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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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469
Piano & claviers
Piano seul
208
Piano, Voix
62
Piano Facile
44
Piano, Voix et Guitare
32
Orgue
30
Instruments en Do
21
Piano Trio: piano, violon, violoncelle
4
Orgue, Piano (duo)
4
2 Pianos, 4 mains
3
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
2
Clavecin
1
Piano grosses notes
1
1 Piano, 4 mains
1
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112
Guitare
26
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4
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4
4 Guitares (Quatuor)
4
Guitare notes et tablatures
2
Ukulele
1
Ensemble de guitares
1
2 Guitares (duo)
1
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167
Chorale 3 parties
57
Chorale 2 parties
54
Chorale Unison
34
Chorale SSAA
22
Chorale TTBB
12
Chorale
4
Voix duo
3
Voix Tenor
2
Voix duo, Piano
2
Voix Soprano, Piano
2
Chorale SSAB, Piano
1
Chorale SSAATB
1
Chorale SSATB
1
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196
Clarinette et Piano
177
Flûte traversière et Piano
169
Saxophone Alto et Piano
138
Saxophone Tenor et Piano
130
2 Saxophones (duo)
29
Saxophone (partie séparée)
23
Clarinette
19
Hautbois (partie séparée)
15
Flûte traversière
15
Saxophone Soprano et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Quintette de Saxophone: 5 saxophones
9
Quatuor de Saxophones: 4 saxophones
8
Clarinette (partie séparée)
7
Saxophone Baryton, Piano
6
Quatuor de Flûtes : 4 flûtes
5
Quatuor de Clarinettes: 4 clarinettes
4
Flute (partie séparée)
3
Ensemble de Clarinettes
3
2 Flûtes traversières (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Quintette de Flûte : 5 flûtes
2
Ensemble de saxophones
1
Saxophone Alto
1
Clarinette Basse, Piano
1
Hautbois
1
Flûte et Quatuor à Cordes
1
Flûte à bec Soprano
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Harpe et Violoncelle
1
Piccolo
1
Saxophone et Orgue
1
Flûte à bec Alto, Piano
1
Trio de Flûtes: 3 flûtes
1
+ 30 instrumentations
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Cuivres
Trombone et Piano
144
Trompette
82
Trompette, Piano
61
Trompette (partie séparée)
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trombone (partie séparée)
18
Trombone
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Ensemble de Trombones
4
Cor et Piano
4
Ensemble de Trompettes
3
Cor (partie séparée)
3
Quatuor de Cuivres
3
2 Trombones (duo)
3
2 Trompettes (duo)
2
Tuba (partie séparée)
2
Cor
2
Trombone basse
1
Tuba ou Euphonium ou Saxhorn
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
Trombone basse et Piano
1
4 Tubas
1
+ 18 instrumentations
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Cordes
Alto, Piano
162
Violon et Piano
143
Violoncelle, Piano
133
Violoncelle
17
Violon
13
Quatuor à cordes: 2 violons, alto, violoncelle
13
Alto (partie séparée)
9
Alto seul
7
Contrebasse (partie séparée)
6
Violon (partie séparée)
4
4 Violoncelles
4
Ensemble de Violons
2
Harpe
2
Violon, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Contre Basse
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
231
Orchestre
40
Orchestre à Cordes
37
Cloches
15
Fanfare
12
Ensemble Jazz
10
Orchestre de chambre
9
Ensemble de cuivres
8
Percussion (partie séparée)
8
2 Xylophones
4
Ensemble de Percussions
4
Batterie
4
Batterie (partie séparée)
2
Percussion
1
Timbales
1
Jazz combo
1
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Formation musicale - Solfège
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00
13.83 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Inspire Infinite Potential ( Woodwind Quintet )
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1024840 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1024840 Composed by Stanley P. Hung. Contemporary,Holiday. 19 pages. Stanley P. Hung #6495927. Published by Stanley P. Hung (A0.1024840). Â Inspire Infinite Potential is the first original composition of Stanley P. Hung. It was composed for the Massachusetts Institute of Technology Concert Band 70th Anniversary in 2019. MIT Concert Band was founded by students in fall of 1948 and directed for 51 years by conductor John D. Corley. He directed the band from its inception in 1948 until his retirement last spring in 1999. Dr. Thomas E. Reynolds continued the job of music education at MITCB up to now about 20 years. He is the current music director and conducting the band together with co-conductor Collin Myers. (Reference: band.mit.edu)Â Â Mr. Hung had participated in a few public performances of MIT Concert Band and played trombone. His footprints not only appeared at MIT in Cambridge, but also in New York (2013), Maine (2014), and Philadelphia (2019) during spring tours. To come up with an idea by our originality then take it into practice was the spirit inspired by such ingenuity group. Therefore, Stanley tried to add this spirit into the music work Inspire Infinite Potential at creation stage. Its U.S. premiere was conducted by Dr. Reynolds and performed by the MIT Concert Band in campus (2019.12.10). The second edition is mostly based on the previous version. Some of notes, chords, articulations, and rhythms have been updated.
