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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
No One
Non classifié
4 362
Piano & claviers
Piano seul
1 785
Piano, Voix
1 020
Piano, Voix et Guitare
395
Piano Facile
390
Instruments en Do
106
Orgue
84
Accompagnement Piano
63
1 Piano, 4 mains
44
Piano Trio: piano, violon, violoncelle
27
Piano (partie séparée)
19
2 Pianos, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
11
Accordéon
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano grosses notes
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Clavecin
3
Orgue, Piano (duo)
2
Orgue, Trompette (duo)
2
2 Pianos, 8 mains
2
Clavier
1
+ 16 instrumentations
Retracter
Guitares
Guitare
246
Guitare notes et tablatures
219
Ligne De Mélodie, (Paroles) et Accords
96
Basse electrique
54
Guitare (partie séparée)
41
Paroles et Accords
35
2 Guitares (duo)
28
Ukulele
26
Piano, Guitare (duo)
19
4 Guitares (Quatuor)
10
Dulcimer
7
2 Dulcimers (duo)
6
Mandoline
6
Ensemble de guitares
5
3 Guitares (trio)
4
Mandoline, Guitare (duo)
2
Banjo
1
Ukulele Baryton
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
480
Voix seule
199
Chorale 3 parties
155
Chorale TTBB
104
Chorale 2 parties
79
Chorale SSAA
47
Voix Baryton, Piano
36
Chorale Unison
30
Pack Instrumental pour Chorale
19
Voix Soprano, Piano
18
Voix haute
16
Voix duo, Piano
14
Voix moyenne, Piano
9
Voix duo
7
Voix Alto, Piano
6
Voix basse, Piano
3
Voix Mezzo-Soprano, Piano
2
Chorale
2
Voix Tenor, Piano
2
Voix Tenor
1
Chorale SSATB
1
Chorale SSAATTBB
1
Voix Soprano
1
+ 18 instrumentations
Retracter
Vents
Saxophone
961
Quatuor de Saxophones: 4 saxophones
707
Saxophone (partie séparée)
667
2 Saxophones (duo)
530
Saxophone Alto
481
Saxophone Alto et Piano
427
Saxophone Tenor
374
Flûte traversière et Piano
290
Saxophone Tenor et Piano
276
3 Saxophones (trio)
228
Saxophone Soprano et Piano
225
Quintette de Saxophone: 5 saxophones
211
Clarinette et Piano
186
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
184
Ensemble de saxophones
138
Clarinette
138
Hautbois, Piano (duo)
138
Flûte, Hautbois, Clarinette, Basson
137
2 Flûtes traversières (duo)
131
Saxophone Baryton, Piano
119
Quatuor de Clarinettes: 4 clarinettes
116
2 Clarinettes (duo)
114
Flûte traversière
99
Hautbois
75
Quatuor de Flûtes : 4 flûtes
60
Saxophone Soprano
56
Flûte, Clarinette (duo)
51
Cor anglais, Piano
50
Quintette de Clarinettes: 5 clarinettes
46
Ensemble de Clarinettes
44
2 Hautbois (duo)
40
Saxophone, Clarinette (duo)
36
Hautbois, Basson (duo)
35
Hautbois (partie séparée)
34
Hautbois, Clarinette (duo)
32
3 Clarinettes (trio)
28
2 Flûte à bec (duo)
26
Clarinette, Violon (duo)
25
Clarinette Basse, Piano
25
Ensemble de Flûtes
23
Flûte à Bec
22
Flute (partie séparée)
21
Quatuor de Flûtes à bec
21
3 Flûtes à bec (trio)
21
Clarinette (partie séparée)
20
Hautbois, Flûte
19
Flûte, Hautbois, Clarinette (trio)
19
Quintette de Flûte : 5 flûtes
19
Saxophone Baryton
18
Trio de Flûtes: 3 flûtes
18
Clarinette, Trompette (duo)
17
Clarinette et Alto
17
Hautbois, Clarinette, Basson (trio d'anches)
15
Flûte, Alto (duo)
15
Flûte et Guitare
14
