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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Their First Time
Non classifié
390
Piano & claviers
Piano seul
114
Piano, Voix
69
Piano Facile
61
Piano, Voix et Guitare
28
Instruments en Do
17
Orgue
8
2 Pianos, 4 mains
6
Accompagnement Piano
5
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
21
Guitare
19
Piano, Guitare (duo)
6
Ligne De Mélodie, (Paroles) et Accords
5
2 Guitares (duo)
4
Basse electrique
4
3 Guitares (trio)
3
Paroles et Accords
2
Mandoline
2
Dulcimer
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
Banjo
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
72
Chorale 3 parties
12
Chorale TTBB
10
Chorale SSAA
8
Chorale Unison
6
Chorale 2 parties
6
Voix Soprano, Piano
6
Voix duo, Piano
3
Voix haute
1
Voix duo
1
+ 5 instrumentations
Retracter
Vents
2 Saxophones (duo)
47
Flûte traversière et Piano
41
Clarinette et Piano
36
Quatuor de Saxophones: 4 saxophones
32
Hautbois, Piano (duo)
29
2 Flûtes traversières (duo)
28
Clarinette
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Saxophone Alto et Piano
24
Saxophone, Clarinette (duo)
23
Quintette de Saxophone: 5 saxophones
21
2 Clarinettes (duo)
20
Saxophone Alto
20
Quatuor de Clarinettes: 4 clarinettes
18
Clarinette, Violon (duo)
16
Hautbois (partie séparée)
15
Flûte, Hautbois, Clarinette, Basson
15
Clarinette, Trompette (duo)
14
Ensemble de Clarinettes
12
2 Hautbois (duo)
11
Saxophone Soprano et Piano
11
Flûte, Clarinette (duo)
10
Saxophone Baryton, Piano
10
Saxophone Tenor et Piano
10
Flûte, Saxophone (duo)
9
Flûte, Violon
9
Clarinette et Alto
8
Hautbois, Basson (duo)
8
Cor anglais, Piano
8
Flûte traversière
8
Hautbois, Clarinette (duo)
8
Ensemble de saxophones
8
Flûte, Alto (duo)
7
Hautbois, Flûte
7
Ensemble de Flûtes
7
Quintette de Flûte : 5 flûtes
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Clarinettes: 5 clarinettes
6
3 Saxophones (trio)
5
Flûte, Trompette (duo)
5
Clarinette Basse, Piano
5
Saxophone Tenor
4
Flûte à bec Soprano
4
Saxophone (partie séparée)
3
Cor Anglais
2
3 Flûtes à bec (trio)
2
Ensemble à vent
2
Piccolo, Piano
2
2 Flûte à bec (duo)
2
Clarinette, Violoncelle (duo)
2
Flute (partie séparée)
2
Clarinette, Basson (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violoncelle
2
Hautbois, Violoncelle
2
Flûte irlandaise
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
Flûte et Guitare
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto
1
Hautbois, Guitare (duo)
1
Hautbois, violon (duo)
1
Hautbois et alto (duo)
1
Ensemble De Flûte à bec
1
Quatuor de Flûtes à bec
1
Flûte à Bec, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 64 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trompette, Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Cor et Piano
25
Trompette, Saxophone (duo)
16
Trombone et Piano
15
Euphonium, Piano (duo)
11
Trompette, Trombone (duo)
11
2 Trompettes (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
2 Trombones (duo)
9
Trompette
9
Cor anglais, Piano
8
Ensemble de Trombones
7
Ensemble de Trompettes
7
Cor
7
Tuba
6
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
4
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
3
Trombone
3
Cor Anglais
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Tuba et Piano
2
4 Tubas
1
Tuba et Orgue
1
2 Tubas (duo)
1
Ensemble de Cors
1
2 Euphoniums et 2 Tubas
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Alto, Piano
44
Violon et Piano
40
Violoncelle, Piano
30
Violon, Violoncelle (duo)
27
Harpe
19
Violon
17
2 Violoncelles (duo)
12
Violoncelle
10
Violon, Alto (duo)
10
2 Violons (duo)
10
2 Altos (duo)
10
Trio à Cordes: 2 violons, violoncelle
7
Trio à Cordes: violon, alto, violoncelle
6
Alto seul
5
4 Violoncelles
5
Ensemble de Violons
5
Ensemble d'Altos
3
Harpe, Trombone (duo)
2
Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Violon, Basson (duo)
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Contre Basse
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
122
Orchestre à Cordes
33
Orchestre
27
Ensemble Jazz
19
Jazz combo
14
Ensemble de cuivres
14
Orchestre de chambre
12
Ensemble de Percussions
3
2 Xylophones
2
Fanfare
2
Marimba
1
Orchestre, Violon
1
Batterie
1
Piano et Orchestre
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
débutant
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avancé
expert
avec audio
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Vous avez sélectionné:
Their First Time
