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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One Voice for All
Non classifié
4 331
Piano & claviers
Piano, Voix
2 060
Piano, Voix et Guitare
1 064
Piano seul
186
Piano Facile
88
Accompagnement Piano
86
Instruments en Do
70
Orgue
20
Piano grosses notes
12
2 Pianos, 4 mains
4
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Orgue, Trompette (duo)
1
+ 11 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
103
Guitare notes et tablatures
52
Ukulele
39
Guitare
22
Paroles et Accords
15
4 Guitares (Quatuor)
4
Basse electrique
3
2 Guitares (duo)
3
Guitare (partie séparée)
2
Mandoline
2
Dulcimer
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
656
Chorale TTBB
280
Chorale 3 parties
250
Chorale 2 parties
179
Voix Baryton, Piano
165
Voix duo, Piano
123
Chorale SSAA
121
Chorale Unison
103
Voix duo
97
Voix Soprano, Piano
95
Voix Tenor, Piano
70
Voix Alto, Piano
70
Voix haute
54
Voix seule
26
Voix moyenne, Piano
15
Voix basse, Piano
10
Voix Tenor
9
Voix Soprano
8
Chorale SSAATTBB
4
Chorale
3
Voix Mezzo-Soprano, Piano
3
Chorale SSAB, Piano
3
Soli, choeur mixte et accompagnement
2
Chorale SSATB
2
Chorale SSATTB
2
Voix Soprano, Orchestre
1
Voix, Guitare
1
Voix basse
1
Voix Baryton
1
+ 24 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
90
Quintette de Saxophone: 5 saxophones
58
Saxophone Alto et Piano
47
2 Saxophones (duo)
42
Quatuor de Clarinettes: 4 clarinettes
40
3 Saxophones (trio)
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Flûte, Hautbois, Clarinette, Basson
36
Saxophone Soprano et Piano
33
Saxophone Tenor et Piano
30
Flûte traversière et Piano
27
2 Flûtes traversières, Piano
25
2 Clarinettes (duo)
23
3 Clarinettes (trio)
23
Clarinette et Piano
22
Saxophone Baryton, Piano
21
Quintette de Clarinettes: 5 clarinettes
21
Saxophone (partie séparée)
20
Clarinette
17
2 Flûtes traversières (duo)
16
Saxophone Alto
16
Hautbois, Piano (duo)
15
Ensemble de saxophones
15
Ensemble de Clarinettes
14
Hautbois (partie séparée)
13
Trio de Flûtes: 3 flûtes
11
Flûte traversière
11
Quatuor de Flûtes : 4 flûtes
10
Saxophone Tenor
10
Flûte, Clarinette (duo)
8
Ensemble de Flûtes
8
Cor anglais, Piano
8
Flute (partie séparée)
7
Quatuor de Flûtes à bec
6
Hautbois, Basson (duo)
6
Quintette de Flûte : 5 flûtes
6
Saxophone, Clarinette (duo)
5
Clarinette, Guitare (duo)
4
Clarinette, Violon (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte et Guitare
3
Clarinette Basse, Piano
3
Saxophone Baryton
2
Flûte, Hautbois, Basson
2
Clarinette, Basson (duo)
2
Hautbois
2
Saxophone Soprano
2
5 Flûtes à bec
2
Saxophone et Harpe
2
Flûte à Bec
2
Cor anglais, Guitare (duo)
2
2 Hautbois (duo)
1
Saxophone et Guitare
1
Hautbois, Violoncelle
1
Flûte, Trompette (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette (duo)
1
Piccolo
1
Clarinette, Violoncelle (duo)
1
Clarinette, Trompette (duo)
1
Ensemble de Hautbois
1
Flûte à bec Alto
1
Hautbois, Flûte
1
Flûte, Violon et Violoncelle
1
2 Flûte à bec (duo)
1
Flûte, Violon, Piano
1
Clarinette, Trombone (duo)
1
Flûte, Violon
1
Flûte, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, harpe et violon
1
Flûte, Hautbois, Piano (trio)
1
Cor Anglais
1
Flûte à bec Alto, Piano
1
Flûte, Saxophone (duo)
1
Flûte irlandaise
1
Clarinette et Alto
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Piano (trio)
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
110
Quatuor de Cuivres : 2 trompettes, trombone, tuba
75
Trombone et Piano
52
Trombone
22
Quatuor de cuivres: 4 trombones
18
Cor et Piano
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Ensemble de Trombones
14
Cor
13
2 Trombones (duo)
13
Trompette
12
Trompette, Piano
11
Trompette, Trombone (duo)
11
Tuba
10
Trombone (partie séparée)
10
Trompette (partie séparée)
10
Tuba et Piano
10
Quatuor de Cuivres
10
2 Trompettes (duo)
8
Euphonium, Piano (duo)
8
Cor anglais, Piano
8
Quatuor de cuivres: 4 cors
6
3 Trombones (trio)
5
2 Euphoniums et 2 Tubas
5
Ensemble de Trompettes
4
2 Cors (duo)
3
Ensemble de Cors
3
Trompette, Saxophone (duo)
2
Trio de Cuivres
2
Cor anglais, Guitare (duo)
2
Trombone basse et Piano
1
Trombone, Tuba (duo)
1
3 Trompettes (trio)
1
Ensemble de Tubas
1
Trombone basse
1
Euphonium, Tuba (duo)
1
Tuba et Orgue
1
Trompette, Violoncelle (duo)
1
Cor Anglais
1
3 Euphoniums
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
127
Harpe
66
Trio à Cordes: violon, alto, violoncelle
38
Violon et Piano
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Violoncelle, Piano
25
Violon
24
Violon, Violoncelle (duo)
23
Alto, Piano
15
2 Violons (duo)
14
Harpe, Voix
13
Violoncelle
13
Violon, Alto (duo)
9
Contre Basse
9
Contrebasse, Piano (duo)
7
2 Violoncelles (duo)
7
4 Violoncelles
6
Trio à Cordes: 2 violons, violoncelle
6
Alto seul
6
2 Altos (duo)
5
2 Harpes (duo)
4
Contrebasse (partie séparée)
3
Quatuor à cordes : 4 altos
3
Alto (partie séparée)
3
Harpe, Flûte (duo)
3
Ensemble de Violons
2
Ensemble d'Altos
2
Violon, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Orchestre
1
Violon (partie séparée)
1
Alto, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
138
Ensemble Jazz
114
Orchestre
113
Orchestre de chambre
44
Orchestre à Cordes
43
Ensemble de cuivres
43
Jazz combo
23
Cloches
19
Ensemble de Percussions
10
Fanfare
6
2 Xylophones
5
Batterie
3
Marimba
2
Piano et Orchestre
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix - au +
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Nouveautes
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débutant
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avancé
expert
avec audio
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Vous avez sélectionné:
One Voice for All
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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26
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contem...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
5 Famous Songs by Bach for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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where it is also known a.
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5 Famous Songs by Bach for Woo
