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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Serious Flute
Sheetmusicplus
Non classifié
48
Piano & claviers
Guitares
Voix
Chorale 3 parties
3
Chorale Unison
2
Chorale SATB
1
Vents
Flûte traversière et Piano
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Flûte, Hautbois, Clarinette, Basson
10
Flûte traversière
5
2 Flûtes traversières (duo)
5
Ensemble de Flûtes
5
Clarinette et Piano
4
Quatuor de Flûtes : 4 flûtes
3
Saxophone Tenor et Piano
3
Flûte, Violon
2
Quintette de Flûte : 5 flûtes
2
Flûte et Guitare
2
Clarinette Basse, Piano
2
Cor anglais, Piano
2
Hautbois, Piano (duo)
2
Flûte, Trompette (duo)
2
Flûte, Clarinette (duo)
2
Saxophone Baryton, Piano
2
Saxophone Alto et Piano
2
Hautbois, Flûte
2
Flûte, Saxophone (duo)
2
Piccolo, Piano
1
Saxophone Soprano et Piano
1
Flute (partie séparée)
1
Flûte, Alto (duo)
1
Flûte, Clarinette et Basson
1
Clarinette
1
Flûte, Hautbois, Piano (trio)
1
Ensemble à vent
1
Quatuor de Saxophones: 4 saxophones
1
Flûte traversière, Orgue (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 27 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
3
Trombone et Piano
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette, Piano
1
Cor et Piano
1
Trompette, Trombone (duo)
1
Trompette
1
+ 6 instrumentations
Retracter
Cordes
Violoncelle, Piano
2
Violon et Piano
2
Alto, Piano
2
Orchestre & Percussions
Orchestre d'harmonie
10
Ensemble Jazz
3
Orchestre
2
Jazz combo
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Orchestre de chambre
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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Vous avez sélectionné:
Serious Flute
SheetMusicPlus
Partitions à imprimer
26 partitions trouvées
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00
Mean
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Taylor Swift
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Gary D
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Mean
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DR GARY D BELSHAW
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.796615 By Taylor Swift. By Taylor Swift. Arranged by Gary D. Belshaw (ASCAP). Pop. 37 pages. DR G...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.796615 By Taylor Swift. By Taylor Swift. Arranged by Gary D. Belshaw (ASCAP). Pop. 37 pages. DR GARY D BELSHAW #3050781. Published by DR GARY D BELSHAW (A0.796615). 2017 Chamber Music Contest Entry. A Pop! Seriously! arrangement from Gary D. Belshaw Music. Duration: about four and one-half minutes. 37 pages, including a sample part page (delete before printing) and blank pages to facilitate 2-sided printing. As simple as may seem, this hit from Taylor Swift's 2010 album, Speak Now, makes for some awesome interaction among the five horns. Because it rocks even without a rhythm section, this will be a real audience-pleaser, even with those who may not know Taylor Swift's music at all. With some 20th-Century chromatic inflection in the second verse, this quintet is a pastiche of popular music styled in a (semi-) serious medium. Its the perfect recruiting tool for your institution or studio. Suitable, of course, for recital or social event repertoire. With the right sermon or Sunday theme, it could even be useful in church.Make the most of the contrasting articulations and phrasing. Consider approaching the 20th-Century stylings with an emphasis on accurately playing the zero-cents sweet spot on each player's horn.Follow us on Facebook and Twitter. Any and all comments are welcome and deeply appreciated. And, of course, write a review of this music on right here on sheetmusicplus.com.
$19.99
Marche Funebre
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Frederic Chopin
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John Grady
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Marche Funebre
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John Grady
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1124311 Composed by Frederic Chopin. Arranged by John Grady. 19t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1124311 Composed by Frederic Chopin. Arranged by John Grady. 19th Century,Chamber,Classical,Holiday,Romantic Period. 15 pages. John Grady #725051. Published by John Grady (A0.1124311). A serious, and mock-serious, take on Chopin's familiar Funeral March for solo piano. This arrangement requires a woodwind quintet with good chamber-music and interpretative skills, but also un-afraid to be tongue-in-cheek as well. Suitable for Halloween time primarily, the music plays with the traditional march to the grave. Your audience will love the good part-writing, the chills and dark humor of this arrangement. Oh, the ancient Dies Irae appears a few times, too. A minimum of mood indications allows for your intuitive dramatic ideas. Have fun and don't get too serious! Performance time: approx. 4.5 minutes.