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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Silent Night (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813981 Composed by Franz Xaver Gruber. Arranged by Regis Booksha...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813981 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635887. Published by Regis Bookshar (A0.813981). Woodwind Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
In My Life
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Rock
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The Beatles
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Ray Thompson
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In My Life
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1273254 By The Beatles. By John Lennon and Paul McCartney. Arran...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1273254 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 10 pages. RayThompsonMusic #865399. Published by RayThompsonMusic (A0.1273254). Arranged wind quintet: fl, ob, clt, hn and bsnIn My Life is a song by the English rock band the Beatles. It appeared on their 1965 album Rubber Soul. Its lyrics were written primarily by John Lennon, credited to Lennon–McCartney. George Martin contributed the  solo bridge passage.The song was recorded on 18 October 1965, and was complete except for the instrumental bridge. At that time, Lennon had not decided what instrument to use, but he subsequently asked George Martin to play a piano solo, suggesting something Baroque-sounding. Martin wrote a Bach-influenced piece that he found he could not play at the song's tempo. On 22 October, the solo was recorded with the tape running at half speed, so when played back at normal pace the piano was twice as fast and an octave higher, solving the performance challenge and also giving the solo a unique timbre, reminiscent of a harpsichord.According to Lennon, In My Life was his first real major piece of work because it was the first time he wrote about his own life.In 2000, Mojo named In My Life the best song of all time. Rolling Stone ranked it number 23 on its 2004 list of The 500 Greatest Songs of All Time, and number 98 on the 2021 revised list, as well as fifth on its list of the Beatles' 100 Greatest Songs.i have given 1st verse to oboe, and the 2nd verse to the clarinet.The mp3 excerpt is the end of the clarinet verse going into the bridge.
$17.95
Away in a Manger (G) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Noël
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James R
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Regis Bookshar
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Away in a Manger
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.814022 Composed by James R. Murray. Arranged by Regis Bookshar. ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.814022 Composed by James R. Murray. Arranged by Regis Bookshar. Christmas,Instructional,Standards. 10 pages. Regis Bookshar #6658505. Published by Regis Bookshar (A0.814022). Woodwind Quintet - Intermediate - . This arrangement of Away in a Manger, would be a fine addition to any music library and could be performed for Christmas concerts, recitals and church services. It is equally suitable for junior and senior high school students, and, depending on their ability, even younger students, too. Included are a score and a complete set of parts (10 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Away in a Manger is one of the most popular Christmas carols and there are a number of musical settings of it. The most popular musical setting of it in the United States is the tune commonly known as Mueller. It was composed by James R. Murray and was first published under the name Luther's Cradle Hymn, in his collection Dainty Songs for Little Lads and Lasses, in 1887. It was intended for use in kindergarten, school and home.In this selection, Regis Bookshar has arranged three verses of this popular Christmas carol for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon. The first verse is a traditional setting of the tune while the second verse has a more complex accompaniment. The third verse also includes a descant. Between the second and third verses, he has included a short interlude. In addition to this arrangement for a Woodwind Quintet, there are also other Quintet arrangements of Away in a Manger for a variety of instrumental ensembles, as well as quite a few other Christmas selections, readily available for purchase. Please take the time to look for other versions of this composition and other selections. You may find something else that may also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Away in a Manger will continue to entertain both performers and audiences alike for years to come.