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957284 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedd...
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Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957284 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748165. Published by Woods Only, Arrangements (A0.957284). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11896992: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11898993: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900074: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901035: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190269Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known a.
$39.99
5 Famous Songs by Bach for Tenor Sax Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Ten
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957295 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedd...
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Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957295 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748247. Published by Woods Only, Arrangements (A0.957295). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897712: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899813: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900334: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901655: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190373Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism.
$39.99
5 Famous Songs by Bach for English Horn Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Eng
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957290 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedd...
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Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957290 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748233. Published by Woods Only, Arrangements (A0.957290). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for english horn quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897512: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899713: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900214: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901435: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190361Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestant.
$39.99
5 Famous Songs by Bach for Recorder Choir Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Rec
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957288 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedd...
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Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957288 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748227. Published by Woods Only, Arrangements (A0.957288). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for recorder choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897412: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899653: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900154: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901295: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190351Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protesta.
$39.99
Air In D For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Air In D For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.889424 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Conc...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.889424 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 12 pages. Luis Anjos Teixeira #4604487. Published by Luis Anjos Teixeira (A0.889424). Johann Sebastian Bach wrote some song-like, lyrical pieces, often movements in larger compositions for instrumental ensembles, the so called „Airs. This piece, the Air of the second movement of the Suite No.3 in D major, BWV 1068 is one of the most impressive master works ever written in the history of the human being. The piece does not require virtuoso skills to perform and is appropriate for students or amateurs. Without any doubt very pleasant to listen when played by a dedicated and very well rehearsed ensemble, it has always a very powerful effect on the audience. It can be used in concerts and all sorts of spiritual or religious events. In this arrangement for woodwind Quintet the bass is shared by the fagote and the horn as two independent voices that perform „as one. For a matter of study and comparison the original cello part is included in this work. It could be eventually used if the ensemble decides to double the original bass line with both the fagot and the horn. I also could not resist not to interchange the role of the flute and the oboe on the „repetition : I have shortened some of the notes and used various interpretation symbols, accents and nuances, they are mere suggestions for an interpretation and are total absent on the original score. The use of the dot over the notes is called „staccato, it means in this case that the note is shortened to approximately half of its length. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design tips, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all the Love All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: Most serene Highness and noble performer of the Holy Musical Empire, gracious and dread Artist, the most joyous occasion of your name day may your highness celebrate it in divine grace and enjoy it in complete well-being felicity with the performance of this score. The grandiose musical purchase contest takes place In the month of august. The cheapest price for this score is 15 Dollars. It would be of the greatest advantage to do your Highnesses gracious musical purchase during the month of august thus that would bring me the possibility of winning this grandiose selling competition. I therefore await your Highnesses gracious musical purchase I hope for your favor and gracious Highness, most humble, Luis Anjos Teixeira The score was written on Finale and the sound file was produced with Garritan instruments.
