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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Heard a Word
Non classifié
101
Piano & claviers
Piano seul
53
Piano, Voix
40
Piano, Voix et Guitare
16
Piano grosses notes
4
Orgue
4
Orgue, Piano (duo)
2
2 Pianos, 4 mains
2
Piano Facile
2
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
1
Accompagnement Piano
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
4
Mandoline, Guitare (duo)
2
Guitare
2
Ukulele
1
Voix
Chorale SATB
62
Chorale 3 parties
19
Chorale 2 parties
13
Voix duo, Piano
8
Chorale TTBB
8
Chorale Unison
7
Voix duo
6
Voix Soprano, Piano
3
Chorale SSAA
3
Voix haute
1
Voix Tenor, Piano
1
+ 6 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
4
Flûte traversière et Piano
4
Quintette de Saxophone: 5 saxophones
4
Ensemble de saxophones
4
Flûte, Hautbois, Clarinette, Basson
4
2 Saxophones (duo)
3
Ensemble de Clarinettes
3
Saxophone Alto et Piano
3
Clarinette et Piano
2
Saxophone Soprano et Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Tenor et Piano
2
Hautbois, Basson (duo)
2
2 Clarinettes (duo)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Ensemble de Flûtes
1
2 Flûtes traversières (duo)
1
3 Saxophones (trio)
1
Hautbois, Piano (duo)
1
3 Clarinettes (trio)
1
Saxophone et Orgue
1
Quintette de Flûte : 5 flûtes
1
2 Hautbois (duo)
1
Flûte et Guitare
1
+ 19 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Trompettes (duo)
2
Trompette, Tuba (duo)
2
Ensemble de Trombones
2
2 Trombones (duo)
2
Trombone et Piano
2
Cor et Piano
1
Trompette, Piano
1
2 Cors (duo)
1
Tuba et Piano
1
Quatuor de Cuivres
1
Euphonium, Piano (duo)
1
3 Trombones (trio)
1
Trio de Cuivres
1
Tuba
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violoncelle, Piano
3
Violon et Piano
3
Trio à Cordes: violon, alto, violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Violon
2
Violoncelle
2
2 Violoncelles (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Piano
1
Ensemble d'Altos
1
Harpe, Voix
1
Ensemble de Violons
1
Violon, Alto (duo)
1
2 Altos (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
2 Violons (duo)
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6
Orchestre
6
Cloches
5
Orchestre à Cordes
5
Ensemble de cuivres
3
Ensemble Jazz
2
Orchestre de chambre
2
Jazz combo
1
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Heard a Word
Partitions à imprimer
530 partitions trouvées
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THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
A Pebble in the Water
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Chorale 3 parties
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Victor C Johnson
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A Pebble in the Water
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Heritage Music Press
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SheetMusicPlus
SSA choir and Piano with optional Clarinet (With Optional Clarinet) - SKU: LX.15-3030H Composed by Victor C Johnson. Concert, Festival. Octavo. 16 pages...
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SSA choir and Piano with optional Clarinet (With Optional Clarinet) - SKU: LX.15-3030H Composed by Victor C Johnson. Concert, Festival. Octavo. 16 pages. Heritage Music Press #e15/3030H. Published by Heritage Music Press (LX.15-3030H). ISBN 9781429132497.Soaring melodic lines, a rippling accompaniment, and a poignant text by American poet James W. Foley combine to create a superb work to showcase treble voices. Drop a word of cheer...And you've rolled a wave of comfort whose sweet music can be heard over miles and miles of water just by dropping one kind word..