Flûte, Saxophone (duo)
14
Flûte, Violon
14
Flûte à bec Soprano
13
Clarinette, Guitare (duo)
10
Piccolo, Piano
9
Clarinette, Basson (duo)
9
5 Flûtes à bec
9
Flûte, Trompette (duo)
9
Ensemble De Flûte à bec
9
Saxophone et Guitare
9
Cor Anglais
8
Flûte, Violoncelle
8
Flûte, Hautbois, Basson
7
Piccolo
6
Flûte, Violon, Piano
6
Saxophone et Piano
6
Flûte à bec Tenor
6
Flûte, Trombone (duo)
6
Flûte à bec Alto
6
Instruments en Mib
6
Flûte à Bec, Piano
5
Flûte à bec Alto, Piano
5
Ocarina
5
Flûte, Clarinette et Basson
4
2 Saxophones, Piano
4
Harmonica
4
Clarinette, Violoncelle (duo)
4
Flûte, Hautbois (duo)
4
Flûte irlandaise
4
Flute, harpe et violon
3
3 Hautbois
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Violon et Violoncelle
3
Clarinette, Harpe (duo)
2
Hautbois, Guitare (duo)
2
Clarinette, Trombone (duo)
2
2 Flûtes traversières, Piano
2
2 Cors Anglais Et Pianoforte
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, Violon, Violoncelle et Piano
2
2 Clarinettes, Basson
2
Flûte à bec Soprano, Piano
2
4 Hautbois
1
Saxophone et violoncelle
1
Hautbois et alto (duo)
1
Saxophone, Basson (duo)
1
2 Clarinettes, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Saxophone et Orgue
1
Cor anglais, Guitare (duo)
1
Ensemble de Hautbois
1
Flûte et Trio à cordes
1
Clarinette Basse
1
Saxophone, Violon (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Violoncelle
1
+ 107 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
752
Trombone
641
Trombone (partie séparée)
514
Trombone et Piano
373
Quatuor de Cuivres : 2 trompettes, trombone, tuba
350
2 Trombones (duo)
167
Trompette
144
Quatuor de cuivres: 4 trombones
108
Cor et Piano
96
Quatuor de Cuivres: 2 trompettes, Cor, trombone
95
Trompette, Piano
95
Quatuor de Cuivres
85
Trompette, Trombone (duo)
81
Trompette (partie séparée)
72
Euphonium, Piano (duo)
62
Ensemble de Trombones
61
Cor anglais, Piano
50
2 Trompettes (duo)
47
Cor
43
Tuba et Piano
42
Trio de Cuivres
38
Trombone basse et Piano
35
Tuba
34
3 Trombones (trio)
29
Ensemble de Trompettes
27
Trompette, Saxophone (duo)
27
2 Cors (duo)
26
Trombone basse
22
Quatuor de cuivres: 4 cors
21
Trombone, Tuba (duo)
17
Trompette, Cor (duo)
16
Trombone, Cor (duo)
16
Cor (partie séparée)
15
4 Tubas
14
Tuba (partie séparée)
14
Quatuor de cuivres: 4 trompettes
13
Euphonium
13
Bass Clef Instruments
10
Instruments en Sib
10
2 Tubas (duo)
9
Ensemble de Cors
8
Cor Anglais
8
Euphonium, Tuba (duo)
7
Tuba et Orgue
6
Tuba ou Euphonium ou Saxhorn
6
Trompette, Trombone, Piano
5
2 Euphoniums (duo)
5
3 Trompettes (trio)
5
3 Tubas (trio)
5
2 Euphoniums et 2 Tubas
4
Cor, Tuba (duo)
4
Cornet A Pistons
3
Trompette et Guitare
3
3 Cors (trio)
3
Trombone, Orgue
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Violon (duo)
3
2 Trompettes, Clavier (piano ou orgue)
2
2 Cors Anglais Et Pianoforte
2
Trombone, violoncelle (duo)
2
Trompette, Tuba (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Cor, Violoncelle (duo)
1
Cor anglais, Guitare (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
481
Harpe
323
Violon et Piano
270
Violon
241
Violoncelle, Piano
216
Alto, Piano
172
Violoncelle
