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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
My Mind
Non classifié
429
Piano & claviers
Piano seul
543
Piano, Voix et Guitare
283
Piano Facile
160
Piano, Voix
141
Instruments en Do
47
Orgue
32
2 Pianos, 4 mains
26
Piano grosses notes
15
1 Piano, 4 mains
9
Accompagnement Piano
6
Piano Trio: piano, violon, violoncelle
6
Accordéon
5
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
1
Accordéon, Voix
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
149
Ligne De Mélodie, (Paroles) et Accords
91
Guitare
64
Ukulele
49
Paroles et Accords
48
Basse electrique
18
Banjo
16
Dulcimer
9
Mandoline
8
Piano, Guitare (duo)
2
2 Guitares (duo)
2
Ukulele Baryton
2
4 Guitares (Quatuor)
2
Guitare (partie séparée)
1
Ensemble de guitares
1
+ 10 instrumentations
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Voix
Chorale SATB
169
Chorale TTBB
31
Chorale 3 parties
27
Chorale 2 parties
24
Voix seule
23
Chorale SSAA
17
Voix haute
7
Chorale Unison
5
Chorale
5
Pack Instrumental pour Chorale
5
Voix Soprano, Piano
4
Voix Alto, Piano
4
Voix duo, Piano
3
Voix moyenne, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix duo
2
Voix Baryton, Piano
2
Chorale SSAB a cappella
1
Voix basse
1
Voix Tenor
1
Chorale SSATTB
1
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
+ 18 instrumentations
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Vents
Saxophone
36
Quatuor de Saxophones: 4 saxophones
36
Clarinette
33
Flûte traversière et Piano
33
Flûte traversière
32
Saxophone Tenor
26
Saxophone Alto
25
Clarinette et Piano
25
Saxophone Alto et Piano
23
2 Flûtes traversières (duo)
22
Hautbois, Piano (duo)
22
Flûte, Hautbois, Clarinette, Basson
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Saxophone Tenor et Piano
15
Saxophone (partie séparée)
14
2 Saxophones (duo)
12
Hautbois (partie séparée)
11
Clarinette Basse, Piano
10
2 Clarinettes (duo)
9
Saxophone Baryton, Piano
9
Saxophone Soprano et Piano
8
Quatuor de Clarinettes: 4 clarinettes
7
2 Flûte à bec (duo)
6
Clarinette, Violon (duo)
6
Saxophone, Clarinette (duo)
6
Flûte, Violon
5
Quintette de Saxophone: 5 saxophones
4
Clarinette, Trompette (duo)
4
Flûte, Clarinette (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
3 Clarinettes (trio)
4
Hautbois, Flûte
3
Clarinette, Guitare (duo)
3
Instruments en Mib
3
Flûte et Guitare
3
Clarinette, Harpe (duo)
3
Ensemble de Clarinettes
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Alto (duo)
2
Flûte à Bec
2
Ensemble de Flûtes
2
Hautbois, Basson (duo)
2
Flute (partie séparée)
2
Hautbois
2
Clarinette et Alto
2
Hautbois, Clarinette (duo)
2
Flûte, Saxophone (duo)
2
Cor anglais, Piano
2
Trio de Flûtes: 3 flûtes
2
2 Hautbois (duo)
2
Harmonica
2
Flûte, Hautbois, Violon
1
Flûte et Trio à cordes
1
3 Saxophones (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Tenor
1
Flûte, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violon, Piano
1
Flûte irlandaise
1
Flûte à bec Alto
1
Flûte, Hautbois (duo)
1
Harmonica, Piano
1
Flûte, Trompette (duo)
1
Flûte, Harpe et Violoncelle
1
Ensemble de saxophones
1
+ 61 instrumentations
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Cuivres
Trompette
31
Trompette, Piano
27
Trombone
21
Trombone et Piano
19
Cor et Piano
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Cor
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Tuba et Piano
12
Trompette (partie séparée)
6
2 Trombones (duo)
5
Euphonium, Piano (duo)
5
Trompette, Saxophone (duo)
4
2 Trompettes (duo)
4
Tuba
3
Instruments en Sib
3
3 Trombones (trio)
2
Trompette, Trombone (duo)
2
Cor anglais, Piano
2
Instruments en Fa
1
Ensemble de Trompettes
1
Trombone (partie séparée)
1
Quatuor de Cuivres
1
Bass Clef Instruments
1
Ensemble de Trombones
1
Ensemble de Cors
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums (duo)