$2.75
A Believing Heart, sacred music for choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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A Believing Heart, sacred musi
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1287904 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1287904 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 14 pages. Kevin G. Pace #878991. Published by Kevin G. Pace (A0.1287904). A wonderful, sacred choral arrangement for mixed choir.  Music by Kevin G. Pace.  Text by Kathryn W. Hales. I often wonder if I’d been there On the shores of Galilee, Would I have stopped and listened toA stranger I happened to see,A man called Jesus, from Nazareth,Whose words right from the startMight come to my ears as something sweet’Would I have had a believing heart?Chorus:A believing heart, a special giftOf faith that I might seeEternal truths from God above,That I might say and do and beA willing servant committed toThe Master’s work below;A believing heart, a willing mind,To Him I’d like to show.I often wonder if I’d been thereIn another time and place,Would I have listened to Alma’s words:Or with a multitude seen the faceAnd touched the feet of Jesus Christ,Of His people been a part?From pages of Book of MormonI learn of those with believing hearts.I often wonder if I’d been thereIn Ohio or Missouri,Would I have listened to Joseph Smith,Or a jeering scorner beBecause of tradition or fear of men,Would I have quickly turned apart?Or would I have stayed and heard his words?Would I have had a believing heart?And now I live in the latter daysGod’s message I have always knownThroughout my days of mortal life,Gospel truths from parents at home,Or from missionaries bold and strong,Yet I must still choose to testify.
$1.99
Mary is the Sweetest Word
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Chorale SATB
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S
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Mary is the Sweetest Word
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3948 Composed by S. Kingsbury. Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns ...
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Piano and voice (solo and SATB chorus) - SKU: LV.3948 Composed by S. Kingsbury. Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3948). Mary is the Sweetest Word. Words by Z. Pope Vose. Music by S. Kingsbury. Published 1867 by G.D. Russell & Company in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Courtship, Love. First line reads Mary is the sweetest word tongue hath spoke or ear hath heard.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Would You Rather Be a Colonel With an Eagle on Your Shoulder, or a Private With a Chicken on Your Knee
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Piano, Voix
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Archie Gottler
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Would You Rather Be a Colonel
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.23875 Composed by Archie Gottler. Portraits, Fathers & sons, Soldiers, Courtship, Love, World War I. Lester S. Levy Collection...
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Piano and voice - SKU: LV.23875 Composed by Archie Gottler. Portraits, Fathers & sons, Soldiers, Courtship, Love, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23875). Would You Rather Be a Colonel With an Eagle on Your Shoulder, or a Private With a Chicken on Your Knee. Words by Sidney D. Mitchell. Music by Archie Gottler. Published 1918 by Leo Feist, Inc. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Fathers & sons, Soldiers, Courtship, Love, World War I. First line reads Once I heard a father ask his soldier son, Why can't you advance like other boys have done?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Drive My Car / The Word / What You're Doing (love Version)
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Rock
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George Harrison, John Winston
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Jeff Perholtz
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Drive My Car / The Word / What
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Fab Forward Entertainment
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - SKU: A0.497408 Composed by George Harrison, John Winston Lennon, and...
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Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - SKU: A0.497408 Composed by George Harrison, John Winston Lennon, and Paul James Mccartney. Arranged by Jeff Perholtz. Rock. Score and parts. 12 pages. Published by Fab Forward Entertainment (A0.497408). The Beatles - Drive My Car / The Word / What You're Doing (love version) [For Three Piece Horn Section &/or String Trio to accompany a Rock Band] This Beatles arrangement for strings & horns is great for rock bands that want to perform with a full background ensemble. Throw away the phony keyboard patches and perform with real human beings! This arrangement should be used to accompany a band performing the song as it heard on the Beatles Love album. The brass should be played as a trio with your choice of either tenor or alto sax. Includes individual parts and master score. Piano, guitar, bass, vocal & drum parts are not included.
$12.99
WE COME, INVITED BY YOUR WORD -SAB, keyboard
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Chorale 3 parties
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FACILE
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Carl C
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Anthony Giamanco
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WE COME, INVITED BY YOUR WORD
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Whole Tone Press
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.774097 Composed by Carl C. N. Balle. Arranged by Anthony Giamanco. Christian,Romantic Period,Sacred,World. Octavo...