130
Violon, Violoncelle (duo)
109
Trio à Cordes: violon, alto, violoncelle
103
Violon, Alto (duo)
69
2 Violons (duo)
67
Alto seul
63
2 Violoncelles (duo)
56
2 Altos (duo)
47
Trio à Cordes: 2 violons, violoncelle
37
4 Violoncelles
27
Contrebasse, Piano (duo)
26
Contrebasse (partie séparée)
24
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Trio à cordes: 3 violins
19
Violoncelle, Contrebasse (duo)
18
Alto, Violoncelle (duo)
18
Trio à Cordes: 3 violoncelles
17
Violon (partie séparée)
17
Harpe, Flûte (duo)
16
Violon, Guitare (duo)
13
Contre Basse
12
Trio à cordes: 3 altos
12
Alto (partie séparée)
12
Quatuor à cordes: 4 violons
11
Quatuor à cordes : 4 altos
10
2 Harpes (duo)
10
Alto, Guitare (duo)
8
Piano Trio: Violon, Alto, Piano
7
2 Contrebasses (duo)
7
Violoncelle , Guitare (duo)
7
Flûte, Contrebasse (duo)
5
Violoncelle (partie séparée)
5
Harpe, Voix
5
Trio à Cordes: 2 violons, alto
5
Ensemble de Violons
4
Harpe, Violon (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
3 Harpes
2
4 Contrebasses
2
5 Harpes
2
Ensemble d'Altos
2
Violon, Basse continue
1
Harpe, Quatuor à cordes
1
Violon, Basson (duo)
1
Alto et Harpe
1
Violoncelle, Basse continue
1
Ensemble de Violoncelles
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
806
Orchestre
393
Ensemble Jazz
302
Orchestre à Cordes
259
Ensemble de cuivres
207
Orchestre de chambre
88
Fanfare
65
Batterie
57
Jazz combo
51
Cloches
50
Percussion
36
Batterie (partie séparée)
24
Marimba
21
Ensemble de Percussions
20
2 Xylophones
7
Percussion (partie séparée)
7
Xylophone, Piano
5
Xylophone
5
Vibraphone
3
Quintette de Cuivres: autres combinaisons
3
Piano et Orchestre
2
Instrumentation Flexible
1
Marimba et Orgue
1
Timbales (partie séparée)
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Marimba, Piano (duo)
1
+ 22 instrumentations
Retracter
Autres
Papeterie
5
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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176
Second Movement from Sonata No. 8 Pathetique by Ludwig van Beethoven Op 13 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956912 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956912 Composed by Ludwig van Beethoven. Arranged by Woods Only. Concert,Easter,Romantic Period,Standards,World. 13 pages. Woods Only, Arrangements #6515227. Published by Woods Only, Arrangements (A0.956912). The second movement represents one of the most beautiful pages ever written in music. The soft melody, accompanied by harmonies that could only have come from Beethoven's pen, create an atmosphere of tranquility and impressive calm. For beginning students it is a great piece to develop the notion of the cantabile, and can be performed in academic recitals or concerts. Piano Sonata No. 8 in C minor, op. 13, generally known as, the Pathetic Sonata, was published in 1799, although it was written the year before. Beethoven dedicated this work to his friend, Prince Karl Lichnowsky. With this sonata, Beethoven opened the door to the future - no one after hearing this work - could close their eyes to the possibilities of expression presented here.
