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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
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4
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Quatuor à cordes: 2 violons, alto, violoncelle
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2 Violoncelles (duo)
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4 Contrebasses
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Autoharp
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13
Orchestre à Cordes
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6
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5
Cloches
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1
Piano et Orchestre
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Marimba
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Fanfare
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AUTRES
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Up To Something
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
31.73 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Course of Empire
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
22.67 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Kyle Vanderburg
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Course of Empire
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NoteForge
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SheetMusicPlus
I Saw Mommy Kissing Santa Claus
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1464325 Composed by Tommie Connor. Arranged by Michael Maschmeier (ASCAP). Chamber,Christmas,Holiday,Jazz,Traditional. 17 pages. Warrior Musician LLC #1043050. Published by Warrior Musician LLC (A0.1464325). Duration 2:20, Woodwind Quintet, Grade 1.5-2.0: Here's a fun arrangement of this more modern, secular Christmas Song for Woodwind Quintet. It offers a great way to feature your 5 best reeders or as a transition piece. Perhaps something in the lobby as people are coming into the concert. Easily playable by most high school players or advanced junior high. It starts out timid, almost scared, like a child that doesn't want to get caught peeking, but gradually opens up into a swing style, with a toe tapping feel and a great rope at the end played by the horn. Speaking of horn, they get to have some ripping fun and the bassoon player gets to show off their low-down technique.
$13.99
12.68 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Tommie Connor
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Michael Maschmeier (ASCAP)
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I Saw Mommy Kissing Santa Claus
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Warrior Musician LLC
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SheetMusicPlus
Debussy: Danse bohémienne - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1372535 Composed by Claude Debussy. Arranged by Ray Thompson. 19th Century,Romantic Period. 11 pages. RayThompsonMusic #956846. Published by RayThompsonMusic (A0.1372535). Debussy: Danse bohémienne La Danse bohémienne (Bohemian Dance) is a piano piece composed in the late summer of 1880. This is the composer's first published piano work. It was judged by Tchaikovsky as follows...It's really a very nice thing, though really too short; not one thought is expressed through to the end and the form is extremely messy and devoid of wholeness ...  It was written when he was eighteen years old for Nadejda von Meck, Tchaikovsky's rich and generous patroness. Frank Dawes writes of the Danse bohémienne, there is perhaps a mild gipsiness that may have been picked up from the gipsy singers at the Moscow cabarets that Debussy is reputed to have frequented. In texture the piece has something of the salon style of Tchaikovsky, though very much simplified. This straightforward piece, in B minor and 2/4 time, isn't altogether without a few dashes of polka rhythm, but its only notable point of originality comes in the coda, where a tonic chord over a submediant pedal point highlights the interval of a major seventh, possible slightly Russian in character.The score was first published in 1932 by Schott (Maintence), then by Henle (1991, ed. Ernst-Günter Heinemann) and Durand (2000, ed. Roy Howat)It is arranged for standard wind quintet.
$14.95
13.56 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Claude Debussy
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Ray Thompson
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Debussy: Danse bohémienne - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Holst: "Chrissemas Day in the Morning" - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1314697 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas,Folk. 13 pages. RayThompsonMusic #903440. Published by RayThompsonMusic (A0.1314697). Gustav HOLST: Chrissemas Day in the MorningArranged wind quintetSomething different for your wind quintet Christmas gig!A short piano piece loosely based on Dame , get up and bake your piesIt does have a similar feel to Percy Grainger's arrangement of There was a pig went out to dig.
$14.95
13.56 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gustav Holst
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Ray Thompson
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Holst: "Chrissemas Day in the Morning" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: Sports et Divertissements 8. Le Yachting - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1289652 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 8 pages. RayThompsonMusic #880358. Published by RayThompsonMusic (A0.1289652). Sports et divertissements (Sports and Pastimes) is a cycle of 21 short piano pieces composed in 1914 by Erik Satie.The set consists of a prefatory chorale and 20 musical vignettes depicting various sports and leisure activities. First published in 1923, it has long been considered one of his finest achievements.Musically it represents the peak of Satie's humoristic piano suites (1912-1915), but stands apart from that series in its fusion of several different art forms. Sports originally appeared as a collector's album with illustrations by Charles Martin, accompanied by music, prose poetry and calligraphy. The latter three were provided by Satie in his exquisite handwritten scores, which were printed in facsimile. This is my arrangement for wind quintet of:8. Le Yachting (Yachting) - Modéré (Moderately.) (In half-notes, bass octaves). Legato. Satie's prose:Quel temps !Le vent souffle comme un phoque.Le yacht danse.Il a l'air d'un petit fou.La mer est démontée.Pourvu qu'elle ne se brise pas sur un rocher.Personne ne peut la remonter.Je ne veux pas rester ici, dit la jolie passagère.Ce n'est pas un endroit amusant.J'aime mieux autre chose.Allez me chercher une voiture.A stern ostinato in the lower reaches of the piano summons up a wind-blown sea as it tosses about members of a yachting party.A pretty lady passenger is not amused by the rough weather. I'd rather do something else, she pouts. Go fetch me a car. The sea ostinato returns to end the piece.Arranged standard wind quintetCheck out my other Satie arrangements3 Gymnopédies and 3 Gnossiennes. ( sold separately and as collections).Also: Rag-Time du Pacquebot (Ragtime of the Steampacket) and Sonatina Bureaucratique.
$2.99
2.71 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Erik Satie
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Ray Thompson
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Satie: Sports et Divertissements 8. Le Yachting - wind quintet
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RayThompsonMusic
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SheetMusicPlus
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