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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
When They Play
Non classifié
408
Piano & claviers
Piano seul
350
Piano Facile
50
Piano, Voix
38
Orgue
25
2 Pianos, 4 mains
14
Piano, Voix et Guitare
14
1 Piano, 4 mains
11
Orgue, Piano (duo)
5
Accompagnement Piano
3
Instruments en Do
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
1
+ 7 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
112
Guitare
37
Guitare notes et tablatures
9
Basse electrique
4
2 Guitares (duo)
3
3 Guitares (trio)
2
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
2
Banjo
1
Dulcimer
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
34
Voix Soprano, Piano
7
Chorale 2 parties
6
Chorale 3 parties
2
Chorale Unison
2
Voix Alto, Piano
2
Voix basse, Piano
1
Voix seule
1
Voix Baryton, Piano
1
Chorale TTBB
1
+ 5 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
199
Clarinette et Piano
186
Flûte traversière et Piano
174
Saxophone Tenor et Piano
131
Saxophone Alto et Piano
130
2 Saxophones (duo)
61
2 Flûtes traversières (duo)
37
Clarinette
29
Hautbois (partie séparée)
29
Quatuor de Saxophones: 4 saxophones
26
2 Clarinettes (duo)
22
Flûte traversière
20
Quintette de Saxophone: 5 saxophones
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone, Clarinette (duo)
11
Clarinette, Violon (duo)
11
Saxophone Alto
9
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette, Trompette (duo)
9
Flûte, Hautbois, Clarinette, Basson
9
Flûte, Clarinette (duo)
8
Saxophone Baryton, Piano
6
Clarinette et Alto
6
Flûte, Alto (duo)
6
Saxophone Soprano et Piano
6
Quatuor de Flûtes : 4 flûtes
5
Hautbois, Basson (duo)
5
Flûte, Violon
4
3 Saxophones (trio)
4
2 Hautbois (duo)
4
Hautbois, Flûte
4
Ensemble de saxophones
4
Hautbois, Clarinette (duo)
4
Saxophone (partie séparée)
3
Cor anglais, Piano
3
Saxophone Tenor
3
Flûte, Violoncelle
3
Flûte à bec Soprano
3
Ensemble de Flûtes
3
Flûte, Saxophone (duo)
3
Quatuor de Flûtes à bec
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Trompette (duo)
2
Flute (partie séparée)
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Basson (duo)
2
Quintette de Flûte : 5 flûtes
2
3 Clarinettes (trio)
2
Ensemble de Clarinettes
2
Melodica
1
Flûte, Hautbois (duo)
1
Hautbois, violon (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone, Violon (duo)
1
Cor Anglais
1
Flûte à Bec
1
Hautbois, Violoncelle
1
2 Flûte à bec (duo)
1
Hautbois, Basson et Piano
1
Hautbois et alto (duo)
1
Flûte et Quatuor à Cordes
1
2 Clarinettes, Piano
1
Flûte à bec Soprano, Piano
1
Flûte à bec Tenor
1
Saxophone
1
Flûte, Hautbois, Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violon et Violoncelle
1
Clarinette Basse, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Trombone (duo)
1
Flûte et Guitare
1
2 Flûtes traversières, Piano
1
+ 71 instrumentations
Retracter
Cuivres
Trombone et Piano
149
Trompette
87
Trompette, Piano
70
Trombone
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Trompette (partie séparée)
11
Trompette, Saxophone (duo)
10
2 Trombones (duo)
7
2 Trompettes (duo)
6
Trompette, Trombone (duo)
5
Cor et Piano
4
Cor anglais, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor
3
Tuba
3
Quatuor de cuivres: 4 trombones
2
Ensemble de Trompettes
2
Euphonium, Piano (duo)
2
Tuba et Piano
2
2 Cors (duo)
2
2 Tubas (duo)
1
Cor Anglais
1
Trompette, Violoncelle (duo)
1
Trompette, violon (duo)
1
4 Tubas
1
Ensemble de Trombones
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 25 instrumentations
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Cordes
Alto, Piano
166
Violon et Piano
153
Violoncelle, Piano
137
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon
36
2 Violoncelles (duo)
31
Harpe
22
Violoncelle
21
2 Violons (duo)
18
Violon, Violoncelle (duo)
15
Alto seul
12
Alto (partie séparée)
8
Violon, Alto (duo)
6
2 Altos (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contre Basse
3
Alto, Violoncelle (duo)
2
2 Harpes (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Flûte (duo)
1
Ensemble d'Altos
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
Ensemble de Violons
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
92
Orchestre à Cordes
31
Ensemble Jazz
29
Orchestre
25
Ensemble de cuivres
21
Ensemble de Percussions
9
Cloches
7
Jazz combo
6
Fanfare
5
Marimba
2
Vibraphone
2
Batterie
2
Orchestre de chambre
2
Xylophone, Piano
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
When They Play
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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1
