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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rise Up with Music
Non classifié
96
Piano & claviers
Piano seul
60
Piano, Voix
17
Piano, Voix et Guitare
11
Piano Facile
7
Instruments en Do
3
2 Pianos, 4 mains
3
1 Piano, 4 mains
2
Orgue
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
5
Guitare
4
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
42
Chorale 3 parties
9
Chorale 2 parties
6
Chorale SSAA
4
Chorale
3
Voix duo, Piano
3
Chorale TTBB
2
Chorale Unison
2
Voix seule
1
Voix Soprano, Piano
1
+ 5 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte, Hautbois, Clarinette, Basson
6
Saxophone Soprano et Piano
5
2 Saxophones (duo)
5
Quatuor de Saxophones: 4 saxophones
4
Flûte traversière
4
Clarinette
4
2 Flûtes traversières (duo)
3
2 Clarinettes (duo)
3
Flûte à bec Soprano
2
Hautbois (partie séparée)
2
Flûte, Clarinette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette et Piano
2
Clarinette, Violon (duo)
2
Saxophone Alto et Piano
2
Flute (partie séparée)
2
Saxophone, Clarinette (duo)
2
Clarinette, Trompette (duo)
2
Hautbois, Flûte
1
Clarinette et Alto
1
2 Hautbois (duo)
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
2 Flûte à bec (duo)
1
Flûte, Violon
1
Flûte, Clarinette et Basson
1
Flûte, Saxophone (duo)
1
Hautbois, Basson (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte traversière et Piano
1
Saxophone Tenor
1
Quintette de Saxophone: 5 saxophones
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Alto (duo)
1
+ 31 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Cor
4
Trombone et Piano
2
Quatuor de cuivres: 4 trombones
2
Trompette, Saxophone (duo)
2
Trompette
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Trombones (duo)
2
Ensemble de Tubas
1
4 Tubas
1
Quatuor de Cuivres
1
Tuba
1
Trompette, Piano
1
Ensemble de Cors
1
2 Cors (duo)
1
Cor et Piano
1
Trompette, Trombone (duo)
1
Trio de Cuivres
1
2 Trompettes (duo)
1
+ 14 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12
Violon
5
Violon, Violoncelle (duo)
3
Harpe, Voix
3
Trio à Cordes: violon, alto, violoncelle
2
2 Violoncelles (duo)
2
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
Alto seul
1
Contre Basse
1
Violon et Piano
1
2 Violons (duo)
1
Violon, Alto (duo)
1
Violon (partie séparée)
1
2 Altos (duo)
1
Alto (partie séparée)
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
46
Orchestre à Cordes
16
Orchestre
8
Cloches
6
Ensemble de cuivres
4
Orchestre de chambre
2
Ensemble Jazz
1
Piano et Orchestre
1
+ 3 instrumentations
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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Vous avez sélectionné:
Rise Up with Music
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
6 partitions trouvées
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Turkish March & Laendler - Beethoven - Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Thomas Graf
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Turkish March & Laendler -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.568814 Composed by Ludwig van Beethoven. Arranged by Thomas Graf...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.568814 Composed by Ludwig van Beethoven. Arranged by Thomas Graf. Classical,Multicultural,Romantic Period,World. 17 pages. Thomas Graf - the-hit-factory.com #3365109. Published by Thomas Graf - the-hit-factory.com (A0.568814). L.v.Beethovens major piece in a very suitable arrangement. Beginning with the march it ends up with a surprising Laendler-Style. What a funny surprise for your audience! Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/kBrxA5_0nyk .