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
76
Harpe
67
Violoncelle
40
Violon
39
Violon et Piano
39
Violoncelle, Piano
23
Alto seul
20
Alto, Piano
20
Contrebasse, Piano (duo)
10
2 Violons (duo)
10
Violon, Violoncelle (duo)
9
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contre Basse
4
Violon, Alto (duo)
3
Violoncelle, Contrebasse (duo)
3
Alto (partie séparée)
3
Trio à Cordes: violon, alto, violoncelle
3
2 Altos (duo)
3
Violon, Guitare (duo)
3
Harpe et Piano
2
Trio à cordes: 3 violins
2
Harpe, Flûte (duo)
2
Violoncelle, Orgue
1
2 Harpes (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Voix
1
Piano Trio: Violon, Alto, Piano
1
4 Violoncelles
1
Harpe, Violon (duo)
1
Contrebasse (partie séparée)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
49
Fanfare
32
Orchestre
32
Orchestre à Cordes
31
Batterie
25
Ensemble de cuivres
22
Ensemble Jazz
18
Orchestre de chambre
10
Xylophone, Piano
8
Cloches
7
Ensemble de Percussions
4
Jazz combo
4
Piano et Orchestre
1
Vibraphone
1
Orchestre, Violon
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
My Mind
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
16 partitions trouvées
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1
Carolina In My Mind
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Contemporain
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James Taylor
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James Haynor
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Carolina In My Mind
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James Haynor
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.782343 By James Taylor. By James Taylor. Arranged by James Haynor. Contemporary. Sco...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.782343 By James Taylor. By James Taylor. Arranged by James Haynor. Contemporary. Score and parts. 9 pages. James Haynor #5727877. Published by James Haynor (A0.782343). Carolina in My Mind is a song written and performed by singer-songwriter James Taylor, which first appeared on his 1968 self-titled debut album. Taylor wrote it while overseas recording for the Beatles' label Apple Records, and the song's themes reflect his homesickness at the time. Released as a single, the song earned critical praise but not commercial success. Scored here for woodwind quintet, Carolina In My Mind adds a great change of pace to your concert or recital. ( Duration 3:19 )
$12.99
Vow to Thee, My Country (Wind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Gustav Holst
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G L Harvey
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Vow to Thee, My Country
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G L Harvey
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.805826 Composed by Gustav Holst. Arranged by G L Harvey. 20th Century,Concert,Contemporary,Patrio...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.805826 Composed by Gustav Holst. Arranged by G L Harvey. 20th Century,Concert,Contemporary,Patriotic,Sacred. 16 pages. G L Harvey #4413879. Published by G L Harvey (A0.805826). This rousing, stately and reflective piece of music has been arranged for standard wind quintet, with substitute options for horn in F (tenor horn, tenor saxophone) and bassoon (bass clarinet). With concerts and memorial performances in mind, this arrangement is popular with players and audiences alike. After an expressive opening, the melody moves around the ensemble, exploiting interesting changes in time signature and texture, gradually leading to a final climax and closing flourish. The difficulty level is about ABRSM grade 5-6. The PDF is 16 pages in length (portrait A4) and includes a full score and parts for Flute, Oboe, Clarinet, Horn in F & Bassoon, plus extra parts already mentioned. The duration of the piece is 2 minutes 45 seconds.