$8.00
Sing
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Pentatonix
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James Haynor
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Sing
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James Haynor
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.782463 By Pentatonix. By Kevin Olusola, Martin Johnson, Mitchell Grassi, Sam Holland...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.782463 By Pentatonix. By Kevin Olusola, Martin Johnson, Mitchell Grassi, Sam Hollander, and Scott Hoying. Arranged by James Haynor. A Cappella. Score and parts. 17 pages. James Haynor #6664627. Published by James Haynor (A0.782463). Pentatonix is the fourth studio album by American a cappella group Pentatonix, which was released on October 16, 2015. The release date was announced on Twitter by a series of pictures featuring the five band members released over a five-day-span, with one band member added to the picture each day, culminating in the date being revealed on August 28. It is the group's seventh release overall in their discography. This is the first release of the band to feature predominantly original material. Pentatonix also marks the first time band members receive individual songwriting credits for the majority of the tracks. Sing is a very up tempo cut from this album and makes for a very high energy arrangement - fun for performers and audiences alike. ( Duration - 3:00 )
$12.99
O Christmas Tree (G) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Noël
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German Folk Song
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Regis Bookshar
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O Christmas Tree
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813957 Composed by German Folk Song. Arranged by Regis Bookshar....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813957 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 8 pages. Regis Bookshar #6632171. Published by Regis Bookshar (A0.813957). Woodwind Quintet - Intermediate - . This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.
$5.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
Interstellar
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Johnson Lee
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Interstellar
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johnson lee
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by johnson lee (A0.912635). https://youtu.be/0hVSzb1pUP0INTERSTELLAR First movement - Astronomical Space Synopsis Astronomical Space is the void that exists between celestial bodies. However, the space is not completely empty, between, the vacuum consists of electromagnetic radiation, magnetic fields and dust and cosmic rays. Within this space, planets and moon freely orbits in their path. An unseen force is behind the organized path and movement of these planets in the galaxy. This movement uses different aspects of palindrome concept to depict the organised space in music. First, the time signature expands and contracts in palindromic fashion, indicating an orderly manner in which the music orbits. Next, the intervals expands exponentially and also contracts in retrograde fashion. Analysis This movement uses palindrome concept for compositional technique. Rhythmically, it is palindromic in nature. The note values starts from a minim to dotted crotchet, crotchet, quaver, semiquavers. The time signature also expands and contract palandromically, starting from 2/4, 3/4 , 4/4, 5/4, 6/4, 5/4, 4/4, 3/4, 2/4. The intervallic relationships are also in palindrome. Ascending from middle C the interval starts with Minor 2nd and expands exponentially to Major 2nd, Minor 3rd , Major 3rd, Perfect 4th , Augmented 4th , Perfect 5th to the tonic. Conversely, the intervals descend in similar fashion. French Horn begins with Low G (Concert C) and builds up this set of intervals reaching high B (Concert E). This melody is repeated by the Clarinet at the start of the new time signature of 3/ 4. Oboe enters at the next time signature of 4 /4. Flute at time signature of 5/4 and Bassoon at time signature of 6/4. The retrograde inversion of this motif is announced by the French Horn, this time starting on its high G (Concert C). Behind all this build up, the intervallic motif as shown above is played. At section A, this motif is announced without the rhythmic palindrome. The motif and its inversion builds up to a climax and re-asserts its presence with all the instruments playing at Bar before rehearsal mark B. The piece ends with the French horn performing the same motif at the beginning of this movement. Second Movement - Celestial Bodies Synopsis Celestial bodies or Astronomical objects refers to a single cohesive structure that is bound together usually by gravity or electromagnetism. Some examples includes asteroids, moons, planets and the stars. These objects or bodies may range from a single planet to star clusters, nebulae or entire galaxies and they have their position in space. This movement uses whole tone scale. The whole tone scale is used in this movement as it does not create sharp dissonances and the space between each interval is equal whichever way you stack the notes. The main melody, 8 bars long is repeated in canonic fashion. A countermelody is announced and also repeated by the ensemble in canonic fashion. Thereafter, both melodies will merge and this movement ends with a chord consisting of the whole tone scale starting on B. The music gradually unveils the each axis of the motion in which the astronomi.