Were You There (When They Crucified My Lord) (for Woodwind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.514583 Composed by African American Spiritual. Arranged by Kenneth Abeling. Easter,Sacred. 16 pages. LINCOLN MUSIC PUBLICATIONS #3444991. Published by LINCOLN MUSIC PUBLICATIONS (A0.514583). Were You There (When They Crucified My Lord) arranged for Woodwind Quintet. This is a contemporary arrangement of timeless African American Spiritual. It is an Intermediate Advanced to easier advanced arrangement and is appropriate for all contemporary religious services, many traditional services and of course general performance. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 3:40 Â Preview this score on YouTube: https://www.youtube.com/watch?v=NUTO43XtrPYÂ
$14.99
13.76 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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African American Spiritual
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Kenneth Abeling
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Were You There
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.78…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50
16.06 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
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Slide Ride
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SheetMusicPlus
And I Love Her
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.898514 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Wedding. 10 pages. RayThompsonMusic #504825. Published by RayThompsonMusic (A0.898514). And I Love Her is a song recorded by English rock band the Beatles, written primarily by Paul McCartney and credited to the Lennon–McCartney partnership.It is the fifth track of their third UK album A Hard Day's Night and was released 20 July 1964, along with If I Fell, as a single release by Capitol Records in the United States, reaching No. 12 on the Billboard Hot 100. The Beatles performed And I Love Her just once outside EMI Studios; on 14 July 1964 they played it for an edition of the BBC's Top Gear radio show, which was broadcast two days later.And I Love Her has been covered by a variety of artists, including Esther Phillips, Kurt Cobain and Cliff Richard. The melody in both the verse and the chorus is shared.Arranged standard wind quintetFlute plays the arpeggio figure. Other quartets: All you need is love,And I love her,Here comes the sun,Hey Jude, I am the walrus,If I fell,Lucy in the Sky with Diamonds,Maxwell’s Silver Hammer, She’s Leaving Home, Strawberry Fields Forever, When I’m sixty-four, Yesterday YouTube Link  is clarinet quartet version.
$14.99
13.76 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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The Beatles
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Ray Thompson
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And I Love Her
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RayThompsonMusic
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SheetMusicPlus
Die Krähe from “Winterreise” op 89. Arr. for SATB and Piano and Winds ad.lib Full Score - Score Only
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1366529 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1366529 Composed by Franz Schubert. Arranged by Edward Berden. Classical,Romantic Period. 16 pages. Edward Berden #950866. Published by Edward Berden (A0.1366529). Schubert wrote Winterreise in 1827, about a year before his death.The texts are poems by Wilhelm Müller who died in the year that Schubert wrote Winterreise.Schubert found the first twelve poems under the title Wanderlieder von Wilhelm Müller. Die Winterreise in 12 Liedern in an almanack (Urania. Taschenbuch auf das Jahr 1823) published in Leipzig in 1823. It was after he set these, in February 1827, that he discovered the full series of poems in Müller's book of 1824, Poems from the posthumous papers of a travelling horn-player, dedicated to the composer Carl Maria von Weber, as a pledge of his friendship and admiration. Weber died in 1826. On 4 March 1827, Schubert invited a group of friends to his lodgings intending to sing the first group of songs, but he was out when they arrived, and the event was postponed until later in the year, when the full performance was given.This arrangement is made for SATB and can be sung with the original accompaniment by Schubert but there is also a set of parts for Wind-instruments. (English Horn, 2 Clarinets in Bb, Bassoon, French HornI hope you enjoy it.Edward Berden.
