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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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TUBA
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VIBRAPHONE
VIOLON
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XYLOPHONE
To Begin Again
Non classifié
85
Piano & claviers
Piano seul
102
Orgue
36
Piano Facile
31
Piano grosses notes
24
Piano, Voix et Guitare
11
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8
2 Pianos, 4 mains
8
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6
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5
Piano Trio: piano, violon, violoncelle
2
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1
Accompagnement Piano
1
+ 7 instrumentations
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Basse electrique
20
Guitare
9
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7
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4
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3
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2
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2
4 Guitares (Quatuor)
1
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46
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11
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5
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5
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3
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1
Chorale Unison
1
Voix Soprano, Piano
1
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Saxophone
13
Clarinette et Piano
8
Flûte traversière et Piano
8
Flûte traversière
6
Hautbois, Piano (duo)
6
Clarinette
6
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4
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4
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4
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3
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3
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2
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2
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2
Saxophone Baryton, Piano
2
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2
Ensemble de saxophones
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
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1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette Basse, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Quintette de Saxophone: 5 saxophones
1
Ensemble de Flûtes
1
3 Clarinettes (trio)
1
Saxophone Tenor et Piano
1
Flûte, Clarinette et Basson
1
Ensemble de Clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
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11
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7
Cor
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone
6
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5
Quatuor de Cuivres
5
Cor et Piano
4
Trombone et Piano
4
Trompette, Piano
3
Euphonium, Piano (duo)
2
Tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Piano
1
Trompette, Trombone (duo)
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trombones
1
3 Euphoniums
1
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Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon et Piano
13
Violon
8
Violoncelle, Piano
8
Harpe
5
Violoncelle
5
Alto, Piano
5
Contrebasse, Piano (duo)
3
Piano Trio: Violon, Alto, Piano
2
Alto seul
2
Trio à Cordes: 2 violons, violoncelle
2
Contre Basse
2
Trio à Cordes: violon, alto, violoncelle
2
Violon, Violoncelle (duo)
2
Alto (partie séparée)
2
Violon, Alto (duo)
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
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82
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20
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17
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11
Orchestre de chambre
10
Ensemble de cuivres
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7
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3
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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Vous avez sélectionné:
To Begin Again
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
HERO SANDWICH from Odd Beethoven
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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West Coast Wind Quintet
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HERO SANDWICH from Odd Beethov
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Thinkling Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1162314 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical. 14 pages. Thinkling Musi...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1162314 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical. 14 pages. Thinkling Music #762674. Published by Thinkling Music (A0.1162314). Once again, my mind goes to food. What can I say? But this is no random title. “Hero†refers of course to the subtitle of Beethoven’s third symphony, the “Eroicaâ€. Just as in Sixth Sense, my piece begins a lot like the original, but soon goes astray - into a blues style which  Beethoven never knew. There IS drama here, along with the witty stuff.  After all, it is “Odd BEETHOVENâ€. And “Beethoven†is synonymous with “dramaâ€â€¦ as well as with “witâ€! The overall mood is whimsical and fun – and the piece is brief, making it a perfect encore piece – short and sweet.
$5.00
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To Begin Again