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Choral Choir (SAB) - Level 2 - SKU: A0.774097 Composed by Carl C. N. Balle. Arranged by Anthony Giamanco. Christian,Romantic Period,Sacred,World. Octavo. 8 pages. Whole Tone Press #6675889. Published by Whole Tone Press (A0.774097). A lovely communion anthem for SAB choir and keyboard, ideal for the smaller ensemble. Text by Thomas Kingo, tune by Carl Balle, arrangement by Anthony Giamanco. 'We come, invited by your word, to kneel before your altar, Lord.' Medium-easy. 8 pp.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel
$2.10
I Heard Something (Revelation 19.6 WEB)
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Chorale SATB
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FACILE
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Chris Monteiro
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I Heard Something
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Christopher M. Monteiro
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.950766 Composed by Chris Monteiro. Christian,Sacred,Spiritual. Octavo. 10 pages. Christopher M. Monteiro #336521...
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Choral Choir (SATB) - Level 2 - SKU: A0.950766 Composed by Chris Monteiro. Christian,Sacred,Spiritual. Octavo. 10 pages. Christopher M. Monteiro #3365211. Published by Christopher M. Monteiro (A0.950766). I heard something like the voice of a great multitude, and like the voice of many waters, and like the voice of mighty thunders, saying, Hallelujah! For the Lord our God, the Almighty, reigns! This lively and majestic canon is a fanfare for the great wedding of the Lamb and His bride. In a B-flat Mixolydian Mode for SATB Choir, it has been fashioned to help you internalize God’s Word. The range of the canon melody for sopranos and altos is from B-flat below Middle C to the 2nd D above Middle C. For tenors and basses, the canon melody is one octave lower. Each of the voices splits into two parts in the final measures, the 1st sopranos ending on the 2nd F above Middle C. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.
$3.99
Songs without Words (2-part/3-part choral collection)
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Chorale 3 parties
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DÉBUTANT
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Anthony Giamanco
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Songs without Words
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Whole Tone Press
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SheetMusicPlus
Choral Choir (SAB) - Level 1 - SKU: A0.773889 Composed by Anthony Giamanco. Children,Concert,Graduation,Instructional. Octavo. 35 pages. Whole Tone Pres...
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Choral Choir (SAB) - Level 1 - SKU: A0.773889 Composed by Anthony Giamanco. Children,Concert,Graduation,Instructional. Octavo. 35 pages. Whole Tone Press #6055715. Published by Whole Tone Press (A0.773889). Here is a collection of six distinctive choral pieces, wordless songs, ideal for middle school and high school choirs. They are arranged for 2-part treble voices with an optional third part well-suited to boys' changing voices. All include piano accompaniment. I've created this collection to be used in one or more of the following ways: ♫ Any piece may be utlised, in whole or in part, as a vocalise (using neutral syllables). ♫ They may be used, individually or collectively, as concert material. No.'s 5 and 6 include optional lyrics. ♫ The songs may be programmed in any order desired. ♫ They may be used in either a live or virtual setting. ♫ Each song may be performed by either 2-part treble voices only or by adding (opt.) part III, ideal for boys' changing voices. 35 pages.Two of the selections, Somewhere (No. 5) and Wand'ring (No. 6), are available for purchase separately on my publisher page.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com, https://www.anthonygiamanco.com,on SoundCloud (https://soundcloud.com/tony-giamanco),and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg)Contact info:tony@shalomlife.org.
$6.99
Khayaal, a lil fantasy
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Suraj Synthesist
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Khayaal, a lil fantasy
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Suraj Synthesist
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SheetMusicPlus
Double Bass,Drum Set,Piano - Level 3 - Interactive Download SKU: A0.1470882 By Suraj Synthesist. By Music by .Suraj Dinakar Shetty. This edition: Interac...
