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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For Ben
Non classifié
3 597
Piano & claviers
Piano seul
2 988
Piano, Voix
2 147
Piano, Voix et Guitare
1 566
Piano Facile
991
Instruments en Do
334
Orgue
207
Accompagnement Piano
193
Piano Trio: piano, violon, violoncelle
166
Accordéon
74
1 Piano, 4 mains
64
Piano grosses notes
61
2 Pianos, 4 mains
48
Piano Quatuor: piano, 2 violons, violoncelle
41
Orgue, Trompette (duo)
15
Piano Quatuor: piano, violon, alto, violoncelle
14
Piano (partie séparée)
8
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Orgue, Piano (duo)
6
Ligne De Mélodie, Piano
4
Accordéon, Voix
4
Clavier
4
Clavecin
3
Fake Book
1
2 Accordéons
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
883
Guitare
451
Ligne De Mélodie, (Paroles) et Accords
373
Paroles et Accords
137
Basse electrique
109
Ukulele
88
2 Guitares (duo)
78
4 Guitares (Quatuor)
21
Guitare (partie séparée)
19
Dulcimer
16
Mandoline
15
Piano, Guitare (duo)
12
Banjo
8
Basse électrique (partie séparée)
6
3 Guitares (trio)
6
Ensemble de guitares
6
Partitions De Groupes
4
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
1 284
Chorale 3 parties
395
Chorale TTBB
276
Chorale 2 parties
212
Chorale SSAA
153
Voix seule
113
Chorale
101
Chorale Unison
66
Voix Soprano, Piano
49
Voix Alto, Piano
47
Voix haute
46
Voix Baryton, Piano
41
Voix Tenor, Piano
40
Voix duo, Piano
39
Voix Tenor
30
Voix duo
30
Voix Soprano
25
Voix basse, Piano
20
Pack Instrumental pour Chorale
17
Voix moyenne, Piano
12
Chorale SSAATTBB
7
Voix Mezzo-Soprano, Piano
7
Soli, choeur mixte et accompagnement
4
Chorale SSATTB
3
Chorale SSAB a cappella
3
Chorale SSATB
2
Voix, Guitare
2
Voix basse
2
Voix haute, Piano
1
Chorale SSAB, Piano
1
+ 25 instrumentations
Retracter
Vents
Flûte traversière
559
2 Saxophones (duo)
525
Saxophone Alto
439
Flûte traversière et Piano
437
Saxophone Alto et Piano
406
Clarinette
397
2 Flûtes traversières (duo)
370
Clarinette et Piano
361
Saxophone Tenor et Piano
266
2 Clarinettes (duo)
263
Saxophone
260
Hautbois, Piano (duo)
253
Saxophone (partie séparée)
253
Quatuor de Saxophones: 4 saxophones
251
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
243
Flûte, Hautbois, Clarinette, Basson
240
Saxophone Tenor
211
Flûte, Clarinette (duo)
166
Hautbois (partie séparée)
152
Quatuor de Clarinettes: 4 clarinettes
130
2 Saxophones, Piano
108
Saxophone Soprano et Piano
90
Quintette de Saxophone: 5 saxophones
87
Hautbois
87
Clarinette (partie séparée)
81
3 Saxophones (trio)
64
Quatuor de Flûtes : 4 flûtes
63
Flute (partie séparée)
51
Saxophone Soprano
50
2 Hautbois (duo)
40
Flûte et Guitare
38
3 Clarinettes (trio)
37
Saxophone Baryton, Piano
34
Flûte à Bec
33
Hautbois, Basson (duo)
31
Quintette de Clarinettes: 5 clarinettes
27
Ensemble de saxophones
26
2 Flûte à bec (duo)
26
Ensemble de Clarinettes
24
Harmonica
24
Flûte à bec Soprano
23
Trio de Flûtes: 3 flûtes
22
Quatuor de Flûtes à bec
22
Flûte, Violon
20
Saxophone Baryton
19
2 Flûtes traversières, Piano
19
Ensemble de Flûtes
16
Flûte, Hautbois, Clarinette (trio)
16
Hautbois, Clarinette (duo)
15
Cor anglais, Piano
15
Ocarina
14
Clarinette Basse, Piano
13
Flûte, Clarinette et Basson
13
Flûte à bec Alto
13
Saxophone, Clarinette (duo)
12
Flûte à bec Soprano, Piano
11
Instruments en Mib
11
Flûte, Violon, Piano
10
Clarinette, Basson (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
2 Clarinettes, Piano
9
Flûte à bec Alto, Piano
9
Flûte, Hautbois, Basson
9
Flûte, Hautbois (duo)
9
Clarinette, Trompette (duo)
8
Clarinette, Violon (duo)
8
Cor Anglais
7
Clarinette, Guitare (duo)
7
Flûte, Clarinette, Piano (trio)
7
Quintette de Flûte : 5 flûtes
7
Hautbois, Violoncelle
7
3 Hautbois
7
Clarinette Basse
7
Hautbois, Flûte
6
Flûte, Alto (duo)
6
Ensemble De Flûte à bec
6
Flûte, Saxophone (duo)
5
Flûte, Violoncelle
5
Flûte, Trompette (duo)
5
Clarinette et Alto
5
Piccolo
5
3 Flûtes à bec (trio)
5
Flûte à bec Alto, Basse continue
4
Clarinette, Violoncelle (duo)
4
4 Hautbois
4
Flûte, Trombone (duo)
3
Flûte à bec Tenor
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Clarinette, Violon (trio)
3
Flute, harpe et violon
3
2 Hautbois, Piano
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Flûte à Bec, Piano
3
Flûte, Violon et Violoncelle
2