$8.99
8.29 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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Woods Only
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Second Movement from Sonata No. 8 Pathetique by Ludwig van Beethoven Op 13 for Woodwind Quintet
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Woods Only, Arrangements
#
SheetMusicPlus
Satie: Sarabande No.1 - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1302815 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 10 pages. RayThompsonMusic #892418. Published by RayThompsonMusic (A0.1302815). Satie: Sarabande No.1  Arranged standard wind quintetThe Sarabandes are three dances for solo piano composed in 1887 by Erik Satie. Along with the famous Gymnopédies (1888) they are regarded as his first important works, and the ones upon which his reputation as a harmonic innovator and precursor of modern French music, beginning with Debussy, principally rests. The Sarabandes also played a key role in Satie's belated discovery by his country's musical establishment in the 1910s, setting the stage for his international notoriety.French composer and critic Alexis Roland-Manuel wrote in 1916 that the Sarabandes represented a milestone in the evolution of our music...pieces of an unprecedented harmonic technique, born of an entirely new aesthetic, which create a unique atmosphere, a sonorous magic of complete originality.The sarabande is a dance in triple meter that originated in the Spanish colonies of Central America in the mid-1500s. It had migrated to Europe by the 17th Century, where in France it became a popular slow court dance. Satie's modern reinterpretations consist of three dances with a total duration of roughly 15 minutes:Sarabande No. 1 - A-flat major (This one)Sarabande No. 2 - D-sharp minorSarabande No. 3 - B-flat minorThe melody is shared amongst the top 4 instruments, and the quintet do not play tutti all of the time. This adds more interest and variation to the piece.Enjoy.
$9.95
9.17 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Erik Satie
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Ray Thompson
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Satie: Sarabande No.1 - wind quintet
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RayThompsonMusic
#
SheetMusicPlus
Mozart's Symphony No. 29 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.874038 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.874038 Composed by Wolfgang Amadeus Mozart. Arranged by Frank Starobin. Classical,Concert,Wedding. 40 pages. Frank Starobin #3023001. Published by Frank Starobin (A0.874038). W. A. Mozart's Symphony NO.29 in A major, K. 201, for horns, oboes, and strings is one of the composer's most notable early works. In this woodwind quintet arrangement of the first movement, Allegro moderato, I've emulated Mozart's scoring for winds to give it a genuine and honest Mozartesque air. A light and fun piece for winds! Clarinet in A and B-flat parts included. https://www.youtube.com/watch?v=pQjyKAoYVHM
$15.00
13.83 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
#
Frank Starobin
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Mozart's Symphony No. 29 for Woodwind Quintet
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Frank Starobin
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SheetMusicPlus
Holst: Bring Us In Good Ale (4 Carols for A Capella Choir Op.34 No.4 H.131) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1325401 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas. 9 pages. RayThompsonMusic #913639. Published by RayThompsonMusic (A0.1325401). Bring Us in Good Ale is a medieval English drinking song celebrating good drink and honoring Our Lady. For the medieval man, convivial drinking was a part of life, and drinks were enjoyed with nearly every meal. The English beverage of choice was ale. In Bring us in Good Ale the singers jocularly excuse themselves from mutton, eggs and pudding and instead stand firm in their call for their favorite drink. As they list all the dishes they refuse, the singers indirectly give thanks for the good season that has led to the plenty they are enjoying.Gustav Holst arranged it for unaccompanied choir as one of his 4 carols Op.34.It is quite short.Arranged here for wind quintet.Bring us in good ale, and bring us in good ale;For our Blessed Lady's sake, bring us in good ale.Bring us in no brown bread, for that is made of bran,Nor bring us in no white bread, there therein is no game;But bring us in good ale.Bring us in no beef, for there is many bones,But bring us in good ale, for that goes down at once;And bring us in good ale.Bring us in no bacon, for that is passing fat,But bring us in good ale, and give us enough of that;And bring us in good ale.Bring us in no mutton, for that is often lean,Nor bring us in no tripes, for they be seldom clean.Bring us in no eggys, for there are many shells,But bring us in good ale, and give us nothing else.Bring us in no butter, for there are many hairs;Nor bring us in no pig's flesh, for that will make us bears.Bring us in no puddings, for therein is all God's good;Nor bring us in no venison, for that is not for our blood;But bring us in good ale.Bring us in no capon's flesh, for that is often dear;Nor bring us in no duck's flesh, for they slobber in the mere;But bring us in good ale. Arranged wind quintet
$3.95
3.64 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gustav Holst
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Ray Thompson
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Holst: Bring Us In Good Ale
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RayThompsonMusic
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SheetMusicPlus
Satie: Gnossienne No.3 - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553174 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Holiday,Sacred,Standards,Wedding. 8 pages. RayThompsonMusic #32093. Published by RayThompsonMusic (A0.553174). This piece,originally for piano, is one of three. Satie wrote it without bar lines: I have added dashed ones to aid performance. The melody moves around the wind instruments,and I have varied the accompaniment giving the bass to bassoon, horn and clarinet. The expression marks are my own. Satie marks the piece p throughout, with some cresc/dim. My arrangement differs from many others, in that the melody is NOT given to one instrument throughout.More interesting for the players!Please check out the rest of my Satie arrangements for varying instrument combinations :3 Gymnopédies and 3 Gnossiennes. ( sold separately and as collections).
