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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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Non classifié
2269
PIANO & CLAVIERS
Piano seul
681
Piano, Voix
336
Piano Facile
126
Piano, Voix et Guitare
88
Piano grosses notes
57
Orgue
54
Instruments en Do
18
Piano Trio: piano, violon, violoncelle
17
Accompagnement Piano
11
1 Piano, 4 mains
10
2 Pianos, 4 mains
9
Piano (partie séparée)
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
2 Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Accordéon
1
Orgue, Piano (duo)
1
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GUITARES
Guitare
111
Guitare notes et tablatures
64
2 Guitares (duo)
25
4 Guitares (Quatuor)
11
Guitare (partie séparée)
10
Mandoline
7
Ukulele
6
3 Guitares (trio)
5
Banjo
5
Basse electrique
5
Ensemble de guitares
4
Ligne De Mélodie, (Paroles) et Accords
3
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
2
Guitare, Orchestre
1
Instrumentations suivantes
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VOIX
Chorale SATB
384
Chorale Unison
319
Chorale 3 parties
90
Chorale 2 parties
83
Chorale TTBB
52
Voix duo, Piano
36
Chorale SSAA
30
Voix duo
15
Voix Alto, Piano
10
Voix seule
7
Voix Baryton, Piano
6
Voix Tenor, Piano
6
Voix Soprano, Piano
5
Voix moyenne, Piano
4
Voix haute
3
Chorale
2
Chorale SSAATTBB
1
Voix basse, Piano
1
Voix Tenor
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
725
Saxophone, Clarinette (duo)
392
2 Clarinettes (duo)
317
2 Flûtes traversières (duo)
266
Clarinette, Violon (duo)
263
Clarinette, Trompette (duo)
228
Flûte, Clarinette (duo)
155
2 Hautbois (duo)
144
Flûte traversière et Piano
144
Hautbois, Clarinette (duo)
136
Flûte, Violon
133
Clarinette et Alto
131
Hautbois, Basson (duo)
130
Flûte, Saxophone (duo)
129
Hautbois, Flûte
119
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
112
Clarinette et Piano
105
Flûte, Alto (duo)
105
Flûte, Trompette (duo)
105
Quintette de Saxophone: 5 saxophones
102
Hautbois, Piano (duo)
98
Saxophone Alto et Piano
83
Flûte irlandaise
80
Clarinette
74
Ensemble de saxophones
73
Saxophone Soprano et Piano
62
Saxophone Tenor et Piano
61
Flûte, Hautbois, Clarinette, Basson
57
Flûte traversière
57
Quatuor de Saxophones: 4 saxophones
57
Saxophone (partie séparée)
44
Ensemble de Clarinettes
43
Cor anglais, Piano
39
Saxophone Baryton, Piano
36
2 Flûte à bec (duo)
33
Quatuor de Clarinettes: 4 clarinettes
33
Saxophone Alto
32
Hautbois (partie séparée)
30
Ensemble de Flûtes
30
Clarinette Basse, Piano
29
3 Saxophones (trio)
24
Hautbois
23
Saxophone Tenor
23
Flûte et Guitare
21
Quatuor de Flûtes : 4 flûtes
20
Quintette de Flûte : 5 flûtes
19
Trio de Flûtes: 3 flûtes
13
Flûte à bec Soprano
13
3 Clarinettes (trio)
10
Flûte, Hautbois, Clarinette (trio)
10
Flûte, Hautbois (duo)
8
Harmonica
8
Clarinette, Trombone (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Clarinette, Guitare (duo)
6
Clarinette (partie séparée)
5
Clarinette, Basson (duo)
5
3 Flûtes à bec (trio)
5
Quintette de Clarinettes: 5 clarinettes
5
Hautbois, violon (duo)
5
Clarinette, Violoncelle (duo)
5
Cor Anglais
5
Saxophone Soprano
5
Flûte à bec Soprano, Piano
5
2 Clarinettes, Piano
4
Saxophone Baryton
4
Flûte, Clarinette et Basson
4
Flute (partie séparée)
4
Quatuor de Flûtes à bec
3
Flûte, Clarinette, Piano (trio)
3
Flûte à bec Tenor
3
Flûte, Violoncelle
3
Clarinette, Harpe (duo)
3
Ensemble De Flûte à bec
2
Flûte, Hautbois, Basson
2
2 Hautbois, Piano
2
Piccolo, Piano
2
Hautbois, Guitare (duo)
2
Hautbois, Basson et Piano
2
Flûte à bec Alto, Piano
2
2 Flûtes traversières, Piano
2
Clarinette Basse
1
Flûte à Bec, Piano
1
Hautbois, Violon, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Clarinette, Violon (trio)
1
Ensemble de Hautbois
1
Cor anglais, Guitare (duo)
1
Saxophone et Orgue
1
Saxophone et Guitare
1
Flûte, Violon, Piano
1
Flûte, Basson et Piano
