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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ogrójec
Non classifié
106
Piano & claviers
Piano seul
179
Piano, Voix
38
Piano, Voix et Guitare
15
1 Piano, 4 mains
11
Instruments en Do
5
Orgue
3
Piano Facile
3
Accompagnement Piano
1
Clavier
1
Clavecin
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
Ligne De Mélodie, Piano
1
+ 8 instrumentations
Retracter
Guitares
Guitare
13
Mandoline
4
Guitare notes et tablatures
2
Paroles et Accords
1
Voix
Chorale SATB
22
Chorale 3 parties
5
Chorale SSAA
2
Chorale Unison
1
Voix Soprano, Piano
1
Voix duo
1
+ 1 instrumentations
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Vents
Flûte traversière et Piano
11
Clarinette et Piano
9
Saxophone Tenor et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Quintette de Saxophone: 5 saxophones
7
Saxophone Alto et Piano
7
Saxophone Tenor
6
Saxophone Soprano et Piano
6
Saxophone Alto
6
Flûte traversière
6
Saxophone Baryton, Piano
6
Cor anglais, Piano
5
Quatuor de Flûtes : 4 flûtes
5
Quatuor de Saxophones: 4 saxophones
5
Clarinette Basse, Piano
5
Hautbois, Piano (duo)
4
Ensemble de Clarinettes
4
Clarinette
4
Saxophone (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Soprano
2
Quintette de Flûte : 5 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte à bec Tenor
1
3 Saxophones (trio)
1
Piccolo, Piano
1
Quatuor de Flûtes à bec
1
Flûte à bec Soprano
1
Saxophone et Orgue
1
Hautbois (partie séparée)
1
Harmonica
1
Ensemble de Flûtes
1
+ 28 instrumentations
Retracter
Cuivres
Trompette
12
Euphonium, Piano (duo)
8
Trombone et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone
6
Cor anglais, Piano
5
Cor et Piano
5
Trompette, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Ensemble de Trombones
2
Ensemble de Trompettes
2
2 Trombones (duo)
1
2 Tubas (duo)
1
Tuba et Piano
1
2 Trompettes (duo)
1
+ 10 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon et Piano
12
Violoncelle, Piano
9
Violon
9
Violoncelle
6
Alto, Piano
6
Harpe
4
Violon (partie séparée)
2
Ensemble de Violons
2
Violon, Violoncelle (duo)
2
2 Violons (duo)
2
Violon, Alto (duo)
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Alto seul
1
Trio à cordes: 3 altos
1
Alto (partie séparée)
1
Alto, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
20
Orchestre à Cordes
15
Orchestre
8
Orchestre de chambre
7
Ensemble de Percussions
6
Ensemble Jazz
3
Jazz combo
2
Piano et Orchestre
1
Ensemble de cuivres
1
Xylophone, Piano
1
+ 5 instrumentations
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ACCORDEON
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FLUTE A DIX…
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LUTH, THEOR…
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ORCHESTRE
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OUD
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PERCU. ORCH…
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PIANO
SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Ogrójec
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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1
Ground Force Theme
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1446236 Composed by Jim Parker. Arranged by Trevor Wharton. 20th Century,Classical,Film/TV,March. 21 pages. Bumpmusic Editions #1026058. Published by Bumpmusic Editions (A0.1446236). Ground Force was a British garden makeover television series originally broadcast by the BBC between 1997 and 2005.The upbeat opening and closing theme was composed by Jim Parker and performed by the Black Dyke Band. The theme reflects the busy activity involved in the projects. Over the main themes there are often short musical interjections at faster pace possibly denoting a burst of activity somewhere in the garden.This arrangement for Wind Quintet requires a precisness of articulation and an awareness of musical balance between the parts. Although fairly quick there should be an underlying clamness to the piece. A great 'foot tapper' for your programme!
$19.75
18.21 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Jim Parker
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Trevor Wharton
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Ground Force Theme
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Bumpmusic Editions
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00
13.83 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
32.27 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Arirang - Korean Folk Song (Woodwind Quintet arrangement)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.764733 Composed by Traditional. Arranged by James Pybus. Folk,Multicultural,Standards,Wedding,World. 18 pages. James Pybus #6204723. Published by James Pybus (A0.764733). Arirang is arguably the most popular and best-known Korean folk song, both inside and outside Korea. Arirang is an ancient native Korean word with no direct modern meaning. 'Ari' means beautiful (For example the native Korean word 아리따운 means beautiful, lovely, charming) 'Rang' can mean dear. Origin of the title Many versions of the song open by describing the travails the subject of the song encounters while crossing a mountain pass. Arirang is one name for the pass and hence the title of the song. Some versions of Arirang mention Mungyeong Saejae, which is the main mountain pass on the ancient Joseon Dynasty road between Seoul and southeastern Gyeongsang Province. This arrangement is playable by a standard Woodwind Quintet. It is suitable for a variety of settings and concert programs. Duration is 4:00 Please contact me at james.pybus56@gmail.com.
$18.00
16.59 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Traditional
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James Pybus
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Arirang - Korean Folk Song
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James Pybus
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SheetMusicPlus
Quintet 3 for winds
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.786221 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.786221 Composed by Bill Malcolm. 20th Century,Contemporary. 58 pages. Bill Malcolm #5869795. Published by Bill Malcolm (A0.786221). This quintet was a COVID-19 shelter-in-place project, although it has no intentional reference to the pandemic. It is a four movement work lasting about 14¾ minutes, written in a modern, but tonal, style.. Program notes are available from billmalcolm@verizon.net should you wish to program it, when performances before a live audience are back in vogue.
$20.00
18.44 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bill Malcolm
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Quintet 3 for winds
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Bill Malcolm
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SheetMusicPlus
Pater Noster for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1426251 Composed by Giuseppe Verdi. Arranged by James Haynor. Romantic Period. 24 pages. James Haynor #1006973. Published by James Haynor (A0.1426251). Giuseppe Verdi was born in Le Roncole on the 9th October 1813, the son of an innkeeper and small-scale farmer. Although he grew up in poor circumstances his extraordinary musical talent was soon recognized and he received organ lessons, then – assisted by a patron – he entered the Busseto Gymnasium.Scored here for Woodwind Quintet, his setting of the “ Pater Noster “ is a lovely piece originally written for five part vocal. It is an eternal religious subject set to more progressive harmonies.Duration - 5:58.
$10.00
9.22 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Giuseppe Verdi
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James Haynor
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Pater Noster for Woodwind Quintet
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James Haynor
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SheetMusicPlus
Quintet No. 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.786109 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.786109 Composed by Bill Malcolm. 20th Century,Contemporary. 49 pages. Bill Malcolm #3031099. Published by Bill Malcolm (A0.786109). This there movement quintet is a modern work using quartal and quintal harmonies. I wrote it as a project to do while I was recovering from a broken leg. Program notes are available from billmalcolm@verizon.net.
$10.00
9.22 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bill Malcolm
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Quintet No. 2
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Bill Malcolm
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SheetMusicPlus
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