Clarinette, Trombone (duo)
2
Hautbois, violon (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Saxophone et Guitare
1
2 Flûtes traversières, Guitare
1
Flûte et Quatuor à Cordes
1
Flûte traversière, Basse continue
1
Hautbois et alto (duo)
1
Flûte et Trio à cordes
1
Piccolo, Piano
1
Flûte, Hautbois, Violon
1
Ensemble de Hautbois
1
Harmonica, Piano
1
Hautbois, Violoncelle et Piano
1
Hautbois, Basson et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
+ 107 instrumentations
Retracter
Cuivres
Trompette
554
Trombone
395
Trompette, Piano
369
Trompette, Trombone (duo)
307
2 Trompettes (duo)
267
Trombone et Piano
265
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
227
Cor
197
2 Trombones (duo)
195
Quatuor de Cuivres : 2 trompettes, trombone, tuba
161
Cor et Piano
152
Trompette (partie séparée)
134
Trombone (partie séparée)
123
Quatuor de Cuivres: 2 trompettes, Cor, trombone
110
Tuba
104
Tuba et Piano
76
Quatuor de Cuivres
48
Euphonium
42
Tuba (partie séparée)
34
Cor (partie séparée)
33
Quatuor de cuivres: 4 trombones
30
2 Cors (duo)
25
2 Trompettes, Clavier (piano ou orgue)
17
Trompette, Cor (duo)
16
Euphonium, Piano (duo)
15
Cor anglais, Piano
15
Trompette, Trombone, Piano
13
Quatuor de cuivres: 4 cors
13
Bass Clef Instruments
12
2 Tubas (duo)
10
4 Tubas
10
Trompette, Saxophone (duo)
10
Instruments en Sib
10
Trio de Cuivres
7
Cor Anglais
7
3 Trombones (trio)
7
Ensemble de Trombones
7
Tuba ou Euphonium ou Saxhorn
6
3 Trompettes (trio)
5
Ensemble de Cors
5
Quatuor de cuivres: 4 trompettes
5
2 Cors, Piano
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Ensemble de Trompettes
3
Trombone basse et Piano
3
Tuba et Orgue
3
Instruments en Fa
3
Trombone, Cor (duo)
3
3 Tubas (trio)
2
2 Trombones, Piano
2
4 Euphoniums
2
Cor, Violoncelle (duo)
2
Trompette, Tuba (duo)
2
3 Cors (trio)
2
Ensemble de Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Euphoniums
1
Cor et Basson (duo)
1
Trombone, Orgue
1
2 Euphoniums et 2 Tubas
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle et Piano
1
Trombone basse
1
Trombone et orchestre
1
+ 59 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
838
Violon et Piano
611
Violon
540
Violoncelle, Piano
489
Violoncelle
460
2 Violons (duo)
337
Alto, Piano
327
Alto seul
306
Violon, Violoncelle (duo)
306
2 Violoncelles (duo)
298
2 Altos (duo)
181
Violon, Alto (duo)
136
Trio à Cordes: violon, alto, violoncelle
110
Quintette à cordes: 2 violons, alto, violoncelle, basse
106
Harpe
101
Piano Trio: Violon, Alto, Piano
78
Contre Basse
78
Alto (partie séparée)
67
Violon (partie séparée)
60
Trio à Cordes: 2 violons, violoncelle
41
Contrebasse, Piano (duo)
34
Contrebasse (partie séparée)
33
Violoncelle (partie séparée)
28
Trio à cordes: 3 violins
18
Alto, Violoncelle (duo)
17
Violoncelle , Guitare (duo)
16
Violon, Guitare (duo)
15
2 Violons, Piano
15
2 Violoncelles, Piano
13
4 Violoncelles
13
Trio à Cordes: 3 violoncelles
12
Harpe, Voix
11
Trio à Cordes: 2 violons, alto
11
Harpe, Flûte (duo)
8
Violoncelle, Contrebasse (duo)
7
Trio à cordes
7
Alto, Guitare (duo)
5
Trio à cordes: 3 altos
5
2 Contrebasses (duo)
4
2 Altos, Piano
4
Quatuor à cordes: 4 violons
4
Harpe, Violon (duo)
4
Violon, Basson (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe et Piano
3
2 Harpes (duo)
3
5 Harpes
2
Alto et Basson
2
Violon, Clarinette, Piano (trio)
2
Violon, Orgue
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Basse continue
2
Violoncelle, Orgue
2
3 Harpes
2
Violoncelle, Basse continue
1
3 Contrebasses
1
4 Contrebasses
1
Ensemble de Violoncelles
1
Ensemble d'Altos
1
Harpe, Violon, Violoncelle
1
Ensemble de Violons
1
Harpe (partie séparée)
1
Flûte, Contrebasse (duo)
1
Alto et Harpe
1
+ 59 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
595
Ensemble Jazz
326
Orchestre à Cordes
252
Orchestre
237
Batterie
202
Ensemble de cuivres
117
Cloches
90
Fanfare
89
Orchestre de chambre
74
Jazz combo
52
Percussion
44
Percussion (partie séparée)
39
Ensemble de Percussions
37
Marimba
24
Batterie (partie séparée)
15
Timbales
10
Timbales (partie séparée)
9
Xylophone
8
Caisse Claire
7
Vibraphone
6
Big band
2
Xylophone, Piano
2
3 Marimbas
1
Ensemble d'École
1
Quintette à Vent
1
2 Xylophones
1
Quintette de Cuivres: autres combinaisons
1
Cajon
1
Orchestre, Violon
1
+ 24 instrumentations
