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Vous avez sélectionné:
Story Come to Life
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
3 partitions trouvées
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The Princess And The Pea: A Classic Tale For Narrator And Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1467733 Composed by James Smith. 19th Century,Chamber,Children,Comedy,Contemporary. 26 pages. Ensemble Llama Music #1046028. Published by Ensemble Llama Music (A0.1467733). The Princess and the Pea is a literary fairy tale by Hans Christian Andersen. It is a story about a princess who is tested to become wife to a lonely prince. The tale was first published in 1835 in Copenhagen. In this work, the tale is presented by a narrator, with the wind quintet bringing the story to life in a musical way. This selection comes with a full score with cues for the narrator, parts for the ensemble, and a narrator's script that features ensemble cues to help align the story and music together properly.There are many features in this work that are sure to interest audiences of all ages. Different motifs are used to differentiate between characters and settings. The ensemble may find an opportunity to invite the audience to actively listen to these themes. This selection also features the use of props - a cutting board (preferably with a cutout area to grip the board easily) and an inflated latex balloon are required to make various sound effects. There are several other ways the ensemble and narrator could use props or costumes to bring the story to life, and offer some humorous moments as well. This work is quite different, but serves as a fresh selection for any concert. If you have any questions, or wish to let me know you performed this work, contact me at linktr.ee/ensemblellama. You can also use this link to view other works in my catalog.
$16.99
15.65 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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James Smith
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The Princess And The Pea: A Classic Tale For Narrator And Wind Quintet
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Ensemble Llama Music
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SheetMusicPlus
Walking In The Air
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1303214 Composed by Howard Blake. Arranged by Kayleigh Huelin. Christmas,Film/TV. 10 pages. Kayleigh Huelin #892814. Published by Kayleigh Huelin (A0.1303214). A timeless classic, 'Walking in the Air' is well-known to many as the central song and theme in the animated version of Raymond Briggs' The Snowman. The story follows a young boy and a snowman who comes to life, and the melancholy tune perfectly encapsulates the bittersweet ending of the tale. Arranged for wind quintet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.
$19.99
18.42 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Howard Blake
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Kayleigh Huelin
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Walking In The Air
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Kayleigh Huelin
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
46.02 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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jmsgu3
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SheetMusicPlus
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