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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Violin I
Non classifié
3 859
Piano & claviers
Piano seul
215
Piano Trio: piano, violon, violoncelle
153
Accompagnement Piano
83
Instruments en Do
81
Piano, Voix et Guitare
42
Piano, Voix
41
Piano Quatuor: piano, 2 violons, violoncelle
35
Piano Quintette: piano, 2 violons, alto, violoncelle
34
Piano Quatuor: piano, violon, alto, violoncelle
32
Piano Facile
26
Orgue
6
2 Pianos, 4 mains
5
Accordéon
3
1 Piano, 4 mains
3
Piano grosses notes
2
Orgue, Trompette (duo)
1
Clavecin
1
2 Pianos, 8 mains
1
+ 13 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
52
Ligne De Mélodie, (Paroles) et Accords
22
Guitare
12
Guitare notes et tablatures
8
2 Guitares (duo)
5
Guitare, Violon, Violoncelle (trio)
4
Ukulele
3
Basse electrique
3
Mandoline
2
Guitare, Orchestre
1
4 Guitares (Quatuor)
1
+ 6 instrumentations
Retracter
Voix
Pack Instrumental pour Chorale
152
Chorale SATB
143
Chorale 3 parties
36
Chorale 2 parties
33
Voix duo
15
Chorale TTBB
13
Chorale Unison
11
Voix duo, Piano
11
Voix Soprano, Piano
7
Voix Tenor, Piano
4
Voix Alto, Piano
3
Chorale SSAA
2
Voix seule
2
Voix Baryton, Piano
1
Voix Mezzo-Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
128
Hautbois, Piano (duo)
112
Saxophone Tenor et Piano
103
Clarinette et Piano
101
Saxophone Alto et Piano
99
Flûte, Violon
80
Clarinette, Violon (duo)
55
Flûte, Violon, Piano
47
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Flûte, Violon et Violoncelle
24
Flûte traversière
22
2 Flûtes traversières (duo)
14
Quintette de Saxophone: 5 saxophones
13
Clarinette
13
Hautbois, violon (duo)
12
Quatuor de Clarinettes: 4 clarinettes
12
Flûte, Hautbois, Clarinette, Basson
12
2 Clarinettes (duo)
11
Ensemble de saxophones
11
Hautbois (partie séparée)
11
Flûte et Guitare
11
Saxophone, Violon (duo)
10
Quatuor de Saxophones: 4 saxophones
10
Flute, harpe et violon
10
2 Saxophones (duo)
10
Ensemble de Clarinettes
8
Saxophone Tenor
8
Saxophone Alto
8
Saxophone Soprano et Piano
8
Flûte et Trio à cordes
8
Flûte, Clarinette, Violon (trio)
7
Flûte, Hautbois, Violon
7
Flûte, Clarinette (duo)
6
Saxophone (partie séparée)
5
2 Hautbois (duo)
5
Clarinette, Guitare (duo)
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Ensemble à vent
4
Quatuor de Flûtes : 4 flûtes
4
Clarinette (partie séparée)
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Quintette de Flûte : 5 flûtes
3
Trio de Flûtes: 3 flûtes
3
3 Saxophones (trio)
2
Ensemble de Flûtes
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon, Guitare
2
Hautbois
2
Saxophone et Orgue
2
Cor anglais, Guitare (duo)
2
3 Clarinettes (trio)
2
Clarinette, Violoncelle, Piano (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette et Alto
2
Flûte, Clarinette et Basson
2
Clarinette, Trompette (duo)
1
Flute (partie séparée)
1
Cor anglais, Piano
1
Hautbois, Violon, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Alto (duo)
1
Clarinette Basse, Piano
1
Flûte, alto et harpe
1
Clarinette, Orgue
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Orgue (duo)
1
Cornemuse
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Basson (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Saxophone Baryton, Piano
1
Flûte à bec Soprano, Piano
1
Flûte traversière, Orchestre
1
Hautbois, Flûte
1
Flûte, Basson et Piano
1
Saxophone et Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle
1
Flûte, Hautbois (duo)
1
Flûte à Bec
1
Hautbois, Clarinette (duo)
1
2 Saxophones, Piano
1
+ 80 instrumentations
Retracter
Cuivres
Trombone et Piano
76
Trompette, Piano
50
Trompette
38
Cor et Piano
29
Trompette, violon (duo)
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trombone
8
Ensemble de Trombones
7
Cor
5
Tuba
5
2 Trompettes (duo)
5
Ensemble de Trompettes
4
Trompette (partie séparée)
4
2 Cors (duo)
4
Euphonium
4
Trombone, Violon (duo)
3
Quatuor de Cuivres
3
2 Trombones (duo)
3
Ensemble de Cors
2
Cor anglais, Guitare (duo)
2
Tuba et Orgue
2