1
Piccolo
1
Saxophone
1
Flûte à Bec
1
Hautbois, Clarinette et Piano (Trio)
1
Flute, harpe et violon
1
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CUIVRES
Trompette, Saxophone (duo)
273
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
152
Trompette, Trombone (duo)
147
2 Trombones (duo)
145
2 Trompettes (duo)
136
Quatuor de Cuivres : 2 trompettes, trombone, tuba
96
Trombone et Piano
88
Trompette
70
Trompette, Piano
65
Cor et Piano
56
Ensemble de Trompettes
49
Trombone
48
Euphonium, Piano (duo)
41
Cor anglais, Piano
39
Trombone (partie séparée)
33
Tuba et Piano
32
Cor
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Ensemble de Trombones
27
Tuba
26
Trompette (partie séparée)
23
Quatuor de Cuivres
19
2 Euphoniums (duo)
8
Quatuor de cuivres: 4 trombones
7
Trio de Cuivres
7
3 Trompettes (trio)
7
Ensemble de Cors
5
Cor Anglais
5
Quatuor de cuivres: 4 cors
5
2 Cors (duo)
4
Cor (partie séparée)
4
3 Trombones (trio)
4
2 Tubas (duo)
4
Tuba (partie séparée)
3
Euphonium
2
Cor, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trombone, Cor (duo)
2
Trompette, Tuba (duo)
2
3 Euphoniums
1
Trompette, Euphonium (duo)
1
2 Euphoniums et 2 Tubas
1
Cor anglais, Guitare (duo)
1
4 Tubas
1
Trombone basse
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba et Orgue
1
2 Cors, Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
307
Violon, Violoncelle (duo)
289
Violon
178
Violon, Alto (duo)
158
Trio à Cordes: violon, alto, violoncelle
153
2 Violons (duo)
151
2 Altos (duo)
147
Violon et Piano
136
2 Violoncelles (duo)
135
Alto, Piano
97
Violoncelle, Piano
85
Harpe
65
Violoncelle
61
Quintette à cordes: 2 violons, alto, violoncelle, basse
49
Alto seul
44
Trio à Cordes: 2 violons, violoncelle
27
Ensemble de Violons
15
Contre Basse
15
Ensemble d'Altos
14
Contrebasse, Piano (duo)
13
2 Harpes (duo)
12
Violon (partie séparée)
10
Alto (partie séparée)
9
Contrebasse (partie séparée)
9
4 Violoncelles
7
Trio à cordes: 3 violins
6
Alto, Violoncelle (duo)
5
Trio à Cordes: 2 violons, alto
4
Harpe, Flûte (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Voix
3
Trio à Cordes: 3 violoncelles
3
2 Altos, Piano
3
4 Contrebasses
2
Quatuor à cordes : 4 altos
2
2 Contrebasses (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle (partie séparée)
2
Violon, Guitare (duo)
2
Violoncelle, Orchestre
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
Violoncelle, Basse continue
1
2 Violoncelles, Piano
1
Violoncelle , Guitare (duo)
1
Ensemble de Violoncelles
1
Violoncelle, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
277
Orchestre à Cordes
210
Orchestre
78
Cloches
65
Ensemble Jazz
61
Ensemble de cuivres
56
Orchestre de chambre
31
Jazz combo
25
Ensemble de Percussions
14
Batterie
14
Batterie (partie séparée)
6
Fanfare
5
2 Xylophones
2
Percussion (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
2 Marimbas
1
Piano et Orchestre
1
Ensemble d'École
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Marimba
1
Bodhran
1
Vibraphone
1
Percussion
1
Instrumentations suivantes
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AUTRES
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There is a Time
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mozart: Viennese Sonatina No.2 in A (selection of Mvts from 5 Divertimenti K439b) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1167851 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 20 pages. RayThompsonMusic #768204. Published by RayThompsonMusic (A0.1167851). Arranged wind quintetNatural Horn in AClarinet in AThe Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of movements from the Five Wind Divertimentos for 3 basset horns, K. 439b which Mozart wrote in 1783.The Divertimentos are notable for their conciseness of form and their melodic richness. Each divertimento has 5 mvts.They therefore make an excellent introduction to Mozart's piano