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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
La Ley
Non classifié
88
Piano & claviers
Piano seul
279
Piano, Voix
54
Accordéon
40
Piano Facile
18
Piano, Voix et Guitare
9
Instruments en Do
8
Orgue
3
1 Piano, 4 mains
3
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
154
Basse electrique
69
Guitare notes et tablatures
8
Ligne De Mélodie, (Paroles) et Accords
7
Ukulele
3
2 Guitares (duo)
2
Banjo
1
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
Mandoline
1
+ 5 instrumentations
Retracter
Voix
Voix seule
66
Chorale SATB
20
Chorale 3 parties
18
Chorale SSAA
4
Chorale 2 parties
3
Voix duo, Piano
2
Chorale TTBB
2
Pack Instrumental pour Chorale
1
Voix moyenne, Piano
1
+ 4 instrumentations
Retracter
Vents
Saxophone
419
Flûte traversière
147
Clarinette
138
Saxophone Alto
22
Saxophone Tenor
20
Saxophone Soprano
9
Hautbois
8
Flûte, Hautbois, Clarinette, Basson
8
Flûte à Bec
7
2 Saxophones (duo)
7
Flûte traversière et Piano
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Quatuor de Clarinettes: 4 clarinettes
6
Hautbois, Piano (duo)
6
Clarinette et Piano
5
2 Flûtes traversières (duo)
4
Quatuor de Saxophones: 4 saxophones
4
Saxophone (partie séparée)
3
Saxophone Alto et Piano
3
3 Saxophones (trio)
3
Saxophone Soprano et Piano
3
2 Clarinettes (duo)
3
Saxophone Baryton, Piano
2
Saxophone Baryton
2
Flûte, Clarinette (duo)
2
Saxophone Tenor et Piano
2
Quatuor de Flûtes : 4 flûtes
2
3 Clarinettes (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Violon (duo)
1
Clarinette, Basson (duo)
1
Ensemble de Clarinettes
1
2 Flûte à bec (duo)
1
Hautbois (partie séparée)
1
Ensemble de saxophones
1
Flûte, Violon, Piano
1
Flûte et Guitare
1
Trio de Flûtes: 3 flûtes
1
Ensemble de Flûtes
1
+ 34 instrumentations
Retracter
Cuivres
Trombone
153
Trompette
144
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette (partie séparée)
4
Euphonium
4
Cor
4
2 Trombones (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette, Piano
3
Euphonium, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
Trombone et Piano
2
Trombone (partie séparée)
2
Quatuor de Cuivres
2
Tuba
2
Ensemble de Trombones
1
2 Cors (duo)
1
Cor et Piano
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Piano (duo)
1
Ensemble de Cors
1
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 4 cors
1
Trompette, Trombone (duo)
1
+ 19 instrumentations
Retracter
Cordes
Violon
67
Violoncelle
42
Alto seul
40
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon et Piano
19
Violoncelle, Piano
8
Violon, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Contre Basse
3
Alto, Piano
3
Harpe
3
2 Violoncelles (duo)
3
Contrebasse (partie séparée)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
4 Violoncelles
2
Violon, Alto (duo)
1
Contrebasse, Piano (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Trio à Cordes: 3 violoncelles
1
2 Violons (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Batterie
133
Orchestre d'harmonie
33
Orchestre
26
Ensemble de cuivres
11
Ensemble Jazz
6
Orchestre de chambre
5
Orchestre à Cordes
3
Jazz combo
2
Quintette de Cuivres: autres combinaisons
1
Fanfare
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
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Vous avez sélectionné:
La Ley
Partitions à imprimer
2 537 partitions trouvées
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"La Leyenda del Beso" - Intermedio
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Orchestre
#
INTERMÉDIAIRE
#
Soutullo y Vert
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Iugrum Leunam
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"La Leyenda del Beso"
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Iugrum Leunam
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1518046 Composed by Soutullo y Vert. Arranged by Iugrum Leunam. Classical,Contest,Festival. 82 pages. Iugrum Leunam #...