Trompette, Cor (duo)
1
Cor (partie séparée)
1
Cor anglais, Piano
1
2 Euphoniums et 2 Tubas
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Trombone, Orgue
1
Euphonium, Piano (duo)
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 836
Violon
2 205
Violon et Piano
1 493
Violon, Violoncelle (duo)
783
Trio à Cordes: violon, alto, violoncelle
690
Violon (partie séparée)
628
2 Violons (duo)
580
Quintette à cordes: 2 violons, alto, violoncelle, basse
382
Violon, Alto (duo)
301
Trio à Cordes: 2 violons, violoncelle
177
Alto, Piano
136
Violoncelle, Piano
125
Violon, Guitare (duo)
86
Trio à cordes: 3 violins
79
Piano Trio: Violon, Alto, Piano
73
Quatuor à cordes: 4 violons
58
Alto seul
40
Alto (partie séparée)
39
Trio à Cordes: 2 violons, alto
38
Harpe, Violon (duo)
37
Violoncelle
32
Ensemble de Violons
30
2 Altos (duo)
29
2 Violoncelles (duo)
25
2 Violons, Piano
23
Trio à cordes
22
Quintette à cordes: 2 violons, 2 altos, violoncelle
20
Violoncelle, Contrebasse (duo)
18
Violon, Basson (duo)
14
Alto et Harpe
13
Harpe, Flûte (duo)
13
4 Violoncelles
11
Harpe, Violoncelle (duo)
11
Contre Basse
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Alto, Violoncelle (duo)
7
Harpe, Violon, Violoncelle
6
Harpe
5
Ensemble d'Altos
4
Contrebasse, Piano (duo)
4
Alto, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Harpe, Voix
2
Violon, Tuba (duo)
2
Trio à cordes: 3 altos
1
Flûte, Contrebasse (duo)
1
Violoncelle (partie séparée)
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 3 violoncelles
1
Violon, Violoncelle, Clarinette
1
Violoncelle, Orchestre
1
2 Violons et Basse continue
1
Alto, Orgue
1
Contrebasse (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
698
Orchestre
581
Orchestre d'harmonie
204
Orchestre de chambre
168
Ensemble Jazz
17
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
11
Jazz combo
10
Ensemble de Percussions
8
Ensemble de cuivres
8
Cloches
5
Big band
3
Piano et Orchestre
2
Ensemble d'École
2
Vibraphone (partie séparée)
1
Batterie
1
Orchestre, Violon
1
Vibraphone
1
Fanfare
1
Percussion (partie séparée)
1
Xylophone, Piano
1
+ 15 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CELTIQUE - IRISH - S…
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ENFANTS : EVEIL - IN…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Violin I
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
29 partitions trouvées
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1
26
Beethoven: Wind Trio in C major Op.87 Mvt.I Allegro - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ludwig van Beethoven
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Ray Thompson
#
Beethoven: Wind Trio in C majo
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RayThompsonMusic
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1114000 Composed by Ludwig van Beethoven. Arranged by Ray Thomps...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1114000 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 25 pages. RayThompsonMusic #715903. Published by RayThompsonMusic (A0.1114000). Arranged standard wind quintet New Horn in C basso created. (Alt Horn in F provided) The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. I have now arranged all the movements for wind quintet.
$9.95
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
I Don't Want To Miss A Thing
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
#
Rock
#
David Cook
#
Marina Lopes
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I Don't Want To Miss A Thing
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Marina Lopes
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.975696 By David Cook. By Diane Warren. Arranged by Marina Lopes. Rock. 5 pages. Marina Lopes #641...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.975696 By David Cook. By Diane Warren. Arranged by Marina Lopes. Rock. 5 pages. Marina Lopes #6410343. Published by Marina Lopes (A0.975696). Arrangement in original tone for quintet of violins or flute.
