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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
at the St
Non classifié
302
Piano & claviers
Piano seul
142
Orgue
111
Piano, Voix
89
Piano Facile
20
Piano, Voix et Guitare
12
Instruments en Do
4
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
22
Guitare notes et tablatures
18
Mandoline
10
Ukulele
6
4 Guitares (Quatuor)
1
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
Guitare, Violon, Violoncelle (trio)
1
Piano, Guitare (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
164
Chorale 2 parties
24
Chorale 3 parties
22
Voix duo, Piano
8
Chorale TTBB
7
Chorale Unison
6
Voix Soprano, Piano
5
Voix Baryton, Piano
4
Chorale SSAA
4
Voix duo
2
Voix Mezzo-Soprano, Piano
1
Voix haute
1
+ 7 instrumentations
Retracter
Vents
Flûte traversière et Piano
45
2 Saxophones (duo)
37
Clarinette et Piano
34
Hautbois, Piano (duo)
29
Saxophone Alto et Piano
25
Saxophone Soprano et Piano
24
Quatuor de Saxophones: 4 saxophones
23
Saxophone Tenor et Piano
22
Flûte, Hautbois, Clarinette, Basson
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Saxophone Baryton, Piano
17
Saxophone, Clarinette (duo)
16
Cor anglais, Piano
15
Clarinette Basse, Piano
14
Clarinette, Violon (duo)
11
2 Flûtes traversières (duo)
11
Clarinette
11
2 Clarinettes (duo)
9
Ocarina
9
Quatuor de Clarinettes: 4 clarinettes
9
Flûte traversière
8
Flûte, Clarinette (duo)
7
Quintette de Saxophone: 5 saxophones
7
Hautbois, Basson (duo)
7
Flûte, Violon
6
Flûte à bec Alto
6
Ensemble de saxophones
6
Harmonica
6
Ensemble de Clarinettes
6
Flûte, Saxophone (duo)
6
2 Hautbois (duo)
6
Ensemble de Flûtes
6
Clarinette et Alto
5
Hautbois, Clarinette (duo)
4
Hautbois, Flûte
4
Trio de Flûtes: 3 flûtes
4
Quatuor de Flûtes : 4 flûtes
4
Flûte à bec Soprano
4
Clarinette, Trompette (duo)
3
3 Clarinettes (trio)
3
Quatuor de Flûtes à bec
3
Quintette de Clarinettes: 5 clarinettes
3
2 Flûte à bec (duo)
3
Flûte irlandaise
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois (partie séparée)
2
Flûte, Trompette (duo)
2
Flûte, Alto (duo)
2
Flûte à bec Alto, Piano
1
Clarinette, Harpe (duo)
1
Flûte à bec Soprano, Piano
1
Quintette de Flûte : 5 flûtes
1
Flûte traversière, Orgue (duo)
1
Saxophone Tenor
1
Flûte, Violoncelle
1
Clarinette, Trombone (duo)
1
Piccolo, Piano
1
Clarinette, Violoncelle (duo)
1
Saxophone Alto
1
Cor Anglais
1
Flûte, Violon, Piano
1
Saxophone (partie séparée)
1
Flûte et Guitare
1
2 Clarinettes, Piano
1
Clarinette, Guitare (duo)
1
Saxophone et Orgue
1
Flûte, Hautbois, Basson
1
3 Saxophones (trio)
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
+ 65 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Trombone et Piano
27
Euphonium, Piano (duo)
19
Trompette, Piano
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Cor anglais, Piano
15
Cor et Piano
15
Trompette, Saxophone (duo)
11
Trompette
11
Trompette, Trombone (duo)
8
2 Trombones (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Ensemble de Trombones
3
2 Trompettes (duo)
2
2 Euphoniums et 2 Tubas
2
Trombone
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 trombones
2
Trombone basse et Piano
1
Tuba et Piano
1
Cor Anglais
1
Cor
1
Quatuor de cuivres: 4 cors
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
52
Violoncelle, Piano
21
Alto, Piano
20
Violon et Piano
20
Harpe
19
2 Violons (duo)
11
Violon, Violoncelle (duo)
8
Trio à Cordes: violon, alto, violoncelle
8
Trio à Cordes: 2 violons, violoncelle
7
2 Altos (duo)
7
Violon, Alto (duo)
6
Violoncelle
5
Violon
4
2 Violoncelles (duo)
4
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes: 4 violons
2
Harpe, Voix
2
2 Harpes (duo)
1
Ensemble de Violons
1
Alto seul
1
Alto, Guitare (duo)
1
Violoncelle, Orgue
1
Alto, Violoncelle (duo)
1
Ensemble d'Altos
1
Quatuor à cordes : 4 altos
1
Violon, Orgue
1
Harpe, Flûte (duo)
1
4 Violoncelles
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
84
Orchestre à Cordes
39