$15.00
Debussy - The Girl with the Flaxen Hair for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Contemporain
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Lin Yizhi Ernest
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Debussy - The Girl with the Fl
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Lin Yizhi Ernest
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.748745 Arranged by Lin Yizhi Ernest. 20th Century. Score and parts. 10 pages. Lin Yi...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.748745 Arranged by Lin Yizhi Ernest. 20th Century. Score and parts. 10 pages. Lin Yizhi Ernest #6609931. Published by Lin Yizhi Ernest (A0.748745). Debussy's The Girl with the Flaxen Hair is an endearing piece and a great introduction to the musical world of Debussy. Every piano player would most probably be familiar with this piece, but not necessarily wind players. However, with this arrangement for Wind Quintet, the expressive voices of this piano piece are further explored by the colours of the Flute, Oboe, Clarinet, Horn and Bassoon.The opening solo is deliberately given to the flute, paying homage to another iconic piece of Debussy's, Prélude à l'après-midi d'un faune, which opens with a lower register flute solo starting with the same note Db.Conscious decisions were also made to give the phrases in bars 12-13 and 15-16 with larger melodic spreads to the Clarinet, whose expressive qualities across these ranges suit these phrases particularly well.The revisiting of the theme in bar 28, this time in a higher register, was deliberately given to the Oboe and not the flute (not every high register melodies needs to be assigned to the flute). Oboe's higher registers, when played delicately to the point of almost struggling to hang on to the higher notes, suit the sweetness (tre doux) of the solo passage particularly well.Not to forget the characteristic Debussy harmonies that is fully supported and suited to be powered by the French Horn and Bassoon. These lower voices provide the harmonic engine that powers this unmistakable Debussy sound.Truly, this arrangement is a challenge and masterclass in tone colour for the Wind Quintet that demands a simultaneous homogeneity, as well as balance that brings out the Debussy sound, yet allowing each of the characteristics of the Wind instruments to shine through.
$18.00
Chant d’Adieu (Romance sans Paroles), Op. 77 [by Charles Neudtedt, arr. for Wind Quintet]
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Charles Neustedt
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Andrew Lamb
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Chant d’Adieu
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Andrew Lamb
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1228442 Composed by Charles Neustedt (1834–1908). Arrange...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1228442 Composed by Charles Neustedt (1834–1908). Arranged by Andrew Lamb. 19th Century,Romantic Period. 23 pages. Andrew Lamb #824519. Published by Andrew Lamb (A0.1228442). Title: Chant d’Adieu (Romance sans Paroles), Op. 77 Composer: Charles Neustedt (1834-1908) Arranger: Andrew LambIntroducing our exquisite woodwind quintet arrangement of Chant d'Adieu composed by the talented Charles Neustedt (1834-1908). This captivating adaptation brings new life to the timeless beauty of the original composition, allowing woodwind ensembles to explore the intricate harmonies and expressive melodies of this cherished piece.Carefully crafted with meticulous attention to detail, our woodwind quintet arrangement of Chant d'Adieu showcases the unique timbres and characteristics of each instrument. From the rich and resonant tones of the flute to the warm and lyrical expressions of the clarinet, oboe, bassoon, and French horn, each voice intertwines to create a harmonious tapestry of sound.Chant d'Adieu is a profoundly moving composition that evokes a range of emotions, from introspection to longing. With its poignant melodies and heartfelt harmonies, this arrangement beautifully captures the essence of the original work, allowing woodwind ensembles to convey the depth and emotional impact of the music.Whether you are an established woodwind quintet looking to expand your repertoire or a group of passionate musicians seeking an engaging piece to perform, our woodwind quintet arrangement of Chant d'Adieu is a remarkable addition to your musical collection. Its versatility makes it suitable for a variety of performance settings, from intimate chamber recitals to formal concert hall performances.The sheet music for our arrangement is thoughtfully notated, providing clear and accurate scores for each member of the woodwind quintet. Detailed performance instructions and dynamic markings guide musicians to bring out the nuances and emotions within the music, enabling a truly captivating interpretation.Immerse yourself in the profound beauty of Charles Neustedt's Chant d'Adieu with our woodwind quintet arrangement. Let the enchanting voices of the flute, clarinet, oboe, bassoon, and French horn intertwine in perfect harmony, taking you and your audience on a captivating musical journey. This arrangement is a treasure trove of expressive possibilities, allowing woodwind ensembles to showcase their artistry and convey the timeless allure of Neustedt's composition.