music, even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement, but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover, some of the Trios have been exchanged and recapitulations have been shortened in some instances.Thry are in varying keys, unlike the original divertimenti, so my arrangements reflect thus.This is my arrangement for wind quintet of Sonatina No.2 in A major.The original 3 parts have been reallocated around the quintet, with some octave and harmony additions.I have added an original natural horn part for a more authentic Mozart sound.There are 4 movements: Allegro Menuetto and Trio Adagio Rondo
$19.95
18.05 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Viennese Sonatina No.2 in A
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RayThompsonMusic
#
SheetMusicPlus
Were You There (When They Crucified My Lord) (for Woodwind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.514583 Composed by African American Spiritual. Arranged by Kenneth Abeling. Easter,Sacred. 16 pages. LINCOLN MUSIC PUBLICATIONS #3444991. Published by LINCOLN MUSIC PUBLICATIONS (A0.514583). Were You There (When They Crucified My Lord) arranged for Woodwind Quintet. This is a contemporary arrangement of timeless African American Spiritual. It is an Intermediate Advanced to easier advanced arrangement and is appropriate for all contemporary religious services, many traditional services and of course general performance. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 3:40 Â Preview this score on YouTube: https://www.youtube.com/watch?v=NUTO43XtrPYÂ
$14.99
13.57 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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African American Spiritual
#
Kenneth Abeling
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Were You There
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Away in a Manger (G) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.814022 Composed by James R. Murray. Arranged by Regis Bookshar. Christmas,Instructional,Standards. 10 pages. Regis Bookshar #6658505. Published by Regis Bookshar (A0.814022). Woodwind Quintet - Intermediate - Digital Download. This arrangement of Away in a Manger, would be a fine addition to any music library and could be performed for Christmas concerts, recitals and church services. It is equally suitable for junior and senior high school students, and, depending on their ability, even younger students, too. Included are a score and a complete set of parts (10 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Away in a Manger is one of the most popular Christmas carols and there are a number of musical settings of it. The most popular musical setting of it in the United States is the tune commonly known as Mueller. It was composed by James R. Murray and was first published under the name Luther's Cradle Hymn, in his collection Dainty Songs for Little Lads and Lasses, in 1887. It was intended for use in kindergarten, school and home.In this selection, Regis Bookshar has arranged three verses of this popular Christmas carol for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon. The first verse is a traditional setting of the tune while the second verse has a more complex accompaniment. The third verse also includes a descant. Between the second and third verses, he has included a short interlude. In addition to this arrangement for a Woodwind Quintet, there are also other Quintet arrangements of Away in a Manger for a variety of instrumental ensembles, as well as quite a few other Christmas selections, readily available for purchase. Please take the time to look for other versions of this composition and other selections. You may find something else that may also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Away in a Manger will continue to entertain both performers and audiences alike for years to come.