$15.99
Vow to Thee, My Country (Saxophone Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Gustav Holst
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G L Harvey
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optional Timpani
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Vow to Thee, My Country
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G L Harvey
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.805854 Composed by Gustav Holst. Arranged by G L Harvey. 20th Century,Concert,Contemporary,Patrio...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.805854 Composed by Gustav Holst. Arranged by G L Harvey. 20th Century,Concert,Contemporary,Patriotic,Sacred. 11 pages. G L Harvey #4633265. Published by G L Harvey (A0.805854). This rousing, stately and reflective piece of music has been arranged for Saxophone Quintet & optional Timpani. With concerts and memorial performances in mind, this arrangement is popular with players and audiences alike. After an expressive opening, the melody moves around the ensemble, exploiting interesting changes in time signature and texture, gradually leading to a final climax and closing flourish. The difficulty level is about ABRSM grade 5-6. The PDF is 11 pages in length (portrait A4) and includes a full score and parts for Alto 1 & 2, Tenor 1 & 2, Baritone and Timpani. The timpani part is desirable for some added gravitas but not essential. The duration of the piece is 2 minutes 50 seconds. Please note that versions of this arrangement are also available for brass band, brass and wind quintets.
$15.99
HERO SANDWICH from Odd Beethoven
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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West Coast Wind Quintet
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HERO SANDWICH from Odd Beethov
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Thinkling Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1162314 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical. 14 pages. Thinkling Musi...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1162314 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical. 14 pages. Thinkling Music #762674. Published by Thinkling Music (A0.1162314). Once again, my mind goes to food. What can I say? But this is no random title. “Hero†refers of course to the subtitle of Beethoven’s third symphony, the “Eroicaâ€. Just as in Sixth Sense, my piece begins a lot like the original, but soon goes astray - into a blues style which  Beethoven never knew. There IS drama here, along with the witty stuff.  After all, it is “Odd BEETHOVENâ€. And “Beethoven†is synonymous with “dramaâ€â€¦ as well as with “witâ€! The overall mood is whimsical and fun – and the piece is brief, making it a perfect encore piece – short and sweet.
$5.00
American Quilt Sketches
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Nancy Bachmann
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American Quilt Sketches
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Nancy Bachmann
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1139982 Composed by Nancy Bachmann. Chamber,Classical,Contempora...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1139982 Composed by Nancy Bachmann. Chamber,Classical,Contemporary. 104 pages. Nancy Bachmann #740242. Published by Nancy Bachmann (A0.1139982). A taste of Americana, these five stand-alone movements for traditional woodwind quintet celebrate the artistic quilts of our foremothers. Appropriate for intermediate and advance players. INCLUDED IN PURCHASE: Full score and complete set of instrumental parts. NOTES FROM THE COMPOSER: Traditional quilting, like chamber music, is a cooperative, communal activity and the clean crisp lines delineating the sewn patterns bring woodwind sonorities to my mind. This suite celebrates the remarkable needlecraft of our American foremothers. They took scraps, rags and remnants of otherwise worn out garments and household fabrics to stitch together useful (often life saving) “blankets†that were also beautiful works of art. These early quilters favored certain shapes and designs that I have used for my musical inspiration. In these five pieces I have tried to honor the physical shapes of the patterns as well as emotions evoked by their use..
