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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Violin by Sam
Non classifié
1 625
Piano & claviers
Piano Trio: piano, violon, violoncelle
85
Piano seul
81
Piano Quatuor: piano, violon, alto, violoncelle
68
Accompagnement Piano
41
Piano, Voix
23
Instruments en Do
19
Piano, Voix et Guitare
19
Piano Facile
17
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
2
Orgue
2
1 Piano, 4 mains
2
Accordéon et Orchestre
1
2 Pianos, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
4
Guitare, Violon, Violoncelle (trio)
4
Guitare notes et tablatures
3
Mandoline
3
Piano, Guitare (duo)
3
Guitare, Orchestre
1
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
54
Chorale 3 parties
11
Chorale 2 parties
9
Pack Instrumental pour Chorale
7
Chorale TTBB
3
Chorale Unison
3
Chorale SSAA
2
Voix duo, Piano
1
Voix seule
1
Voix duo
1
+ 5 instrumentations
Retracter
Vents
Clarinette, Violon (duo)
141
Flûte, Violon
93
Flûte, Violon, Piano
54
Flûte traversière et Piano
51
Clarinette et Piano
33
Saxophone Alto et Piano
27
Flûte, Violon et Violoncelle
26
Hautbois, Piano (duo)
24
Saxophone Soprano et Piano
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Ensemble de saxophones
10
Flûte et Guitare
10
Clarinette
9
Saxophone Tenor et Piano
9
Flûte traversière
7
2 Flûtes traversières (duo)
7
2 Saxophones (duo)
6
Clarinette, Guitare (duo)
6
Quintette de Saxophone: 5 saxophones
5
Cor anglais, Piano
5
Flûte, Clarinette, Violon (trio)
5
Flûte, Clarinette (duo)
5
Ensemble de Clarinettes
4
Hautbois
4
Trio de Flûtes: 3 flûtes
4
Flûte, Hautbois, Clarinette, Basson
4
Flute, harpe et violon
4
Hautbois, violon (duo)
4
Flûte, Hautbois, Violon
4
Ensemble de Flûtes
3
3 Saxophones (trio)
3
2 Flûte à bec (duo)
3
Saxophone Baryton, Piano
3
Cor anglais, Guitare (duo)
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
2 Clarinettes (duo)
2
Flûte, Clarinette et Basson
2
Flûte et Trio à cordes
2
Saxophone Alto
2
Clarinette Basse, Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone et Guitare
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois (partie séparée)
2
Clarinette Basse
1
Flûte, Hautbois, Clarinette (trio)
1
3 Flûtes à bec (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette et Alto
1
Hautbois, Harpe
1
Harmonica, Piano
1
Piccolo
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Basson (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Quintette de Flûte : 5 flûtes
1
+ 53 instrumentations
Retracter
Cuivres
Trompette, Piano
27
Trompette
15
Trombone et Piano
12
Cor et Piano
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Tuba et Piano
7
Cor
6
Trombone
5
Cor anglais, Piano
5
Tuba
4
Ensemble de Trombones
4
Euphonium, Piano (duo)
3
Cor anglais, Guitare (duo)
3
Ensemble de Trompettes
2
Ensemble de Cors
2
Trompette, Cor (duo)
1
2 Trombones (duo)
1
3 Tubas (trio)
1
2 Trompettes (duo)
1
3 Cors (trio)
1
3 Trombones (trio)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Trombone (duo)
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 216
Violon
784
Violon et Piano
611
Violon, Violoncelle (duo)
385
Trio à Cordes: violon, alto, violoncelle
282
2 Violons (duo)
231
Violon, Alto (duo)
165
Violon (partie séparée)
97
Quintette à cordes: 2 violons, alto, violoncelle, basse
91
Trio à Cordes: 2 violons, violoncelle
66
Trio à cordes: 3 violins
47
Alto, Piano
42
Violoncelle, Piano
39
Violon, Guitare (duo)
28
Alto seul
19
Piano Trio: Violon, Alto, Piano
18
Quatuor à cordes: 4 violons
14
Violoncelle
12
Harpe, Violon (duo)
12
Trio à Cordes: 2 violons, alto
12
2 Violoncelles (duo)
10
2 Altos (duo)
9
Contre Basse
8
2 Violons, Piano
6
Contrebasse, Piano (duo)
6
Violoncelle (partie séparée)
5
4 Violoncelles
5
Alto, Violoncelle (duo)
5
Alto, Guitare (duo)
4
Violoncelle, Contrebasse (duo)
4
Alto (partie séparée)
4
Violon, Basson (duo)
4
Harpe
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble de Violons
3
Trio à cordes
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
Ensemble d'Altos
2
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
Quatuor à cordes : 4 altos
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
271
Orchestre
99
Orchestre d'harmonie
50
Orchestre de chambre
34
Vibraphone
18
Marimba
15
Ensemble Jazz
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Ensemble de cuivres
5
Ensemble de Percussions
3
Xylophone
2
Xylophone, Piano
1
Jazz combo
1
Piano et Orchestre
1
Cloches
1
Ensemble d'École
1
+ 11 instrumentations
Retracter
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DULCIMER
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
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VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Violin by Sam
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
14 partitions trouvées
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1
"Canon" by Pachelbel - Beautiful EASY version for WOODWIND QUINTET.