$8.00
7.24 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
James R
#
Regis Bookshar
#
Away in a Manger
#
Regis Bookshar
#
SheetMusicPlus
Largo from Winter by Vivaldi for Woodwind Quintet (Clarinet in A) - with Piccolo and without French
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956879 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956879 Composed by Antonio Vivaldi. Arranged by Woods Only. Baroque,Christmas,Standards,Wedding,World. 9 pages. Woods Only, Arrangements #6443425. Published by Woods Only, Arrangements (A0.956879). This arrangement was adapted for a wood quintet ensemble, ideal to be performed at weddings and by groups of music beginners, which does not prevent it from being performed by professionals in the area. The piece has approximately 2 minutes and 33 seconds of duration, being in a comfortable time for those performing it, so that there is no difference between this version and the composer's original.The Four Seasons, Italian Le quattro stagioni, group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. This movement is illustrated textually in a sonnet with the following description:Standing quietly and contentedly by the fireWhile outside the rain bathes everything;Walk on the ice with slow stepFor fear of falling in the attempt.To feel when going out through the stinging door,Sirocco, Borea, and all the winds at war;That this is winter, but such, that joy door.
$9.99
9.04 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Antonio Vivaldi
#
Woods Only
#
Largo from Winter by Vivaldi for Woodwind Quintet
#
Woods Only, Arrangements
#
SheetMusicPlus
Largo from Winter by Vivaldi for Woodwind Quintet - with Clarinet in A
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956881 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956881 Composed by Antonio Vivaldi. Arranged by Woods Only. Baroque,Christmas,Standards,Wedding,World. 9 pages. Woods Only, Arrangements #6443431. Published by Woods Only, Arrangements (A0.956881). This arrangement was adapted for a wood quintet ensemble, ideal to be performed at weddings and by groups of music beginners, which does not prevent it from being performed by professionals in the area. The piece has approximately 2 minutes and 33 seconds of duration, being in a comfortable time for those performing it, so that there is no difference between this version and the composer's original.The Four Seasons, Italian Le quattro stagioni, group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. This movement is illustrated textually in a sonnet with the following description:Standing quietly and contentedly by the fireWhile outside the rain bathes everything;Walk on the ice with slow stepFor fear of falling in the attempt.To feel when going out through the stinging door,Sirocco, Borea, and all the winds at war;That this is winter, but such, that joy door.
$9.99
9.04 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Antonio Vivaldi
#
Woods Only
#
Largo from Winter by Vivaldi for Woodwind Quintet - with Clarinet in A
#
Woods Only, Arrangements
#
SheetMusicPlus
Holst: Lullay My Liking (4 Carols for A Capella Choir Op.34 No.2) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1323763 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas,Religious. 10 pages. RayThompsonMusic #911949. Published by RayThompsonMusic (A0.1323763). Lullay, mine liking is a Middle English lyric poem or carol of the 15th century which frames a narrative describing an encounter of the Nativity with a song sung by the Virgin Mary to the infant Christ. The refrain is an early example of an English lullaby; the term lullaby is thought to originate with the lu lu or la la sound made by mothers or nurses to calm children, and by or bye bye, another lulling sound (for example in the similarly ancient Coventry Carol)There are a number of surviving medieval English verses associated with the birth of Jesus which take the form of a lullaby, of which this is probably the most famous example. Written by an anonymous hand, the text is found uniquely in Sloane MS 2593, a collection of medieval lyrics now held in the British Library.My arrangement is transcribed from Gustav Holst's setting of the text, which he calls Lullay, My Liking.It is number 2 from Holst's 4 Carols for Unaccompanied Choir Op.34Arranged wind quintetThe solo verses are played by oboe, flute, clarinet,oboe and bassoon together and finally horn.The refrain has been arranged in a differnt instrumental line up each time it is played.
$9.95
9 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gustav Holst
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Ray Thompson
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Holst: Lullay My Liking
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RayThompsonMusic
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SheetMusicPlus
Overture Op.24 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.891072 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.891072 Composed by Felix Bartholdy Mendelssohn. Arranged by Diana L. Appler. Classical. 41 pages. Diana L. Appler #6244643. Published by Diana L. Appler (A0.891072). Opus 24 was written when Mendelssohn was a young lad of 15. As it is one of the few original works for band there is a wealth of scholarly study available. Study alone does not make a piece survive the test of time. This piece survives because it is a delight to perform and an enjoyable listening experience. This quintet arrangement is chamber music in a classic style. The slow opening gives way to a joyful romp in which one can feel the confidence and pride a young musician (of any age) would feel after accomplishing fast sixteenth note articulations and rapid arpeggios. Add a bit of classical syncopation and this piece pleases performers and audiences alike.
