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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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Non classifié
309
PIANO & CLAVIERS
Piano seul
334
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131
Piano, Voix et Guitare
71
Piano, Voix
23
1 Piano, 4 mains
16
Orgue
10
Instruments en Do
5
Piano grosses notes
4
Accordéon
3
1 Piano, 6 mains
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
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Guitare notes et tablatures
184
Guitare
21
Ligne De Mélodie, (Paroles) et Accords
17
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14
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13
Ukulele
11
Banjo
8
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4
Mandoline
4
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1
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1
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
37
Chorale 2 parties
10
Chorale 3 parties
9
Chorale TTBB
6
Chorale SSAA
5
VENTS
Saxophone (partie séparée)
34
Flûte traversière
21
Clarinette
19
Saxophone Alto
19
2 Saxophones (duo)
17
Flûte traversière et Piano
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Quatuor de Saxophones: 4 saxophones
13
2 Flûtes traversières (duo)
13
Flûte à bec Soprano
12
Clarinette (partie séparée)
10
Quatuor de Clarinettes: 4 clarinettes
10
Flûte, Hautbois, Clarinette, Basson
10
3 Clarinettes (trio)
9
Saxophone, Clarinette (duo)
8
Saxophone Tenor
8
Clarinette et Piano
8
Saxophone Alto et Piano
8
2 Clarinettes (duo)
7
Clarinette, Violon (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Flûte, Clarinette (duo)
5
Hautbois (partie séparée)
5
2 Flûte à bec (duo)
5
Flûte et Guitare
5
Clarinette, Trompette (duo)
4
Flûte, Clarinette et Basson
4
Flûte irlandaise
4
Hautbois, Clarinette (duo)
4
Hautbois, Basson (duo)
3
Saxophone Tenor et Piano
3
2 Hautbois (duo)
3
Harmonica
3
Clarinette et Alto
3
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3
Flûte, Saxophone (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
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3
Flûte, Violon
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2
3 Flûtes à bec (trio)
2
3 Saxophones (trio)
2
Saxophone et Guitare
2
Ensemble de saxophones
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Basson
2
Quintette de Clarinettes: 5 clarinettes
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Saxophone Soprano et Piano
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Saxophone
1
Clarinette Basse, Piano
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1
Flute (partie séparée)
1
Cor Anglais
1
Quintette de Flûte : 5 flûtes
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1
Flûte, Alto (duo)
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1
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CUIVRES
Trompette
15
Trombone
14
Cor
6
2 Trompettes (duo)
6
Trompette, Saxophone (duo)
6
Trompette (partie séparée)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
2 Trombones (duo)
4
Trombone (partie séparée)
4
Trompette, Trombone (duo)
3
Trompette, Piano
3
Trombone et Piano
3
Tuba
2
Euphonium, Piano (duo)
2
Tuba et Piano
2
Cor et Piano
1
Tuba (partie séparée)
1
2 Tubas (duo)
1
Euphonium, Tuba (duo)
1
Instruments en Sib
1
Cor Anglais
1
Cor, Trompette, Trombone (trio)
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums et 2 Tubas
1
Trombone basse
1
Cor anglais, Guitare (duo)
1
Ensemble de Trombones
1
Cor (partie séparée)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
36
Harpe
35
Violon
27
Violon et Piano
20
Alto seul
14
Violoncelle
11
2 Violons (duo)
9
Violoncelle, Piano
7
Violon (partie séparée)
7
Trio à Cordes: violon, alto, violoncelle
7
Violon, Violoncelle (duo)
5
Alto, Piano
5
Violoncelle (partie séparée)
5
Contre Basse
4
2 Altos (duo)
4
Alto (partie séparée)
4
2 Violoncelles (duo)
4
2 Harpes (duo)
3
Violon, Alto (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle , Guitare (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Guitare (duo)
2
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
Alto, Guitare (duo)
1
Harpe et mandoline
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
213
Orchestre à Cordes
24
Batterie
15
Orchestre
11
Percussion (partie séparée)
11
Ensemble de cuivres
10
Ensemble de Percussions
10
Ensemble Jazz
7
Fanfare
6
Cloches
6
Orchestre de chambre
3
Jazz combo
2
Xylophone, Piano
1
Xylophone
1
Vibraphone
1
Bodhran
1
Piano et Orchestre
1
Caisse Claire
1
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AUTRES
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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1
