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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Quavers
Non classifié
51
Piano & claviers
Piano seul
61
Piano Facile
35
Piano, Voix
14
1 Piano, 4 mains
4
Orgue
3
Piano, Voix et Guitare
1
Piano Trio: piano, violon, violoncelle
1
Instruments en Do
1
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3
Basse electrique
3
Guitare
3
Mandoline, Guitare (duo)
2
4 Guitares (Quatuor)
1
Voix
Chorale SATB
7
Chorale SSAA
3
Chorale 3 parties
1
Voix Soprano, Piano
1
Chorale TTBB
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
2 Clarinettes (duo)
6
Flûte traversière et Piano
5
Clarinette et Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
3 Clarinettes (trio)
3
Saxophone Alto et Piano
3
Saxophone Tenor et Piano
2
2 Flûtes traversières (duo)
2
Ensemble de Flûtes
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette et Basson
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Saxophones: 4 saxophones
1
Ensemble de Clarinettes
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette Basse, Piano
1
+ 14 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette, Piano
1
2 Trombones (duo)
1
Euphonium, Piano (duo)
1
2 Trompettes (duo)
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
7
Harpe
4
Violon
3
Harpe, Violon (duo)
2
Violon et Piano
2
2 Violons (duo)
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 3 violoncelles
1
2 Altos (duo)
1
Alto et Harpe
1
Alto, Piano
1
Violoncelle, Piano
1
+ 10 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
13
Ensemble de cuivres
9
Orchestre d'harmonie
6
Batterie
3
Orchestre
2
Ensemble Jazz
1
Ensemble de Percussions
1
Orchestre de chambre
1
+ 3 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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VIELLE A RO…
VIOLE DE GA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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Vous avez sélectionné:
Quavers
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
8 partitions trouvées
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Chopin: Nocturne No.2 (Op.9 No.2) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Frederic Chopin
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Ray Thompson
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Chopin: Nocturne No.2
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1468452 Composed by Frederic Chopin. Arranged by Ray Thompson. C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1468452 Composed by Frederic Chopin. Arranged by Ray Thompson. Classical,Romantic Period,Wedding. 10 pages. RayThompsonMusic #1046771. Published by RayThompsonMusic (A0.1468452). Arranged wind quintet.Chopin wrote 21 nocturnes for solo piano between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form developed by Irish composer John FieldThis is probably Chopin's best loved Nocturne, if not his best known piece.Unlike other arrangements you may find, my arrangement shares the melody amongst flute, clarinet and oboe.The horn provides harmony throughout, has one bar of solo, and takes the bass line for a time.The bassoon provides a mainly sustained bass line, as an impression of the piano pedal, rather than isolated quavers.I have NOT simply copied Chopins original quaver figures (in the original left hand piano) but have created an original piece as though it had been composed for wind instruments!The quintet do NOT play TUTTI all the time: this gives a more interesting and varying sound palette.ENJOY.
$14.99
HAYDN: QUINTET IN Bb "Sunrise" Opus 76 No. 4 for woodwind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Joseph Haydn
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Pat Spence
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HAYDN: QUINTET IN Bb "Sun
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1456932 Composed by Joseph Haydn (1732 - 1809). Arranged by Pat ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1456932 Composed by Joseph Haydn (1732 - 1809). Arranged by Pat Spence. Chamber,Classical,Instructional. 88 pages. Piper Publications #1036012. Published by Piper Publications (A0.1456932). Haydn's original for string quartet has been arranged for woodwind quintet. Known as the Sunrise because the rising opening theme of the first movement seems to depict the first appearance of the sun at dawn. Whether Haydn intended it or not, this movement has caught the imagination of many listeners as some of the earliest programme music (rather in the manner of Beethoven's Moonlight sonata for piano a few years later). The Adagio, Menuetto & Trio, and Finale follow a more traditional pattern but, as ever, Haydn's ingenuity produces small innovations such as the triplet semi quavers/ sixteenth notes which become sextuplets in the Adagio, the unusual contrasting Trio and the acceleration of the final section of the Finale.Players of Advanced intermediate standard and above will enjoy the challenge of this delightful Piece.