$5.00
Jeanie with the Light Brown Hair
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Stephen Foster
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Judith Katz
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Jeanie with the Light Brown Ha
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Imagine Music - Digital
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SheetMusicPlus
Woodwind quintet - SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Pub...
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Woodwind quintet - SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Published by Imagine Music - Digital (IZ.CMS1612). 9 x 12 in inches.Jeanie With The Light Brown Hair is one of the most enduring, and popular American songs of all times.Characterized as a parlor song, it was written by Stephen Foster, and published by Firth, Pond & Co. of NewYork, in1854.In 1850, Foster married Jane Denny McDowell, whose nickname was Jennie. However, this was an unhappymarriage, short-lived, with numerous conflicts and separations. Jeanie With The Light Brown Hair, was written asperhaps an attempt to win his wife back. To add to his problems, Foster also ran into deep financial difficulties.Jeanie With the Light Brown Hair was virtually unknown during its time. When it was first published, the royaltieson the ten thousand copies sold, earned just $200 for Stephen Foster. To make ends meet, he had to sell the rights toJeanie, as well as other songs. After his death, the rights to Jeanie With The Light Brown Hair reverted back to hiswife and daughter.It would indeed be a pleasant surprise to Stephen Foster, if he only knew what a wide range of artists have adaptedthis song to different genres. Among solo instrumentalists, Jascha Heifitz, and William Primrose have arranged itfor solo violin and viola. The big bands of Gene Krupa, and Glen Miller have recorded it. The great R & B artist,Sam Cooke used it, as well as opera stars, Marilyn Horne and John McCormick, who added it to their concertrepertoire.The song's frequent airplay in the 1940's, led Spike Jones to create a parody, called, I Dream of Jeanie with theLight Blue Jeans. Les Brown in 1941, created a big band song, Joltin' Joe DiMaggio with the line.....We Dream ofJoey With the Light Brown Bat. Even Bugs Bunny got into the act. The 1960 short, From Hare To Heir, featuresBugs singing, I dream of Jeanie, she's a light brown hareMy arrangement, for woodwind quintet is written to capture a lyric, singing style, which I think Foster had in mind.
$12.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide R...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50
5 Classical Wedding Music for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Charles Gonoud, Edward Elgar,
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Woods Only
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5 Classical Wedding Music for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaik...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
"Six Short Stories" - for Woodwind Quintet (1996)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Lior Navok
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Oboe
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"Six Short Stories"
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Lior Navok Music
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976045 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 32 pages....
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976045 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 32 pages. Lior Navok Music #4727437. Published by Lior Navok Music (A0.976045). SIX SHORT STORIES FOR WOODWIND QUINTET (1996)INSTRUMENTATION: Flute / Piccolo; Oboe; Clarinet; Bassoon; HornDURATION: 12 Minutes. PROGRAM NOTES: The composer writes about his work: The woodwind quintet is one of my favorite mediums: the individual personality of each musical instrument on one hand, and the homogeneity that can skilfully be achieved on the other hand, stimulated my imagination for a long time. The titles of the movements represent my own plot thoughts and associations behind each story: The First is a meeting of five friends willing to play together while one of them is being considerably late. The second is my association to a native ceremonial dance. The third, reminds me of a light breeze on a lazy summer night, while sitting on front of the porch. The fourth describes a person gazing at the fire flames, controlled like a marionette by the wind. The fifth is a sinking / floating memory, and last, a discussion about how a fugue should sound. Nevertheless, this is only my view of the music. I would like to invite the listeners to find their own association, and create their individual stories.MOVEMENTS: 1. The Meeting2. Native Dance3. Air4. Fire Dance5. Longing (Sinking and Floating Memory)6. 1+1=11 (Introduction and Fughetta)INFO: Item: Full ScoreEdition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok MusicPages: 32 Paper Size:DIN A4 / Letter
$16.00
Your Mother Should Know
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Rock
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The Beatles
