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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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LUTH
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The C Contemporary New age
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24
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16
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6
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4
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+ 10 instrumentations
Retracter
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53
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5
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108
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16
Clarinette
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Cor anglais, Piano
15
Saxophone Alto
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Ensemble de Flûtes
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Harmonica
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Quintette de Flûte : 5 flûtes
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1
2 Flûtes traversières (duo)
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Saxophone et Orgue
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49
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37
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28
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27
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26
Trompette
18
Cor anglais, Piano
15
Tuba et Piano
15
Cor
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trombone
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba
5
Ensemble de Trombones
5
Ensemble de Cors
4
Quatuor de Cuivres
4
2 Trompettes (duo)
4
2 Trombones (duo)
3
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 4 trombones
3
Trompette, Cor (duo)
2
Cor Anglais
2
2 Cors (duo)
2
Trompette, Trombone (duo)
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 cors
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Euphonium, Piano (duo)
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Trompette (partie séparée)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
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387
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102
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96
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87
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61
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43
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25
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20
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14
Alto seul
12
Contre Basse
7
Alto, Violoncelle (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto (partie séparée)
4
Trio à Cordes: violon, alto, violoncelle
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2 Violons (duo)
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Violon, Alto (duo)
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Violoncelle, Contrebasse (duo)
2
2 Violoncelles (duo)
2
Violon, Violoncelle (duo)
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Alto, Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Guitare (duo)
1
4 Contrebasses
1
2 Contrebasses (duo)
1
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23
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15
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6
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1
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The C Contemporary New age
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
8 partitions trouvées
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1
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Passacaglia and Fugue in C Minor
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Austin Coates
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Passacaglia and Fugue in C Min
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Coates
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1011254 Composed by Johann Sebastian Bach. Arranged by Austin Coates. Baroque,Contemporary. 71 pa...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1011254 Composed by Johann Sebastian Bach. Arranged by Austin Coates. Baroque,Contemporary. 71 pages. Coates #3099065. Published by Coates (A0.1011254). Johann Sebastian Bach was a master composer of counterpoint and Fugue for the Organ. His compositions contained weaving melodic lines that mesmerize a listener without sacrificing the clarity of the Fugue's motif, but unfortunately J. S. Bach died over 200 years before a new invention revolutionized musical timbre.
$17.49
Wind Quintet Op 91 No 4 - Movement 1: Andante. Allegro Assai
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Anton Reicha
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Adrian Barnes
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Wind Quintet Op 91 No 4 - Move
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Cammerayguy
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1261168 Composed by Anton Reicha. Arranged by Adrian Barnes. Cha...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1261168 Composed by Anton Reicha. Arranged by Adrian Barnes. Chamber,Classical. 7 pages. Cammerayguy #854237. Published by Cammerayguy (A0.1261168). Anton (AntonÃn, Antoine) Joseph Reicha (Rejcha) (26 February 1770 – 28 May 1836) was a Czech-born, Bavarian-educated, later naturalized French composer and music theorist. A contemporary and lifelong friend of Beethoven, he is now best remembered for his substantial early contributions to the wind quintet literature and his role as teacher of pupils including Franz Liszt, Hector Berlioz and César Franck.Reicha's 25 wind quintets, composed in Paris between 1811 and 1820, were mostly premiered from 1817 in the foyer of the Théâtre Favart by some of the world's fifinest wind soloists. They were well received and were played al over Europe shortly afterward.Reicha claimed in his memoirs that his wind quintets filed a void:At that time, there was a dearth not only of good classic[al] music, but of any good music at al for wind instruments, simply because the composers knew little of their technique.[Wikipedia]Notes concerning this editionIn preparing this edition various manuscripts were consulted including the facimilies held by the IMSLP and Clarinet Institute. I also acknowledge the excel ent transcriptions prepared by Charles-David Lehrer for the International Double Reed Society.In addition, various editorial markings have been added to facilitate the performance of the quintet in a contemporary ensemble. Editorial additions marked in red in the score and may be considered optional. [Adrian Barnes]
$10.00
Wind Quintet - Summer in Bloom
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - Summer in Bloom
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Services #5968167. Pub...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Services #5968167. Published by Lyons Music Services (A0.767557). This is a brand new, original piece for wind quintet.I decided that I wanted to create a musical description of summer under lockdown, spending time in the garden (although there are no bird sounds) in the NorthWest of England. The weather here is usually very changeable (it's why we talk about it so much) so, of course, I included a thunderstorm in the middle!The piece opens with a gentle walk in the garden, (bassoon) the beautiful flowers swaying in the slight breeze (clarinet and horn). The oboe melody that enters in bar two expresses my thoughts of delight at the beautiful scene. The melody is passed around the ensemble, there's a duet with the flute and then the bassoon takes charge, with the horn taking over the walking bassline.At letter C there's an abrupt change of scene as I notice the bees busily flitting from flower to flower, pollenating and collecting nectar. The instruments play flutter-tongue to imitate an annoyed buzz every now and again as bees from different hives chance upon the same flower, but all remains peacefully business-like.At Letter D, we have a slight slowing of tempo as some butterflies flit from place to place, aimlessly taking off and landing fluttering for a short while in the sunshine. This section is as carefree as possible and should just amble along. The tempo can be pulled about quite a bit.At Letter F, there's a huge, sudden thunderstorm, jagged lightning and rolling thunder as a downpour drenches the garden. Just as suddenly as it started, the storm ends and rain reduces to a thin drizzle. Out comes the sun and we continue through the garden into the distance.