$50.00
Satie: La Belle Excentrique - Grand ritournelle - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: La Belle Excentrique -
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 3 - SKU: A0.1298050 Composed by Erik Satie. Arranged by Ray Thompson...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 3 - SKU: A0.1298050 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 12 pages. RayThompsonMusic #887972. Published by RayThompsonMusic (A0.1298050). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello.1. Grande ritournelle (Grand Ritornello) (This one)2. Marche franco-lunaire (Franco-Lunar March)3. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)4. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet with piccolo,but could be played on flute if no piccolo available.
$7.95
Satie: La Belle Excentrique - Marche franco-lunaire - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: La Belle Excentrique -
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1298857 Composed by Erik Satie. Arranged by Ray Thompson. 20th C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1298857 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,March. 11 pages. RayThompsonMusic #888706. Published by RayThompsonMusic (A0.1298857). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) (This one)2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)3. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet .
$9.95
Satie: La Belle Excentrique II.Valse du "Mystérieux Baiser dans l'Oeil" - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: La Belle Excentrique II
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1303281 Composed by Erik Satie. Arranged by Ray Thompson. 20th C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1303281 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 17 pages. RayThompsonMusic #892863. Published by RayThompsonMusic (A0.1303281). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) 2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye) (This one)3. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet .
$14.95
Satie: La Belle Excentrique - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: La Belle Excentrique -
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1303701 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 31 pages. ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1303701 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 31 pages. RayThompsonMusic #893257. Published by RayThompsonMusic (A0.1303701). Arranged standard wind quintet.Flute doubles on piccolo in the Ritournelle.La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) 2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)3. Cancan Grand-Mondain (High-Society Cancan)Great fun to perform.
$29.95
A Repton Fugue
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Philip Le Bas
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Philip Le Bas
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A Repton Fugue
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Philip Le Bas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1463474 By Philip Le Bas. By Philip Le Bas. Arranged by Philip L...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1463474 By Philip Le Bas. By Philip Le Bas. Arranged by Philip Le Bas. Chamber,Classical. 21 pages. Philip Le Bas #1042196. Published by Philip Le Bas (A0.1463474). A short, attractive fugue for wind quintet (flute, oboe, clarinet, horn and bassoon) by Philip Le Bas, inspired by and based on Hubert Parry's much-loved hymn Dear Lord and Father, whose melody is entitled Repton. The fugue's structure results from a fascinating online Fugue Writing course run by CityLit, London, which the composer attended in the first half of 2024. The course presents and explains the eighteenth-century ideas of a fully developed fugue, which culminated in J.S. Bach's extraordinary achievement, the Well Tempered Clavier, and which has been used in various forms by composers ever since. The fugal rules are here treated rather as guidelines in order to create a fugue more immediately appealing to 21st century listeners, but the piece attempts to maintain the general structure found in classic fugues. The initial subject is quirky and tuneful (in fact a bit of an ear-worm), but it immediately goes on to include counter-subjects, tonal answers, codettas, episodes, middle entries, inverted subjects, strettos, a pedal and a final entry, plus a relatively long coda in which Parry's original melody is celebrated exuberantly. These different sections and techniques are all labeled in the score to add an educational dimension to the composition. Those who know the composer's Repton Variations for wind sextet will recognise the opening and ending, at least in outline, but they will soon find the rest to be more technically developed, if rather less serious, from the very beginning! The piece lasts just under three minutes.