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Full Orchestra - Level 3 - SKU: A0.1518046 Composed by Soutullo y Vert. Arranged by Iugrum Leunam. Classical,Contest,Festival. 82 pages. Iugrum Leunam #1090915. Published by Iugrum Leunam (A0.1518046). La leyenda del beso (The leyend of a kiss) is a zarzuela in three acts, with music composed by Reveriano Soutullo and Juan Vert. Premiered in 1924, the work blends love, passion, and drama with the peculiarity of a gypsy legend.Set in a gypsy camp, the protagonist, Mario, falls in love with Amapola, a gypsy with a tragic destiny linked to a legend about a kiss that brings death. As the plot unfolds, themes of impossible love, jealousy, and fate intertwine.The work is famous for its captivating melodies and evocative atmosphere. This version of its interlude, the best-known part, the work has been revised and adapted to be performed by a student orchestra. It is also valid for the professional orchestra since it maintains the musical essence of the original score.
$74.99
Alma De Dios y La Leyenda del Beso
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Fanfare
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FACILE
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Alicia Domínguez Arcos Sonay
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Alicia Domínguez Arcos
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Alma De Dios y La Leyenda del
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Alicia Dominguez
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SheetMusicPlus
Marching Band - Level 2 - SKU: A0.1515118 By Alicia Domínguez Arcos Sonay. By José Calixto Serrano Simeón , Juan Bautista Vert Car y Reveriano Soutul...
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Marching Band - Level 2 - SKU: A0.1515118 By Alicia Domínguez Arcos Sonay. By José Calixto Serrano Simeón , Juan Bautista Vert Car y Reveriano Soutullo Otero. Arranged by Alicia Domínguez Arcos. 19th Century,Classical,Contemporary,Multicultural,Traditional,World. 9 pages. Alicia Dominguez #1089620. Published by Alicia Dominguez (A0.1515118). Two zarzuelas in a single score. Alma de Dios is a lyrical comedy in one act and four scenes in prose, premiered on December 17, 1907 at the Teatro Cómico in Madrid. And La leyenda del beso is a zarzuela considered the work that brought fame to the masters Soutullo and Vert. The libretto is an example of the zarzuela taken to the field of operetta, with certain melodramatic touches, as well as certain exotic elements to give color. It is found in the album PRIMUM CONCENTUS 1982 by the Banda Juvenil Scout Maestro Jaén, directed by Antonio Domínguez Morilla.
$10.00
La Leyenda de La Puerta de Hayu Marca
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Guitare
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INTERMÉDIAIRE
#
Contemporain
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Danny Buckley
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La Leyenda de La Puerta de Hay
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Danny Buckley
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.992846 Composed by Danny Buckley. 20th Century,Contemporary. Individual part. 4 pages. Danny Buckley #4991151. Published...
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Solo Guitar - Level 3 - SKU: A0.992846 Composed by Danny Buckley. 20th Century,Contemporary. Individual part. 4 pages. Danny Buckley #4991151. Published by Danny Buckley (A0.992846). My work for solo guitar about the puerta de hayu marca roughly translated as gateway of the gods.
$12.99
La leyenda del beso. Fox Trot por: Reveriano Soutullo Otero y Juan Bautista Vert Carbonell
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Reveriano Soutullo Otero y Jua
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Juan Carlos Cortés A
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La leyenda del beso. Fox Trot
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.958730 Composed by Reveriano Soutullo Otero y Juan Bautista Vert Carbonell. Arranged by Juan Carlos Cortés A. 20th Cen...
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Piano Solo - Level 4 - SKU: A0.958730 Composed by Reveriano Soutullo Otero y Juan Bautista Vert Carbonell. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6116583. Published by Juan Carlos Cortés Aguirre (A0.958730). Transcripción para Piano solo por:JUAN CARLOS CORTÉS A.Basado en la grabación realizada por la orquesta de Aquilino Enrique RodrÃguez Ruiz​, el 27 de Abril de 1956 en Buenos Aires (Argentina).VÃdeo You Tube Enrique RodrÃguez:https://www.youtube.com/watch?v=7Uo6-kC_eyY
$7.99
La Ley Del Monte
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Ligne De Mélodie, (Paroles) et Accords
#
Jazz
#
Latin/Musique du monde
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Jose Angel Espinosa Aragon
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La Ley Del Monte
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.469542 By Jose Angel Espinosa Aragon. Jazz,Latin. Real Book - Melody/Chords. 2 pages. Published by Hal Leonard - Digital (HX.469542). ...