$12.99
Pergolesi: Stabat Mater Dolorosa P.77 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
#
Giovanni Battista Pergolesi
#
Ray Thompson
#
Pergolesi: Stabat Mater Doloro
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RayThompsonMusic
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1459520 By Giovanni Battista Pergolesi. By Giovanni Battista Per...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1459520 By Giovanni Battista Pergolesi. By Giovanni Battista Pergolesi. Arranged by Ray Thompson. Baroque,Wedding. 9 pages. RayThompsonMusic #1038473. Published by RayThompsonMusic (A0.1459520). Arranged wind quintetStabat Mater (P.77)is a musical setting of the Stabat Mater sequence, composed by Giovanni Battista Pergolesi in 1736.Composed in the final weeks of Pergolesi's life, it is scored for soprano and alto soloists, violin I and II, viola and basso continuo.The autograph manuscript of the work is preserved in the Benedictine Abbey of Monte Cassino.The work is divided into twelve movements, each named after the incipit of the text. Much of the music is based on Pergolesi's earlier setting of the Dies irae sequence.This is probably the most well known piece, it is the first movement.
$14.99
Rondeau - Bourrée 1&2 - Menuet - Badinerie from Orchestral Suite no. 2, BWV 1067
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
#
Classique
#
EnsembleSheetMusic
#
Sjoerd van der Veen
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Rondeau - Bourrée 1&
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Sjoerd van der Veen
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.697257 By EnsembleSheetMusic. By Johann Sebastian Bach. Arranged...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.697257 By EnsembleSheetMusic. By Johann Sebastian Bach. Arranged by Sjoerd van der Veen. Baroque,Classical. 28 pages. Sjoerd van der Veen #305852. Published by Sjoerd van der Veen (A0.697257). Four movements from the second Orchestral Suite by Johann Sebastiaan Bach. Original for flute, violin I, II, viola and continuo (cello, violone and harpsichord). The Badinerie from this suite is especially well-known. In this arrangement the flute has the leading role, of course, but it is not automatically doubled in the oboe, as is often the case in other arrangements. Where possible, the arranger has tried to expand the color palette, without losing sight of playability. Flute - Oboe - Clarinet - French Horn - Bassoon If you have any questions about this arrangement, mail to info@ensemblesheetmusic.com.
$16.49
Recondita armonia - Tosca
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Vittorio Tamburrano
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Vittorio Tamburrano
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Recondita armonia - Tosca
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Vittorio Tamburrano
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1490915 By Vittorio Tamburrano. By Giacomo Puccini. Arranged by ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1490915 By Vittorio Tamburrano. By Giacomo Puccini. Arranged by Vittorio Tamburrano. 20th Century,Classical,Opera. 12 pages. Vittorio Tamburrano #1067700. Published by Vittorio Tamburrano (A0.1490915). IntroduzioneLa trascrizione per quintetto di fiati di Recondita armonia, una delle arie più iconiche dell'opera Tosca di Giacomo Puccini, è concepita per mantenere l'intensità emotiva e la bellezza melodica dell'originale, adattandola a una formazione cameristica che possa esprimere al meglio le sfumature timbriche e dinamiche del brano.Struttura e AdattamentoLa trascrizione è stata realizzata per flauto, oboe, clarinetto, fagotto e corno. Ogni strumento svolge un ruolo specifico nel ricreare la ricchezza orchestrale dell'originale, pur rimanendo fedele alla scrittura vocale e orchestrale di Puccini.- Flauto: Il flauto è stato scelto per riprodurre le linee melodiche più alte e leggere, spesso simili a quelle del violino nella versione orchestrale. La sua brillantezza e agilità permettono di mantenere la chiarezza e la dolcezza della melodia principale.- Oboe: L'oboe, con il suo timbro caldo e penetrante, ricrea l'espressività e l'intensità della voce di Cavaradossi, catturando le sfumature emotive della melodia principale. La sua capacità di sostenere note lunghe e di modulare il vibrato è essenziale per trasmettere il lirismo dell'aria.- Clarinetto: Il clarinetto fornisce un supporto armonico ricco e flessibile, spesso accompagnando la melodia con contrappunti sottili e intermezzi melodici. La sua estensione e dinamica lo rendono perfetto per passare dalle tonalità più gravi a quelle più acute, aggiungendo profondità alla trascrizione.