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
FACILE
#
Classique
#
Johann Pachelbel
#
Iury Cardoso
#
"Canon" by Pachelbel
#
Iury Cardoso
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1417289 Composed by Johann Pachelbel. Arranged by Iury Cardoso. ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1417289 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Chamber,Classical,Traditional,Wedding. 20 pages. Iury Cardoso #998847. Published by Iury Cardoso (A0.1417289). Easy WOODWIND QUINTET arrangement of the piece: Canon by Johann Pachelbel (Score and parts: 20 pages) This arrangement of Pachelbel's Canon presents new musical textures and adaptation solutions to transform the original piece (composed for three violins and basso continuo) into an easier version for WOODWIND QUINTET. In this arrangement it is possible to hear the main themes created by Pachelbel, which have been adapted in some parts to make the piece more accessible to students.Get the sheet music of Pachelbel's Canon now and invite your friends to play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website.- Version with piano accompaniment available: On this site, there is also a version of this same arrangement with the piano accompaniment.- WOODWIND QUARTET version available: On this site, there is also a version of this same arrangement for WOODWIND QUARTET (with or without piano accompaniment).- SOLO version available: On this site, there are also easy and advanced SOLO VERSIONS of this arrangement for all WOODWIND instruments (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for woodwind quintetcanon pachelbel sheet musiccanon in D pachelbel for woodwind quintetcanon pachelbel woodwind quintet sheet musiccanon woodwind quintetcanon for beginnerseasy woodwind quintet chamber musiccanon but on woodwind quintetcanon woodwind quintet versioncanon easy woodwind quintet arrangementcanon woodwind quintet best arrangementeasy woodwind quintet baroque sheet musiceasy woodwindcanon for woodwindwoodwind easy sheet musiccanon easier versionpachelbel sheet musiccanon pachelbel best arrangement for woodwind quintetcanon arrangement for woodwind quintetcanon pachelbel for easy woodwind quintetclassic sheet music for woodwind quintet.
$15.99
"Canon" by Pachelbel - Beautiful EASY version for WOODWIND QUINTET.
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
FACILE
#
Classique
#
Johann Pachelbel
#
Iury Cardoso
#
"Canon" by Pachelbel
#
Iury Cardoso
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1417286 Composed by Johann Pachelbel. Arranged by Iury Cardoso. ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1417286 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Chamber,Classical,Traditional,Wedding. 21 pages. Iury Cardoso #998844. Published by Iury Cardoso (A0.1417286). Easy WOODWIND QUINTET arrangement of the piece: Canon by Johann Pachelbel (Score and parts: 21 pages) This arrangement of Pachelbel's Canon presents new musical textures and adaptation solutions to transform the original piece (composed for three violins and basso continuo) into an easier version for WOODWIND QUINTET. In this arrangement it is possible to hear the main themes created by Pachelbel, which have been adapted in some parts to make the piece more accessible to students.Get the sheet music of Pachelbel's Canon now and invite your friends to play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website.- Version with piano accompaniment available: On this site, there is also a version of this same arrangement with the piano accompaniment.- WOODWIND QUARTET version available: On this site, there is also a version of this same arrangement for WOODWIND QUARTET (with or without piano accompaniment).- SOLO version available: On this site, there are also easy and advanced SOLO VERSIONS of this arrangement for all WOODWIND instruments (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for woodwind quintetcanon pachelbel sheet musiccanon in D pachelbel for woodwind quintetcanon pachelbel woodwind quintet sheet musiccanon woodwind quintetcanon for beginnerseasy woodwind quintet chamber musiccanon but on woodwind quintetcanon woodwind quintet versioncanon easy woodwind quintet arrangementcanon woodwind quintet best arrangementeasy woodwind quintet baroque sheet musiceasy woodwindcanon for woodwindwoodwind easy sheet musiccanon easier versionpachelbel sheet musiccanon pachelbel best arrangement for woodwind quintetcanon arrangement for woodwind quintetcanon pachelbel for easy woodwind quintetclassic sheet music for woodwind quintet.