$5.99
William Tell Overture - Wind Quintet (Individual Parts)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Gioachino Rossini
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César Madeira
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William Tell Overture - Wind Q
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Sheet Music To Play Editions
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1232043 Composed by Gioachino Rossini. Arranged by César Made...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1232043 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Chamber,Classical,March,Romantic Period. 17 pages. Sheet Music To Play Editions #827717. Published by Sheet Music To Play Editions (A0.1232043). William Tell Overture by Rossini. Arrangement for Wind Quintet - Flute, Oboe, Bb Clarinet, French Horn and Bassoon. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$10.99
William Tell Overture - Wind Quintet (Full Score and Parts)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Gioachino Rossini
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César Madeira
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William Tell Overture - Wind Q
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Sheet Music To Play Editions
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1211305 Composed by Gioachino Rossini. Arranged by César Made...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1211305 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Chamber,March,Opera,Romantic Period. 32 pages. Sheet Music To Play Editions #808969. Published by Sheet Music To Play Editions (A0.1211305). William Tell Overture by Rossini. Arrangement for Wind Quintet - Flute, Oboe, Bb Clarinet, French Horn and Bassoon. With Full Score and Individual Parts. Enjoy it!Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$15.99
Southern Man
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Neil Young
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Jason Sullivann
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Southern Man
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Green Bicycle Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1408410 By Neil Young. By Neil Young. Arranged by Jason Sullivan...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1408410 By Neil Young. By Neil Young. Arranged by Jason Sullivann. Chamber,Folk,Historic,Multicultural,Rock,World. 22 pages. Green Bicycle Music #990996. Published by Green Bicycle Music (A0.1408410). Https://en.wikipedia.org/wiki/Southern_Man_(song)https://en.wikipedia.org/wiki/Slavery_in_the_United_StatesThis is a setting of Neil Young's SOUTHERN MAN (from the album AFTER THE GOLD RUSH) for woodwind quintet and optional percussion.The song is chosen by the arranger as a reponse to recent confisions surrounding the poisonouslegacy of Slavery, and various questionable debates regarding its history in America.Ironically, the arranger was originally ready to mention the song written as a response to thissong by the band Lynyrd Skynyrd, but found interesting information on Wikipedia (the links areprovided). Apparently the song by Young that spurred Lynyrd Skynyrd to write SWEET HOME ALABAMAwas the one titled simply ALABAMA, which is on the album HARVEST. Also interesting was the information that the bands and composers did get along, even showing this by wearing each other'st-shirts when performing.This arrangement is advanced grade 3 or grade 4, with no extreme playing in the outer registers,or meter changes, etc.. The optional percussion can be added to create a more solemn-march feel.The socio-political element is not varied or diffused in any way. If possible, the complete lyricsshould be contained in program notes. This piece offers a serious contemplation of the history andhorror of Slavery in America.
$14.99
William Tell Overture - Wind Quintet (Full Score) - Score Only
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Gioachino Rossini
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César Madeira
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William Tell Overture - Wind Q
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Sheet Music To Play Editions
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1232044 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Chamber,Classic...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1232044 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Chamber,Classical,Multicultural,Romantic Period,World. 15 pages. Sheet Music To Play Editions #827718. Published by Sheet Music To Play Editions (A0.1232044). William Tell Overture by Rossini. Arrangement for Wind Quintet - Flute, Oboe, Bb Clarinet, French Horn and Bassoon. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$10.99
March – Entry of the Gladiators (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Julius Fucik
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Kenneth Abeling
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March – Entry of the Gla
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.514677 Composed by Julius Fucik. Arranged by Kenneth Abeling. Ma...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.514677 Composed by Julius Fucik. Arranged by Kenneth Abeling. March. 18 pages. LINCOLN MUSIC PUBLICATIONS #3504359. Published by LINCOLN MUSIC PUBLICATIONS (A0.514677). “Entry of the Gladiators†or “Entrance of the Gladiators†Op. 68 by Julius Fucik, transcription for Woodwind Quintet by Kenneth Abeling and also known as “Thunder and Blazesâ€. Although its original intent was of a more serious nature, it has become perhaps the most recognizable “Circus March’ of all time. This is a more advanced march but can be played at normal march tempo as well as circus or “screamer†march. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com Playing Time: 2:30
$13.99
Schubert: String Quartet No.14 in D minor, D.810 Mvt.III Scherzo/Trio - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Schubert
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Ray Thompson
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Schubert: String Quartet No.14
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1050665 Composed by Franz Schubert. Arranged by Ray Thompson. Ro...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1050665 Composed by Franz Schubert. Arranged by Ray Thompson. Romantic Period. 18 pages. RayThompsonMusic #655012. Published by RayThompsonMusic (A0.1050665). Arranged standard wind quintet. Horn part is for NATURAL HORN in D (Alt. F part also provided) The String Quartet No. 14 in D minor, D 810, known as Death and the Maiden, is a piece by Franz Schubert that has been called one of the pillars of the chamber music repertoire.[1] It was composed in 1824, after the composer suffered a serious illness and realized that he was dying. It is named for the theme of the second movement, which Schubert took from a song he wrote in 1817 of the same title. Cobbett describes the third movement as the dance of the demon fiddlerThere is indeed something demonic in this fast-paced scherzo, full of syncopations and, like the other movements, dramatic leaps from fortissimo to pianissimo.