$12.00
10.86 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Felix Bartholdy Mendelssohn
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Diana L
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Overture Op.24 for Woodwind Quintet
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Diana L. Appler
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SheetMusicPlus
Overture Op. 24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.891048 Composed by Fe…
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Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.891048 Composed by Felix Bartholdy Mendelssohn. Arranged by Diana L. Appler. Contemporary. 41 pages. Diana L. Appler #3074379. Published by Diana L. Appler (A0.891048). Opus 24 was written when Mendelssohn was a young lad of 15! As it is one of the few original works for band there is a wealth scholarly study available. Study alone does not make a piece survive the test of time. This piece survives because it is a delight to perform and an enjoyable listening experience. This quintet arrangement is chamber music in a classic style. The slow opening gives way to a joyful romp in which one can feel the confidence and pride a young musician (of any age) would feel after accomplishing fast sixteenth note articulations and rapid arpeggios. Add a bit of classical syncopation and this piece pleases performers and audiences alike.
$12.00
10.86 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Felix Bartholdy Mendelssohn
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Diana L
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Overture Op. 24
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Diana L. Appler
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SheetMusicPlus
STAR-SPANGLED BANNER for WOODWIND QUINTET (unaccompanied)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.806897 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.806897 Composed by John Stafford Smith. Arranged by Glen Poehlmann. Holiday,Patriotic. 9 pages. Arrangements by GPoehlmann #6114953. Published by arrangements by GPoehlmann (A0.806897). THE STAR-SPANGLED BANNER for WOODWIND QUINTET (unaccompanied)The National Anthem of the United States. There is a Bass Clarinet part included as an alternate for the Bassoon.32 measures. Performance Time approx. 1:25. Medium Difficult (Grade 3+).Key: Ab. Meter: 3/4 - 4/4. Instrument Ranges (C4=middle C): Flute G4 - Ab6. Oboe Ab4 - C6.Clarinet Bb3 - Bb5 (written). Horn in F Bb3 - Bb4 (written). Bassoon Eb2 - C4. (alt. Bass Clarinet).
$5.00
4.52 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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John Stafford Smith
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Glen Poehlmann
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Meter: 3/4 - 4/4.
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STAR-SPANGLED BANNER for WOODWIND QUINTET
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arrangements by GPoehlmann
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SheetMusicPlus
Burgundian Air/March of the Three Kings (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoo
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813079 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 21 pages. Regis Bookshar #6097403. Published by Regis Bookshar (A0.813079). Woodwind Quintet - Intermediate - Digital Download. This selection, Burgundian Air/March of the Three Kings, has been arranged for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, by Regis Bookshar. It would be a great addition to any music library. It incorporates two Traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (21 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
16.29 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Traditional French Melodies
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Regis Bookshar
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Burgundian Air/March of the Three Kings
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Regis Bookshar
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SheetMusicPlus
Can't Help Falling In Love
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1434892 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Benzaiten Editions. 20th Century,Pop,Rock,Singer/Songwriter,Wedding. 14 pages. Benzaiten Editions #1014991. Published by Benzaiten Editions (A0.1434892). Hey there! Ready to dive into the enchanting melody of Can't Help Falling in Love? Let's make some music!Perfect for weddings, this song adds a touch of romance and nostalgia to any celebration. Dive into the depths of emotion and let the music carry you away on a journey of love and longing with this unforgettable classic.Elvis Presley • Can't Help Falling in Love • woodwind quartet sheet music [chords] | flute • oboe • clarinet • bassoon Our edition | Benzaiten Editions By purchasing our edition, You'll be able to download:• Full score with all instruments of the arrangement• Flute part• Oboe part• Clarinet part• Bassoon part About the song | Elvis Presley • Can't Help Falling in Love Can't Help Falling in Love is a timeless ballad made famous by the one and only Elvis Presley. With its tender lyrics and soul-stirring melody, this song has captured the hearts of generations since its release.Whether you're playing it solo or as part of a group, its emotive power and romantic allure are sure to captivate your audience and leave them swooning.