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Autres
Formation musicale - Solfège
2
Théorie de la musique
1
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9976
Carson Cooman: Biblicals: Concerto for Solo Piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music Publishing #3038635. Published by Musik Fabrik Music Publishing (A0.533692). Biblicals: Concerto for Solo Piano in Five Movements (1998) was commissioned from thecomposer by an anonymous benefactor for pianist Kathleen Supové in tribute of her tirelesssupport of new music.The work is in five movements, each inspired by a different biblical quotation which isquoted in the score before each movement. If possible, these passages should be printed inthe program or read aloud before the performance of the work. Each movement isprogrammatic only in an internal sense. While the movements do not attempt to directlyportray the action of the passage in a storybook sense, they do attempt to capture the overallaffect of the verse. The form of the work is as a concerto for solo piano drawing on a titlethat has been used in the past by numerous composers. Likewise, although the work does notinvolve an orchestra, I have titled it concerto because it contains elements of a concerto solopart and because of the virtuosity required to perform the work. The work explores a widerangeof styles from quasi-lyrical to highly chromatic. Throughout, the work has a rhythmicintensity which should be observed by the performer.The first movement, Hovering Over the Waters, makes use of an irregular rhythmic patternintroduced in the opening measure and used throughout the work. Irregular and nervousrhythms using chromatic intervals pervade the entire movement.The second movement, Baldhead, is a forceful and loud movement making use of the clashbetween diatonic and pentatonic clusters. It is relentless in its pounding energy, irregularrhythms, and volume. This movement is dedicated to American composer Daniel Pinkhamon the occasion his 75th birthday in 1998. The connection of this movement to Pinkhamcomes in the superimposition of pentatonic and diatonic clusters, a technique used so well inone of my favorite Pinkham works, Blessings for Organ (1978).The third movement, Forgiven and Free, presents a tranquil scene involving the building ofchords, standard and otherwise, through the adding of tones one at a time. Brief chromaticmelodies appear and then disappear quickly.The fourth movement, Under the Sun, makes use of a motive involving four chords over a lefthand bass consisting of a major-tenth chord. This motive appears throughout the movement,constantly breaking in and interrupting the action. A variety of irregular rhythmic motivesappear throughout as a contrast to the main motive with its strict rhythm. Quotes of nurseryrhyme tunes are hidden throughout the movement as well in various forms.The fifth movement, The Seventh Angel, is a fast and furious tarantella. As the movementflies by a variety of musical ideas emerge and then disappear into the main motive again.The music continues to get faster and faster and finally the movement ends with a furiousprogression from the bottom to top of the piano and then a thunderous unison chord in thelower register.
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Piano seul
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Carson Cooman
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Carson Cooman: Biblicals: Concerto for Solo Piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
A Blessing for Bendigeidfran
Digital Download SKU: OX.9780193566965 Bendith Bendigeidfran. Composed by Ed…
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Digital Download SKU: OX.9780193566965 Bendith Bendigeidfran. Composed by Edward-Rhys Harry. In the deep. Score. 10 pages. Oxford University Press Digital #9780193566965. Published by Oxford University Press Digital (OX.9780193566965). ISBN 9780193566965.For TTBB and piano. A Blessing for Bendigeidfran' is the third movement of Four Welsh Psalms. It was recorded by the London Welsh Male Voice Choir, and this was chosen as one of Classic FM's 'Platinum Performances' in 2022. The stirring melody illuminates the inspiring lyrics in both English and Welsh by Grahame Davies.