- Fagotto: Il fagotto sostiene la struttura armonica con il suo timbro profondo e caldo, riproducendo le linee del basso continuo. Inoltre, è impiegato per sottolineare i momenti più drammatici e le modulazioni, aggiungendo gravità e intensità al quintetto.- Corno: Il corno, con la sua capacità di esprimere potenza e delicatezza, è utilizzato per ricreare i momenti di tensione e rilascio presenti nell'originale orchestrale. Il suo ruolo è fondamentale per evocare l'atmosfera maestosa e romantica dell'aria.Considerazioni Timbriche e DinamicheL'adattamento per quintetto di fiati tiene conto delle caratteristiche timbriche degli strumenti, creando un equilibrio sonoro che permette di mantenere l'espressività e la ricchezza dinamica dell'aria originale. Le dinamiche sono attentamente calibrate per ricreare i crescendo e diminuendo che caratterizzano l'intensità dell'aria, mentre l'articolazione è stata adattata per sfruttare al meglio le capacità espressive di ciascun strumento.Sfide e SoluzioniUna delle principali sfide nel trascrivere Recondita armonia per quintetto di fiati è stata quella di preservare l'ampiezza orchestrale e la potenza espressiva della melodia vocale. Per raggiungere questo obiettivo, ho utilizzato una scrittura contrappuntistica che permette ai vari strumenti di dialogare tra loro, ricreando l'interazione tra voce solista e orchestra presente nell'originale.ConclusioneQuesta trascrizione per quintetto di fiati di Recondita armonia riesce a mantenere la forza drammatica e l'intensità emotiva dell'originale, offrendo una nuova prospettiva su un capolavoro dell'opera lirica. Il risultato è un arrangiamento che rispetta la grandezza della musica di Puccini, permettendo a un ensemble da camera di esplorare e esprimere le sfumature di uno dei momenti più emozionanti di Tosca.
$10.00
Beethoven: Wind Trio in C Op.87 (Complete) arranged - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C Op.8
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1137006 Composed by Ludwig van Beethoven. Arranged by Ray Thomps...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1137006 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 62 pages. RayThompsonMusic #737001. Published by RayThompsonMusic (A0.1137006). Arranged wind quintetNatural Horn in C basso/ Alt Hn in FMp3 of 1st mvt The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna.Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings.. In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. i have arranged the complete trio for standard wind quintet, and have created a new natural horn part, retaining the classical sound. It plays well as a wind quintet
$24.95
La Serenissima (2013) for ten wind instruments
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431451. Published by Thomas Oboe Lee (A0.869288). Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 horns in F, 2 bassoons Program note.Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music. Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo … III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
La Serenissima (2013) for ten wind instruments
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431227. Published by Thomas Oboe Lee (A0.869301). Program note. Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music.Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo …III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
Lyrical Music for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn, F
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John Gibson
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Lyrical Music for Woodwind Qui
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.581786 Composed by Felix Bartholdy Mendelssohn, Franz Joseph Haydn, Johann Sebastian Bach, and Ma...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.581786 Composed by Felix Bartholdy Mendelssohn, Franz Joseph Haydn, Johann Sebastian Bach, and Maurice Ravel. Arranged by John Gibson. 20th Century,Baroque,Classical,Romantic Period,Wedding. 63 pages. JB Linear #515897. Published by JB Linear (A0.581786). Lyrical Music for Woodwind Quintet -Or- Life is Too Short Not to Play Slow Music. I have heard it said that life is too short to play slow music, but that to me is so very wrong! Sometimes it is a joy to slow down in our busy lives and what better way than to play slow, beautiful music. This group of five pieces gives your group enough to choose from in selecting a quiet piece to perform or just enjoy. This was set for woodwind quintet (flute, oboe, Bb clarinet, F horn, and bassoon) by John Gibson. It includes 1. Mendelssohn Violin Concerto, 2nd Movement, 2. J. S. Bach, Aria from The Goldberg Variations, 3. Haydn, Symphony #88, 2nd Movement, 4. Ravel, Pavane for a Dead princess, 5. J. S. Bach, Concerto for Two Violins, Largo. All music of surpassing beauty and meaning!