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Double Bass,Drum Set,Piano - Level 3 - Interactive Download SKU: A0.1470882 By Suraj Synthesist. By Music by .Suraj Dinakar Shetty. This edition: Interactive Download. Blues,Jazz,Rock,World. 32 pages. Duration 222. Suraj Synthesist #6CfkCDFWkiGuZ3cxOxFJYw. Published by Suraj Synthesist (A0.1470882). Key: F major.The instrumental song Khayaal, a lil Fantasy merges Khayaal, a style of Hindustani Classical Music, with synonymity of the word to Fantasy , a Western classical music style. It has a solo Electric Piano version & a band/trio combining Electric piano, Drums, and Contrabass. Though the fusion is not limited to Hindustani or Western Classical, as Carnatic Raagas for filler & BluesJazz/ Rock-n-Roll Bassline is also heard in the piece. This Book is the sheet music for same. Apart from spelled out notes of what is been played, It explains the musical decisions & directions that have gone in the Solo/ Band( Trio) version. The piece explains things like the use of the C half-diminished (2nd Octatonic diminished) scale, allowing exotic movements and exploring various genres. The piece draws inspiration from Indian ragas like Nasikabhushani Ramapriya and others. You will find notes of Crossrhythms, Polyrhythms, the change of time-Sginature, as well as Instrument specific techniques like the Glissando , or Holding a centre note of chord in an arpeggio and a Half-open HiHat, cross stick Snare drumming. You will find an explanation on some of the complex Drum fills used here , what was the crossrhythm, how to count them & how they were made to sound in the specific way.
$20.00
Khayaal, a lil fantasy: Full score : Band/Trio and Solo
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Suraj Synthesist
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Suraj Dinakar Shetty
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Khayaal, a lil fantasy: Full s
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Suraj Synthesist
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1405714 By Suraj Synthesist. By Suraj Dinakar Shetty. Arranged by Suraj Dinakar Shetty. 21st Century,Contemporary,Jazz,Mu...
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Jazz Combo - Level 4 - SKU: A0.1405714 By Suraj Synthesist. By Suraj Dinakar Shetty. Arranged by Suraj Dinakar Shetty. 21st Century,Contemporary,Jazz,Multicultural,Rock,World. 32 pages. Suraj Synthesist #988778. Published by Suraj Synthesist (A0.1405714). The instrumental song â??Khayaal, a lil Fantasyâ? merges Khayaal, a style of Hindustani Classical Music, with synonymity of the word to Fantasy , a Western classical music style. It has a solo Electric Piano version and a band/trio combining Electric piano, Drums, and Contrabass. Though the fusion is not limited to Hindustani or Western Classical, as Carnatic Raagas for filler and BluesJazz/ Rock-n-Roll Bassline is also heard in the piece.This Book is the sheet music for same. Apart from spelled out notes of what is been played, It explains the musical decisions and directions that have gone in the Solo/ Band( Trio) version. The piece explains things like the use of the C half-diminished (2nd Octatonic diminished) scale, allowing exotic movements and exploring various genres. The piece draws inspiration from Indian ragas like Nasikabhushani Ramapriya and others. You will find notes of Crossrhythms, Polyrhythms, the change of time-Sginature, as well as Instrument specific techniques like the Glissando , or Holding a centre note of chord in an arpeggio and a Half-open HiHat, cross stick Snare drumming. You will find an explanation on some of the complex Drum fills used here , what was the crossrhythm, how to count them and how they were made to sound in the specific way.
$9.99
A Soldier's Carol (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Musique Sacrée
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Ronald Perera
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A Soldier's Carol
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - SKU: MQ.8320-E Composed by Ronald Perera. Advanced/Collegiate. Secular, Christmas, Christmas-Sacred. Octavo. 14 page...