$3.65
3.36 €
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Edward-Rhys Harry
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A Blessing for Bendigeidfran
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Oxford University Press Digital
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SheetMusicPlus
A Clare Benediction (solo/high)
Voix haute
Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digit…
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Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digital #9780193550599. Published by Oxford University Press Digital
ISBN 9780193550599.<br> <br> Originally published in Oxford Solo Songs: Sacred, this is an easy anthem with words and music by the composer, scored here for solo high voice and piano (which may be adapted for performance on the organ). Also available in versions for solo low voice and piano, unison (or two-part) with keyboard, upper voices with keyboard, SA and Men with piano or SATB unaccompanied or with keyboard.ISBN 9780193550599.<br> <br> Originally published in Oxford Solo Songs: Sacred, this is an easy anthem with words and music by the composer, scored here for solo high voice and piano (which may be adapted for performance on the organ). Also available in versions for solo low voice and piano, unison (or two-part) with keyboard, upper voices with keyboard, SA and Men with piano or SATB unaccompanied or with keyboard.
$4.00
3.69 €
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Voix haute
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John Rutter (1945-)
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A Clare Benediction
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Oxford University Press Digital
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SheetMusicPlus
A Clare Benediction
Chorale SATB
SATB choir unaccompanied or organ - Digital Download Composed by John Rutter (1945-).…
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SATB choir unaccompanied or organ - Digital Download Composed by John Rutter (1945-). Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193537347. Published by Oxford University Press Digital
ISBN 9780193537347.<br> <br> Anthem accompaniment for chamber orchestra.ISBN 9780193537347.<br> <br> Anthem accompaniment for chamber orchestra.
$2.85
2.63 €
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Chorale SATB
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John Rutter (1945-)
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A Clare Benediction
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Oxford University Press Digital
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SheetMusicPlus
A Clare Benediction
Chorale Unison
Unison voices (with optional second part) and piano - Digital Download Composed by Jo…
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Unison voices (with optional second part) and piano - Digital Download Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digital #9780193538061. Published by Oxford University Press Digital
ISBN 9780193538061.<br> <br> Anthem accompaniment for chamber orchestra.ISBN 9780193538061.<br> <br> Anthem accompaniment for chamber orchestra.
$3.25
3 €
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Chorale Unison
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John Rutter (1945-)
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A Clare Benediction
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Oxford University Press Digital
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SheetMusicPlus
Barbecue for Ben
Sacred Musical for Young Voices A musical for young voices which will bring to life th…
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Sacred Musical for Young Voices A musical for young voices which will bring to life the Biblical story of the Prodigal Son. Performance time approx. 32 minutes
Song List: What's "Prodigal"? As Prodigal as Can Be Woops! My Pocketbook's Empty Who's That Diggin' in my Garbage Can? Let Me Be a Servant Look Who's Comin' Down the Street We'll Have a Barbecue for Ben N'ya, N'ya, Johnny's Jealous Lost And Found Reprise: 'Barbecue for Ben' and 'Lost and Found' That's the Way God's Love Is
Song List
: What's "Prodigal"? As Prodigal as Can Be Woops! My Pocketbook's Empty Who's That Diggin' in my Garbage Can? Let Me Be a Servant Look Who's Comin' Down the Street We'll Have a Barbecue for Ben N'ya, N'ya, Johnny's Jealous Lost And Found Reprise: 'Barbecue for Ben' and 'Lost and Found' That's the Way God's Love Is
$12.95
11.94 €
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Barbecue for Ben
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
11.02 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Wolfgang Amadeus Mozart
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flowers for Dorothy
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. …
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Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
$3.99
3.68 €
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Piano seul
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Mark S
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Flowers for Dorothy
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Geofonica Artistworks
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SheetMusicPlus
Jean-Thierry Boisseau: Fantaisie Révolutionaire for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534527 Composed by Jean-T…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534527 Composed by Jean-Thierry Boisseau. 20th Century,Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Publishing #3604007. Published by Musik Fabrik Music Publishing (A0.534527). It was in the process of preparing the publication of the works of Demersseman and of Ali Ben Sou Alle that suggested to me the idea of the typical 19th century practice of the Fantasy and Variations on well-known themes.The saxophone lends itself perfectly for this stylistic exercise. I therefore chose to write for this instrument, which the piano supports seriously.My republican roots (in the French sense) suggested that I set several revolutionary songs from 1789. I therefore chose the emblematic “ Ah ça ira ! â€, after having seen the famous sequence of “Si Versailles l’était conté†where Piaf sings this song hanging of the grill of the Palace of Versailles, in the superbe version by Jean Françaix.I added at the end “ La Carmagnole †and the famous “ Il pleut bergère †a foreshadowing of the destiny of Marie-Antoinette who is said to have enjoyed singing this air. One will find, a bit hidden, a short citation of a work for organ by Bach.This isn’t a pastiche but rather a sort of modern update to this form in respecting its codes, its forms of this type of work which disappeared temporarily due to forced musical austerity.