$40.00
Harmony Music No.1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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E Elgar
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Philip Le Bas
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Harmony Music No.1
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Philip Le Bas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,Chamber,Classical. 26 pages. Philip Le Bas #728449. Published by Philip Le Bas (A0.1127840). An arrangement by Philip Le Bas of a very early wind quintet written by Edward Elgar while still based in Worcester in 1878-9, entitled Harmony Music No.1, after the German Harmoniemusik, meaning music for wind instruments. His quintet group (in which he played the bassoon) consisted of two flutes, an oboe, a clarinet and a bassoon, which by modern standards is rather unusual (omitting the usual French horn). He agreed to write a quintet for the group once a week, and he claimed to have written most of them during the 25-minute sermons at St. George's R.C. Church, where he had taken over the organ-playing from his father (and where the arranger ministered for three years in the 1990s!) It is a wonderful, cheerful, tuneful short piece (4-5 minutes long), but the original version is rarely performed, perhaps because of its difficulty on several fronts. First it is very fast, challenging performers' ability to tongue rapidly. Secondly, it repeatedly leaves no time to breathe, especially for the flautists (meaning that it has to be performed even faster, in order to get through it.) Thirdly, Elgar's oboist must have been extremely versatile, as its part is very low indeed in places (several low B's played pp at speed.) Finally, published copies seem to have rather a lot of editorial errors... This arrangement was therefore created in the hope that the piece might become more accessible and be more frequently performed. Although the bassoon part remains Elgar's, the other four players are used imaginatively to overcome many of the difficulties of the original. For example, the original low oboe parts are here played by one of the clarinets instead, and the severe breathing problems are solved by sharing repeated quavers between the four higher instruments.
$5.99
Wind Quintet - Ding Dong Merrily on High
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Noël
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Anon
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Mike Lyons
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Wind Quintet - Ding Dong Merri
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.767384 Composed by Anon. Arranged by Mike Lyons. Christmas. 27 p...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.767384 Composed by Anon. Arranged by Mike Lyons. Christmas. 27 pages. Lyons Music Services #3602017. Published by Lyons Music Services (A0.767384). This is a wind quintet arrangement of my brand new and somewhat quirky arrangement of the well-known Christmas Carol. I've given the Clarinet and Bassoon some of the spotlight in this setting.At letter D the music slips into a Jazz Waltz style and it is important to swing the quavers to gt the full effect, which produces some interesting results. and at letter F, we find ourselves creating a little Hocket, with fragments of the tune passed around the enemble - but without it losing any of its cohesion.At letter G the music returns (almost) to normal. and this reprise leads to the end.Please pay attention to all the articulations and slurs, which are very specific to create the effects.If you are bored with the traditional settings, then this is for you.
$10.99
There You Go Then...
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John Holland
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There You Go Then...
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John Holland
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.986931 Composed by John Holland. Contemporary. 45 pages. John Holland #2024649. Published by John...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.986931 Composed by John Holland. Contemporary. 45 pages. John Holland #2024649. Published by John Holland (A0.986931). As its title suggests, this quirky little piece gives everyone a chance to have their little 'moment', all the while playing 'catch the quavers' with each other; passing and throwing sounds like a childish playground game. A relentless pulse of notes trips through the texture and brief melodies and phrases introduce then excuse themselves, but occasional silences threaten to punch holes in the rhythm - who's turn is it to catch next, and will they succeed?