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Ray Thompson
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Your Mother Should Know
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.912070 By The Beatles. By John Lennon and Paul McCartney. Arrang...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.912070 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Broadway,Musical/Show,Pop. 11 pages. RayThompsonMusic #518001. Published by RayThompsonMusic (A0.912070). Arranged standard wind quintet Your Mother Should Know is a song by the English rock band the Beatles from their 1967 EP and LP Magical Mystery Tour. It was written by Paul McCartney and credited to Lennon–McCartney.Titled after a line in the 1961 film A Taste of Honey, its lyrical premise centres on the history of hit songs across generations. McCartney said he wrote it as a plea for generational understanding and respect for a mother's life experience. In the Magical Mystery Tour television film, the song serves as a big production number in the style of a 1930s Hollywood musical. Some commentators view the sequence as cultural satire, as the Beatles are seen dancing and dressed in white evening tails. Your Mother Should Know is in the music hall style, further to McCartney's earlier composition When I'm Sixty-Four.He first offered it as the Beatles' contribution to the Our World satellite broadcast in June 1967, but the band favoured John Lennon's All You Need Is Love for its social significance. The initial sessions for the song took place at Chappell Recording Studios in London towards the end of August. The group were visited there by their manager, Brian Epstein, a visit that marked the last time he joined them in the studio before his death on 27 August.
$17.95
"Six Short Stories" - for Woodwind Quintet (1996) [Set of Parts]
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Lior Navok
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Oboe
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"Six Short Stories"
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Lior Navok Music
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976044 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 75 pages....
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976044 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 75 pages. Lior Navok Music #4727435. Published by Lior Navok Music (A0.976044). SIX SHORT STORIES FOR WOODWIND QUINTET (1996)INSTRUMENTATION: Flute / Piccolo; Oboe; Clarinet; Bassoon; HornDURATION: 12 Minutes. PROGRAM NOTES: The composer writes about his work: The woodwind quintet is one of my favorite mediums: the individual personality of each musical instrument on one hand, and the homogeneity that can skilfully be achieved on the other hand, stimulated my imagination for a long time. The titles of the movements represent my own plot thoughts and associations behind each story: The First is a meeting of five friends willing to play together while one of them is being considerably late. The second is my association to a native ceremonial dance. The third, reminds me of a light breeze on a lazy summer night, while sitting on front of the porch. The fourth describes a person gazing at the fire flames, controlled like a marionette by the wind. The fifth is a sinking / floating memory, and last, a discussion about how a fugue should sound. Nevertheless, this is only my view of the music. I would like to invite the listeners to find their own association, and create their individual stories.MOVEMENTS: 1. The Meeting2. Native Dance3. Air4. Fire Dance5. Longing (Sinking and Floating Memory)6. 1+1=11 (Introduction and Fughetta)INFO: Item: Set of PartsEdition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok MusicPages:75 Paper Size:DIN A4 / Letter
$18.00
Quintet op.4
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Armin Terzer
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Quintet op.4
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Armin Terzer
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.942157 Composed by Ludwig van Beethoven. Arranged by Armin Terzer. Classical,Romantic Period. 89 ...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.942157 Composed by Ludwig van Beethoven. Arranged by Armin Terzer. Classical,Romantic Period. 89 pages. Armin Terzer #4747225. Published by Armin Terzer (A0.942157). In a twist of fate, Beethoven’s String Quintet op.4, which is based on the Wind Octet in E flat major op.103, is here re-arranged for wind quintet. The arrangement contains all four movements in their entirety: I. Allegro con brio II. Andante III. Menuetto piu Allegretto – Trio I – Trio II IV. Finale: Presto Indicative tempo markings are provided. Total running time is 30+ minutes (but individual movements, especially the first, may be performed on their own). This arrangement is a great addition to the classical/romantic repertoire for wind quintet – its original instrumentation for wind octet really shows in the beautiful and idiosyncratic, but also virtuoso lines for every instrument. This is a workout for all players – the level is advanced.
