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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ode To joy Opera
Non classifié
22
Piano & claviers
Piano, Voix
15
Piano seul
11
Piano Facile
9
Instruments en Do
1
Orgue
1
Piano, Voix et Guitare
1
+ 1 instrumentations
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Guitare
4
Guitare notes et tablatures
2
Paroles et Accords
1
Voix
Voix Soprano, Piano
3
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2
Chorale SATB
2
Voix Tenor
1
Voix Baryton, Piano
1
Vents
Clarinette et Piano
9
2 Saxophones (duo)
5
3 Saxophones (trio)
4
Hautbois (partie séparée)
4
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4
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4
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4
Hautbois, Piano (duo)
3
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3
Cor anglais, Piano
3
Flûte traversière
3
Saxophone Alto
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Saxophone Soprano et Piano
2
2 Flûte à bec (duo)
2
Saxophone Baryton, Piano
1
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1
Flûte à Bec
1
Flûte à bec Alto
1
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1
Clarinette
1
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1
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1
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1
2 Clarinettes (duo)
1
3 Flûtes à bec (trio)
1
3 Clarinettes (trio)
1
Clarinette, Basson (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte à bec Soprano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Tenor et Piano
1
2 Flûtes traversières (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Clarinette (trio)
1
+ 32 instrumentations
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Trompette
6
Trompette, Piano
5
Trombone et Piano
4
Cor
3
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3
Cor et Piano
3
Tuba
3
Trombone
3
3 Cors (trio)
2
3 Trombones (trio)
2
Tuba et Piano
2
3 Tubas (trio)
2
2 Cors (duo)
1
Quatuor de cuivres: 4 trompettes
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
4 Tubas
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trombones
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
2 Trompettes (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette, Trombone (duo)
1
Trombone, Cor (duo)
1
+ 21 instrumentations
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9
Alto, Piano
7
Violoncelle, Piano
7
Alto seul
4
2 Violoncelles (duo)
2
Violon
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
2
Violoncelle
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Trio à Cordes: 3 violoncelles
1
Violon, Violoncelle (duo)
1
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
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1
2 Violons (duo)
1
Quatuor à cordes : 4 altos
1
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1
2 Altos (duo)
1
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1
Trio à cordes: 3 altos
1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
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MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Ode To joy Opera
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ode to Joy by Beethoven for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Ander
#
Ode to Joy by Beethoven for Wo
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Woods Only Music
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Ander. 161, Classical, Instructional, Opera, Romantic Period. 15 pages. Woods Only Music #7...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Ander. 161, Classical, Instructional, Opera, Romantic Period. 15 pages. Woods Only Music #727396. Published by Woods Only Music
$9.99
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Johann Sebastian Bach
#
Luis Anjos Teixeira
#
I Had Much Grief
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Luis Anjos Teixeira
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
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