$11.95
11.02 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Erik Satie
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Ray Thompson
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Satie: Gnossienne No.3 - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: Gnossienne No.1 - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553495 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 9 pages. RayThompsonMusic #2989033. Published by RayThompsonMusic (A0.553495). This piece,originally for piano, is one of three. Satie wrote it without bar lines: I have added dashed ones to aid performance. The melody moves around the instruments, and I have varied the accompaniment giving the bass line to bassoon, horn and clarinet. The expression marks are my own. Satie marks the piece p throughout, with some cresc/dim. My arrangement differs from many others, in that the melody is NOT given to one instrument throughout. More interesting for the players! Please check out  the rest of my Satie arrangements for varying instrument combinations : 3 Gymnopédies and 3 Gnossiennes. (sold separately and as collections). Also Rag-Time du Pacquebot (Ragtime of the Steampacket),Sonatina Bureaucratique and selections form Sports et Divertissements..
$14.95
13.78 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Erik Satie
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Ray Thompson
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Satie: Gnossienne No.1 - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Wedding March, Op. 77, No. 2 (for Wind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download …
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.1205321 By Andrew Lamb. By Felix Alexandre Guilmant. Arranged by Andrew Lamb. 19th Century,Chamber,Wedding. 46 pages. Andrew Lamb #803509. Published by Andrew Lamb (A0.1205321). This arrangement of Wedding March (Souvenir de la Marche de Procession) Op. 77, No. 2 by the renowned French organist and composer Alexander Guilmant (1837–1911) is a delightful addition to any wedding ceremony. Crafted specifically for wind quintet, this arrangement beautifully captures the grandeur and elegance of Guilmant's original composition while providing a fresh and dynamic interpretation. The quintessential sounds of the flute, oboe, clarinet, bassoon, and French horn intertwine to create a harmonious blend that will enchant both the couple and their guests.Ideal for processionals, recessionals, or other key moments throughout the wedding celebration, this arrangement of the Wedding March adds a touch of sophistication and musical splendor to the occasion. The melodic lines are skillfully distributed among the wind instruments, allowing each one to shine individually and collectively, creating a rich and vibrant sonic tapestry.With its timeless appeal and classical elegance, this wind quintet arrangement of the Wedding March is a perfect choice for couples seeking a distinctive and memorable musical experience on their special day. Whether performed by a professional ensemble or a group of talented friends, this arrangement will enhance the romantic atmosphere and create lasting memories for the happy couple and their loved ones.Make your wedding ceremony truly unforgettable with this exquisite wind quintet arrangement of Wedding March (Souvenir de la Marche de Procession) Op. 77, No. 2 by Alexander Guilmant. Allow the enchanting melodies and harmonies to accompany you on your journey of love and celebration.
$10.00
9.22 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Andrew Lamb
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Andrew Lamb
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Wedding March, Op. 77, No. 2
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Andrew Lamb
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.II Lento - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1127691 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period,Spiritual. 16 pages. RayThompsonMusic #728293. Published by RayThompsonMusic (A0.1127691). 2nd mvt Lento - Arranged wind quintet The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind quintet, so have given the horn repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and used the horn to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinet and bassoon.