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SATB choir unaccompanied - Medium - SKU: MQ.8320-E Composed by Ronald Perera. Advanced/Collegiate. Secular, Christmas, Christmas-Sacred. Octavo. 14 pages. Duration 4 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8320-E. Published by E. C. Schirmer Music Company - Digital (MQ.8320-E). This setting of the well known Christmas poem 'I Heard the Bells on Christmas Day' restores some of the language that is commonly left out of most hymnals. This setting restores some of the anguish associated with the Civil War and allows for a tension not often associated with this text. A powerful setting. The title of the original Longfellow poem is 'Christmas Bells.' Charles Appleton Longfellow was the eldest son of the famous poet Henry Wadsworth Longfellow and Fannie Elizabeth Appleton, who lived in Cambridge, Massachusetts. In March of 1863, with the Civil War then in its third year, nineteen year old Charley ran away to Washington to join the Union Army. He presented himself for enlistment to the commander of Battery A of the 1st Massachusetts Artillery, who knew the boy. The officer contacted Henry who reluctantly gave his permission for the boy to enlist. Charley proved himself such an exceptional soldier that he was soon offered a commission as a Second Lieutenant of Artillery. He first saw action at the Battle of Chancellorsville. In June he was briefly invalided home following a bout of typhoid fever and malaria, rejoining his unit in August. Then in November, during the Battle of New Hope Church, Charley was shot through the left shoulder, the bullet just grazing his spine. He narrowly avoided being paralyzed. Henry received word of Charley’s wounding on December 1, and he and a younger son went immediately to Washington, where Charley was in hospital, and brought him home to Cambridge. It was while nursing his son in his slow recovery that Henry Wadsworth Longfellow composed this poem during Christmas, 1863. -Ronald PereraDuration: 4:40.
$2.85
Keep a Place at the Table for Jack
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Piano, Voix
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Charles Graham
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Keep a Place at the Table for
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.5448 Composed by Charles Graham. Explorers, Families, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins Un...
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Piano and voice - SKU: LV.5448 Composed by Charles Graham. Explorers, Families, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5448). Keep a Place at the Table for Jack. The Worthy Successor of The Picture That is Turned Toward the Wall. Written and Composed by Chas. Graham. Published 1892 by M. Witmark & Sons, 839 & 841 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Explorers, Families, Death. First line reads There's a story sometimes heard of a boy who kept his word.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
He Comforts Me, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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He Comforts Me, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1043823 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 3 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1043823 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #648505. Published by Kevin G. Pace (A0.1043823). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Walk with me. When my trek through life seems barren, walk with me. When my soul is parched and arid, walk with me. When my drought has brought on thirst, when my God is not placed first, when I sense the very worst, Oh, walk with me. Weep with me. When all happiness escapes me, weep with me. When my peaceful heart forsakes me, weep with me. When I’m broken past repair, when no one is there to care, when a friend is very rare, Oh, weep with me. Mourn with me. When my heart is full of sorrow, mourn with me. When it’s hard to face tomorrow, mourn with me. When I’m crying all alone, when I feel less love is shown, when I doubt if I am known, Oh, mourn with me. Comfort me. Now I feel God coming closer. He comforts me When I feel I love Him most, He comforts me. When I trust his holy word, when I follow truths I’ve heard, when I feel so God-assured, He comforts me.
$1.99
Surrender The Sword (score – violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Surrender The Sword
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik International #6208217. Published by Mark O'Connor Musik International (A0.861940). Surrender The Sword (score – violin and string orchestra) MO136AScore (parts available)Music by Mark O’Connor24 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
Surrender The Sword (violin solo part – violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Surrender The Sword
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861941 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861941 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6208223. Published by Mark O'Connor Musik International (A0.861941). Surrender The Sword (violin solo part – violin and string orchestra) MO136BViolin Solo Part (score and parts available)Music by Mark O’Connor7 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136BCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
Surrender The Sword (string parts – violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Surrender The Sword
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861942 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861942 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik International #6208225. Published by Mark O'Connor Musik International (A0.861942). Surrender The Sword (string parts – violin and string orchestra) MO136C-GString Parts (parts available)Music by Mark O’Connor51 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136C-GCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$37.50
Has the Rain a Father? [Piano OR Guitar]
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Contemporain
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Juan MarÃa Solare
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Has the Rain a Father? [Piano
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Juan Maria Solare
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Piano - Level 2 - SKU: A0.596568 Composed by Juan MarÃa Solare. 20th Century,Contemporary. Score and parts...