$5.00
4.59 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Franz Schubert
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Edward Berden
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Die Krähe from “Winterreise” op 89. Arr. for SATB and Piano and Winds ad.lib Full Score - Score Only
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Edward Berden
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.94 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Kinder- Symphonie (Toy Symphony): attrib. J Haydn & L Mozart) - wind quintet and percussion
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553894 Composed by Joseph Haydn/Leopold Mozart. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. 35 pages. RayThompsonMusic #6050327. Published by RayThompsonMusic (A0.553894). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.It is in 3 mvts and is arranged for wind quintet, and toy percussion.It can be peformed as a stand alone  wind quintet without percussion as all of the important cues (the trumpet and cuckoo) are written in to the instrumnt parts.i have distributed the original strings around the woodwind, and composed an original classical horn part.Sometimes known as The Children’s SymphonyAlso available as a wind dectet/bass arrangement.
$14.95
13.72 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Joseph Haydn/Leopold Mozart
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Ray Thompson
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Kinder- Symphonie
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RayThompsonMusic
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SheetMusicPlus
Jupiter (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets) (Bb) (Woodwind Qu
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813729 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Standards,Wedding. 9 pages. Regis Bookshar #6474733. Published by Regis Bookshar (A0.813729). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet (which has the lead), 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Jupit.
$12.00
11.01 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gustav Holst
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Regis Bookshar
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Jupiter
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Regis Bookshar
#
SheetMusicPlus
Jupiter (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets) (Bb) (Woodwind Qu
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813727 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Standards,Wedding. 9 pages. Regis Bookshar #6474735. Published by Regis Bookshar (A0.813727). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Woodwind Quintet, consisting of 1 Flute (which has the lead), 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Jupit.
$12.00
11.01 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Gustav Holst
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Regis Bookshar
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Jupiter
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Regis Bookshar
#
SheetMusicPlus
Jupiter (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets) (Bb) (Woodwind Qu
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download …
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.813726 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Standards,Wedding. 9 pages. Regis Bookshar #6474731. Published by Regis Bookshar (A0.813726). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon (which has the lead), he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Jupit.
$12.00
11.01 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Gustav Holst
#
Regis Bookshar
#
Jupiter
#
Regis Bookshar
#
SheetMusicPlus
Six Quartets (arranged for Wind Quintet) No 1 1st Movement
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1017701 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1017701 Composed by Giocchino Rossinl. Arranged by Friedrich Berr, Adrian Barnes. Classical. 36 pages. Cammerayguy #6216705. Published by Cammerayguy (A0.1017701). When Rossini discovered these quartets that he wrote when he was 12 he described them as : Six dreadful sonatas composed by me at the country estate of my friend Agostino Triossi, when I was at a most infantile age, not even having taken a lesson in accompaniment, the whole composed and copied out in three days. These delightful sonate a quattro are the earliest of his works to have survived and they have been in the repertoire ever since he wrote them. They were first published in an arrangement for string quartet. A version for wind quartet followed in 1828/9. This arrangement is for Wind Quintet with the addition of an oboe part. This provides a wider range of textures and also provides an opportunity to share the thematic material between all the players.
