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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Concerto No.1
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Non classifié
99
Piano & claviers
Piano seul
197
1 Piano, 4 mains
25
Piano Facile
22
2 Pianos, 4 mains
8
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano, Voix et Guitare
1
Instruments en Do
1
Accompagnement Piano
1
Orgue
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
1
Voix
Voix Soprano, Piano
6
Chorale SATB
1
Chorale 3 parties
1
Voix Alto, Piano
1
Voix Baryton, Piano
1
Vents
Flûte traversière et Piano
41
Hautbois, Piano (duo)
30
Clarinette et Piano
29
Saxophone Alto et Piano
20
Saxophone Soprano et Piano
19
Saxophone Tenor et Piano
12
Clarinette
11
Cor anglais, Piano
11
Saxophone Baryton, Piano
9
Clarinette Basse, Piano
5
Saxophone (partie séparée)
5
2 Saxophones (duo)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Piccolo, Piano
3
Clarinette (partie séparée)
3
2 Clarinettes (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
2 Flûtes traversières (duo)
2
2 Hautbois (duo)
2
Hautbois et Orchestre
1
Flute (partie séparée)
1
Flûte, Violon, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Tenor
1
Quatuor de Saxophones: 4 saxophones
1
Hautbois (partie séparée)
1
Flûte traversière, Orchestre
1
Flûte à bec Alto
1
Flûte et Guitare
1
Clarinette Basse
1
Quintette de Saxophone: 5 saxophones
1
Quatuor de Flûtes : 4 flûtes
1
+ 28 instrumentations
Retracter
Cuivres
Trombone et Piano
16
Cor et Piano
14
Euphonium, Piano (duo)
12
Cor anglais, Piano
11
Trompette, Piano
9
Tuba et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette
3
Trombone basse et Piano
2
2 Cors (duo)
2
2 Trombones (duo)
2
Trombone (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Euphoniums (duo)
2
Cor
2
2 Trompettes (duo)
1
Cor (partie séparée)
1
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette (partie séparée)
1
Tuba (partie séparée)
1
+ 16 instrumentations
Retracter
Cordes
Violon et Piano
73
Violoncelle, Piano
40
Alto, Piano
28
Quatuor à cordes: 2 violons, alto, violoncelle
6
Alto seul
5
Contrebasse, Piano (duo)
5
Violon
3
Violoncelle
3
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Alto (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Contre Basse
2
Violoncelle, Orchestre
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Violoncelle (duo)
1
Violoncelle, Basse continue
1
Trio à cordes: 3 violins
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre
36
Piano et Orchestre
29
Orchestre de chambre
18
Orchestre d'harmonie
15
Orchestre à Cordes
15
Percussion (partie séparée)
1
Ensemble de cuivres
1
Orchestre, Violon
1
Timbales (partie séparée)
1
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Piano Concerto No.1
SheetMusicPlus
Partitions à imprimer
4 partitions trouvées
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Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,S...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
MacDowell: Woodland Sketches Op.51 No.4 "In Autumn" - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Edward MacDowell
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Ray Thompson
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MacDowell: Woodland Sketches O
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553350 Composed by Edward MacDowell. Arranged by Ray Thompson. 2...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553350 Composed by Edward MacDowell. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 10 pages. RayThompsonMusic #2081725. Published by RayThompsonMusic (A0.553350). Edward Alexander MacDowell (December 18, 1860 – January 23, 1908) was an American composer and pianist of the late Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces and New England Idylls. Woodland Sketches, Op. 51, is a suite of ten short piano pieces . It was written during an 1896 stay at MacDowell's summer retreat in Peterborough, New Hampshire, where each piece was inspired by a different aspect of the surrounding nature and landscape.The best known piece is no.1 To a Wild RoseThis is No.4 In Autumn. It begins with a brisk, staccato theme followed by chromatic runs. The music shifts to a mysterious and questioning tone in the middle section before returning to the joyous opening theme.Arranged wind quintet.... Clarinet in Bb provided also.
$4.95
MacDowell: 6 Woodland Sketches Op.51 (Includes No.1 "To a Wild Rose") and 3, 4, 7 & 8 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Edward MacDowell
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Ray Thompson
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MacDowell: 6 Woodland Sketches
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553365 Composed by Edward MacDowell. Arranged by Ray Thompson. 2...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553365 Composed by Edward MacDowell. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 21 pages. RayThompsonMusic #2101977. Published by RayThompsonMusic (A0.553365). Edward MacDowell was an American composer and pianist of the Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces, and New England Idylls.Woodland Sketches Op.51 includes his most popular short piece, To a Wild Rose. This short compilation of 5 pieces from that suite includes:1.To a Wild Rose3.At an old Trysting Place4.In Autumn7. From Uncle Remus8. A Deserted Farm The clarinet part uses Clarinet in A for Nos. IV and VIII.The individual pieces, including To a Wild Rose are available separately.
$14.95
MacDowell: Woodland Sketches Op.51 No.1 "To a Wild Rose" - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Edward MacDowell
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Ray Thompson
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MacDowell: Woodland Sketches O
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.553348 Composed by Edward MacDowell. Arranged by Ray Thompson. 2...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.553348 Composed by Edward MacDowell. Arranged by Ray Thompson. 20th Century,Contemporary,Holiday,Standards,Wedding. 10 pages. RayThompsonMusic #2081651. Published by RayThompsonMusic (A0.553348). Edward Alexander MacDowell (December 18, 1860 – January 23, 1908) was an American composer and pianist of the late Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces and New England Idylls. Woodland Sketches, Op. 51, is a suite of ten short piano pieces . It was written during an 1896 stay at MacDowell's summer retreat in Peterborough, New Hampshire, where each piece was inspired by a different aspect of the surrounding nature and landscapeThe suite's first piece, To a Wild Rose, is MacDowell's best known single work according to the musicologist H. Wiley Hitchcock,and it achieved what Bomberger described as phenomenal popularity. MacDowell believed the work's popularity arose because the publisher spread its score generously across two pages.The piece begins with a spare melody, based on a simple one from the Brotherton Indians.The melody is played in short fragments and accompanied by chords and pedal points. The climax consists of a repeated dominant ninth chord, which can also be heard as a version of the Tristan chord. The piece concludes with a Scotch snap rhythm. Crawford opined that the piece's harmony saves it from blandness.Arranged for wind quintet…It could have been written for wind quintet!Other pieces are available.
$4.95
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