$9.00
Easter Morn (A Meditation) for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Andrew Lamb
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Andrew Lamb
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Easter Morn
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Andrew Lamb
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1205359 By Andrew Lamb. By John Ebenezer West. Arranged by Andre...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1205359 By Andrew Lamb. By John Ebenezer West. Arranged by Andrew Lamb. 19th Century,Chamber,Easter,Religious. 19 pages. Andrew Lamb #803550. Published by Andrew Lamb (A0.1205359). Title: Easter Morn (A Meditation) Â Â Â Â Â Â Â Composer: John Ebenezer West (1863-1929)Arranger: Andrew LambDescription:Introducing our exquisite wind quintet arrangement of Easter Morn composed by the talented John Ebenezer West. This captivating adaptation brings new life to the enchanting beauty of the original composition, allowing wind quintets to explore the rich harmonies and lyrical melodies of this cherished piece.Carefully crafted with meticulous attention to detail, our wind quintet arrangement of Easter Morn showcases the unique timbres and characteristics of each instrument. From the graceful and soaring melodies of the flute to the warm and expressive tones of the clarinet, oboe, bassoon, and French horn, each voice intertwines to create a harmonious tapestry of sound.Easter Morn is a profoundly moving composition that evokes the spirit of renewal and hope. With its contemplative melodies and serene harmonies, this arrangement beautifully captures the essence of the original work, allowing wind quintets to convey the depth and emotional impact of the music.Whether you are an established wind quintet looking to expand your repertoire or a group of passionate musicians seeking an engaging piece to perform, our wind quintet arrangement of Easter Morn is a remarkable addition to your musical collection. Its versatility makes it suitable for a variety of performance settings, from intimate chamber recitals to formal concert hall performances.The sheet music for our arrangement is thoughtfully notated, providing clear and accurate scores for each member of the wind quintet. Detailed performance instructions and dynamic markings guide musicians to bring out the nuances and emotions within the music, enabling a truly captivating interpretation.Immerse yourself in the profound beauty of John Ebenezer West's Easter Morn with our wind quintet arrangement. Let the enchanting voices of the flute, clarinet, oboe, bassoon, and French horn weave together in perfect harmony, taking you and your audience on a captivating musical journey. This arrangement is a treasure trove of expressive possibilities, allowing wind quintets to showcase their artistry and convey the timeless allure of West's composition.
$12.00
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. S...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. Sonata Grendel Publishing #5997463. Published by Sonata Grendel Publishing (A0.837507). M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Originally for chamber orchestra, Oot-kwa-tah is dedicated to SUNY Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster. The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star. Duration: 5:00
$24.95
Al bel de tuoi capelli for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Orazio Vecchi
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James Haynor
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Al bel de tuoi capelli for Woo
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James Haynor
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.782225 Composed by Orazio Vecchi. Arranged by James Haynor. Renaissance,Sacred. Scor...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.782225 Composed by Orazio Vecchi. Arranged by James Haynor. Renaissance,Sacred. Score and parts. 11 pages. James Haynor #3631581. Published by James Haynor (A0.782225). Orazio Vecchi was renowned for his madrigals, especially his grouping of them together in a new form called the madrigal comedy. This was a light, popular, and dramatic entertainment form of the late 16th century, sometimes regarded as one of the precursors to opera. Al bel de tuoi capelli is just such a madrigal. Written for five voices and scored here for woodwind quintet. ( Duration 1:12 )
$10.00
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
Jingle Bells in Different Styles for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Noël
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James Lord Pierpont
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Ander
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Jingle Bells in Different Styl
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1290196 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods O...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1290196 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, Arrangements #880904. Published by Woods Only, Arrangements (A0.1290196). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Woodwind Quintet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!