$16.95
15.63 €
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Saxophone Alto et Piano
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: Fantaisie Révolutionaire for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Abendlied op 69 no 3
Double Reed Ensemble - Intermediate - Digital Download SKU: F2.FM154 Composed by Jo…
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Double Reed Ensemble - Intermediate - Digital Download SKU: F2.FM154 Composed by Josef Gabriel Rheinberger. Arranged by Robert Rainford. Score and parts. 12 pages. Forton Music - Digital #FM154. Published by Forton Music - Digital (F2.FM154). ISBN 9790570480531.Double Reed Ensemble - 3 oboes, Oboe 4 or Cor Anglais, Cor Anglais or Bassoon, Bassoon A relatively simple yet beautiful arrangement of a choral piece by Rheinberger with an andante tempo marking. Chordal passages alternate with some simple counterpoint building to a magnificent climax in the middle of the piece. Oboe 1 up to top D, bassoon up to top G so maybe grade 4/5 standard.
$12.95
11.94 €
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Josef Gabriel Rheinberger
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Robert Rainford
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Abendlied op 69 no 3
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Forton Music - Digital
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SheetMusicPlus
Abendlied Op69 no 3
2tpt. Hn. Tbn. tba - Intermediate - Digital Download SKU: F2.FM341 Composed by Jose…
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2tpt. Hn. Tbn. tba - Intermediate - Digital Download SKU: F2.FM341 Composed by Josef Gabriel Rheinberger. Arranged by Robert Rainford. Brass Quintet - 2 Trumpets, Horn, Trombone, Tuba. Score and Parts. 8 pages. Forton Music - Digital #FM341. Published by Forton Music - Digital (F2.FM341). ISBN 9790570482405.A relatively simple yet beautiful arrangement of a choral piece by Rheinberger. Chordal passages alternate with some simple counterpoint building to a magnificent climax in the middle of the piece. Players of grade 3 standard should be able to get a lot out of this piece.
$10.95
10.09 €
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Josef Gabriel Rheinberger
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Robert Rainford
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Abendlied Op69 no 3
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Forton Music - Digital
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SheetMusicPlus
Abendlied op 69 no 3
Flute Ensemble - 4 flutes, alto, bass - Intermediate - Digital Download SKU: F2.FM058
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Flute Ensemble - 4 flutes, alto, bass - Intermediate - Digital Download SKU: F2.FM058 Composed by Josef Reinberger. Arranged by Robert Rainford. Score and parts. 10 pages. Forton Music - Digital #FM058. Published by Forton Music - Digital (F2.FM058). ISBN 9790708085577.4 flutes, alto flute, bass flute. A relatively simple yet beautiful arrangement of a choral piece by Rheinberger. G major with an andante tempo marking. Chordal passages alternate with some simple counterpoint building to a magnificent climax in the middle of the piece. Players of grade 3 standard should be able to get a lot out of this piece.
$9.95
9.17 €
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Josef Reinberger
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Robert Rainford
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Abendlied op 69 no 3
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Forton Music - Digital
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SheetMusicPlus
Abendlied
Ssax, 2 Asax, 2 Tsax, Bar Sax - Intermediate - Digital Download SKU: F2.FM789 Compo…
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Ssax, 2 Asax, 2 Tsax, Bar Sax - Intermediate - Digital Download SKU: F2.FM789 Composed by Josef Gabriel Rheinberger. Arranged by Robert Rainford. Alternating chordal and contrapuntal passages make a short, attractive concert piece. Score and Parts. 10 pages. Forton Music - Digital #FM789. Published by Forton Music - Digital (F2.FM789). ISBN 9790570486885.
$12.95
11.94 €
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Josef Gabriel Rheinberger
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Robert Rainford
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Abendlied
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Forton Music - Digital
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SheetMusicPlus
Deb and Ben's Theme: Ground Rules
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1486553 By Marion Abbott. By Marion…
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Piano Solo - Level 4 - Digital Download SKU: A0.1486553 By Marion Abbott. By Marion Abbott. Contemporary,Film/TV. Score. 6 pages. Marion Abbott #1063616. Published by Marion Abbott (A0.1486553). This is the theme song for Silver Shores Book One, Ground Rules, the second chance love story of Deb and Ben, written by Marion AbbottFind out more about the book, including where to purchase it, here: www.marionabbott.com/booksA broken leg leads to a second chance at love in this sweet romance set in the colourful world of summer theatre.Ground Rules: Deb & Ben's StoryArtistic Director Deborah Monassen has planned the perfect summer season for the Silver Shores Theatre Company, and she has a three-day weekend to celebrate her success before rehearsals begin.Actor Benjamin Chase Greer has just finished shooting another season of his hit TV show, but for the first time in years, he doesn’t have a theatre contract lined up for the summer. To heighten his gloom, he can’t stop thinking about Deborah Monassen, the woman who made his heart happiest but who told him never to contact her.Then Deb discovers that the actor she had cast in her seasons' biggest shows has broken his femur bone, and everyone capable of taking over his contract is already working elsewhere. Except for Benjamin Chase Greer -the man she had vowed never to speak to again. To deal with working together, Ben and Deb create some Ground Rules. But instead of keeping things on an even keel, romantic sparks fly higher and hotter as the two spend more and more time together. Are their Ground Rules the key to securing their second chance at love?