$18.50
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
Gounod: Méditation sur Prélude 1 de Piano de J S Bach (Ave Maria) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod
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Ray Thompson
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Gounod: Méditation sur
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1152426 Composed by Charles Francois Gounod. Arranged by Ray Tho...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1152426 Composed by Charles Francois Gounod. Arranged by Ray Thompson. Christian,Religious,Romantic Period,Wedding. 12 pages. RayThompsonMusic #752651. Published by RayThompsonMusic (A0.1152426). Arranged wind quintet I have based this arrangement on Gounod’s original composition which was for solo violin,piano and organ. The words for ’Ave Maria were added later. I have attempted to avoid the semiquaver accompanimnent of Bach’s prelude being given to one player: i have spread it between the bassoon horn clarinet and flute. The tune is mainly on oboe but other instruments take the melody on occaison. There are 2 verses.
$9.95
Jeanie with the Light Brown Hair
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Stephen Foster
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Judith Katz
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Jeanie with the Light Brown Ha
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Imagine Music - Digital
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SheetMusicPlus
Woodwind quintet - SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Pub...
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Woodwind quintet - SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Published by Imagine Music - Digital (IZ.CMS1612). 9 x 12 in inches.Jeanie With The Light Brown Hair is one of the most enduring, and popular American songs of all times.Characterized as a parlor song, it was written by Stephen Foster, and published by Firth, Pond & Co. of NewYork, in1854.In 1850, Foster married Jane Denny McDowell, whose nickname was Jennie. However, this was an unhappymarriage, short-lived, with numerous conflicts and separations. Jeanie With The Light Brown Hair, was written asperhaps an attempt to win his wife back. To add to his problems, Foster also ran into deep financial difficulties.Jeanie With the Light Brown Hair was virtually unknown during its time. When it was first published, the royaltieson the ten thousand copies sold, earned just $200 for Stephen Foster. To make ends meet, he had to sell the rights toJeanie, as well as other songs. After his death, the rights to Jeanie With The Light Brown Hair reverted back to hiswife and daughter.It would indeed be a pleasant surprise to Stephen Foster, if he only knew what a wide range of artists have adaptedthis song to different genres. Among solo instrumentalists, Jascha Heifitz, and William Primrose have arranged itfor solo violin and viola. The big bands of Gene Krupa, and Glen Miller have recorded it. The great R & B artist,Sam Cooke used it, as well as opera stars, Marilyn Horne and John McCormick, who added it to their concertrepertoire.The song's frequent airplay in the 1940's, led Spike Jones to create a parody, called, I Dream of Jeanie with theLight Blue Jeans. Les Brown in 1941, created a big band song, Joltin' Joe DiMaggio with the line.....We Dream ofJoey With the Light Brown Bat. Even Bugs Bunny got into the act. The 1960 short, From Hare To Heir, featuresBugs singing, I dream of Jeanie, she's a light brown hareMy arrangement, for woodwind quintet is written to capture a lyric, singing style, which I think Foster had in mind.
$12.00
Allegro (from "Concerto for Four Claviers") (G min) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 H
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.813410 Composed by Johann Sebastian Bach. Arranged by Regis Book...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.813410 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209865. Published by Regis Bookshar (A0.813410). Woodwind Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Woodwind Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (A min) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 H
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.813388 Composed by Johann Sebastian Bach. Arranged by Regis Book...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.813388 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209781. Published by Regis Bookshar (A0.813388). Woodwind Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Woodwind Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Vivaldi: The Four Seasons (Le quattro stagioni) Concerto No. 4 in F minor, Op. 8, RV 297, "L'inverno
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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Ray Thompson
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Vivaldi: The Four Seasons
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553735 Composed by Antonio Vivaldi. Arranged by Ray Thompson. Ba...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553735 Composed by Antonio Vivaldi. Arranged by Ray Thompson. Baroque,Christmas,Standards,Wedding. 29 pages. RayThompsonMusic #3640345. Published by RayThompsonMusic (A0.553735).  The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year.This is an arrangement of Concerto No. 4 in F minor, Op. 8, RV 297, Winter (L'inverno)It is in 3 movementsAllegro non molto (in F minor)Largo (in E♠major)Allegro (in F minor)I have simplified the violin solo and the faster string passages  to make it playable by wind players.