$20.00
Interstellar
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Johnson Lee
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Interstellar
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johnson lee
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by johnson lee (A0.912635). https://youtu.be/0hVSzb1pUP0INTERSTELLAR First movement - Astronomical Space Synopsis Astronomical Space is the void that exists between celestial bodies. However, the space is not completely empty, between, the vacuum consists of electromagnetic radiation, magnetic fields and dust and cosmic rays. Within this space, planets and moon freely orbits in their path. An unseen force is behind the organized path and movement of these planets in the galaxy. This movement uses different aspects of palindrome concept to depict the organised space in music. First, the time signature expands and contracts in palindromic fashion, indicating an orderly manner in which the music orbits. Next, the intervals expands exponentially and also contracts in retrograde fashion. Analysis This movement uses palindrome concept for compositional technique. Rhythmically, it is palindromic in nature. The note values starts from a minim to dotted crotchet, crotchet, quaver, semiquavers. The time signature also expands and contract palandromically, starting from 2/4, 3/4 , 4/4, 5/4, 6/4, 5/4, 4/4, 3/4, 2/4. The intervallic relationships are also in palindrome. Ascending from middle C the interval starts with Minor 2nd and expands exponentially to Major 2nd, Minor 3rd , Major 3rd, Perfect 4th , Augmented 4th , Perfect 5th to the tonic. Conversely, the intervals descend in similar fashion. French Horn begins with Low G (Concert C) and builds up this set of intervals reaching high B (Concert E). This melody is repeated by the Clarinet at the start of the new time signature of 3/ 4. Oboe enters at the next time signature of 4 /4. Flute at time signature of 5/4 and Bassoon at time signature of 6/4. The retrograde inversion of this motif is announced by the French Horn, this time starting on its high G (Concert C). Behind all this build up, the intervallic motif as shown above is played. At section A, this motif is announced without the rhythmic palindrome. The motif and its inversion builds up to a climax and re-asserts its presence with all the instruments playing at Bar before rehearsal mark B. The piece ends with the French horn performing the same motif at the beginning of this movement. Second Movement - Celestial Bodies Synopsis Celestial bodies or Astronomical objects refers to a single cohesive structure that is bound together usually by gravity or electromagnetism. Some examples includes asteroids, moons, planets and the stars. These objects or bodies may range from a single planet to star clusters, nebulae or entire galaxies and they have their position in space. This movement uses whole tone scale. The whole tone scale is used in this movement as it does not create sharp dissonances and the space between each interval is equal whichever way you stack the notes. The main melody, 8 bars long is repeated in canonic fashion. A countermelody is announced and also repeated by the ensemble in canonic fashion. Thereafter, both melodies will merge and this movement ends with a chord consisting of the whole tone scale starting on B. The music gradually unveils the each axis of the motion in which the astronomi.
$5.00
Beethoven: Piano Sonata No.8 in C Minor Op.13 "Sonata Pathetique" Mvt.II Adagio- wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Piano Sonata No.8 i
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.553501 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday,Standards. 1...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.553501 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday,Standards. 10 pages. RayThompsonMusic #2998471. Published by RayThompsonMusic (A0.553501). One of Beethoven's well known and popular tunes.Arranged for wind quintet and transposed up to Bb major I have attempted to arrange it as the composer would have done using the horn available during his lifetime. The horn part is  therefore written for natural horn in Bb basso.  (I  also enclose a horn in F part.) The Bb basso part is there for your horn player's delight!! (or not!!) I have taken some sympathetic liberties with the broken chords and added other notes of a sustaining nature. I have changed some of the bars containing triplet semiquavers to give a less heavy feel. I feel this gives a better classical soundCheck out my other Beethoven arrangements (mostly for wind quintet, but some string quartet) : various Piano Sonata mvts, Symphony movts, Turkish March, Fur Elise, Trio and Sextet
$11.95
Beethoven: Symphony No.8 in F Op.93 Mvt.II Allegretto - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Symphony No.8 in F
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thomps...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 12 pages. RayThompsonMusic #692364. Published by RayThompsonMusic (A0.1088119). Arranged wind quintet. Horn Part in Bb basso ( same as Beethoven's )(alt Hn in F part provided) The Symphony No. 8 in F major, Op. 93 is a symphony in four movements composed by Ludwig van Beethoven in 1812. Beethoven fondly referred to it as my little Symphony in F, distinguishing it from his Sixth Symphony, a longer work also in F.[1] The Eighth Symphony is generally light-hearted, though not lightweight, and in many places cheerfully loud, with many accented notes. Various passages in the symphony are heard by some listeners to be musical jokes. As with various other Beethoven works such as the Opus 27 piano sonatas and the later Ninth Symphony, the symphony deviates from Classical tradition in making the last movement the weightiest of the four. This is my arrangement of the 2nd mvt. There is a widespread belief that this movement is an affectionate parody of the metronome, which had only recently been invented (or more accurately, merely improved) by Beethoven's friend, Johann Maelzel. Specifically the belief was that the movement was based on a canon called Ta ta ta... Lieber Maelzel, WoO 162, said to have been improvised at a dinner party in Maelzel's honor in 1812. However, there is no evidence corroborating this story and it is likely that WoO 162 was not written by Beethoven but was constructed after-the-fact by Anton Schindler. A more likely inspiration was the similar rhythmic parody of Joseph Haydn's Clock Symphony. The metronome-like parody starts at the very beginning of the movement with even staccato chords in 16th-notes (semiquavers). This basic 16th-note rhythm continues fairly steadily through the piece. The tempo is unusually fast for a symphonic slow movement. Richard Wagner has argued that the third movement was intended as the slow movement of this symphony and that the second should be played as a scherzo.
$14.95
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