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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ode to Joy for Flute and Piano
Non classifié
68
Piano & claviers
Accompagnement Piano
13
Piano, Voix
12
Piano seul
4
Instruments en Do
2
1 Piano, 4 mains
2
Piano Facile
2
Piano (partie séparée)
1
+ 2 instrumentations
Retracter
Guitares
Guitare
1
Voix
Chorale SATB
3
Vents
Flûte traversière et Piano
70
2 Flûtes traversières (duo)
12
Clarinette et Piano
8
Flûte, Hautbois, Clarinette, Basson
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte, Clarinette (duo)
5
Hautbois, Piano (duo)
4
Flûte traversière
3
Flûte, Clarinette, Piano (trio)
3
Saxophone Tenor et Piano
3
Saxophone Alto et Piano
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Flûte
2
Flûte, Trompette (duo)
2
Flûte et Guitare
2
Saxophone Soprano et Piano
2
Flûte, Violon
2
Flûte, Basson et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois (partie séparée)
1
Flûte à bec Soprano
1
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1
Piccolo, Piano
1
Flute (partie séparée)
1
Flûte à bec Tenor
1
Flûte à bec Soprano, Piano
1
Cor anglais, Piano
1
Flûte, Violon, Piano
1
Ensemble de Flûtes
1
2 Flûtes traversières, Piano
1
+ 25 instrumentations
Retracter
Cuivres
Cor et Piano
3
Tuba et Piano
2
Trombone et Piano
1
Cor anglais, Piano
1
Trompette, Piano
1
Cordes
Alto, Piano
6
Violon et Piano
6
Violoncelle, Piano
5
Quatuor à cordes: 2 violons, alto, violoncelle
2
Trio à Cordes: violon, alto, violoncelle
1
Contrebasse, Piano (duo)
1
+ 1 instrumentations
Retracter
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Orchestre d'harmonie
4
Orchestre
3
Xylophone, Piano
1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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Crtitères actifs :
Ode to Joy for Flute and Piano
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
6 partitions trouvées
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Ode to Joy for Woodwind quintet with piano.
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Ludwig van Beethoven
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Heisenberg
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Ode to Joy for Woodwind quinte
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Heisenberg
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1221897 Composed by Ludwig van Beethoven. Arranged by Heisenberg. Children,Classi...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1221897 Composed by Ludwig van Beethoven. Arranged by Heisenberg. Children,Classical,Contemporary. 11 pages. Heisenberg #818192. Published by Heisenberg (A0.1221897). Ode to Joy for Woodwind quintet with piano. Score and parts inlcuded.
$19.99
Ode To Joy - Easy Woodwind Quintet w/ piano accompaniment
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ygor Nunes
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Ode To Joy - Easy Woodwind Qui
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Ygor Nunes
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 1 - SKU: A0.1241941 By Ludwig van Beethoven. By Ludwig van Beethoven. Arrang...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 1 - SKU: A0.1241941 By Ludwig van Beethoven. By Ludwig van Beethoven. Arranged by Ygor Nunes. 19th Century,Classical,Instructional,Romantic Period. 8 pages. Ygor Nunes #837295. Published by Ygor Nunes (A0.1241941). Here is an easy and beautiful arrengement for easy woodwind quintet with piano accompaniment.
$11.99
Ode To Joy - Easy Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ygor Nunes
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Ode To Joy - Easy Woodwind Qui
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Ygor Nunes
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 1 - SKU: A0.1241940 By Ludwig van Beethoven. By Ludwig van Beethoven. Arrang...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 1 - SKU: A0.1241940 By Ludwig van Beethoven. By Ludwig van Beethoven. Arranged by Ygor Nunes. 19th Century,Classical,Instructional,Romantic Period. 7 pages. Ygor Nunes #837293. Published by Ygor Nunes (A0.1241940). Here is an easy and beautiful arrengement for easy woodwind quintet with piano accompaniment.
$10.99
Satie: Sarabande No.1 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Sarabande No.1 - wind q
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1302815 Composed by Erik Satie. Arranged by Ray Thompson. 20th C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1302815 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 10 pages. RayThompsonMusic #892418. Published by RayThompsonMusic (A0.1302815). Satie: Sarabande No.1  Arranged standard wind quintetThe Sarabandes are three dances for solo piano composed in 1887 by Erik Satie. Along with the famous Gymnopédies (1888) they are regarded as his first important works, and the ones upon which his reputation as a harmonic innovator and precursor of modern French music, beginning with Debussy, principally rests. The Sarabandes also played a key role in Satie's belated discovery by his country's musical establishment in the 1910s, setting the stage for his international notoriety.French composer and critic Alexis Roland-Manuel wrote in 1916 that the Sarabandes represented a milestone in the evolution of our music...pieces of an unprecedented harmonic technique, born of an entirely new aesthetic, which create a unique atmosphere, a sonorous magic of complete originality.The sarabande is a dance in triple meter that originated in the Spanish colonies of Central America in the mid-1500s. It had migrated to Europe by the 17th Century, where in France it became a popular slow court dance. Satie's modern reinterpretations consist of three dances with a total duration of roughly 15 minutes:Sarabande No. 1 - A-flat major (This one)Sarabande No. 2 - D-sharp minorSarabande No. 3 - B-flat minorThe melody is shared amongst the top 4 instruments, and the quintet do not play tutti all of the time. This adds more interest and variation to the piece.Enjoy.
$9.95
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
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Ode to Joy for Flute and Piano