$9.95
5 Classical Wedding Music for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Charles Gonoud, Edward Elgar,
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Woods Only
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Co
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5 Classical Wedding Music for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaik...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
Debussy: La plus que lente (Valse) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: La plus que lente
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553915 Composed by Claude Debussy. Arranged by Ray Thompson. 20t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553915 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Wedding. 12 pages. RayThompsonMusic #6103441. Published by RayThompsonMusic (A0.553915). La plus que lente, L. 121 The more than slow), is a waltz for solo piano written by Claude Debussy in 1910, shortly after his publication of the Préludes, Book I.The piece debuted at the New Carlton Hotel in Paris, where it was transcribed for strings and performed by the popular 'gipsy' violinist, Léoni, for whom Debussy wrote it (and who was given the manuscript by the composer).Despite its title, La plus que lente was not meant to be played slowly; lente, in this context, refers to the valse lente genre that Debussy attempted to emulate.Typical of Debussy's caustic approach to naming his compositions, it represented his reaction to the vast influence of the slow waltz in France's social atmospheres. However, as Frank Howes noted, La plus que lente is, in Debussy's wryly humorous way, the valse lente [slow waltz] to outdo all others.The work is marked Molto rubato con morbidezza, indicating Debussy's encouragement of a flexible tempo.Arranged for standard wind quintet.
$14.95
Mozart: Divertimento in F "Salzburg Symphony No.3" K138 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Divertimento in F &quo
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1119213 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Tho...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1119213 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 29 pages. RayThompsonMusic #720628. Published by RayThompsonMusic (A0.1119213). Mozart wrote three early String Quartets in Salzburg in 1772 naming them Divertimenti. They are catalogued as K.136, K.137 and K.138. In form these Divertimenti are in three movements, which differs from his later divertimenti which have 4 or more movements. They are sometimes known as Salzburg Symphonies 1 to 3. K. 136, in D major, the best known of the three, opens with an Allegro, followed by an attractive G major slow movement and a rapid finale with the requisite touch of contrapuntal interest. K. 137, in B flat major, starts with an Andante, followed by two faster movements. The third of the set, K. 138, in F major, follows an opening tripartite Allegro with a C major Andante and a final Presto. This is no. 3 Arranged wind quintet. The melody is shared out between mainly flute and oboe...I have not done a straight swop from violin 1 to flute etc.... I have created a natural Horn part in F and C basso.
$14.95
Mozart: Divertimento in D "Salzburg Symphony No.1" K136 Mvt.1 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Divertimento in D &quo
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.553717 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Holiday,Wedding. ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.553717 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Holiday,Wedding. 18 pages. RayThompsonMusic #3569493. Published by RayThompsonMusic (A0.553717). Mozart wrote three early String Quartets in Salzburg in 1772 naming them Divertimenti. They are catalogued as K.136, K.137 and K.138. In form these Divertimenti are in three movements, which differs from his later divertimenti which have 4 or more movements. They are sometimes known as Salzburg Symphonies 1 to 3. K. 136, in D major, the best known of the three, opens with an Allegro, followed by an attractive G major slow movement and a rapid finale with the requisite touch of contrapuntal interest. K. 137, in B flat major, starts with an Andante, followed by two faster movements. The third of the set, K. 138, in F major, follows an opening tripartite Allegro with a G major Andante and a final Presto. This is mvt.1 Allegro of K. 136 in D major: arranged wind quintet.Complete  arrangement of this Divertimento K136 available here.I have created new natural horn parts.The melody is shared out between mainly flute and oboe...I have not done a straight swop from violin 1 to flute etc....Written for Clarinet in A, Horn In D.(Clarinet in Bb and Horn in F also provided).
$9.95
Mozart: Divertimento in Bb "Salzburg Symphony No.2" K137 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Divertimento in Bb &qu
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1119979 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Tho...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1119979 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 20 pages. RayThompsonMusic #721313. Published by RayThompsonMusic (A0.1119979). Arranged wind quintet Natural Horn in Bb ALTO Mozart wrote three early String Quartets in Salzburg in 1772 naming them Divertimenti. They are catalogued as K.136, K.137 and K.138. In form these Divertimenti are in three movements, which differs from his later divertimenti which have 4 or more movements. They are sometimes known as Salzburg Symphonies 1 to 3. K. 136, in D major, the best known of the three, opens with an Allegro, followed by an attractive G major slow movement and a rapid finale with the requisite touch of contrapuntal interest. K. 137, in B flat major, starts with an Andante, followed by two faster movements. The third of the set, K. 138, in F major, follows an opening tripartite Allegro with a C major Andante and a final Presto. This is no. 2 Arranged wind quintet. The melody is shared out between mainly flute and oboe...I have not done a straight swop from violin 1 to flute etc.... I have created a natural Horn part in Bb alto.