$14.95
13.78 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.II Lento - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: Gnossienne No.2 - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553496 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 7 pages. RayThompsonMusic #2989035. Published by RayThompsonMusic (A0.553496). This piece is originally for piano. Satie wrote it without bar lines: I have added dashed ones to aid performance. The melody moves around the wind instruments,and I have varied the accompaniment giving the bass line to bassoon, horn and clarinet. The expression marks are my own. Satie marks the piece p throughout, with some cresc/dim. My arrangement differs from many others, in that the melody is NOT given to one instrument throughout. More interesting for the players!Please check out the rest of my Satie arrangements for varying instrument combinations :3 Gymnopédies and 3 Gnossiennes. ( sold separately and as collections).
$7.95
7.33 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Erik Satie
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Ray Thompson
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Satie: Gnossienne No.2 - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Wind Quintet No.1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.996718 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.996718 Composed by Matthew D. Jones. Contemporary. 31 pages. Matthew D Jones #5024381. Published by Matthew D Jones (A0.996718). Wind Quintet No.1 for Woodwind Ensemble is an intermediate level composition that is 5:20 in length. The piece is very melodic and highlights the beauty of each instrument in the ensemble. This piece was written to help develop musicality and expression in the ensemble.The pdf file contains the title page, the 9 page score, and 2 page parts for each instrument, with blank pages in between for printing double sided.Full audio recording is available at:https://soundcloud.com/matthewdjones/wind-quintet-no1Thanks for listening, and I hope you enjoy performing this piece!
$19.99
18.43 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Matthew D
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Wind Quintet No.1
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Matthew D Jones
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SheetMusicPlus
Beethoven: Piano Sonata No.8 in C Minor Op.13 "Sonata Pathetique" Mvt.II Adagio- wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.553501 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.553501 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday,Standards. 10 pages. RayThompsonMusic #2998471. Published by RayThompsonMusic (A0.553501). One of Beethoven's well known and popular tunes.Arranged for wind quintet and transposed up to Bb major I have attempted to arrange it as the composer would have done using the horn available during his lifetime. The horn part is  therefore written for natural horn in Bb basso.  (I  also enclose a horn in F part.) The Bb basso part is there for your horn player's delight!! (or not!!) I have taken some sympathetic liberties with the broken chords and added other notes of a sustaining nature. I have changed some of the bars containing triplet semiquavers to give a less heavy feel. I feel this gives a better classical soundCheck out my other Beethoven arrangements (mostly for wind quintet, but some string quartet) : various Piano Sonata mvts, Symphony movts, Turkish March, Fur Elise, Trio and Sextet
$11.95
11.02 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Piano Sonata No.8 in C Minor Op.13 "Sonata Pathetique" Mvt.II Adagio- wind quintet
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RayThompsonMusic
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SheetMusicPlus
Woodwind Quintet no. 1 in Eb Major - LeGrand
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.10…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1013942 Composed by Ryan LeGrand. 20th Century,Concert,Contemporary,Standards. Score and parts. 9 pages. Ryan M. LeGrand #5033149. Published by Ryan M. LeGrand (A0.1013942). This Quintet was originally written during my Middle School days at Hillcrest for the band. We just had a Flute, Clarinet, Trumpet, and two Trombones. This was one of the first pieces I ever wrote, and I've revised it for a traditional Woodwind Quartet of Flute, Oboe, Clarinet, French Horn, and Bassoon instead of the odd instrumentation from when it was first penned. Enjoy!The piece is around 4 minutes long. INCLUDES SCORE AND PARTS.
$3.99
3.68 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ryan LeGrand
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Woodwind Quintet no. 1 in Eb Major - LeGrand
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Ryan M. LeGrand
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SheetMusicPlus
Mozart Andante from Piano Concerto No 21 for Saxophone Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.796854 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.796854 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Wedding. 29 pages. Stephanie Daige #3214093. Published by Stephanie Daige (A0.796854). One of Mozart’s most beautiful melodies, the second movement of his iconic Piano Concerto No. 21, K.467, re-imagined for saxophone quintet. Unfortunately,Mozart never wrote anything for saxophone, so I transcribed it for you. I wonder if he would have, if the saxophone had existed during his lifetime. Would he have liked the saxophone, or considered it gauche? The melody moves around between the different instruments as if they are having a conversation. This is a challenging and enjoyable arrangement, suitable for advanced students or professionals. The beauty and romance of this piece would make it great as wedding music. It would also be suitable for a chamber music concert, or in a school or church. I hope you will enjoy playing this piece as much as I have enjoyed arranging it!