Harmony Music No.1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,Chamber,Classical. 26 pages. Philip Le Bas #728449. Published by Philip Le Bas (A0.1127840). An arrangement by Philip Le Bas of a very early wind quintet written by Edward Elgar while still based in Worcester in 1878-9, entitled Harmony Music No.1, after the German Harmoniemusik, meaning music for wind instruments. His quintet group (in which he played the bassoon) consisted of two flutes, an oboe, a clarinet and a bassoon, which by modern standards is rather unusual (omitting the usual French horn). He agreed to write a quintet for the group once a week, and he claimed to have written most of them during the 25-minute sermons at St. George's R.C. Church, where he had taken over the organ-playing from his father (and where the arranger ministered for three years in the 1990s!) It is a wonderful, cheerful, tuneful short piece (4-5 minutes long), but the original version is rarely performed, perhaps because of its difficulty on several fronts. First it is very fast, challenging performers' ability to tongue rapidly. Secondly, it repeatedly leaves no time to breathe, especially for the flautists (meaning that it has to be performed even faster, in order to get through it.) Thirdly, Elgar's oboist must have been extremely versatile, as its part is very low indeed in places (several low B's played pp at speed.) Finally, published copies seem to have rather a lot of editorial errors... This arrangement was therefore created in the hope that the piece might become more accessible and be more frequently performed. Although the bassoon part remains Elgar's, the other four players are used imaginatively to overcome many of the difficulties of the original. For example, the original low oboe parts are here played by one of the clarinets instead, and the severe breathing problems are solved by sharing repeated quavers between the four higher instruments.
$5.99
5.59 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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E Elgar
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Philip Le Bas
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Harmony Music No.1
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Philip Le Bas
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SheetMusicPlus
Easy Suite for C Flute Choir by Sally Starra
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.940422 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.940422 Composed by Sally Starra 2017. Baroque,Classical,Concert,Graduation. 5 pages. Sally Starra #3102271. Published by Sally Starra (A0.940422). LENGTH: 2 minutes 28KEY SIGNATURE: D majorTIME SIGNATURE: 4/4, 4/4, 3/4SPEED: Metronome = 90 - 70 - 100 beats per minuteSTYLE: A collection of three short pieces into a suite. Moderato - Adagio - Allegretto Ideal for a range of skills of students for five C flute parts. Great to develop ensemble skills and confidence in changing tempo and time signatures. If only four flutes available then remove part 4. Appropriate for students and school performances~ I truly hope you enjoy playing in an ensemble and this piece is great fun for all! ~ Facebook - @fluteduets  Email - s.starra@outlook.com.
$6.00
5.6 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Sally Starra 2017
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Easy Suite for C Flute Choir by Sally Starra
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Sally Starra
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SheetMusicPlus
SCOTT JOPLIN: THE NONPAREIL FOR WOODWIND QUINTET
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.81…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.811812 Composed by Scott Joplin (1867 - 1917). Arranged by Pat Spence. Graduation,Ragtime,Standards,Wedding. Score and parts. 18 pages. Piper Publications #6456617. Published by Piper Publications (A0.811812). The Nonpareil, (Incomparable) ,a Rag and Two Step is arranged for flute, oboe, clarinet in Bb, bassoon & horn in F. Please note Joplin's instruction regarding the speed because It is never right to play Ragtime fast. This is a fun piece for players of intermediate standard and above and ideal repertoire for those quintets performing at social functions such as weddings and garden parties.
$9.00
8.4 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Scott Joplin
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Pat Spence
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horn in F.
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SCOTT JOPLIN: THE NONPAREIL FOR WOODWIND QUINTET
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Piper Publications
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SheetMusicPlus
The Great Escape March
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.956606 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.956606 Composed by Elmer Bernstein. Arranged by Catriona Melville-Mason. Contemporary. 11 pages. C Melville-Mason #6443637. Published by C Melville-Mason (A0.956606). The march theme from The Great Escape, arranged for five-part mixed woodwind ensemble of 2 flutes, 2 B-flat clarinets and bassoon (or bass clarinet).This piece has been classed as 'advanced intermediate', primarily because players are required to switch between different rhythm patterns confidently and often without support. The upper flute part requires dexterity to play with accurate articulation at speed, but the remaining parts are not technically demanding.This arrangement can be performed one-to-a-part or by a larger ensemble, with several players to a part. An optional 'add-on' oboe part is also included.
