Partitions Numériques de There's No Other Way pour Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

There's No Other Way

Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.II Lento - wind quintet #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #INTERMÉDIAIRE #Classique #Antonin Dvorak #Ray Thompson #Dvorak: String Quartet No.12 i #RayThompsonMusic #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1127691 Composed by Antonin Dvorak. Arranged by Ray Thompson. Ro...(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1127691 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period,Spiritual. 16 pages. RayThompsonMusic #728293. Published by RayThompsonMusic (A0.1127691). 2nd mvt Lento - Arranged wind quintet The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn DvoÅ™Ã¡k. It was written in 1893, during DvoÅ™Ã¡k's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, DvoÅ™Ã¡k wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and DvoÅ™Ã¡k had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during DvoÅ™Ã¡k's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind quintet, so have given the horn repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and used the horn to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinet and bassoon.