$17.99
16.59 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Stephanie Daige
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Mozart Andante from Piano Concerto No 21 for Saxophone Quintet
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Stephanie Daige
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
46.05 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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jmsgu3
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00
13.83 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.891939 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.891939 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. 28 pages. Stephen Davies #5361315. Published by Stephen Davies (A0.891939). In this arrangement the key has been altered to suit the instruments range for the classic Wind Quintet combination of Flute, Oboe, Bb Clarinet, French Horn & Bassoon. Programme Notes: THE PRELUDE The solemn and expressive character of the melody line is somewhat reminiscent of much of Bach's passion music, and weaves between the players with utmost ease. The Preludes most prominent melodic feature is the octave leap heard on all parts throughout the music, which leads to a satisfying conclusion. THE FUGUE Coming in at a whopping 115 bars, this is one of Bach's longest and most complex fugues. With three themes woven through together in five voices as only Bach can, this fugue offers a competent group of instrumentalists with many technical and interpretive challenges! Also available here in Clarinet & Saxophone Quintet flavours!
$14.99
13.82 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Stephen Davies
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Bassoon
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Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Wind Quintet
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Stephen Davies
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SheetMusicPlus
Holst: This Have I Done For My True Love (4 Carols for Acapella Choir) Op.34 No.1) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1334962 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas. 17 pages. RayThompsonMusic #920843. Published by RayThompsonMusic (A0.1334962). This Have I Done for My True Love, or Tomorrow Shall Be My Dancing Day, Op. 34, no. 1 [H128],is a motet or part song composed in 1916 by Gustav Holst.The words are taken from an ancient carol, and the music is so strongly influenced by English folk music that it has sometimes been mistaken for a traditional folk song itself. It has often been described as a small masterpiece.Arranged wind quintet.
$14.95
13.78 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gustav Holst
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Ray Thompson
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Holst: This Have I Done For My True Love
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RayThompsonMusic
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SheetMusicPlus
Liszt: Weihnachtsbaum (Christmas Tree) No.4 Adeste Fideles (March of the Three Wise Men of the East)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.553634 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.553634 Composed by Franz Liszt. Arranged by Ray Thompson. Christian,Christmas,Romantic Period,Sacred. 19 pages. RayThompsonMusic #3371795. Published by RayThompsonMusic (A0.553634). Weihnachtsbaum (English: Christmas Tree; French: Arbre de Noel) is a suite of 12 pieces written by Franz Liszt in 1873–76, with revisions in 1881. The suite exists in versions for solo piano and piano four-hands. Weihnachtsbaum does not demand great virtuosity, and it has been described as a distant relation of Schumann’s Kinderszenen and Debussy’s Children’s Corner. It occupies an unusual place in Liszt’s output, and it may be for these reasons that it has received relatively little attention from performers. Liszt dedicated Weihnachtsbaum to his first grandchild Daniela von Bülow (1860-1940; daughter of Cosima and Hans von Bülow). Daniela had accompanied her grandfather to Rome due to his frail condition. The first performance was on Christmas Day 1881 in Daniela’s Rome hotel room. This was the day on which her mother Cosima always celebrated her birthday, although she was actually born on Christmas Eve.This is No 4. Adeste Fideles (O come all ye Faithful) Arranged for wind dectet: a somewhat different version than the usual carol. with additional instruments (clarinet and bass clarinet as optional alternatives for one of the oboes and one of the bassoons.Transposed from the original key of A into Bb to make it easier to perform
$9.95
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Franz Liszt
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Ray Thompson
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Liszt: Weihnachtsbaum
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RayThompsonMusic
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