$9.99
9.21 €
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Piano seul
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Marion Abbott
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Deb and Ben's Theme: Ground Rules
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Marion Abbott
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SheetMusicPlus
Two Benedictions
Chorale TTBB
SATB chorus unaccompanied - Digital Download SKU: OX.9780193706538 Composed by Davi…
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SATB chorus unaccompanied - Digital Download SKU: OX.9780193706538 Composed by David Willcocks. Sheet music. Octavo. 4 pages. Oxford University Press Digital #9780193706538. Published by Oxford University Press Digital (OX.9780193706538). ISBN 9780193706538.These are two easy and peaceful benedictions for unaccompanied SATB voices. Both unfold from a simple opening, build to a gentle climax, and then close with a decorated 'amen' cadence.
$2.85
2.63 €
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Chorale TTBB
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David Willcocks
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Two Benedictions
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Oxford University Press Digital
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SheetMusicPlus
Stand By Me - String Quartet - Ben E. King arr. Cellobat - Recording Available!
Quatuor à cordes: 2 violons, alto, violoncelle
Violin, Viola, Cello, String Quartet - Intermediate - Digital Download By Ben E. King. A…
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Violin, Viola, Cello, String Quartet - Intermediate - Digital Download By Ben E. King. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 15 pages. Published by Sarah Chaffee
Originally inspired by a spiritual, "Stand By Me" was written and recorded in 1961 by famed RandB singer-songwriter Ben E. King. The catchy, soulful tune immediately went to #1 on the RandB charts, and ended up becoming a Top Ten on the Billboard charts twice -- once for its original release, and again in 1986 when it was used as the theme song for a movie of the same name. This song has been deemed "culturally and historically significant" and it has remained one of the most beloved songs in history for decades, so you can't go wrong having this one in your gig books! This Cellobat arrangement for string quartet maintains the fun groove, catchy melody, and joyful feel of the original, while adding in a number of beautiful harmonic and countermelodic layers that put this chart above and beyond the rest! Rated intermediate -- there are some fun syncopated rhythms throughout, but none of the parts go above 2nd position, and this will be playable for students and easily sightreadable for professionals. Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "Stand By Me." Crowd pleasing guaranteed. Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffee Originally inspired by a spiritual, "Stand By Me" was written and recorded in 1961 by famed RandB singer-songwriter Ben E. King. The catchy, soulful tune immediately went to #1 on the RandB charts, and ended up becoming a Top Ten on the Billboard charts twice -- once for its original release, and again in 1986 when it was used as the theme song for a movie of the same name. This song has been deemed "culturally and historically significant" and it has remained one of the most beloved songs in history for decades, so you can't go wrong having this one in your gig books! This Cellobat arrangement for string quartet maintains the fun groove, catchy melody, and joyful feel of the original, while adding in a number of beautiful harmonic and countermelodic layers that put this chart above and beyond the rest! Rated intermediate -- there are some fun syncopated rhythms throughout, but none of the parts go above 2nd position, and this will be playable for students and easily sightreadable for professionals.
Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "Stand By Me." Crowd pleasing guaranteed.
Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:
http://www.cellobat.com
http://www.instagram.com/cellobat
http://www.youtube.com/c/SarahCellobatChaffee
$16.99
15.66 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Ben E
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Sarah Cellobat Chaffee
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Stand By Me - String Quartet - Ben E. King arr. Cellobat - Recording Available!
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Sarah Chaffee
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SheetMusicPlus
Stand By Me - Violin and Cello Duet - Ben E. King arr. Cellobat
Violon, Violoncelle (duo)
Violin, Cello, String Duet - Intermediate - Digital Download By Ben E. King, Mickey Gil…
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Violin, Cello, String Duet - Intermediate - Digital Download By Ben E. King, Mickey Gilley. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 8 pages. Published by Sarah Chaffee
Originally inspired by a spiritual, "Stand By Me" was written and recorded in 1961 by famed RandB singer-songwriter Ben E. King. The catchy, soulful tune immediately went to #1 on the RandB charts, and ended up becoming a Top Ten on the Billboard charts twice -- once for its original release, and again in 1986 when it was used as the theme song for a movie of the same name. This song has been deemed "culturally and historically significant" and it has remained one of the most beloved songs in history for decades, so you can't go wrong having this one in your gig books! This Cellobat arrangement for your violin and cello duo maintains the fun groove, catchy melody, and joyful feel of the original, plus a lyrical violin interpretation of the orchestral interlude in the middle, for a chart that's just as enjoyable to play as it is to listen to! Rated intermediate -- there are some syncopated rhythms throughout, but there's nothing too complicated here, and this chart will be playable for students and easily sightreadable for professionals. Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffeeOriginally inspired by a spiritual, "Stand By Me" was written and recorded in 1961 by famed RandB singer-songwriter Ben E. King. The catchy, soulful tune immediately went to #1 on the RandB charts, and ended up becoming a Top Ten on the Billboard charts twice -- once for its original release, and again in 1986 when it was used as the theme song for a movie of the same name. This song has been deemed "culturally and historically significant" and it has remained one of the most beloved songs in history for decades, so you can't go wrong having this one in your gig books! This Cellobat arrangement for your violin and cello duo maintains the fun groove, catchy melody, and joyful feel of the original, plus a lyrical violin interpretation of the orchestral interlude in the middle, for a chart that's just as enjoyable to play as it is to listen to! Rated intermediate -- there are some syncopated rhythms throughout, but there's nothing too complicated here, and this chart will be playable for students and easily sightreadable for professionals.
Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:
http://www.cellobat.com
http://www.instagram.com/cellobat
http://www.youtube.com/c/SarahCellobatChaffee
$9.99
9.21 €
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Violon, Violoncelle (duo)
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Ben E
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Sarah Cellobat Chaffee
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Stand By Me - Violin and Cello Duet - Ben E. King arr. Cellobat
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SheetMusicPlus
One Sows for the Benefit of Another Age - Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vander…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
46.09 €
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Orchestre
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Kyle Vanderburg
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One Sows for the Benefit of Another Age - Orchestra
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NoteForge
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SheetMusicPlus
Stand By Me - String Trio (2 Violins & Cello) - Ben E. King arr. Cellobat
Trio à Cordes: 2 violons, violoncelle
Violin, Cello, String Trio, Violin 1, Violin 2, Cello - Intermediate - Digital Downl…
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Violin, Cello, String Trio, Violin 1, Violin 2, Cello - Intermediate - Digital Download By Ben E. King. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 13 pages. Published by Sarah Chaffee
Originally inspired by a spiritual, "Stand By Me" was written and recorded in 1961 by famed R&B singer-songwriter Ben E. King. The catchy, soulful tune immediately went to #1 on the R&B charts, and ended up becoming a Top Ten on the Billboard charts twice -- once for its original release, and again in 1986 when it was used as the theme song for a movie of the same name. This song has been deemed "culturally and historically significant" and it has remained one of the most beloved songs in history for decades, so you can't go wrong having this one in your gig books! This Cellobat arrangement for your two-violin and cello trio maintains the fun groove, catchy melody, and joyful feel of the original, while adding in a number of beautiful harmonic and countermelodic layers that put this chart above and beyond the rest! Rated intermediate -- there are some fun syncopated rhythms throughout, but none of the parts go above 2nd position, and this will be playable for students and easily sightreadable for professionals.<br> <br> Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:<br> http://www.cellobat.com <br> http://www.instagram.com/cellobat <br> http://www.youtube.com/c/SarahCellobatChaffeeOriginally inspired by a spiritual, "Stand By Me" was written and recorded in 1961 by famed R&B singer-songwriter Ben E. King. The catchy, soulful tune immediately went to #1 on the R&B charts, and ended up becoming a Top Ten on the Billboard charts twice -- once for its original release, and again in 1986 when it was used as the theme song for a movie of the same name. This song has been deemed "culturally and historically significant" and it has remained one of the most beloved songs in history for decades, so you can't go wrong having this one in your gig books! This Cellobat arrangement for your two-violin and cello trio maintains the fun groove, catchy melody, and joyful feel of the original, while adding in a number of beautiful harmonic and countermelodic layers that put this chart above and beyond the rest! Rated intermediate -- there are some fun syncopated rhythms throughout, but none of the parts go above 2nd position, and this will be playable for students and easily sightreadable for professionals.<br> <br> Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:<br> http://www.cellobat.com <br> http://www.instagram.com/cellobat <br> http://www.youtube.com/c/SarahCellobatChaffee
$14.99
13.82 €
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Trio à Cordes: 2 violons, violoncelle
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Ben E
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Sarah Cellobat Chaffee
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Stand By Me - String Trio
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Sarah Chaffee
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SheetMusicPlus
Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495). “Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise endingOne of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
11.02 €
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Saxophone Soprano et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Diamonds Are Forever
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774354 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774354 Composed by John Barry. Arranged by Brad Esbensen. Contemporary,Film/TV,Pop. Score and Parts. 53 pages. Brad Esbensen Music Services #3675993. Published by Brad Esbensen Music Services (A0.774354). This arrangement is written in the original Shirley Bassey key of B minor, as sung on the sound track of the James Bond film, Diamonds Are Forever, and follows the same form as the original recording. The key may present problems for less experienced players although the horn figures are fairly straightforward forward. Brass parts are all written within a comfortable range for most players. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$60.00
55.31 €
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Ensemble Jazz
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John Barry
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Brad Esbensen
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Diamonds Are Forever
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Brad Esbensen Music Services
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SheetMusicPlus
Dorian Album For String Trio
Cello, Violin, String Duet, String Ensemble - Difficulty: medium SKU: HL.4472730
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Cello, Violin, String Duet, String Ensemble - Difficulty: medium SKU: HL.4472730 Violin, Cello and Piano. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Baroque and Classical Period. Set of performance parts (includes separate pull out parts for violin & cello). 63 pages. Rubank Publications #RUBL285. Published by Rubank Publications (HL.4472730). ISBN 9781540001801. UPC: 073999184112. 9x12 inches. Whistler/Hummel.These 30 easy level (grade 2) string trios from the masters, arranged by Rubank legends Harvey Whistler and Herman Hummel, are the ultimate way to introduce your youngest players to ensemble playing. Songs average 30-40 measures long, with optional repeats to create a longer piece at your discretion. Includes a treasure trove of titles: Abendlied (Schumann) * Allegro from Der Freischutz (Weber) * Ave Verum (Mozart) * Carnival of Venice * Chanson Triste (Tchaikovsky) * Cielito Lindo * Country Dance (Beethoven) * Liebestraum (Liszt) * Drink to Me Only with Thine Eyes * New World Symphony Excerpts (Dvorak) * Jesu, Joy of Man's Desiring (students play the melody, not the triplet pattern) * Jolly Coppersmith * Melody for Strings (Rubinstein) * Men of Harlech * Menuet from Symphony No. 7 (Haydn) * Procession (Handel) * Theme from Fantasie Impromptu (Chopin) * Rondo (Schubert) * Theme from Symphony No. 1 (Brahms) * Vienna Life (Strauss) * Volga Boatman * Waltz from HMS Pinafore.