$9.99
Someone Like You
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Adele
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Jhonatan Lucio Viana
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Someone Like You
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JLVPartitura
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 1 - SKU: A0.1385671 By Adele. By Adele Adkins and Dan Wilson. Arranged by Jhonata...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 1 - SKU: A0.1385671 By Adele. By Adele Adkins and Dan Wilson. Arranged by Jhonatan Lucio Viana. 21st Century,Holiday,Pop,R & B,Thriller. 10 pages. JLVPartitura #969608. Published by JLVPartitura (A0.1385671). Immerse yourself in this arrangement of Someone Like You by Adele for Woodwind Quartet + Chords (Flute, Oboe, Clarinet in Bb and Bassoon). Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level Intermediate, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Key Ab Major.Unlock the transformative power of music in your life! Purchase the sheet music today and immerse yourself in the beauty of this composition. Elevate your musical experience with every note of this carefully crafted arrangement. Don't hesitate any longer, embark on this unique musical journey and enrich your life with every chord.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$12.99
Someone Like You
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Adele
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Jhonatan Lucio Viana
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Someone Like You
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JLVPartitura
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 1 - SKU: A0.1385565 By Adele. By Adele Adkins and Dan Wilson. Arranged by Jhonata...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 1 - SKU: A0.1385565 By Adele. By Adele Adkins and Dan Wilson. Arranged by Jhonatan Lucio Viana. 21st Century,Holiday,Pop,R & B,Thriller. 10 pages. JLVPartitura #969503. Published by JLVPartitura (A0.1385565). Immerse yourself in this arrangement of Someone Like You by Adele for Woodwind Quartet (Flute, Oboe, Clarinet in Bb and Bassoon). Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level Intermediate, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Key Ab Major.Unlock the transformative power of music in your life! Purchase the sheet music today and immerse yourself in the beauty of this composition. Elevate your musical experience with every note of this carefully crafted arrangement. Don't hesitate any longer, embark on this unique musical journey and enrich your life with every chord.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$12.99
"Dance Scenes" for wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Panagiotis Theodossiou
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"Dance Scenes" for w
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Panagiotis Theodossiou
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.886693 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.886693 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 49 pages. Panagiotis Theodossiou #3575033. Published by Panagiotis Theodossiou (A0.886693). Dance Scenes, for wind quintet, Hear the Voice inside You … (2003). Written in a strict and abstract dodecaphonic style, follows the form of a theme and 12 variations- miniatures (in the style of Webern) with an epilogue. There is an emphasis between the intervallic and motivic interrelations of the initial tone row and the planning of the work. In its 2008 version has 4 mouvements:I.Riddle (to Yannis Christou)II.Gnome (to Gyorgy Ligeti)III.Fire Dance (to Arnold Scoenberg)IV.Choreograpical Variations (to Anton Webern and Igor Stravinsky) It has a chorographical character and is dedicated to the composers above, following their compositional style.
$25.00
Andante Sostenuto (for Wind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Musique Sacrée
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Ernest A
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Andrew Lamb
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Andante Sostenuto
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Andrew Lamb
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1286981 Composed by Ernest A. Dicks. Arranged by Andrew Lamb. 19...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1286981 Composed by Ernest A. Dicks. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship. 19 pages. Andrew Lamb #877985. Published by Andrew Lamb (A0.1286981). Introducing Andante Sostenuto by composer Ernest A. Dicks, now thoughtfully arranged for Wind Quintet, this piece offers a blend of grace and accessibility.With a moderate level of difficulty falling between easy and intermediate, Andante Sostenuto is ideal for both seasoned musicians and those looking to expand their repertoire. This arrangement, featuring Flute, Oboe, Clarinet, French Horn, and Bassoon, showcases the unique voices of each instrument while creating a harmonious ensemble performance.Perfect for a range of settings, from elegant concerts to intimate recitals, this piece adds a touch of serenity and poise to any occasion. Its soothing and contemplative character makes it a fitting choice for church services, imparting a sense of reverence and tranquility.Whether you're planning a performance to captivate audiences or seeking to enhance the ambiance of a religious service, Andante Sostenuto is a versatile and expressive addition to your Wind Quintet repertoire. Discover the beauty of this arrangement by Ernest A. Dicks and elevate your musical performances.