$17.99
16.28 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Elvis Presley
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Benzaiten Editions
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Can't Help Falling In Love
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Benzaiten Editions
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SheetMusicPlus
Can't Help Falling In Love
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1434891 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Benzaiten Editions. 20th Century,Pop,Rock,Singer/Songwriter,Wedding. 12 pages. Benzaiten Editions #1014990. Published by Benzaiten Editions (A0.1434891). Hey there! Ready to dive into the enchanting melody of Can't Help Falling in Love? Let's make some music!Perfect for weddings, this song adds a touch of romance and nostalgia to any celebration. Dive into the depths of emotion and let the music carry you away on a journey of love and longing with this unforgettable classic.Elvis Presley • Can't Help Falling in Love • woodwind quartet sheet music [chords] | flute • oboe • clarinet • bassoon Our edition | Benzaiten Editions By purchasing our edition, You'll be able to download:• Full score with all instruments of the arrangement• Flute part• Oboe part• Clarinet part• Bassoon part About the song | Elvis Presley • Can't Help Falling in Love Can't Help Falling in Love is a timeless ballad made famous by the one and only Elvis Presley. With its tender lyrics and soul-stirring melody, this song has captured the hearts of generations since its release.Whether you're playing it solo or as part of a group, its emotive power and romantic allure are sure to captivate your audience and leave them swooning.
$17.99
16.28 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Elvis Presley
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Benzaiten Editions
#
Can't Help Falling In Love
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Benzaiten Editions
#
SheetMusicPlus
5 Famous Songs by Bach for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957284 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957284 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748165. Published by Woods Only, Arrangements (A0.957284). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11896992: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11898993: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900074: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901035: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190269Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known a.
$39.99
36.19 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Bach, Martin Luther
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Ander
#
where it is also known a.
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5 Famous Songs by Bach for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
5 Famous Songs by Bach for Tenor Sax Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957295 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957295 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748247. Published by Woods Only, Arrangements (A0.957295). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897712: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899813: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900334: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901655: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190373Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism.
$39.99
36.19 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Bach, Martin Luther
#
Ander
#
5 Famous Songs by Bach for Tenor Sax Quintet
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Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for English Horn Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957290 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957290 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748233. Published by Woods Only, Arrangements (A0.957290). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for english horn quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897512: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899713: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900214: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901435: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190361Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestant.
$39.99
36.19 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Bach, Martin Luther
#
Ander
#
5 Famous Songs by Bach for English Horn Quintet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Recorder Choir Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957288 Comp…
(+)
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957288 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748227. Published by Woods Only, Arrangements (A0.957288). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for recorder choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897412: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899653: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900154: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901295: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190351Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protesta.
$39.99
36.19 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Bach, Martin Luther
#
Ander
#
5 Famous Songs by Bach for Recorder Choir Quintet
#
Woods Only, Arrangements
#
SheetMusicPlus
Kinder- Symphonie (Toy Symphony): attrib. J Haydn & L Mozart) - wind quintet and percussion
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553894 Composed by Joseph Haydn/Leopold Mozart. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. 35 pages. RayThompsonMusic #6050327. Published by RayThompsonMusic (A0.553894). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.It is in 3 mvts and is arranged for wind quintet, and toy percussion.It can be peformed as a stand alone  wind quintet without percussion as all of the important cues (the trumpet and cuckoo) are written in to the instrumnt parts.i have distributed the original strings around the woodwind, and composed an original classical horn part.Sometimes known as The Children’s SymphonyAlso available as a wind dectet/bass arrangement.