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SKU: HX.469542 By Jose Angel Espinosa Aragon. Jazz,Latin. Real Book - Melody/Chords. 2 pages. Published by Hal Leonard - Digital (HX.469542).
$1.99
La Ley Del Monte
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Contemporain
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Jose Angel Espinosa Aragon
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Mariachi Ink Publications
#
La Ley Del Monte
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Mariachi Ink Publications
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SheetMusicPlus
Small Ensemble Bass Guitar,Trumpet,Violin - Level 4 - SKU: A0.953698 Composed by Jose Angel Espinosa Aragon. Arranged by Mariachi Ink Publications. Cont...
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Small Ensemble Bass Guitar,Trumpet,Violin - Level 4 - SKU: A0.953698 Composed by Jose Angel Espinosa Aragon. Arranged by Mariachi Ink Publications. Contemporary. Score and parts. 24 pages. Mariachi Ink Publications #5715387. Published by Mariachi Ink Publications (A0.953698). Mariachi Sheet Music.
$30.00
La Llorona (Coco)
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Piano, Voix
#
FACILE
#
Mexican Folk Song
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Christina Magallanes Jones
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La Llorona
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Christina Magallanes-Jones
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1184448 Composed by Mexican Folk Song. Arranged by Christina Magallanes Jones. Folk,Historic,Latin,Multicultural,T...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1184448 Composed by Mexican Folk Song. Arranged by Christina Magallanes Jones. Folk,Historic,Latin,Multicultural,Traditional,World. Score. 5 pages. Christina Magallanes-Jones #784177. Published by Christina Magallanes-Jones (A0.1184448). La Llorona (The weeping woman) is a Mexican folk song derived from the legend of La Llorona. It is also featured in the 2017 Disney animated film, Coco.La Llorona es una cancion popular mexicana derivada de la leyenda de La Llorona. Tambien aparece en la pelicula animada de Disney de 2017, Coco.
$4.99
La Fuerza De Mi Corazon
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Piano Facile
#
DÉBUTANT
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Rock
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El Cid
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La Fuerza De Mi Corazon
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Unimusic Academy
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SheetMusicPlus
Piano - Level 1 - SKU: A0.1134905 By El Cid. By Jorge Cubino Bermejo. Arranged by Unimusic Academy (Academia Unimusica). Pop,Rock. Score (Chords/Lyrics)...
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Piano - Level 1 - SKU: A0.1134905 By El Cid. By Jorge Cubino Bermejo. Arranged by Unimusic Academy (Academia Unimusica). Pop,Rock. Score (Chords/Lyrics). 3 pages. Unimusic Academy (Academia Unimusica) #734938. Published by Unimusic Academy (Academia Unimusica) (A0.1134905). The strength of my heart is the official song of the animated film El Cid: The Legend, sung along with Christina Valemi. «La fuerza de mi corazón» es la canción oficial de la pelÃcula animada El Cid: La leyenda, cantada junto con Christina Valemi.
$8.00
Ooh La La
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Guitare notes et tablatures
#
Rock
#
Ooh La La
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Andy Crowley
#
Ooh La La
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Andy Crowley
#
SheetMusicPlus
Guitar Tab - By Ooh La La. Arranged by Andy Crowley. 11 pages. Published by Andy Crowley...
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Guitar Tab - By Ooh La La. Arranged by Andy Crowley. 11 pages. Published by Andy Crowley
Learn how to play 'Ooh La La' by The Faces with two easy chords; D major and E minor.
Includes chords, strumming, lyrics and TAB to this song accurate to Andy's popular YouTube tutorial from Day 5 of the 10 Day acoustic guitar series!
$4.99
Burak Yeter and Cecilia Krull - My life is going on (La Casa de Papel theme)
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Piano Facile
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DÉBUTANT
#
Film/TV
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Burak Yeter and Cecilia Krul
#
Music- holley
#
Burak Yeter and Cecilia Krull
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SheetMusicPlus
By Burak Yeter and Cecilia Krull. Arranged by Music- holley. Individual Part, Piano Reduction, Sheet Music Single, Solo Part. 3 pages. Published by mus...