$9.99
9.21 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Stanley P
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Inspire Infinite Potential
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Stanley P. Hung
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SheetMusicPlus
Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - …
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1411725 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th Century,Chamber,Contest,Festival,Multicultural,Spiritual,World. 34 pages. Charles Decker Music Press #993974. Published by Charles Decker Music Press (A0.1411725). Early 20th century Black Canadian-American composer, conductor and pianist Robert Nathaniel Dett's  Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler combine his neo-romantic style and advocacy for spirituals in this engaging arrangement for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon. Music in the Mine provides a musical interpretation of the back-breaking and mind-numbing mining work in the steady accompaniment along with the dialogue of two miners yearning for better days, while Let Us Cheer the Weary Travelers is an upbeat dedication to our spiritual journey.  As Director of the Hampton Institute, Dett developed the college's choir with his compositions and conducting into one of the leading choirs in the nation. Dett studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and awarded an Honorary Masters Degree in 1932 from the Eastman School of Music . The recording is of the entire edition. To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$17.99
16.59 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Robert Nathaniel Dett
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Richard Decker
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Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler for Woodwind Quintet
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Charles Decker Music Press
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SheetMusicPlus
Andante (Introductory Voluntary)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1209176 By Andrew Lamb. By William Warden Harvey (1861-1939). Arranged by Andrew Lamb. Religious. 19 pages. Andrew Lamb #807288. Published by Andrew Lamb (A0.1209176). Title: Andante (Introductory Voluntary)Composer: William Warden Harvey (1861-1939)Arranger: Andrew LambDescription: This is my transcription of the Introductory Voluntary ‘Andante’ by composer William Warden Harvey (1861-1939). This piece appeared in Volume 1 of the Village Organist.William Warden Harvey was an American composer and music educator born on November 20, 1861, in Auburn, New York. He began studying music at a young age and went on to receive a Bachelor of Music degree from Syracuse University in 1878. Later, he studied at the Leipzig Conservatory in Germany, where he received a degree in composition.Harvey composed a variety of works, including chamber music, choral music, and operas, but it is his work as a music educator that is perhaps most significant. He served as the director of music at Syracuse University from 1893 to 1927, during which time he established the university's music department and worked to elevate the status of music education in the United States.In addition to his work at Syracuse University, Harvey served as the president of the Music Teachers National Association and was a member of the National Association of Schools of Music. He was also a regular contributor to music journals and edited several collections of songs and hymns.William Warden Harvey died on March 20, 1939, in Syracuse, New York, at the age of 77. His contributions to music education in the United States were significant, and his legacy lives on through the many students he taught and influenced during his long career.
$12.00
11.06 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Andrew Lamb
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Andrew Lamb
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Andante
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Andrew Lamb
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SheetMusicPlus
5 Classical Wedding Music for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
55.31 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner
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Woods Only
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Co
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5 Classical Wedding Music for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Spiritual: Listen to the Lambs for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - …
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1411720 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Chamber,Contest,Festival,Multicultural,Spiritual,World. 22 pages. Charles Decker Music Press #993961. Published by Charles Decker Music Press (A0.1411720). Early 20th century Canadian-American composer, conductor and pianist Robert Nathaniel Dett's spiritual Listen to the Lambs choral anthem combines his neo-romantic style and advocacy for spirituals in this engaging arrangement for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon. Director of the Hampton Institute, Dett developed the college's choir with his compositions and conducting into one of the leading choirs in the nation.  Always looking to improve his compositional capabilities, Dett studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and received an Honorary Masters Degree in 1932 from the Eastman School of Music. The recording is of the entire edition.To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$14.99
13.82 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Samuel Coleridge-Taylor
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Richard Decker
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Spiritual: Listen to the Lambs for Woodwind Quintet
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Charles Decker Music Press
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SheetMusicPlus
March
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1311765 Composed by James Johnston Stewart and Sergei Prokofiev. Arranged by James Smith. 20th Century,Contemporary,Film/TV,Opera. 13 pages. James Smith #900721. Published by James Smith (A0.1311765). L'amour des trois oranges, Op. 33, is a satirical French-language opera by Sergei Prokofiev. The work was commissioned by the director of the Chicago Opera Association afte Prokofiev's first visit to the United States, and premiered in Chicago in 1921. Its most familiar section is the March, used by CBS in the radio-drama series The FBI in Peace and War from 1944-1958, as an FBI leitmotiv in films like The Brink's Job (1978), and by Prokofiev himself in the ballet Cinderella. 1'55View the rest of my catalog here at linktr.ee/jamessmithmusic.
$15.99
14.74 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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James Johnston Stewart and Sergei Prokofiev
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James Smith
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March
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James Smith
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SheetMusicPlus
Too Fat Polka (she's Too Fat For Me)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.514980 Composed by Arthur Richardson and Ross MacLean. Arranged by Kenneth Abeling. Comedy,Contemporary. 18 pages. LINCOLN MUSIC PUBLICATIONS #4323281. Published by LINCOLN MUSIC PUBLICATIONS (A0.514980). Too Fat Polka or “She’s / He’s Too Fat for Me†Music & Lyrics by Arthur Richardson and Ross Maclean arranged for Woodwind Quintet by Kenneth Abeling. This is one of the most popular polkas of all time and suitable for many occasions especially Oktoberfest type performances. It is for the most part a moderate to perhaps moderately difficult arrangement, but some of the few solo lines might be considered a little tricky. Your ensemble director should be able to simplify these passages if necessary… The playing time is approximately: 2:50. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com
$16.99
15.66 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Arthur Richardson and Ross MacLean
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Kenneth Abeling
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Too Fat Polka
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Misirlou - Pulp Fiction - Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Intermediate - Digital…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Intermediate - Digital Download Arranged by Thomas Graf. Movies, World, European. Score, Set of Parts. 19 pages. Published by Thomas Graf - the-hit-factory.com
This Greek folk song and dance gained great popularity, when director Quentin Tarantino used it in his 1994 film Pulp Fiction, and again when it was sampled in the Black Eyed Peas' song "Pump It" (2006). Have fun! <br> <br> Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon <br> <br> Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! This Greek folk song and dance gained great popularity, when director Quentin Tarantino used it in his 1994 film Pulp Fiction, and again when it was sampled in the Black Eyed Peas' song "Pump It" (2006). Have fun! <br> <br> Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon <br> <br> Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!
$18.99
17.51 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Thomas Graf
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Misirlou - Pulp Fiction - Wind Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
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