$12.99
12.12 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Elmer Bernstein
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Catriona Melville-Mason
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The Great Escape March
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C Melville-Mason
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SheetMusicPlus
Total Eclipse Of The Heart
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1321217 By Bonnie Tyler. By Jim Steinman. Arranged by James Smith. Broadway,Film/TV,Halloween,Musical/Show,Rock. 15 pages. James Smith #909670. Published by James Smith (A0.1321217). Total Eclipse of the Heart is a song recorded by Welsh singer Bonnie Tyler. It was written and produced by Jim Steinman, and released on Tyler's fifth studio album, Faster Than the Speed of Night (1983). The song was released as a single by CBS/Columbia in 1983. The song became Tyler's biggest career hit, topping the UK Singles Chart, and becoming the fifth-best-selling single in 1983 in the United Kingdom. The power ballad became Tyler's highest-charting song in several countries, peaking at No. 1 in the United States, South Africa, Australia, New Zealand, Canada and the United Kingdom.View the rest of my catalog at linktr.ee/jamessmithmusic.
$13.99
13.05 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bonnie Tyler
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James Smith
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Total Eclipse Of The Heart
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James Smith
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SheetMusicPlus
Lamento d'Arianna for wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.579760 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.579760 Composed by Claudio Monteverdi. Arranged by David Warin Solomons. Renaissance. 36 pages. David Warin Solomons #3377485. Published by David Warin Solomons (A0.579760). This is a transcription, with added dynamics and speed changes to reflect the words and emotions of the original madrigal.
$14.00
13.06 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Claudio Monteverdi
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David Warin Solomons
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Lamento d'Arianna for wind quintet
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David Warin Solomons
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SheetMusicPlus
Ommateum for woodwind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.1035270 Composed by B…
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Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.1035270 Composed by Burton Goldstein. Contemporary. 21 pages. Burton Goldstein Music #5001061. Published by Burton Goldstein Music (A0.1035270). Tempo Changes in This PieceIf you are familiar with metric modulation, you probably can skip this note.Elliot Carter started using metric modulations in the 1940s, so what I have done is nothing new.Once you get the hang of it, it should be easier to get to the new tempo than having to just know what a metronome marking is supposed to sound like. Also you can get the true feel of the tempo changes.The tempi in this piece are related to each other so that in a sense, the tempo never changes.For ex., in m.22, count 8th notes and switch to 6/8. The tempo does not change in the sense that a quarter still equals 120, even if you are counting 8ths (at 240 bpm)If you were going to stay in 6/8 for a while, you could start to count 1 (2 3) 4 (5 6) thus counting dotted 8ths. If the 'beat' you are counting is dotted 8ths, you are therefore counting dotted quarter notes at 80 bpm.In that case you could also say the tempo is 'the same' as quarter note = 120 because 8th notes are the same speed.I confess m 64 is not so easy. After counting two bars in 3/8, count the next bar in 16th notes. While this is uncomfortably fast, it will make it possible to go into the 7/16 section at the perfect tempo. After counting to 7 a few bars, you may find it possible and convenient to count 4 + 3, emphasizing 1 (2 3 4 ) 5 (6 7).When you get to the next metric modulation, you can just emphasize the 1 and divide the bar into 7 equal parts.m 79 is different from the previous meter changes because the previous bar of 7/16 equals the duration of the new bar. So if you can count the 7/16 bars, after a while, in 1, you can count the new bars in 1 for a while. Then count it as indicated. So if the piece is too fast to play as is, just pick a different starting tempo. All the tempi in the piece should therefore automatically scale down. If there's any changes in notation I can make which will help you perform the piece, please let me know!
$14.99
13.98 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Burton Goldstein
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Ommateum for woodwind quintet
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Burton Goldstein Music
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SheetMusicPlus
WILLIAM LAWES CONSORT SET A 5 IN C MAJOR for woodwind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.81…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.811759 Composed by William Lawes (1602 - 1645). Arranged by Pat Spence. Baroque,Concert,Graduation. Score and parts. 40 pages. Piper Publications #5997395. Published by Piper Publications (A0.811759). This is the first of three consort sets composed in 1644 for 5 viols with optional organ. The three movements, Fantazy, Pavan and Aire have been arranged for flute, oboe, clarinet in Bb, bassoon and horn in F for players of advanced intermediate standard. The metronome speed indicated is for guidance only and players should feel free to add decorations such as trills where they seem to be appropriate. The contrapuntal style requires the five players to listen carefully to each other and provides an opportunity to develop the feel of being a quintet rather than five players playing the same piece.