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By Burak Yeter and Cecilia Krull. Arranged by Music- holley. Individual Part, Piano Reduction, Sheet Music Single, Solo Part. 3 pages. Published by music-holley
Burak Yeter and Cecilia Krull - My life is going on (La Casa de Papel theme)
Easy piano version, 3 pages, with chords.
$4.99
La Leyenda Del Hada Y
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
#
Various Artists
#
Gre Lopez
#
La Leyenda Del Hada Y
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Gre Lopez
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.798155 By Various Artists. By Hector Walter Giardino and Roxana Clara Giardino. Arr...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.798155 By Various Artists. By Hector Walter Giardino and Roxana Clara Giardino. Arranged by Gre Lopez. Contemporary. Score and parts. 42 pages. Gre Lopez #4897025. Published by Gre Lopez (A0.798155).
$13.00
Paris (ooh La La)
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Rock
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Grace Potter And The Nocturnal
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jfarley@arrangementsone
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2 and Trombone
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Paris
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Jim Farley arrangementsone.com
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1206631 By Grace Potter And The...
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Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1206631 By Grace Potter And The Nocturnals. By Grace Potter. Arranged by jfarley@arrangementsone.com. Pop,Rock. Score and parts. 71 pages. Jim Farley arrangementsone.com #804805. Published by Jim Farley arrangementsone.com (A0.1206631). This is arranged for 7-8 piece horn band including: Directors Score, Piano/Vocal/Chords, Guitar (chords only), Bass Guitar, Drums, Alto Sax, Tenor S@ax (identical to alto), Trumpets 1 & 2 and Trombone.ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyest since the mis 1970's, and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College & High School Pep Band, Orchestra, Show Choir, Cruise Ship Performers as well as arranging for dozens of classic rock horn bands throughout the U.S, Canada & Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact Jim at: farleyjc@gmail.com or visit his website at: Arrangements On E!
$49.99
La Cucaracha - Tuba/Euphonium Quartet
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2 Euphoniums et 2 Tubas
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Folklorique/Traditionel
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Traditional
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Norlan Bewley
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www.norlanbewley.com
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La Cucaracha - Tuba/Euphonium
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Norlan Bewley
#
SheetMusicPlus
Brass Ensemble Euphonium,Tuba - SKU: A0.740031 Composed by Traditional. Arranged by Norlan Bewley. Folk. Score and parts. 9 pages. Norlan Bewley #312500...
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Brass Ensemble Euphonium,Tuba - SKU: A0.740031 Composed by Traditional. Arranged by Norlan Bewley. Folk. Score and parts. 9 pages. Norlan Bewley #3125009. Published by Norlan Bewley (A0.740031). Traditional Octoberfest favorite performed by Harvey Phillips for his official Octubafest series and collection. Octubafest® used with permission of the Harvey Phillips Foundation Inc. www.norlanbewley.com
$10.00
Leyendas indígenas
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Georgina Perazzo
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Leyendas indígenas
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Georgina Perazzo
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SheetMusicPlus
Large Ensemble Flute - Level 4 - SKU: A0.1023596 Composed by Georgina Perazzo. 20th Century,Contemporary,World. Score and parts. 102 pages. Georgina Per...
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Large Ensemble Flute - Level 4 - SKU: A0.1023596 Composed by Georgina Perazzo. 20th Century,Contemporary,World. Score and parts. 102 pages. Georgina Perazzo #6073841. Published by Georgina Perazzo (A0.1023596). La obra consta de 3 números, los cuales cada uno constituyen una leyenda de diferentes regiones de la república Argentina. Es un concierto para 3 flautas y orquesta de cuerdas. En el 1 ° número será solista el flautÃn, en el 2 ° una flauta en sol y en el tercero una flauta travesera. El paquete consta de partitura general y particellas, esto significa que la obra está lista para ser ejecutada. Es una obra apta para concierto, ballet o documental o film inclusivo. La muestra que ofrezco de youtube es una grabación hecha en sintetizador del 3 ° número.
$10.00
La Re Do ( Laredo )
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Guitare
#
DÉBUTANT
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Steven Stanley Bayes
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La Re Do
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Steven Stanley Bayes
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.930812 Composed by Steven Stanley Bayes. Country,Film/TV,Folk,Standards. Individual part. 1 pages. Steven Stanley Bayes ...
