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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing The News
Non classifié
100
Piano & claviers
Piano seul
33
Piano, Voix
32
Piano Facile
31
Piano, Voix et Guitare
15
Accompagnement Piano
2
Orgue
2
1 Piano, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
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Guitare notes et tablatures
3
Guitare
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
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48
Chorale 2 parties
18
Chorale 3 parties
15
Chorale Unison
12
Chorale TTBB
4
Chorale SSAA
3
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2
Voix haute
1
Voix Soprano, Piano
1
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7
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6
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4
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4
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3
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3
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3
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3
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3
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3
2 Flûtes traversières (duo)
3
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3
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3
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3
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2
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2
Clarinette, Trompette (duo)
2
Hautbois, Piano (duo)
2
Saxophone Tenor
2
Clarinette
2
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2
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2
Saxophone Alto
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Trompette (duo)
1
Saxophone (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Flûte traversière
1
Flûte, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Ensemble de saxophones
1
Clarinette et Alto
1
Hautbois, Flûte
1
Hautbois, Basson (duo)
1
Flûte à bec Soprano
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Hautbois (partie séparée)
1
+ 33 instrumentations
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Cuivres
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10
Trompette
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trombone et Piano
3
2 Trompettes (duo)
3
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
2 Cors (duo)
2
Ensemble de Trompettes
2
2 Trombones (duo)
2
Ensemble de Trombones
2
Tuba et Orgue
2
Trompette, Piano
2
2 Euphoniums et 2 Tubas
1
Trombone
1
Tuba et Piano
1
Trompette, Trombone (duo)
1
+ 12 instrumentations
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Cordes
Violon
4
Violoncelle, Piano
4
Harpe
4
2 Violons (duo)
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
2 Altos (duo)
3
Violon et Piano
3
2 Violoncelles (duo)
3
Alto, Piano
2
Ensemble de Violons
2
Violoncelle
2
Violon, Alto (duo)
1
Violon, Violoncelle (duo)
1
+ 8 instrumentations
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Orchestre & Percussions
Orchestre
14
Orchestre à Cordes
5
Orchestre d'harmonie
3
Cloches
1
Ensemble de cuivres
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
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Vous avez sélectionné:
Sing The News
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00
13.83 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
To the West Wind
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind quintet - Digital Download SKU: IZ.CMF193 Composed by Lee Heritage. Score …
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Woodwind quintet - Digital Download SKU: IZ.CMF193 Composed by Lee Heritage. Score and Parts. 55 pages. Imagine Music - Digital #CMF193. Published by Imagine Music - Digital (IZ.CMF193). 9 x 12 in inches.To the West Wind is a three-movement work, written in a lyrical, post-tonal style. The title alludes to Ode to the West Wind by nineteenth century British poet Percy Shelley. A breezy classicism in the first movement, Breath of Autumn, gives way to an elegiac second movement marked Grave. This movement, Tangles of Heaven, is dedicated to Toledo's great musical leader Bernard Sanchez who died in October, 2013. Heritage writes, While I was composing the quintet, the news came suddenly - and with a great sense of shock and tragedy - that Bernie had died. Deeply saddened, I realized that the second movement was taking shape as an elegy to a great friend. The flute plays an angular, emotional melody, accompanied by somber chords in the rest of the ensemble. An optimistic energy pervades the third movement, Crystalline Streams, interrupted by moments of lyricism and humor. Throughout the 10-minute work, Heritage explores the unique timbres of each instrument and the rich textures of the woodwind quintet. The Toledo Symphony Woodwind Quintet premiered To the West Wind at the 2015 Festival of New Music at The University of Toledo. Performers were Joel Tse, flute; Michele Tosser-Smith, oboe; Georg Klaas, clarinet; Sandra Clark, horn, and Gareth Thomas, bassoon.
$32.00
29.5 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Lee Heritage
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Michele Tosser-Smith, oboe
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To the West Wind
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Imagine Music - Digital
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SheetMusicPlus
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