$14.95
Silver Wedding March
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Septimus Winner
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Judith Katz
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Silver Wedding March
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Imagine Music - Digital
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SheetMusicPlus
Woodwind quintet - SKU: IZ.CMW183 Composed by Septimus Winner. Arranged by Judith Katz. Score and Parts. 17 pages. Imagine Music - Digital #CMW183. Publ...
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Woodwind quintet - SKU: IZ.CMW183 Composed by Septimus Winner. Arranged by Judith Katz. Score and Parts. 17 pages. Imagine Music - Digital #CMW183. Published by Imagine Music - Digital (IZ.CMW183). 9 x 12 in inches.In my search for American composers who were active in the mid to latter part of the 19th Century, I've recently discovered the name, Septimus Winner.Winner, (1827-1902) was a Philadelphia-based song writer and publisher, credited with over 200 method books for a wide variety of instruments, as well as 1500 easy arrangements, and 2000 arrangements specifically for violin and piano. He teamed up with his brother to publish music, and he, himself, had numerous publications both under his own name, and pseudo names: Alice Hawthorne, Percy Guyer, Mark Mason, Apsley Street, and Paul Stenton.Some of his compositions have become classics, and helped to seal his fame as a major song writer of the pre, Tin Pan Alley era. He was inducted into the Songwriters Hall of Fame in 1970. Among his most famous compositions are: Listen to The Mockingbird, published under the name of Alice Hawthorne, Oh Where, Oh Where Has My Little Dog Gone, and Ten Little Indians, which was performed a lot in Europe, and later used as an inspiration for Agatha Christie for her book of the same name; sometimes referred to And Then There Were None.Silver Wedding March was originally written for parlor piano, which ends itself beautifully to small instrumental ensemble combinations. I chose woodwind quintet.
$14.00
Canon (Pachelbel) (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.813433 Composed by Johann Pachelbel. Arranged by Regis Bookshar....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.813433 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 27 pages. Regis Bookshar #6259513. Published by Regis Bookshar (A0.813433). Canon (Pachelbel) (Bb) (Woodwind Quintet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Woodwind Quintet consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon. The Flute, Oboe and Clarinet play the melody in canon while the ostinato accompaniment is played by the French Horn and the Bassoon. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
Home Sweet Home - A complete set of parts
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sir Henry Bishop - John Howard
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Home Sweet Home - A complete s
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Judith Katz
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.753797 Composed by Sir Henry Bishop - John Howard Payne - arr. John Philip Sousa. Arranged by ada...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.753797 Composed by Sir Henry Bishop - John Howard Payne - arr. John Philip Sousa. Arranged by adapted by Judith Katz for woodwind quintet. 20th Century,Concert,Contemporary. 6 pages. Judith Katz #519179. Published by Judith Katz (A0.753797). N his early days, John Philip Sousa was a struggling musicians who had to pad out his income, playing violin in various pit orchestras, and writing small parlor compositions, a style that was very popular in pre WW 1 in the late 1800's, through WW1. Sousa arranged this Sir Henry Bishop, John Henry Payne song, for parlor piano. I adapted it for a level 4 woodwind quintet. This is ideal for a recital, or perhaps an encore selection.
$8.00
Czardas (Wind Quintet) - Score
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Vittorio Monti
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Philip R Buttall
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Piano
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Czardas
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PRB Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - SKU: A0.739726 Composed by Vittorio Monti. Arranged by Philip R Buttall. Romantic Period,World. 9 pages. PRB Music ...
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Woodwind Ensemble,Woodwind Quintet - SKU: A0.739726 Composed by Vittorio Monti. Arranged by Philip R Buttall. Romantic Period,World. 9 pages. PRB Music #3219231. Published by PRB Music (A0.739726). An arrangement of Monti's well-known Czardas, originally for Violin & Piano. It keeps mainly to the original, but there are some extra bits tossed in for good measure - I hope!
$8.95
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