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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
One Drop
Non classifié
267
Piano & claviers
Piano, Voix
123
Piano seul
60
Piano, Voix et Guitare
22
Piano Facile
10
Instruments en Do
5
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Piano grosses notes
1
Orgue
1
+ 4 instrumentations
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Guitares
Guitare notes et tablatures
33
Guitare
28
Basse electrique
11
Ligne De Mélodie, (Paroles) et Accords
6
Paroles et Accords
5
Banjo
5
Ukulele
4
2 Guitares (duo)
2
Guitare Pedal Steel
1
Ensemble de guitares
1
Ukulele Baryton
1
+ 6 instrumentations
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Voix
Chorale SATB
31
Chorale 3 parties
11
Chorale TTBB
7
Chorale 2 parties
5
Chorale SSAA
4
Voix Soprano, Piano
3
Voix duo, Piano
3
Chorale Unison
2
Voix haute
2
Voix Tenor, Piano
1
Voix basse, Piano
1
+ 6 instrumentations
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Vents
Flûte, Hautbois, Clarinette, Basson
87
Ensemble de saxophones
66
Quatuor de Saxophones: 4 saxophones
40
Saxophone Alto et Piano
23
Quintette de Saxophone: 5 saxophones
19
Saxophone Alto
19
Saxophone (partie séparée)
19
Saxophone Tenor
18
Saxophone Tenor et Piano
17
2 Saxophones (duo)
12
Flûte traversière et Piano
11
Saxophone Baryton, Piano
11
Hautbois, Piano (duo)
9
Saxophone Soprano et Piano
9
Flûte traversière
6
Ensemble de Clarinettes
5
Saxophone, Clarinette (duo)
4
Flûte à bec Soprano
4
Cor Anglais
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Clarinette, Trompette (duo)
4
2 Flûtes traversières (duo)
4
Ensemble de Flûtes
3
Clarinette
3
Clarinette et Piano
3
Hautbois, Basson (duo)
3
Hautbois (partie séparée)
3
Flûte, Alto (duo)
2
Hautbois, Clarinette (duo)
2
2 Clarinettes (duo)
2
Flûte, Trompette (duo)
2
Hautbois, Flûte
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte à Bec
2
Clarinette et Alto
2
Clarinette, Violon (duo)
2
Flûte, Clarinette (duo)
2
Flûte, Saxophone (duo)
2
2 Hautbois (duo)
2
Flûte, Violon
2
Flûte et Guitare
2
Hautbois, Violoncelle
2
Clarinette, Violoncelle, Piano (trio)
1
2 Saxophones, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois, Piano (trio)
1
3 Clarinettes (trio)
1
3 Saxophones (trio)
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Guitare (duo)
1
Saxophone et Guitare
1
+ 46 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trombone
17
Trombone et Piano
16
Trompette, Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone (partie séparée)
5
Euphonium, Piano (duo)
5
Cor Anglais
4
2 Trombones (duo)
4
Trompette, Saxophone (duo)
4
Euphonium
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Trombones
2
Trompette, Trombone (duo)
2
2 Trompettes (duo)
2
Trompette (partie séparée)
2
Quatuor de Cuivres
2
Cor et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette
1
Ensemble de Cors
1
Trombone basse
1
Instruments en Sib
1
Trompette, Basson (duo)
1
2 Euphoniums et 2 Tubas
1
+ 20 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Harpe
9
Violon et Piano
7
Violoncelle
5
Alto, Piano
5
2 Violons (duo)
5
Violon
5
Violoncelle, Piano
4
2 Harpes (duo)
3
Alto seul
3
2 Violoncelles (duo)
2
Violon, Alto (duo)
2
Alto, Guitare (duo)
2
Violon, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Basson (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
2 Violons, Piano
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Alto et Basson
1
+ 19 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
47
Orchestre
12
Ensemble de cuivres
9
Ensemble Jazz
9
Xylophone, Piano
8
Fanfare
5
Cloches
3
Orchestre de chambre
3
Xylophone
3
Jazz combo
2
3 Marimbas
2
Ensemble de Percussions
2
Orchestre à Cordes
2
Marimba
1
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Vous avez sélectionné:
One Drop
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Chopin: Prelude No.15 in Db "Raindrop" Op.28 No.15 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Frederic Chopin
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Ray Thompson
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Chopin: Prelude No.15 in Db &q
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1471072 Composed by Frederic Chopin. Arranged by Ray Thompson. R...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1471072 Composed by Frederic Chopin. Arranged by Ray Thompson. Romantic Period,Wedding. 13 pages. RayThompsonMusic #1048696. Published by RayThompsonMusic (A0.1471072). Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys.In addition, Chopin wrote three other preludes: a prelude in C♯ minor, Op. 45; a piece in A♭ major from 1834; and an unfinished piece in E♭ minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively.This is my arramgement of No.15. it is the longest and one of the best known of the twenty-four. The key signature switches between D♭ major and C♯ minorIt is known as the Raindrop Prelude because an A♭/G♯ sounds throughout.Arranged by me for wind quintetThe melody is taken mainly by the oboe, and the repeating A♭/G♯ is shared between the basoon and horn.Enjoy!Check out my Chopin arrangements of other Preludes and of Nocturne No.2.
$17.95
We're Off To See The Wizard
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Contemporain
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Harold Arlen
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James Haynor
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We're Off To See The Wizard
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James Haynor
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.782470 Composed by Harold Arlen. Arranged by James Haynor. Contemporary. Score and p...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.782470 Composed by Harold Arlen. Arranged by James Haynor. Contemporary. Score and parts. 10 pages. James Haynor #6687621. Published by James Haynor (A0.782470). We're Off to See the Wizard is one of the classic and most memorable songs from the Academy Award-winning 1939 film The Wizard of Oz. Composer Harold Arlen described it, along with The Merry Old Land of Oz and Ding-Dong ! The Witch is Dead, as one of the lemon drop songs of the film. The lyrics are by E.Y. Yip Harburg. This arrangement is scored for woodwind quintet. It is playable by intermediate players and makes a great encore. ( Duration - 1:27 )
$12.99
Chopin: A Selection of Four Preludes Op.28 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Ray Thompson
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Chopin: A Selection of Four Pr
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1475123 Composed by Frederic Chopin. Arranged by Ray Thompson. 1...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1475123 Composed by Frederic Chopin. Arranged by Ray Thompson. 19th Century,Romantic Period. 15 pages. RayThompsonMusic #1052647. Published by RayThompsonMusic (A0.1475123). Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys.In addition, Chopin wrote three other preludes: a prelude in C♯ minor, Op. 45; a piece in A♭ major from 1834; and an unfinished piece in E♭ minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively.This is a selection of 4 of his shorter ones.Arranged wind quintetThey are: No. 4 in E minor No. 7 in A No. 6 in B minor No. 20 in C minor The first 3 have been transposed into easier keys for wind instruments.F minor, Bb major and C minor.Check out my arrangements of some of his other works including Raindrop Prelude, Etude No, 3 Tristesse and Nocturne No.2.
$19.95
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