$60.00
Blast - Score Only
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Amos Elkana
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Blast - Score Only
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Amos Elkana
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1356476 Composed by Amos Elkana. 21st Century,Chamber,Contemporary. 17 pages. Amos Elkana #941147...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1356476 Composed by Amos Elkana. 21st Century,Chamber,Contemporary. 17 pages. Amos Elkana #941147. Published by Amos Elkana (A0.1356476). Blast, for woodwind quintet, is a reflection of my continuous exploration of both musical innovation and current realities. This piece follows my previous compositions, including Que sais-je?, Echoes of EÃkosi, Roots and Mostly Cloudy, each embodying my commitment to creating music that resonates with contemporary experiences while being rooted in a rich musical tradition. The title Blast emerged from a confluence of meanings and personal reflections. It alludes to the fundamental act of blowing into wind instruments, forming the essence of this quintet. This direct, physical engagement with the instruments creates a visceral connection between the musicians and their art, mirroring the intimate connection I strive to maintain with my creative process. However, the title also carries a deeper, more poignant significance. Living in Tel Aviv, I am constantly reminded of the harsh realities of conflict, where the sounds of blasts are a grim reminder of the ongoing strife in our region. As someone who deeply opposes war and champions human rights and peace, Blast is my artistic response to these troubling times. It is an expression of my longing for a world where the creative and life-affirming act of making music can overpower the destructive sounds of conflict.
$10.00
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
It Came Upon A Midnight Clear for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Edmund Sears and Richard Storr
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James Smith
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It Came Upon A Midnight Clear
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James Smith
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1343257 Composed by Edmund Sears and Richard Storrs Willis. Arra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1343257 Composed by Edmund Sears and Richard Storrs Willis. Arranged by James Smith. Christian,Christmas,Holiday,Jazz,Traditional. 20 pages. James Smith #928780. Published by James Smith (A0.1343257). A beloved Christmas tune, It Came Upon A Midnight Clear was a poem & carol written in 1849 by Edmund Sears, with music written by Richard Storrs Willis. Sears wrote the hymn while serving as a part-time preacher. Writing during a period of personal melancholy, and with news of revolution in Europe and the United States' war with Mexico fresh in his mind, Sears portrayed the world as dark, full of sin and strife, and not hearing the Christmas message.This arrangement features chorale and jazz renditions of the tune that is sure to keep the audience engaged, with an optional section for members of the group to improvise. Great for holiday concerts!Want to view more of my arrangements? View my entire catalog here at https://linktr.ee/jamessmithmusic.
$14.99
Jeanie with the Light Brown Hair
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Stephen Foster
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Judith Katz
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Jeanie with the Light Brown Ha
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Imagine Music - Digital
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SheetMusicPlus
Woodwind quintet - SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Pub...
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Woodwind quintet - SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Published by Imagine Music - Digital (IZ.CMS1612). 9 x 12 in inches.Jeanie With The Light Brown Hair is one of the most enduring, and popular American songs of all times.Characterized as a parlor song, it was written by Stephen Foster, and published by Firth, Pond & Co. of NewYork, in1854.In 1850, Foster married Jane Denny McDowell, whose nickname was Jennie. However, this was an unhappymarriage, short-lived, with numerous conflicts and separations. Jeanie With The Light Brown Hair, was written asperhaps an attempt to win his wife back. To add to his problems, Foster also ran into deep financial difficulties.Jeanie With the Light Brown Hair was virtually unknown during its time. When it was first published, the royaltieson the ten thousand copies sold, earned just $200 for Stephen Foster. To make ends meet, he had to sell the rights toJeanie, as well as other songs. After his death, the rights to Jeanie With The Light Brown Hair reverted back to hiswife and daughter.It would indeed be a pleasant surprise to Stephen Foster, if he only knew what a wide range of artists have adaptedthis song to different genres. Among solo instrumentalists, Jascha Heifitz, and William Primrose have arranged itfor solo violin and viola. The big bands of Gene Krupa, and Glen Miller have recorded it. The great R & B artist,Sam Cooke used it, as well as opera stars, Marilyn Horne and John McCormick, who added it to their concertrepertoire.The song's frequent airplay in the 1940's, led Spike Jones to create a parody, called, I Dream of Jeanie with theLight Blue Jeans. Les Brown in 1941, created a big band song, Joltin' Joe DiMaggio with the line.....We Dream ofJoey With the Light Brown Bat. Even Bugs Bunny got into the act. The 1960 short, From Hare To Heir, featuresBugs singing, I dream of Jeanie, she's a light brown hareMy arrangement, for woodwind quintet is written to capture a lyric, singing style, which I think Foster had in mind.