$15.99
Canon (Pachelbel) (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Pachelbel
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Regis Bookshar
#
Canon
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.813433 Composed by Johann Pachelbel. Arranged by Regis Bookshar....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.813433 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 27 pages. Regis Bookshar #6259513. Published by Regis Bookshar (A0.813433). Canon (Pachelbel) (Bb) (Woodwind Quintet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Woodwind Quintet consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon. The Flute, Oboe and Clarinet play the melody in canon while the ostinato accompaniment is played by the French Horn and the Bassoon. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
Jeanie with the Light Brown Hair
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Stephen Foster
#
Judith Katz
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Jeanie with the Light Brown Ha
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Imagine Music - Digital
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SheetMusicPlus
Woodwind quintet - SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Pub...
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Woodwind quintet - SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Published by Imagine Music - Digital (IZ.CMS1612). 9 x 12 in inches.Jeanie With The Light Brown Hair is one of the most enduring, and popular American songs of all times.Characterized as a parlor song, it was written by Stephen Foster, and published by Firth, Pond & Co. of NewYork, in1854.In 1850, Foster married Jane Denny McDowell, whose nickname was Jennie. However, this was an unhappymarriage, short-lived, with numerous conflicts and separations. Jeanie With The Light Brown Hair, was written asperhaps an attempt to win his wife back. To add to his problems, Foster also ran into deep financial difficulties.Jeanie With the Light Brown Hair was virtually unknown during its time. When it was first published, the royaltieson the ten thousand copies sold, earned just $200 for Stephen Foster. To make ends meet, he had to sell the rights toJeanie, as well as other songs. After his death, the rights to Jeanie With The Light Brown Hair reverted back to hiswife and daughter.It would indeed be a pleasant surprise to Stephen Foster, if he only knew what a wide range of artists have adaptedthis song to different genres. Among solo instrumentalists, Jascha Heifitz, and William Primrose have arranged itfor solo violin and viola. The big bands of Gene Krupa, and Glen Miller have recorded it. The great R & B artist,Sam Cooke used it, as well as opera stars, Marilyn Horne and John McCormick, who added it to their concertrepertoire.The song's frequent airplay in the 1940's, led Spike Jones to create a parody, called, I Dream of Jeanie with theLight Blue Jeans. Les Brown in 1941, created a big band song, Joltin' Joe DiMaggio with the line.....We Dream ofJoey With the Light Brown Bat. Even Bugs Bunny got into the act. The 1960 short, From Hare To Heir, featuresBugs singing, I dream of Jeanie, she's a light brown hareMy arrangement, for woodwind quintet is written to capture a lyric, singing style, which I think Foster had in mind.
$12.00
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
La Serenissima (2013) for ten wind instruments
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431451. Published by Thomas Oboe Lee (A0.869288). Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 horns in F, 2 bassoons Program note.Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music. Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo … III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
La Serenissima (2013) for ten wind instruments
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431227. Published by Thomas Oboe Lee (A0.869301). Program note. Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music.Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo …III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
5 Classical Wedding Music for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Charles Gonoud, Edward Elgar,
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Woods Only
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Co
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5 Classical Wedding Music for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaik...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
Swing Along! for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Will Marion Cook
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Charles Decker
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Swing Along! for Woodwind Quin
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Charles Decker Music Press
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - SKU: A0.1412016 Composed by Will Marion Cook. Arrang...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - SKU: A0.1412016 Composed by Will Marion Cook. Arranged by Charles Decker. 20th Century,Broadway,Chamber,Contest,Festival,Multicultural,Musical/Show,World. 22 pages. Charles Decker Music Press #994291. Published by Charles Decker Music Press (A0.1412016). Swing Along! by Will Marion Cook, prominent African-American in Music Theater, composer, conductor, and violinist, combines Cakewalk style with classical music techniques to create an entertaining and memorable work from the early 20th century arranged for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon. The recording is of the complete edition. To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99
Details for wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Details for wind quintet
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.575747 Composed by David Warin Solomons. 20th Century,Contemporary. 20 pages. David Warin Solomon...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.575747 Composed by David Warin Solomons. 20th Century,Contemporary. 20 pages. David Warin Solomons #2027923. Published by David Warin Solomons (A0.575747). Details for wind quintet is based on an earlier piece for violin and guitar (also available on this site) in which the composer is reminiscing on an emotional misunderstanding, which was then clarified and all was well (hence the title - oh that was all details...). It is a rapid, humorous and fairly complex rush though 5 time to 6 time and back again The pdf file contains the score and parts The sound sample is an electronic preview.