$14.95
13.53 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Joseph Haydn/Leopold Mozart
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Ray Thompson
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Kinder- Symphonie
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RayThompsonMusic
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SheetMusicPlus
Mozart: Viennese Sonatina No.3 in D (selection of Mvts from 5 Divertimenti K439b) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1168108 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 21 pages. RayThompsonMusic #768460. Published by RayThompsonMusic (A0.1168108). Arranged wind quintetNatural Horn in D (Alt hn in F)Clarinet in AThe Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of movements from the Five Wind Divertimentos for 3 basset horns, K. 439b which Mozart wrote in 1783.The Divertimentos are notable for their conciseness of form and their melodic richness. Each divertimento has 5 mvts.They therefore make an excellent introduction to Mozart's piano music, even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement, but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover, some of the Trios have been exchanged and recapitulations have been shortened in some instances.Thry are in varying keys, unlike the original divertimenti, so my arrangements reflect thus.This is my arrangement for wind quintet of Sonatina No.3 in D major.The original 3 parts have been reallocated around the quintet, with some octave and harmony additions.I have added an original natural horn part for a more authentic Mozart sound.There are 3 movements: Adagio Menuetto and trio RondoÂ
$19.95
18.05 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Viennese Sonatina No.3 in D
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RayThompsonMusic
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SheetMusicPlus
Mozart: Viennese Sonatina No.5 in F (selection of Mvts from 5 Divertimenti K439b) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1165838 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 18 pages. RayThompsonMusic #766210. Published by RayThompsonMusic (A0.1165838). Arranged standard wind quintetIncludes natural Horn in FThe Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of movements from  the Five Wind Divertimentos for 3 basset horns, K. 439b which Mozart wrote in 1783.The Divertimentos are notable for their conciseness of form and their melodic richness. Each divertimento has 5 mvts.They therefore make an excellent introduction to Mozart's piano music, even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement, but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover, some of the Trios have been exchanged and recapitulations have been shortened in some instances.Thry are in varying keys, unlike the original divertimenti, so my arrangements reflect thus.This is my arrangement for wind quintet of Sonatina No.5 in F major.The original 3 parts have been reallocated around the quintet, with some octave and harmony additions.I have added an original natural horn part for a more authentic Mozart sound.There are 3 movements: Larghetto (Divertimento No.4 Mvt.2) Menuetto and Tro (Divertimento No.3 Mvt.2) Polonaise (Divertimento No.5 Mvt.5)
$15.95
14.43 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Viennese Sonatina No.5 in F
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RayThompsonMusic
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SheetMusicPlus
Let It Snow! Let It Snow! Let It Snow!
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.753654 By Lady Antebellum. By Jule Styne. Arranged by John Hoesly. Contemporary. 15 pages. PRS&B #6666927. Published by PRS&B (A0.753654). Let It Snow! Let It Snow! Let It Snow!- for Woodwind Quintet- Written by Sammy Cahn and Jule Styne in 1945. Arranged for Woodwind Quintet by John Hoesly. Although Let It Snow! is regarded as a Christmas song, it was written in July during a heat wave in California where Cahn and Styne were working at the time; wishing for cooler temperatures. It has been recorded many times over the years and is a wintertime staple. This arrangement is in a swing style and liberally uses surprise tonal shifts from one key center to another. It is an intermediate to advanced intermediate level arrangement. All players get a chance at the melody and there is a jazzy oboe solo which can be played as written or improvised (or passed to another player). A nice selection for your winter concert. Included score and parts.
$20.00
18.1 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Lady Antebellum
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John Hoesly
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Let It Snow! Let It Snow! Let It Snow!
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PRS&B
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SheetMusicPlus
Silent Night (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813981 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635887. Published by Regis Bookshar (A0.813981). Woodwind Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
4.52 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
O Christmas Tree (G) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813957 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 8 pages. Regis Bookshar #6632171. Published by Regis Bookshar (A0.813957). Woodwind Quintet - Intermediate - Digital Download. This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.
$5.00
4.52 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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German Folk Song
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Regis Bookshar
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O Christmas Tree
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Regis Bookshar
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SheetMusicPlus
I Had Much Grief
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.88…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
7.19 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
31.67 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
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