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Instrumental Duet Guitar,Instrumental Duet,Piano - Level 2 - SKU: A0.596568 Composed by Juan MarÃa Solare. 20th Century,Contemporary. Score and parts. 9 pages. Juan Maria Solare #4717703. Published by Juan Maria Solare (A0.596568). Has the Rain a Father? This piece exists in two versions: Piano solo Guitar solo (without or with electronic sounds) The piano version has no huge secrets (to clarify: the pedal is used da capo al fine without interruption). The guitar version is written in three keys: E, G and A (Dorian). The performer may choose one or another score at their convenience. The guitar version can also use effects of all kinds, or amplifiers that are not always used in classical music. At the end of 2019 an album will be released on Spotify and other online music platforms with both versions of the piece (solo piano and acoustic guitar with electronic sounds). As an example of the amplitude that the composer expects from the performers: in this record production, the guitar signal is split in two parts, panned to the right and left, and different types of effects are applied to each channel (chorus, delay, reverb of different kinds and with different parameters). The original guitar signal is also in the center. Of course, there are also the electronic sounds themselves. A preliminary version can be heard here: https://juanmariasolare.bandcamp.com/album/has-the-rain-a-father Has the Rain a Father? is a quote from the bible, specifically from the book of Job 38:28. It is part of a series of rhetorical questions that tend to convince Job of his ignorance. Has the Rain a Father? was composed in Bremen (Germany) on March 17, 2019 (plus details to the piano part on March 27). Its duration is about 4:30. I asked some people about the wording of the title. Among the meaningful answers: Which wording is better, Has the rain a Father? or Does the Rain have a father? (Bible, Job, 38:28). It will be used as the title of a music piece for piano. Has the Rain a Father? is slightly unusual, and thus is attention-grabbing, something you want in a title. It sounds more biblical, calling attention to the allusion. In ordinary speech the Does the . . . version is more common, but for a title you don’t necessarily want common. (Johnny Wilson, former Writer and Magazine Editor (1973-1999))
$2.35
I Heard the Voice of Jesus
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I Heard The Voice Of Jesus
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Horatius Bonar
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I Heard the Voice of Jesus
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Hope Publishing - Digital
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SheetMusicPlus
Choral, Handbell (Handbells) - SKU: H1.C5622DP Composed by I Heard The Voice Of Jesus. Arranged by Horatius Bonar. What gives moments meaning is not the...
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Choral, Handbell (Handbells) - SKU: H1.C5622DP Composed by I Heard The Voice Of Jesus. Arranged by Horatius Bonar. What gives moments meaning is not the moments themselves but the presence of Christ with us in the midst of them. -Emily P. Freeman. Sing & Ring Series. Hymntune, Ring & Sing, General Worship, Devotion. Octavo. 8 pages. Hope Publishing - Digital #C5622DP. Published by Hope Publishing - Digital (H1.C5622DP). I Heard The Voice Of Jesus.Here is a mesmerizing, much-loved English folk melody, KINGSFOLD, set to a Scottish poem which speaks of the words of Jesus. Here is a mesmerizing, much-loved English folk melody, KINGSFOLD, set to a Scottish poem which speaks of the words of Jesus. Each verse of the hymn is structured around words from the gospels (Matt. 11:28; John 4:14, 1:4-9), all centered on the invitation of Jesus to come and follow. The simple handbell accompaniment makes this an ideal choice as a choral response to one of these gospel readings.
$2.95
Angels We Have Heard on High - Backing Track
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Musique Sacrée
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Wesley Carroll
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Angels We Have Heard on High -
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Wesley Carroll
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SheetMusicPlus
Bass Voice,Drums,Piano - Level 4 - SKU: A0.1113138 Composed by Wesley Carroll. Christian,Christmas,Contemporary,Holiday,Praise & Worship. Accompaniment....