$15.00
13.99 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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William Lawes
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Pat Spence
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WILLIAM LAWES CONSORT SET A 5 IN C MAJOR for woodwind quintet
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Piper Publications
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SheetMusicPlus
Bebop Study (woodwind quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.876889 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.876889 Composed by Augustin Lehfuss. Jazz. 34 pages. Gustfuss Records #3515013. Published by Gustfuss Records (A0.876889). Is it possible to play bebop jazz with a classical ensemble like woodwind quintet? Yes it is! This composition is a fast and thriving bebop tune for woodwind quintet, which was already performed and recorded by one ot the best ensembles of it's kind, the Bläserquintett der Staatskapelle Berlin.It's a typical bebop tune, but due to fact, that classical musisians normally are not used to freely improvise on chords, it's written oot throughout. At a speed of 180 bpm more skilled players are required. The composer recommends to play it strict in time as indicated.This work suites well as a da capo piece for serious classical concert programs, as well as a relaxed excursion and sidestep from the always similar classical music practise. Please also visit the composer's homepage and twitter accountwww.lehfuss.comhttps://twitter.com/AugustinLehfuss
$15.00
13.99 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Augustin Lehfuss
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Bebop Study
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Gustfuss Records
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SheetMusicPlus
In My Life
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1273254 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 10 pages. RayThompsonMusic #865399. Published by RayThompsonMusic (A0.1273254). Arranged wind quintet: fl, ob, clt, hn and bsnIn My Life is a song by the English rock band the Beatles. It appeared on their 1965 album Rubber Soul. Its lyrics were written primarily by John Lennon, credited to Lennon–McCartney. George Martin contributed the  solo bridge passage.The song was recorded on 18 October 1965, and was complete except for the instrumental bridge. At that time, Lennon had not decided what instrument to use, but he subsequently asked George Martin to play a piano solo, suggesting something Baroque-sounding. Martin wrote a Bach-influenced piece that he found he could not play at the song's tempo. On 22 October, the solo was recorded with the tape running at half speed, so when played back at normal pace the piano was twice as fast and an octave higher, solving the performance challenge and also giving the solo a unique timbre, reminiscent of a harpsichord.According to Lennon, In My Life was his first real major piece of work because it was the first time he wrote about his own life.In 2000, Mojo named In My Life the best song of all time. Rolling Stone ranked it number 23 on its 2004 list of The 500 Greatest Songs of All Time, and number 98 on the 2021 revised list, as well as fifth on its list of the Beatles' 100 Greatest Songs.i have given 1st verse to oboe, and the 2nd verse to the clarinet.The mp3 excerpt is the end of the clarinet verse going into the bridge.
$17.95
16.75 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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The Beatles
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Ray Thompson
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In My Life
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RayThompsonMusic
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SheetMusicPlus
Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
32.65 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.78…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50
16.33 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
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Slide Ride
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SheetMusicPlus
The Great Crush Collission March
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.546762 By EnsembleSheetMusic. By Scott Joplin. Arranged by Sjoerd van der Veen. Classical,Jazz. 16 pages. Sjoerd van der Veen #156695. Published by Sjoerd van der Veen (A0.546762). Scott Joplin (1868-1917) wrote this famous piece as an ode to an actual train crash accident. You can hear the train You can hear the train speeding up and then… the crush! These moments are mentioned in the score and parts! Arranged for woodwind quintet. Flute - Oboe - Clarinet - French Horn - Bassoon.
$11.90
11.1 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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EnsembleSheetMusic
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Sjoerd van der Veen
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The Great Crush Collission March
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Sjoerd van der Veen
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SheetMusicPlus
My Love
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.838039 By Paul Mccartney & Wings. By Linda McCartney and Paul McCartney. Arranged by Spence Bundy. Contemporary. 12 pages. Spencer Bundy #6681763. Published by Spencer Bundy (A0.838039). Taken from the album, Red Rose Speedway of 1973, this song divides opinions. It was written by Paul for his wife Linda and was commercially successful. It is a much loved song by many.
$12.99
12.12 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Paul Mccartney & Wings
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Spence Bundy
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My Love
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Spencer Bundy
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SheetMusicPlus
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