Song List: Alma Mater Ave Verum (Jesu, Word of God Incarnate) Carnival of Venice Cielito Lindo (My Pretty Darling) Drink to Me Only With Thine Eyes Fantaisie-Impromptu It Came Upon the Midnight Clear Jesu, Joy Of Man's Desiring Jolly Coppersmith March Liebestraum (Dream Of Love) Melody Men Of Harlech O Promise Me Silent Night New World Symphony (Theme) Song Of The Volga Boatman Theme (Der Freischutz) Abendlied (Evening Song) Theme (Iphigenia In Tauris) Happy Holiday Theme (Symphony #7) String Salutation Waltz From The H.M.S. Pinafore Chanson Triste Country Dance Theme Theme (Handel) Gaily The Troubador Vienna Life
Song List
: Alma Mater Ave Verum (Jesu, Word of God Incarnate) Carnival of Venice Cielito Lindo (My Pretty Darling) Drink to Me Only With Thine Eyes Fantaisie-Impromptu It Came Upon the Midnight Clear Jesu, Joy Of Man's Desiring Jolly Coppersmith March Liebestraum (Dream Of Love) Melody Men Of Harlech O Promise Me Silent Night New World Symphony (Theme) Song Of The Volga Boatman Theme (Der Freischutz) Abendlied (Evening Song) Theme (Iphigenia In Tauris) Happy Holiday Theme (Symphony #7) String Salutation Waltz From The H.M.S. Pinafore Chanson Triste Country Dance Theme Theme (Handel) Gaily The Troubador Vienna Life
$12.99
11.98 €
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Harvey S
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Dorian Album For String Trio
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Rubank Publications
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SheetMusicPlus
The Dancing Forest
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1023643 Composed by Ben Ledochows…
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Concert Band - Level 3 - Digital Download SKU: A0.1023643 Composed by Ben Ledochowski. Contemporary,New Age. Score and parts. 31 pages. Ben Ledochowski #6217581. Published by Ben Ledochowski (A0.1023643). Far to the westernmost regions of Russia, and then farther still, there is a place known as theDancing Forest of Kaliningrad. It is a mysterious, otherworldly place where trees grow in tangles,knots, and other unfathomable shapes, a place described by local psychics as a point of conflict where great positive and negative forces collide. Due to its remarkable air of mystery, the forest has woven its way into the legends and folklore of the region. My personal favorite legend about it goes as follows: The Prussian prince Barty used to hunt in these forests. Chasing a Roe deer one day, heheard a wonderful tune, and as he came to a field, he saw a beautiful girl playing a lyre. She was a Christian and her name was Predislava. The prince proposed to her but she replied that she would marry only a man of her faith. Prince Barty agreed to become a Christian as long as she could prove the power of her invisible God was more powerful than the surrounding trees. Predislava played her lyre. Birds grew silent, and the trees started dancing. The prince then took a bracelet from his hand and gave it to her as a token of their betrothal. On this very spot, many years later, there grew the Dancing Forest.This piece is my homage to the Dancing Forest of Kaliningrad and all its associated legends. Premiered by the Santa Teresa High School Concert Band in May 2019, the work is scored for a concert band of intermediate size and skill level and is designed to help introduce high school musicians to modal music and unconventional key signatures. Furthermore, the piece is inspired by multiple rhythmic and harmonic elements of rock and folk music in an attempt to help bridge the gap between popular music and contemporary wind ensemble repertoire. Enjoy!
$19.99
18.43 €
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Orchestre d'harmonie
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Ben Ledochowski
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The Dancing Forest
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Ben Ledochowski
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SheetMusicPlus
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