$40.00
Vonnegut Trilogy
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Vonnegut Trilogy
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Max Frank Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1404653 Composed by Terry Vosbein. 21st Century,Chamber,Classica...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1404653 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 102 pages. Max Frank Music #987719. Published by Max Frank Music (A0.1404653). Experience the hauntingly beautiful Vonnegut Trilogy, a three movement suite for woodwind quintet composed to celebrate the centennial of acclaimed author Kurt Vonnegut. This captivating and thought-provoking piece captures the essence of Vonnegut's literary works through quirky arrangements and evocative melodies. Dive into the world of Vonnegut and let the music transport you to new and inspiring heights.Player Piano was Vonnegut’s first published novel and serves as the fist movement to this trilogy. The music begins with the sounds of a well-oiled-machine, with carefully played melodies interacting in classical synchronicity. But throughout there are interruptions by the unrest and displeasure that surrounds the harmonious flow.Who Am I This Time? is a short story from Vonnegut’s 1961 collection entitled Welcome to the Monkey House. It is a beautiful, yet quirky, love story. This movement explores a multitude of duets, symbolizing the two main characters as they maneuver through their courtship. It is a slow dance. In one of the few literal musical depictions in this suite, the questioning final chord represents both the title, and the last line of the story.The third movement is inspired by Breakfast of Champions, a 1973 novel that explores a mul- titude of themes through the eyes and actions of a prosperous midwestern car salesman and an obscure science fiction writer. The music is off and running from the start with a rhythmic them that reappears and connects the various diversions.
$29.99
Silent Durations IIa (a Zen experience)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Contemporain
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Drake Mabry
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Silent Durations IIa
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Drake Mabry
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.799520 Composed by Drake Mabry. Contemporary. 31 pages. Drake Mabry #3676097. Published by Drake ...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.799520 Composed by Drake Mabry. Contemporary. 31 pages. Drake Mabry #3676097. Published by Drake Mabry (A0.799520). Silent Durations IIa (a Zen experience) is a version of Silent Durations II for woodwind quintet. The first movement is primarily monadic in nature with a few instances of duos and one trio passage. The second movement is a scherzo alternating between chordal passages and melodic fragments stretched over time. The third movement is an essay on the varying colors and moods of a single Eb. These Silent Duration pieces are notable for their incorporation of silence as an integral part of the compositional fabric. The duration is 24'40. The work also exists as a quintet for mixed ensemble (Silent Durations II)
$7.99
Symphony No. 5 by Beethoven for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.1116455 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romant...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.1116455 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 16 pages. Woods Only, Arrangements #718099. Published by Woods Only, Arrangements (A0.1116455). This adaptation was intended for a small group of woodwind quintet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$9.99
The Boar's Head Carol - Woodwind Quintet - Intermediate
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Noël
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Traditional English Carol
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Dennis Ruello
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The Boar's Head Carol - Woodwi
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Chicory Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.734425 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Renais...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.734425 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Renaissance,Sacred,Standards. 10 pages. Chicory Music #5370963. Published by Chicory Music (A0.734425). The Boar's Head CarolThis Christmas carol talks about a feast during midwinter in which a wild boar was served as the main dish and its head placed in a situated position to symbolize bravery and abundance. Closely related to the Norse tradition of boar sacrifice to their goddess Freyja during the feast of Winter Solstice, this song originated from an urban legend in Queen's College, Oxford back in the 15th century which tells of how a scholar from Queen’s College managed to kill an attacking boar and offered it at dinner.The song was first published in English during the 1520’s in a book entitled Christmase Carolles Newly Emprynted at London in the flete street, which was written by Jan van Wynken de Worde. It is also said to be the very 1st Christmas carol to ever be publish in English because it dates back that early.Although the modern versions of the song makes no mention of Christmas, the original verses does so in The boar's head we bring with song, in worship of Him that thus sprung, of a Virgin to redress all wrong; NoelThis Intermediate Level arrangement starts out in Bb Major and modulates to C Major for the final chorus Performance time approx. 1 minute 45 seconds.