Orchestre de chambre
21
Orchestre
19
Ensemble de cuivres
15
Cloches
13
Ensemble Jazz
10
Jazz combo
3
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
at the St
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
20 partitions trouvées
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1
Holst: I Vow to Thee my Country (Thaxted) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Contemporain
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Gustav Holst
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Ray Thompson
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Holst: I Vow to Thee my Countr
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1314757 Composed by Gustav Holst. Arranged by Ray Thompson. 20th...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1314757 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Chamber,Patriotic. 8 pages. RayThompsonMusic #903534. Published by RayThompsonMusic (A0.1314757). Arranged  wind quintet.I Vow to Thee, My Country is a British patriotic hymn, created in 1921, when music by Gustav Holst had a poem by Sir Cecil Spring Rice set to it. The music originated as a wordless melody, which Holst later named Thaxted, taken from the Jupiter movement of Holst's 1917 suite The Planets. The tune is used forWorld in Union – the anthem with lyrics by Charlie Skarbek, introduced at the 1991 Rugby World Cup.It has been used for many other Christian Hymns.Notable examples are:O God Beyond All Praising – Michael Perry, 1982.We Praise You and Acknowledge You, O God – a paraphrase of the Te Deum Laudamus by Stephen P. Starke in the 2006 Lutheran Service BookThe Answer – song with lyrics by Corrinne May, which appears on her fourth album, The Gift.For the Splendor of Creation – a hymn sung at Harvard Universitycommencement ceremonies.Building the Kingdom – a recessional hymn sung at St Aloysius College.O Spirit All-Embracing – Delores Dufner, 1995.This is my arrangement for wind quintet of Gustav Holst's orchestral arrangement.It has an opening section, before the melody begins.Check out my other Holst arrangements.
$9.95
LORD, WHO THROUGHOUT THESE FORTY DAYS - Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FOR
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Whole Tone Press
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.774064 Arranged by Anthony Giamanco. Christian,Concert,Easter,Sacred. 23 pages. Whole Tone Press ...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.774064 Arranged by Anthony Giamanco. Christian,Concert,Easter,Sacred. 23 pages. Whole Tone Press #6638599. Published by Whole Tone Press (A0.774064). Expertly arranged for wind quintet, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the oboe above the drone of the horn and bassoon. Then the bassoon takes the melody, transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, now taken up by the clarinet. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a D6/9 chord. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel
$5.50
Flowers Of The Forest- for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Celtique/Irlandais
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Traditional
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John Hoesly
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Flowers Of The Forest- for Woo
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PRS&B
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1108489 Composed by Traditional. Arranged by John Hoesly. Celtic...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1108489 Composed by Traditional. Arranged by John Hoesly. Celtic,Early Music,Folk,Historic,Irish,Traditional. 10 pages. PRS&B #711130. Published by PRS&B (A0.1108489). FLOWERS OF THE FOREST- for Woodwind Quintet. Famous Scottish lament played by a lone piper at the memorial service and at St Giles' Cathedral for HM Queen Elizabeth II. Intermediate level.