$30.00
Interstellar
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Johnson Lee
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Interstellar
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johnson lee
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by johnson lee (A0.912635). https://youtu.be/0hVSzb1pUP0INTERSTELLAR First movement - Astronomical Space Synopsis Astronomical Space is the void that exists between celestial bodies. However, the space is not completely empty, between, the vacuum consists of electromagnetic radiation, magnetic fields and dust and cosmic rays. Within this space, planets and moon freely orbits in their path. An unseen force is behind the organized path and movement of these planets in the galaxy. This movement uses different aspects of palindrome concept to depict the organised space in music. First, the time signature expands and contracts in palindromic fashion, indicating an orderly manner in which the music orbits. Next, the intervals expands exponentially and also contracts in retrograde fashion. Analysis This movement uses palindrome concept for compositional technique. Rhythmically, it is palindromic in nature. The note values starts from a minim to dotted crotchet, crotchet, quaver, semiquavers. The time signature also expands and contract palandromically, starting from 2/4, 3/4 , 4/4, 5/4, 6/4, 5/4, 4/4, 3/4, 2/4. The intervallic relationships are also in palindrome. Ascending from middle C the interval starts with Minor 2nd and expands exponentially to Major 2nd, Minor 3rd , Major 3rd, Perfect 4th , Augmented 4th , Perfect 5th to the tonic. Conversely, the intervals descend in similar fashion. French Horn begins with Low G (Concert C) and builds up this set of intervals reaching high B (Concert E). This melody is repeated by the Clarinet at the start of the new time signature of 3/ 4. Oboe enters at the next time signature of 4 /4. Flute at time signature of 5/4 and Bassoon at time signature of 6/4. The retrograde inversion of this motif is announced by the French Horn, this time starting on its high G (Concert C). Behind all this build up, the intervallic motif as shown above is played. At section A, this motif is announced without the rhythmic palindrome. The motif and its inversion builds up to a climax and re-asserts its presence with all the instruments playing at Bar before rehearsal mark B. The piece ends with the French horn performing the same motif at the beginning of this movement. Second Movement - Celestial Bodies Synopsis Celestial bodies or Astronomical objects refers to a single cohesive structure that is bound together usually by gravity or electromagnetism. Some examples includes asteroids, moons, planets and the stars. These objects or bodies may range from a single planet to star clusters, nebulae or entire galaxies and they have their position in space. This movement uses whole tone scale. The whole tone scale is used in this movement as it does not create sharp dissonances and the space between each interval is equal whichever way you stack the notes. The main melody, 8 bars long is repeated in canonic fashion. A countermelody is announced and also repeated by the ensemble in canonic fashion. Thereafter, both melodies will merge and this movement ends with a chord consisting of the whole tone scale starting on B. The music gradually unveils the each axis of the motion in which the astronomi.
$5.00
Fest Fanfare - Classical Festive Fanfare - Opener - Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Thomas Graf
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Thomas Graf
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Enjoy the music!
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Fest Fanfare - Classical Festi
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.567911 Composed by Thomas Graf. Arranged by Thomas Graf. Classic...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.567911 Composed by Thomas Graf. Arranged by Thomas Graf. Classical,Contemporary,Holiday,Wedding. 16 pages. Thomas Graf - the-hit-factory.com #1991155. Published by Thomas Graf - the-hit-factory.com (A0.567911). What a fanfare – wonderful opener for any occasion. Originally composed for a famous trumpet player’s wedding mess. Powerful and lyrical at a time. Fits perfectly with Item Kanon C Dur by Thomas H. Graf. Enjoy the music! Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog includedVideo: https://www.youtu.be/9hH3Vk-s3V4
$14.99
Captain America March
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Film/TV
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Alan Silvestri
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César Madeira
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Captain America March
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Sheet Music To Play Editions
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1252872 Composed by Alan Silvestri. Arranged by César Madeira...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1252872 Composed by Alan Silvestri. Arranged by César Madeira. Chamber,Contemporary,Film/TV,Multicultural,Pop,World. 10 pages. Sheet Music To Play Editions #846675. Published by Sheet Music To Play Editions (A0.1252872). Captain America March by Alan Silvestri from Captain America: The First Avenger. Arrangement for Wind Quintet - Flute, Oboe, Bb Clarinet, French Horn and Bassoon. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$13.99
Captain America March
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Film/TV
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Alan Silvestri
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César Madeira
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Captain America March
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Sheet Music To Play Editions
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1252868 By Alan Silvestri. By Alan Silvestri. Arranged by Cés...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1252868 By Alan Silvestri. By Alan Silvestri. Arranged by César Madeira. 21st Century,Chamber,Contemporary,Film/TV,March. 19 pages. Sheet Music To Play Editions #846671. Published by Sheet Music To Play Editions (A0.1252868). Captain America March by Alan Silvestri from Captain America: The First Avenger. Arrangement for Wind Quintet - Flute, Oboe, Bb Clarinet, French Horn and Bassoon. With Full Score and Individual Parts. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$20.99
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The C Contemporary New age