$14.99
Course of Empire
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Kyle Vanderburg
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Course of Empire
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NoteForge
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
Satie: Sports et Divertissements 8. Le Yachting - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Sports et Divertissemen
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1289652 Composed by Erik Satie. Arranged by Ray Thompson. 20th C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1289652 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 8 pages. RayThompsonMusic #880358. Published by RayThompsonMusic (A0.1289652). Sports et divertissements (Sports and Pastimes) is a cycle of 21 short piano pieces composed in 1914 by Erik Satie.The set consists of a prefatory chorale and 20 musical vignettes depicting various sports and leisure activities. First published in 1923, it has long been considered one of his finest achievements.Musically it represents the peak of Satie's humoristic piano suites (1912-1915), but stands apart from that series in its fusion of several different art forms. Sports originally appeared as a collector's album with illustrations by Charles Martin, accompanied by music, prose poetry and calligraphy. The latter three were provided by Satie in his exquisite handwritten scores, which were printed in facsimile. This is my arrangement for wind quintet of:8. Le Yachting (Yachting) - Modéré (Moderately.) (In half-notes, bass octaves). Legato. Satie's prose:Quel temps !Le vent souffle comme un phoque.Le yacht danse.Il a l'air d'un petit fou.La mer est démontée.Pourvu qu'elle ne se brise pas sur un rocher.Personne ne peut la remonter.Je ne veux pas rester ici, dit la jolie passagère.Ce n'est pas un endroit amusant.J'aime mieux autre chose.Allez me chercher une voiture.A stern ostinato in the lower reaches of the piano summons up a wind-blown sea as it tosses about members of a yachting party.A pretty lady passenger is not amused by the rough weather. I'd rather do something else, she pouts. Go fetch me a car. The sea ostinato returns to end the piece.Arranged standard wind quintetCheck out my other Satie arrangements3 Gymnopédies and 3 Gnossiennes. ( sold separately and as collections).Also: Rag-Time du Pacquebot (Ragtime of the Steampacket) and Sonatina Bureaucratique.
$2.99
40 Beloved Christian Hymns Volume II (for Woodwind Quintet and optional Organ)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Musique Sacrée
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Day - For The Life That You Ha
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Various
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Kenneth Abeling
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40 Beloved Christian Hymns Vol
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.1104136 Composed by Various. Arranged by Kenneth Abeling. Christmas,Easter...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.1104136 Composed by Various. Arranged by Kenneth Abeling. Christmas,Easter,Religious,Sacred. 157 pages. LINCOLN MUSIC PUBLICATIONS #707369. Published by LINCOLN MUSIC PUBLICATIONS (A0.1104136). 40 Beloved Christian Hymns Volume II for Woodwind Quintet by Kenneth Abeling is the second collection of traditionally scored, and frequently used hymns in many Christian worship services. This collection also includes an optional Organ part. The Titles Include: All Glory Laud And Honor - All Things Bright And Beautiful, Alleluia - Sing To Jesus! - And Can It Be? - Angels From The Realm Of Glory - Arise - Your Light Has Come! - As With Gladness Men Of Old, Be Still, My Soul - The Lord Is On Thy Side - Brightest And The Best Stars - Children Of The Heavenly Father, Christ Arose! - Christ The Lord Is Risen Today - Come Thou Fount Of Every Blessing - Day By Day - For The Life That You Have Given - Good Christians All, Rejoice And Sing - Guide Me, O Thou Great Redeemer - I Know That My Redeemer Lives! - I Love Your Kingdom Lord - Immortal, Invisible, God Only Wise - Jesus Keep Me Near The Cross - Just As I Am - Lord Jesus Think On Me - Love Divine All Love’s Excelling, -My Jesus I Love Thee - Now Thank We All Our God - O Jesus, I Have Promised - O Love That Wilt Not Let Me Go - O Master Let Me Walk With Thee - O Perfect Love - O, How I Love Jesus - Oh God, Our Help In Ages Past - Praise God From Whom All Blessings Flow (Doxology) - Praise To The Lord, The Almighty - Praise, My Soul, The King Of Heaven - Ride On, Ride On In Majesty! - Savior, Like A Shepherd Lead Us - Stand Up Stand Up For Jesus - Thine Is The Glory - When I Survey The Wondrous Cross. Total Playing Time approximately 53:00 To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$28.99
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
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Rise Up with Music