$10.00
9.18 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Giocchino Rossinl
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Friedrich Berr, Adrian Barnes
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dreadful
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Six Quartets
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Cammerayguy
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SheetMusicPlus
5 Classical Wedding Music for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
55.05 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner
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Woods Only
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Co
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5 Classical Wedding Music for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Woodwind Quintet - 1 Flute, 1 Oboe, ...)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1257934 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #851170. Published by Regis Bookshar (A0.1257934). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Woodwind Quintet (1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn, 1 Bassoon) - Advanced /Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Littel Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Bb Clarinet, 1 French Horn and 1 Bassoon. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.53 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on "Christ lag in Todesbanden"
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Regis Bookshar
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SheetMusicPlus
Air In D For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.889424 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.889424 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 12 pages. Luis Anjos Teixeira #4604487. Published by Luis Anjos Teixeira (A0.889424). Johann Sebastian Bach wrote some song-like, lyrical pieces, often movements in larger compositions for instrumental ensembles, the so called „Airs. This piece, the Air of the second movement of the Suite No.3 in D major, BWV 1068 is one of the most impressive master works ever written in the history of the human being. The piece does not require virtuoso skills to perform and is appropriate for students or amateurs. Without any doubt very pleasant to listen when played by a dedicated and very well rehearsed ensemble, it has always a very powerful effect on the audience. It can be used in concerts and all sorts of spiritual or religious events. In this arrangement for woodwind Quintet the bass is shared by the fagote and the horn as two independent voices that perform „as one. For a matter of study and comparison the original cello part is included in this work. It could be eventually used if the ensemble decides to double the original bass line with both the fagot and the horn. I also could not resist not to interchange the role of the flute and the oboe on the „repetition : I have shortened some of the notes and used various interpretation symbols, accents and nuances, they are mere suggestions for an interpretation and are total absent on the original score. The use of the dot over the notes is called „staccato, it means in this case that the note is shortened to approximately half of its length. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design tips, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all the Love All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: Most serene Highness and noble performer of the Holy Musical Empire, gracious and dread Artist, the most joyous occasion of your name day may your highness celebrate it in divine grace and enjoy it in complete well-being felicity with the performance of this score. The grandiose musical purchase contest takes place In the month of august. The cheapest price for this score is 15 Dollars. It would be of the greatest advantage to do your Highnesses gracious musical purchase during the month of august thus that would bring me the possibility of winning this grandiose selling competition. I therefore await your Highnesses gracious musical purchase I hope for your favor and gracious Highness, most humble, Luis Anjos Teixeira The score was written on Finale and the sound file was produced with Garritan instruments.
$15.00
13.77 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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#
Air In D For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
NURSERY RHYMES FOR WOODWIND QUINTET 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1008706 Arr…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1008706 Arranged by Vince Corozine. Contemporary,Instructional,Standards. 49 pages. Vince Corozine #5330293. Published by Vince Corozine (A0.1008706). This arrangement contains three well-known nursery rhymes. 1. London Bridge (key F major -Eb major) 2. Long, Long Ago (alla breve Key F to Ab major) 3. Twinkle Twinkle Little Star ( C major, 6/8, ending with a swing version in 4/4 time, mm=152). FDF score 22 pages, PDF Instrumental parts 5 pages. Digital download: Length 5:16., Listening 5:16. It was arranged to give each instrument a challenging and interesting part, where each instrument has a taste of the melody one time or another. The arrangement consists of moving contrapuntal lines, imitation, pedal-points, suspensions, modulations, fugato sections, augmentation and diminution. The composition is arrangee for flute, oboe, Bb clarinet, horn in F, and bassoon (a Bb bass clarinet part is included in the event that a bassoon is not available. It is at the intermediate level, although the parts have lots of contrapuntal lines and independent playing. Suggested use: When I was teaching at the high school level, I would take small ensembles, such as this, to all the elementary and middle schools in our district. :These ensemble presentations were used for recruitment purposes.This arrangement of three well-known nursery rhymes can also be used by concert bands and wind ensembles, orchestra winds as a change of pace for added variety in programming, or for Young People's Concerts. They will bring a smile to the young at heart..
$14.95
13.72 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Vince Corozine
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3
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NURSERY RHYMES FOR WOODWIND QUINTET 2
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Vince Corozine
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SheetMusicPlus
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