$9.99
All You Need Is Love
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Rock
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The Beatles
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Austin Ralphson
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All You Need Is Love
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Austin Ralphson
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.563825 By The Beatles. By John Lennon, John Winston Lennon, Paul...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.563825 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Austin Ralphson. Rock. 11 pages. Austin Ralphson #5033063. Published by Austin Ralphson (A0.563825). This song was performed by the Beatles on Our World, the first live global television link; the BBC had commissioned the Beatles to write a song for the United Kingdom's contribution. Recorded in 1967, it had Lennon playing harpsichord, Paul McCartney on double bass, George Harrison on violin (an instrument he had never previously played), and Ringo Starr on drums, plus vocals, piano (played by their producer, George Martin), banjo (by Lennon), guitar and orchestral parts. The song has dramatic time changes and some unusual use of harmony. I have presented it here to work well as a small group arrangement.
$14.99
Let It Be
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Rock
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The Beatles
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Ray Thompson
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Let It Be
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1271473 By The Beatles. By John Lennon and Paul McCartney. Arran...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1271473 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Standards. 12 pages. RayThompsonMusic #863874. Published by RayThompsonMusic (A0.1271473). Arranged standard wind quintet.The melody is taken first by the clarinet, then horn and then the flute. The guitar break is given to the oboe and flute.The melody reprise is taken by all 4 top instruments.Let It Be is a song by the English rock band The Beatles, released on 6 March 1970 as a single, and (in an alternative mix) as the title track of their album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon–McCartney partnership.The single version of the song, produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared to the album version, produced by Phil Spector, featuring a more aggressive guitar solo and the orchestral sections mixed higher.At the time, it had the highest debut on the Billboard Hot 100, beginning its chart run at number 6 and eventually reaching the top. It was the Beatles' final single before McCartney announced his departure from the band. Both the Let It Be album and the US single The Long and Winding Road were released after McCartney's announced departure from and the subsequent break-up of the group.YouTube Link is my brass quintet arrangement.
$19.95
The Sound Of Silence
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Simon And Garfunkel
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Benoit BARRAIL
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The Sound Of Silence
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Benoît Barrail
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1381506 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BAR...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1381506 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BARRAIL. 20th Century,Folk,Pop,Rock,Standards. 17 pages. Benoît Barrail #966217. Published by Benoît Barrail (A0.1381506). The Sound of Silence is a song by American folk rock duo Simon and Garfunkel, written by Paul Simon. A first version of the song was released in 1964 on the album Wednesday Morning, 3 A.M., it is an acoustic version. But their producer recorded an electric version without their knowledge the following year, it was part of the eponymous album published in 1966. The song then enjoyed immense success. Here is an arrangement for Woodwind Quartet (Flute, Oboe, Clarinet and Bassoon) of this timeless song. The Sound of Silence est une chanson du duo de folk rock américain Simon and Garfunkel, écrite par Paul Simon. Une première version de la chanson sort en 1964 sur l’album Wednesday Morning, 3 A.M., c’est une version acoustique. Mais leur producteur en enregistre une version électrique à leur insu l’année suivante, elle fait partie de l’album éponyme publié en 1966. La chanson connaît alors un immense succès. Voici un arrangement pour quatuor à vent (flûte traversière, hautbois, clarinette et basson) de cette chanson indémodable.
$14.99
Sullivan: Overture to "H.M.S. Pinafore" - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Contemporain
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Sir Arthur Seymour Sullivan
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Sullivan: Overture to "H.M.S.
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RayThompsonMusic
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SheetMusicPlus
Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by Ray Thompson. Opera, Musicals, Repertoire. Score, Set of Parts. 14 pages. Published b...
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Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by Ray Thompson. Opera, Musicals, Repertoire. Score, Set of Parts. 14 pages. Published by RayThompsonMusic
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation.
Arranged wind quintet.
$14.95
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