$25.00
St Paul’s Suite (arr. for wind quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Gustav Holst
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Natheniel Siu
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St Paul’s Suite
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Notesetter
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.911055 Composed by Gustav Holst. Arranged by Natheniel Siu. 20th Century,Concert,Romantic Period,...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.911055 Composed by Gustav Holst. Arranged by Natheniel Siu. 20th Century,Concert,Romantic Period,Standards. 70 pages. Notesetter #6080729. Published by Notesetter (A0.911055). Instrumentation- Flute, Piccolo- Oboe, Cor Anglais- Clarinet in B♠and A (alternative part for B♠available upon request)- Horn- BassoonPerformance timeWhole Suite: 11’ – 15’I. Jig: 3’ – 3’ 30II. Ostinato: 1’ 45– 2’ 15III. Intermezzo: 3’ 45 – 4’ 15IV. Finale: 3’ – 3’ 30IntroductionThis arrangement of famous Holst suite written for the St Paul’s Girls’ School transforms the string writing into playful exchanges and majestic unisons for the five winds players. The arrange has taken some inspirations from the band suite when adopting the Dargason, whilst keeping the structure of the strings suite mostly intact-apart from 8 bars taken away before rehearsal G, intended to make the movement flows more naturally.For more information (transposition needs, or custom arrangement requests), please contact [ info (at) notesetter.com ]. We are happy to be of service!Notesetter Publishing © 2020
$50.00
Scott Joplin: "The Cascades" - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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Ray Thompson
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Scott Joplin: "The Cascad
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553671 Composed by Scott Joplin. Arranged by Ray Thompson. 20th ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553671 Composed by Scott Joplin. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 8 pages. RayThompsonMusic #3478493. Published by RayThompsonMusic (A0.553671). The original piano rag, which was once advertised by Joplin's publisher as being as high-class as Chopin, was composed upon the occasion of the World's Fair in St. Louis in 1904. This World's Fair was known as the Louisiana Purchase Exposition and celebrated the centennial of the historic event that doubled the size of the United States and launched an age of exploration and Western expansion. The fair, which attracted an estimated 20 million people from around the world, encouraged visitors to look back to the nation's frontier days while looking ahead to progress in the fields of technology, science, and medicine. Exhibits from fifty foreign countries and almost all of the states ensured that fairgoers had a good time.The cascades of Joplin's title were part of the most beautiful feature of the Exhibition, as a souvenir photo book from the fair phrased it. Fourteen waterfalls flowed into a basin in front of the fair's centerpiece, Festival Hall, with the Colonnade of States surrounding it. Festival Hall was the fair's main venue for music performances and housed the world's largest pipe organ at the time. Joplin probably visited the fair when it opened, and the Cascades rag could often be heard there.2018 Chamber Music Contest Entryarranged wind quintet
$10.99
The Deil's Awa' Wi' The Exciseman (Robert Burns) - Wind Quintet by Hugh Levey
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Robert Burns and Traditional S
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Hugh Levey
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The Deil's Awa' Wi' The Excise
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woodwindly.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.937282 Composed by Robert Burns and Traditional Scottish. Arranged by Hugh Levey. Celtic,Folk,Hol...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.937282 Composed by Robert Burns and Traditional Scottish. Arranged by Hugh Levey. Celtic,Folk,Holiday,Irish. 26 pages. Woodwindly.com #6451109. Published by woodwindly.com (A0.937282). Wind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon) A great fun and lively arrangement for Wind Quintet.Duration 2 minutes 45 seconds. 28 PagesThis lively set of variations on Robert Burns' The Deil's Awa' Wi' the Exciseman (The devil is away with the tax collector) is sure to entertain in recital, at a Burns Night, St. Andrew's Night or for any occasion where there is a toast to Rabbie or to Scotland. Although Burns wrote the words of the song, he set them to a variation of an existing tune called The Hemp Dresser which dates from the 17th century or earlier. It is a lively jig which is arranged here for Wind Quintet. This wind quintet arrangement begins with oboe and bassoon playing the tune and bass line, almost exactly as they appeared in The Scots Musical Museum, published by James Johnson & Co in six volumes between 1787 and 1803. The other instruments all get the opportunity to play the melodic line in the ensuing 5 verses, as the arrangement gets more complex and fun. The arranger makes great use of the tritone; or devil’s interval as it is often known because of its unsettling presence. However, in this arrangement it merely adds to the fun and excitement.Great fun for all! Â
$13.00
Huron Carol ('Twas in the Moon of Wintertime) (woodwind quintet arrangement)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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St
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James Pybus
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Huron Carol
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James Pybus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.764746 Composed by St. Jean De Brébeuf (1593-1649). Arranged ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.764746 Composed by St. Jean De Brébeuf (1593-1649). Arranged by James Pybus. Christmas,Classical,Spiritual,Standards. 25 pages. James Pybus #6672567. Published by James Pybus (A0.764746). The Huron Carol (or ‘Twas in the Moon of Wintertime) is a Canadian Christmas hymn (Canada's oldest Christmas song), written probably in 1643 by Jean de Brébeuf, a Jesuit missionary at Sainte-Marie among the Hurons in Canada. Brébeuf wrote the lyrics in the native language of the Huron/Wendat people; the song's original Huron title is Jesous Ahatonhia (Jesus, he is born). The song's melody is based on a traditional French folk song, Une Jeune Pucelle (A Young Maid). The well-known English lyrics were written in1926 by Jesse Edgar Middleton. This arrangement is for Woodwind Quintet. Duration is 4:08. Contact me at james.pybus56@gmail.com.