$12.00
Schubert: Piano Quintet in A Major Op.114 "Trout" III. Scherzo and Trio - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Ray Thompson
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Schubert: Piano Quintet in A M
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet A Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - SKU: A0.1122173 Composed by Franz Schubert. Arranged by Ray Thompson. ...
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Woodwind Ensemble,Woodwind Quintet A Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - SKU: A0.1122173 Composed by Franz Schubert. Arranged by Ray Thompson. Romantic Period. 19 pages. RayThompsonMusic #723323. Published by RayThompsonMusic (A0.1122173). Arranged standard wind quintet. Natural Horn in A (alt Hn in F) Clarinet in A (alt Clt in Bb) The Trout Quintet (Forellenquintett) is the popular name for the Piano Quintet in A major, D. 667, by Franz Schubert. The piano quintet was composed in 1819, when he was 22 years old; it was not published, however, until 1829, a year after his death. Rather than the usual piano quintet lineup of piano and string quartet, the Trout Quintet is written for piano, violin, viola, cello and double bass. The composer Johann Hummel had rearranged his own Septet for the same instrumentation, and the Trout was actually written for a group of musicians coming together to play Hummel's work. This is mvt III, a lively presto. It suits the wind quintet.
$14.95
Salut d'Amour
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edward Elgar
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Daniel E
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Salut d'Amour
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Daniel Self
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1155117 Composed by Edward Elgar. Arranged by Daniel E. Self. Cl...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1155117 Composed by Edward Elgar. Arranged by Daniel E. Self. Classical,Romantic Period,Wedding. 12 pages. Daniel Self #755403. Published by Daniel Self (A0.1155117). Edward Elgar's breathtaking melody for solo violin and piano beautifully adapted for wind quintet (flute, oboe, clarinet, horn, and bassoon). This arrangement has been carefully adapted to stay true to the original work while at the same time highlighting the sonic textures of the wind quintet. This is an outstanding addition to any quintet's wedding, or classical repertoire. Score and parts included (12 pages).
$10.00
Silver Wedding March
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Septimus Winner
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Judith Katz
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Silver Wedding March
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Imagine Music - Digital
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SheetMusicPlus
Woodwind quintet - SKU: IZ.CMW183 Composed by Septimus Winner. Arranged by Judith Katz. Score and Parts. 17 pages. Imagine Music - Digital #CMW183. Publ...
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Woodwind quintet - SKU: IZ.CMW183 Composed by Septimus Winner. Arranged by Judith Katz. Score and Parts. 17 pages. Imagine Music - Digital #CMW183. Published by Imagine Music - Digital (IZ.CMW183). 9 x 12 in inches.In my search for American composers who were active in the mid to latter part of the 19th Century, I've recently discovered the name, Septimus Winner.Winner, (1827-1902) was a Philadelphia-based song writer and publisher, credited with over 200 method books for a wide variety of instruments, as well as 1500 easy arrangements, and 2000 arrangements specifically for violin and piano. He teamed up with his brother to publish music, and he, himself, had numerous publications both under his own name, and pseudo names: Alice Hawthorne, Percy Guyer, Mark Mason, Apsley Street, and Paul Stenton.Some of his compositions have become classics, and helped to seal his fame as a major song writer of the pre, Tin Pan Alley era. He was inducted into the Songwriters Hall of Fame in 1970. Among his most famous compositions are: Listen to The Mockingbird, published under the name of Alice Hawthorne, Oh Where, Oh Where Has My Little Dog Gone, and Ten Little Indians, which was performed a lot in Europe, and later used as an inspiration for Agatha Christie for her book of the same name; sometimes referred to And Then There Were None.Silver Wedding March was originally written for parlor piano, which ends itself beautifully to small instrumental ensemble combinations. I chose woodwind quintet.
$14.00
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