is optional. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling and purchase at the lowest prices possible please visit: www.lincolnmusicpublications.com Preview this score on YouTube: https://www.youtube.com/watch?v=yoWKKe2nXIo
$10.99
10.13 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Antonio Vivaldi
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Kenneth Abeling
#
#
Vivaldi – L’inverno “Winter” 2. Largo from The Four Seasons -
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Breden Väg För Herran (Prepare the Royal Highway) (for Woodwind Quintet & optional Organ)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.514578 Composed by Frans Mikael Franzen. Arranged by Kenneth Abeling. Baroque,Religious,Sacred. 21 pages. LINCOLN MUSIC PUBLICATIONS #3435825. Published by LINCOLN MUSIC PUBLICATIONS (A0.514578). “Breden Väg För Herran†by Finish composer Frans Mikael Franzen arranged here for Woodwind Quintet. This hymn is the basis for and can be used for instrumental versions of “Prepare the Royal Highwayâ€, “Prepare the Way to Zion†and “The People Who in Darkness Walkedâ€. This piece has several performance applications throughout a traditional Christian worship service particularly during Advent. The Organ part is optional but adds a nice touch if available. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing Time: 2:35 Preview this score on YouTube: https://www.youtube.com/watch?v=0mjQedNFPKU
$14.99
13.82 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Frans Mikael Franzen
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Kenneth Abeling
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Breden Väg För Herran
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
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