$12.00
"Six Short Stories" - for Woodwind Quintet (1996)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Lior Navok
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Oboe
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"Six Short Stories"
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Lior Navok Music
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976045 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 32 pages....
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976045 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 32 pages. Lior Navok Music #4727437. Published by Lior Navok Music (A0.976045). SIX SHORT STORIES FOR WOODWIND QUINTET (1996)INSTRUMENTATION: Flute / Piccolo; Oboe; Clarinet; Bassoon; HornDURATION: 12 Minutes. PROGRAM NOTES: The composer writes about his work: The woodwind quintet is one of my favorite mediums: the individual personality of each musical instrument on one hand, and the homogeneity that can skilfully be achieved on the other hand, stimulated my imagination for a long time. The titles of the movements represent my own plot thoughts and associations behind each story: The First is a meeting of five friends willing to play together while one of them is being considerably late. The second is my association to a native ceremonial dance. The third, reminds me of a light breeze on a lazy summer night, while sitting on front of the porch. The fourth describes a person gazing at the fire flames, controlled like a marionette by the wind. The fifth is a sinking / floating memory, and last, a discussion about how a fugue should sound. Nevertheless, this is only my view of the music. I would like to invite the listeners to find their own association, and create their individual stories.MOVEMENTS: 1. The Meeting2. Native Dance3. Air4. Fire Dance5. Longing (Sinking and Floating Memory)6. 1+1=11 (Introduction and Fughetta)INFO: Item: Full ScoreEdition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok MusicPages: 32 Paper Size:DIN A4 / Letter
$16.00
"Six Short Stories" - for Woodwind Quintet (1996) [Set of Parts]
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Lior Navok
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Oboe
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"Six Short Stories"
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Lior Navok Music
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976044 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 75 pages....
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976044 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 75 pages. Lior Navok Music #4727435. Published by Lior Navok Music (A0.976044). SIX SHORT STORIES FOR WOODWIND QUINTET (1996)INSTRUMENTATION: Flute / Piccolo; Oboe; Clarinet; Bassoon; HornDURATION: 12 Minutes. PROGRAM NOTES: The composer writes about his work: The woodwind quintet is one of my favorite mediums: the individual personality of each musical instrument on one hand, and the homogeneity that can skilfully be achieved on the other hand, stimulated my imagination for a long time. The titles of the movements represent my own plot thoughts and associations behind each story: The First is a meeting of five friends willing to play together while one of them is being considerably late. The second is my association to a native ceremonial dance. The third, reminds me of a light breeze on a lazy summer night, while sitting on front of the porch. The fourth describes a person gazing at the fire flames, controlled like a marionette by the wind. The fifth is a sinking / floating memory, and last, a discussion about how a fugue should sound. Nevertheless, this is only my view of the music. I would like to invite the listeners to find their own association, and create their individual stories.MOVEMENTS: 1. The Meeting2. Native Dance3. Air4. Fire Dance5. Longing (Sinking and Floating Memory)6. 1+1=11 (Introduction and Fughetta)INFO: Item: Set of PartsEdition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok MusicPages:75 Paper Size:DIN A4 / Letter
$18.00
Georgia on My Mind (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Jazz
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Gospel Spirituel
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Ray Charles
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Kenneth Abeling
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Georgia on My Mind
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
By Ray Charles. Arranged by Kenneth Abeling. Score, Set of Parts. 16 pages. Published by LINCOLN MUSIC PUBLICATIONS (H0.338063-269420). - Score,Set of Parts - ...
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By Ray Charles. Arranged by Kenneth Abeling. Score, Set of Parts. 16 pages. Published by LINCOLN MUSIC PUBLICATIONS (H0.338063-269420). - Score,Set of Parts - - LINCOLN MUSIC PUBLICATIONS
$14.99
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