$19.99
Silent Night (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813981 Composed by Franz Xaver Gruber. Arranged by Regis Booksha...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813981 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635887. Published by Regis Bookshar (A0.813981). Woodwind Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
5 Classical Wedding Music for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Charles Gonoud, Edward Elgar,
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Woods Only
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Co
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5 Classical Wedding Music for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaik...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
A Song of Praise
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Andrew Lamb
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Andrew Lamb
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A Song of Praise
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Andrew Lamb
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1213109 By Andrew Lamb. By John Stainer (1840-1901). Arranged by...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1213109 By Andrew Lamb. By John Stainer (1840-1901). Arranged by Andrew Lamb. 19th Century,Chamber,Religious. 20 pages. Andrew Lamb #810286. Published by Andrew Lamb (A0.1213109). Title: A Song of PraiseComposer: John Stainer (1840-1901)Arranger: Andrew LambDescription: This is a transcription of A Song of Praise by English composer John Stainer (1840-1901)John Stainer was an English composer, organist, and music educator born on June 6, 1840, in London. He began his musical career as a chorister at St. Paul's Cathedral and went on to study at the Royal Academy of Music. After graduation, Stainer was appointed organist at St. Michael's College, Tenbury, and later at Magdalen College, Oxford. He also served as the Professor of Music at Oxford University from 1889 until his death.Stainer was a prolific composer who wrote in a variety of genres. He is perhaps best known for his oratorio The Crucifixion, which is still performed regularly today. Stainer's other works include church music, hymns, anthems, and organ music. He was praised for his skillful use of harmony and counterpoint and was considered one of the most important composers of his time.In addition to his work as a composer and organist, Stainer was a respected music educator. He helped establish the Royal College of Music in London and wrote several influential music textbooks. Stainer passed away on March 31, 1901, but his legacy as a composer, performer, and music educator continues to inspire musicians around the world today.
$8.00
Harmony Music No.1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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E Elgar
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Philip Le Bas
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Harmony Music No.1
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Philip Le Bas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,Chamber,Classical. 26 pages. Philip Le Bas #728449. Published by Philip Le Bas (A0.1127840). An arrangement by Philip Le Bas of a very early wind quintet written by Edward Elgar while still based in Worcester in 1878-9, entitled Harmony Music No.1, after the German Harmoniemusik, meaning music for wind instruments. His quintet group (in which he played the bassoon) consisted of two flutes, an oboe, a clarinet and a bassoon, which by modern standards is rather unusual (omitting the usual French horn). He agreed to write a quintet for the group once a week, and he claimed to have written most of them during the 25-minute sermons at St. George's R.C. Church, where he had taken over the organ-playing from his father (and where the arranger ministered for three years in the 1990s!) It is a wonderful, cheerful, tuneful short piece (4-5 minutes long), but the original version is rarely performed, perhaps because of its difficulty on several fronts. First it is very fast, challenging performers' ability to tongue rapidly. Secondly, it repeatedly leaves no time to breathe, especially for the flautists (meaning that it has to be performed even faster, in order to get through it.) Thirdly, Elgar's oboist must have been extremely versatile, as its part is very low indeed in places (several low B's played pp at speed.) Finally, published copies seem to have rather a lot of editorial errors... This arrangement was therefore created in the hope that the piece might become more accessible and be more frequently performed. Although the bassoon part remains Elgar's, the other four players are used imaginatively to overcome many of the difficulties of the original. For example, the original low oboe parts are here played by one of the clarinets instead, and the severe breathing problems are solved by sharing repeated quavers between the four higher instruments.