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Bass Voice,Drums,Piano - Level 4 - SKU: A0.1113138 Composed by Wesley Carroll. Christian,Christmas,Contemporary,Holiday,Praise & Worship. Accompaniment. Duration 181. Wesley Carroll #715098. Published by Wesley Carroll (A0.1113138). This is backing track, consisting of piano, bass and drums, for a new work by Wesley Carroll setting the familiar words of Angels We have Heard on High to a new contemporary/gospel tune for SATB choir. The sheet music can be purchased separately. This is an upbeat, fun and uplifting new tune and setting of the well-known words - Angels We Have Heard on High. This would make a great addition to any Carol service or Christmas concert. A the sheet music can be purchased here: https://tinyurl.com/39t6c4pz.
$5.00
Lo, How A Rose E'er Blooming
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Piano seul
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INTERMÉDIAIRE
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Theodore Baker
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Jeff Tincher
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Lo, How A Rose E'er Blooming
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Jeff Tincher
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.584913 Composed by Theodore Baker. Arranged by Jeff Tincher. Christian,Christmas,Jazz,Sacred. Score. 5 pages. Jeff Tinche...
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Piano Solo - Level 3 - SKU: A0.584913 Composed by Theodore Baker. Arranged by Jeff Tincher. Christian,Christmas,Jazz,Sacred. Score. 5 pages. Jeff Tincher #6086847. Published by Jeff Tincher (A0.584913). This is a smooth jazz arrangement of a grand old hymn. I originally heard this arrangement on a CD I purchased from the budget Christmas section. The CD had no band name on it. Doing some research I found that the band is Wordharmonic. The title of the CD is Light Jazz Christmas. The original hymn is in 7/4. This arrangement is mainly 4/4 with some 6/4, 2/4, and 3/4 measures. Duration = 4:11. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99
Lo, How A Rose E'er Blooming
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Theodore Baker
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Jeff Tincher
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Lo, How A Rose E'er Blooming
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.584917 Composed by Theodore Baker. Arranged by Jeff Tincher. Christian,Christmas,Jazz,Sacred. S...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.584917 Composed by Theodore Baker. Arranged by Jeff Tincher. Christian,Christmas,Jazz,Sacred. Score and parts. 15 pages. Jeff Tincher #6086857. Published by Jeff Tincher (A0.584917). This is a smooth jazz arrangement of a grand old hymn. I originally heard this arrangement on a CD I purchased from the budget Christmas section. The CD had no band name on it. Doing some research I found that the band is Wordharmonic. The title of the CD is Light Jazz Christmas. The original hymn is in 7/4. This arrangement is mainly 4/4 with some 6/4, 2/4, and 3/4 measures. Duration = 4:11. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Lo, How A Rose E'er Blooming
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Theodore Baker
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Jeff Tincher
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Lo, How A Rose E'er Blooming
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.584915 Composed by Theodore B...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.584915 Composed by Theodore Baker. Arranged by Jeff Tincher. Christian,Christmas,Jazz,Sacred. 13 pages. Jeff Tincher #6086851. Published by Jeff Tincher (A0.584915). This is a smooth jazz arrangement of a grand old hymn. I originally heard this arrangement on a CD I purchased from the budget Christmas section. The CD had no band name on it. Doing some research I found that the band is Wordharmonic. The title of the CD is Light Jazz Christmas. The original hymn is in 7/4. This arrangement is mainly 4/4 with some 6/4, 2/4, and 3/4 measures. Duration = 4:11. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Lo, How A Rose E'er Blooming
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Theodore Baker
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Jeff Tincher
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Lo, How A Rose E'er Blooming
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.584916 Composed by Theodore Baker. Arranged by Jeff Tincher. Christia...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.584916 Composed by Theodore Baker. Arranged by Jeff Tincher. Christian,Christmas,Jazz,Sacred. 14 pages. Jeff Tincher #6086853. Published by Jeff Tincher (A0.584916). This is a smooth jazz arrangement of a grand old hymn. I originally heard this arrangement on a CD I purchased from the budget Christmas section. The CD had no band name on it. Doing some research I found that the band is Wordharmonic. The title of the CD is Light Jazz Christmas. The original hymn is in 7/4. This arrangement is mainly 4/4 with some 6/4, 2/4, and 3/4 measures. Duration = 4:11. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
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Heard a Word