$17.95
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust. 
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contem...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
Beethoven: 12 Variations
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Larry Wesley
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Beethoven: 12 Variations
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Larry Wesley
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.973148 Composed by Ludwig van Beethoven. Arranged by Larry Wesley. Concert,Instructional,Standard...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.973148 Composed by Ludwig van Beethoven. Arranged by Larry Wesley. Concert,Instructional,Standards. 75 pages. Larry Wesley #5303361. Published by Larry Wesley (A0.973148). Set of variations on Haibel's opera Le nozze features the Menuet a la Vigano.The variations are lively, brilliant, dark, serious, full of contrast, tempo changes, fine examples of canonic writing, etc. It is Beethoven after all.Feedback always welcomed at: WesleyStudio80@gmail.com
$15.00
Bebop Study (woodwind quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Augustin Lehfuss
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Bebop Study
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Gustfuss Records
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.876889 Composed by Augustin Lehfuss. Jazz. 34 pages. Gustfuss Records #3515013. Published by Gust...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.876889 Composed by Augustin Lehfuss. Jazz. 34 pages. Gustfuss Records #3515013. Published by Gustfuss Records (A0.876889). Is it possible to play bebop jazz with a classical ensemble like woodwind quintet? Yes it is! This composition is a fast and thriving bebop tune for woodwind quintet, which was already performed and recorded by one ot the best ensembles of it's kind, the Bläserquintett der Staatskapelle Berlin.It's a typical bebop tune, but due to fact, that classical musisians normally are not used to freely improvise on chords, it's written oot throughout. At a speed of 180 bpm more skilled players are required. The composer recommends to play it strict in time as indicated.This work suites well as a da capo piece for serious classical concert programs, as well as a relaxed excursion and sidestep from the always similar classical music practise. Please also visit the composer's homepage and twitter accountwww.lehfuss.comhttps://twitter.com/AugustinLehfuss
$15.00
Party at Surfside - for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Dale A
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Party at Surfside - for Woodwi
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Dale A Burket
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.934762 Composed by Dale A. Burket. Rock. 23 pages. Dale A Burket #4789987. Published by Dale A Bu...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.934762 Composed by Dale A. Burket. Rock. 23 pages. Dale A Burket #4789987. Published by Dale A Burket (A0.934762). This up-tempo, rollicking fun piece is a clear departure from the more serious woodwind quintet repertoire which will be fun for both the players and audience alike! It features a blues ride for the bassoon, solos for each instrument and an incessant rhythm which harkens back to the beach rock 'n roll days.
$19.99
Scarlatti: Andante mosso for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Domenico Scarlatti
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James M
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Scarlatti: Andante mosso for W
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.550383 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacre...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.550383 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards. 12 pages. Jmsgu3 #4626319. Published by jmsgu3 (A0.550383). Sonata 33 for Woodwind Quintet - an unusually expressive, intricate, serious and meditative piece. Perfect for weddings, receptions, meditations, recitals or recital encores.Score: 7 pages. Duration: ca 6:38.
$24.95
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