$5.99
Parry: Lady Radnor's Suite VI. Gigue - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: Lady Radnor's Suite VI.
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553727 Composed by Charles Hubert Hastings Parry. Arranged by Ra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553727 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 9 pages. RayThompsonMusic #3583193. Published by RayThompsonMusic (A0.553727). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This movt. is arranged for wind quintet.Other mvts are availableI have also arrangements of another suite by Parry on this site: The English Suite
$9.95
Parry: Lady Radnor's Suite II. Allemande - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: Lady Radnor's Suite II.
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553726 Composed by Charles Hubert Hastings Parry. Arranged by Ra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553726 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century. 8 pages. RayThompsonMusic #3578839. Published by RayThompsonMusic (A0.553726). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This movt. is arranged for wind quintet.I have also arrangements of another suite by Parry on this site: The English Suite
$6.95
Parry: Lady Radnor's Suite IV. Bourrée - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: Lady Radnor's Suite IV.
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553724 Composed by Charles Hubert Hastings Parry. Arranged by Ra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553724 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 9 pages. RayThompsonMusic #3578175. Published by RayThompsonMusic (A0.553724). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This move is arranged for wind quintet.I have also arrangements of another suite by Parry on this site: The English Suite
$9.95
Parry: Lady Radnor's Suite I. Prelude - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: Lady Radnor's Suite I.
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553725 Composed by Charles Hubert Hastings Parry. Arranged by Ra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553725 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century,Holiday. 9 pages. RayThompsonMusic #3578623. Published by RayThompsonMusic (A0.553725). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This movt. is arranged for wind quintet.I have also arrangements of another suite by Parry on this site: The English Suite
$9.95
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
Irish Folksong Suite (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Various
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Kenneth Abeling
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Irish Folksong Suite
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.515196 Composed by Various. Arranged by Kenneth Abeling. Broadway,Hol...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.515196 Composed by Various. Arranged by Kenneth Abeling. Broadway,Holiday,Musical/Show. 46 pages. LINCOLN MUSIC PUBLICATIONS #5200113. Published by LINCOLN MUSIC PUBLICATIONS (A0.515196). Irish Folksong Suite is a collection of popular traditional Irish Folksongs arranged for Woodwind Quintet. The titles include: 1. When Irish Eyes Are Smiling, 2. My Wild Irish Rose, 3. Molly Malone (Cockles and Mussels), 4. The Irish Washerwoman and 5. Drunken Sailor. This is a versatile arrangement that allows the songs to be played individually, as a medley in the original order, or any of the selections in any desired order. The arrangement is moderately advanced and perfect for most St. Patrick’s Day and other Irish celebrations. Total Playing Time with repeats 9:40 and 6:40 without repeats. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
$15.99
My Love She's But a Lassie Yet (Burns) for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Scottish Traditional
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Hugh Levey
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My Love She's But a Lassie Yet
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woodwindly.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.937284 Composed by Scottish Traditional (Burns). Arranged by Hugh Levey. Celtic,Folk,Holiday,Iris...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.937284 Composed by Scottish Traditional (Burns). Arranged by Hugh Levey. Celtic,Folk,Holiday,Irish,Traditional,Wedding. 24 pages. Woodwindly.com #6493483. Published by woodwindly.com (A0.937284). Wind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon) Duration 2 minutes 35 seconds. 23 Pages This is a fun set of variations on Robert Burns' My Love She's But a Lassie Yet) is sure to entertain in recital, at a Burns Night, St. Andrew's Night or for any occasion where there is a toast to Rabbie or to Scotland.Although Burns wrote the words of the song, he probably set them to a variation of an existing tune called Lady Badinscoth's Reel. This lively arrangement for Wind Quintet starts off with a stately ‘classical’ arrangement of My Love She’s But a Lassie Yet, but as it develops the tune combines with another traditional melody, followed by some operatic quotations, and even a five part fugue. It ends with an embellished restatement of the opening. It is great fun for all players. Â
$13.00
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