$6.00
Choral from the Cantata BWV 77 (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Sebastian Bach
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Rodrigo Faleiros
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Choral from the Cantata BWV 77
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Rodrigo Faleiros
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1470686 Composed by Johann Sebastian Bach. Arranged by Rodrigo F...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1470686 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. 7 pages. Rodrigo Faleiros #1048182. Published by Rodrigo Faleiros (A0.1470686). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for woodwind Quintet preserves the integrity and beauty of the original harmonization while adapting it for a different ensemble. Each of the five woodwind instruments — flute, oboe, clarinet, french horn and bassoon — takes on one of the vocal lines, allowing the rich textures and intricate voice leading to shine through in a new timbral context. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the individual voices while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Woodwind Quintet - flute, oboe, clarinet, french horn and bassoon➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$7.99
Choral from the Cantata BWV 77 (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Sebastian Bach
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Rodrigo Faleiros
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Choral from the Cantata BWV 77
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Rodrigo Faleiros
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1470685 Composed by Johann Sebastian Bach. Arranged by Rodrigo F...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1470685 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. 7 pages. Rodrigo Faleiros #1048181. Published by Rodrigo Faleiros (A0.1470685). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for woodwind quintet preserves the integrity and beauty of the original harmonization while adapting it for a different ensemble. Each of the five woodwind instruments — flute, oboe, clarinet, french horn and bassoon — takes on one of the vocal lines, allowing the rich textures and intricate voice leading to shine through in a new timbral context. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the individual voices while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Woodwind Quintet - flute, oboe, clarinet, french horn and bassoon- With Chord Symbols➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$7.99
Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephen Davies
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Prelude & Fugue No.4 in C#
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.891939 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. 28 pages...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.891939 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. 28 pages. Stephen Davies #5361315. Published by Stephen Davies (A0.891939). In this arrangement the key has been altered to suit the instruments range for the classic Wind Quintet combination of Flute, Oboe, Bb Clarinet, French Horn & Bassoon. Programme Notes: THE PRELUDE The solemn and expressive character of the melody line is somewhat reminiscent of much of Bach's passion music, and weaves between the players with utmost ease. The Preludes most prominent melodic feature is the octave leap heard on all parts throughout the music, which leads to a satisfying conclusion. THE FUGUE Coming in at a whopping 115 bars, this is one of Bach's longest and most complex fugues. With three themes woven through together in five voices as only Bach can, this fugue offers a competent group of instrumentalists with many technical and interpretive challenges! Also available here in Clarinet & Saxophone Quintet flavours!
$14.99
A Christmas Greeting by Edward Elgar set for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Edward Elgar
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John Gibson
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A Christmas Greeting by Edward
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JB Linear
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.582091 Composed by Edward Elgar. Arranged by John Gibson. 20th Century,Christmas. Sc...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.582091 Composed by Edward Elgar. Arranged by John Gibson. 20th Century,Christmas. Score and parts. 23 pages. JB Linear #4890549. Published by JB Linear (A0.582091). A Christmas Greeting by Edward Elgar set for woodwind quintet by John Gibson. Edward Elgar, well known for his Pomp and Circumstance pieces and The Enigma Variations, composed this Christmas Greeting in 1909 for 2 voices, 2 violins, and piano. The lyrics were written by his wife, Caroline. The phrase, friends in storm or calm. sets the tone of the piece. This setting is for flute, oboe, Bb clarinet, F horn, and bassoon. It runs about 4 1/2 minutes.
$17.50
Course of Empire
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Kyle Vanderburg
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Course of Empire
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NoteForge
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
Hotel California
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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The Eagles
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Thomas Graf
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Hotel California
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1212422 By The Eagles. By Don Felder, Don Henley, and Glenn Frey...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1212422 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Thomas Graf. Broadway,Film/TV,Musical/Show,Pop,Rock. 24 pages. Thomas Graf - the-hit-factory.com #809929. Published by Thomas Graf - the-hit-factory.com (A0.1212422). Here you have a very sophisticated arrangement of one of the greatest songs of the history of rock music – You will detect all details of the wonderful Eagles classic; including the outstanding guitar solo in two voices. Have fun and do astonish your audience. All parts are featured. The song is in an easy key; which makes it easily playable for all brass instruments. About this arrangement: Composed by: Don Henley, Glenn Frey and Don FelderArranged by: Thomas H. GrafInstrumentation: Full ScoreFluteOboeClarinet in BbHorn in FBassoonAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$20.00
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