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Solo Guitar - Level 1 - SKU: A0.930812 Composed by Steven Stanley Bayes. Country,Film/TV,Folk,Standards. Individual part. 1 pages. Steven Stanley Bayes #2853091. Published by Steven Stanley Bayes (A0.930812). 2016 Easy Piano Contest Entry More lyrics and more formats, such as mp3, mid, MusicXML, MuseScore, pdf, doc, etcetera, at : www.Steven-Stanley-Bayes.com/Scores.html http://www.free-scores.com/Download-PDF-Sheet-Music-stevenstanleybayes.htm http://www.8notes.com/members/stevenstanleybayes/
$1.99
Ob-La-Di, Ob-La-Da
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Rock
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The Beatles
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Ted Stanley
#
Ob-La-Di, Ob-La-Da
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Ted Stanley
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SheetMusicPlus
Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.1503544 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ted Stanley. Pop,Rock. 9 page...
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Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.1503544 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ted Stanley. Pop,Rock. 9 pages. Ted Stanley #1079004. Published by Ted Stanley (A0.1503544). This is the lighthearted Beatles tune Ob-La-Di Ob-La-Da arranged for violin and guitar. I've set it in A rather than the original Bb to facillitate the guitar acccompaniment. Contact: tstanley@fsu.edu (email).
$4.99
Albeniz/Leytush – “La Vega”, (The Alhambra)
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Orchestre
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AVANCÉ
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Classique
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Isaac Albeniz
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A
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Albeniz/Leytush – &ldquo
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #6...
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Full Orchestra - Level 5 - SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #680568. Published by Arkady Leytush (A0.1076412). Orchestra: Piccolo, Flute, Oboe, English Horn, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings. - Advanced Intermediate - Composed by Isaac Albeniz (1860-1909). Arranged by Arkady Leytush. Romantic Period, Impressionistic, Repertoire, European. 96 pages. Published by Arkady Leytush (S0.616185). Item Number: S0.616185 The composition of La Vega completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after La Vega, although his fame was mainly focused on the works for this instrument. Although La Vega was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished La Vega at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: La Alhambra, symphonic suite on poems by F. B. Money-Coutts: nº 1: La Vega. La Vega is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
I. Albeniz -"La Vega", Symphonic Poem, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Isaac Albeniz
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A
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I. Albeniz -"La Vega", Symphon
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1378418 Composed by Isaac Albeniz. Arranged by A. Leytush. 19th Century. 98 pages. Arkady Leytush #963038. Published ...
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Full Orchestra - Level 4 - SKU: A0.1378418 Composed by Isaac Albeniz. Arranged by A. Leytush. 19th Century. 98 pages. Arkady Leytush #963038. Published by Arkady Leytush (A0.1378418). Albeniz completed only La Vega (on 26 January 1897) and the first 16 bars of Generalife. The score was written in piano solo format, and La Vega was later orchestrated. The orchestral version of La Vega was never published however, but the composer decided to publish the piano solo version after discarding the last three pages and writing a new, more developed version of the entire piece, with a reprise of the opening A section taking the place of the three discarded pages. This new expanded version was completed on 14 February 1897 and published that year. The piece lasts approximately 14 minutes. «La Vega» is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
F. Poulenc - Les soirées de Nazelles, FP 84, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Francis Poulenc
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A
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F. Poulenc - Les soirées de N
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1367543 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 163 pages. Arkady Leytush #951902. Publish...
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Full Orchestra - Level 4 - SKU: A0.1367543 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 163 pages. Arkady Leytush #951902. Published by Arkady Leytush (A0.1367543). Francis Poulenc - Les soirées de Nazelles, FP 84, Preamble, Cadenza #1, Variations: Le comble de la distinction, Le cÅ?ur sur la main, La désinvolture et la discrétion, La suite dans les idées, Le charme enjôleur, Le contentement de soi, Le goût du malheur, Lâ??alerte vieillesse, Cadenza #2, Finale.During the evenings, the composer used to sit at the piano and improvise portraits of his friends, all based on a given theme. The work was begun in 1930, and completed at Noizay on October 1, 1936. At the beginning of the score, it reads: The variations that form the center of this work were improvised at Nazelles during long country evenings wherein the composer played portraits for friends gathered around his piano. The composition is dedicated to the memory of my aunt LIÃ?NARD, in memory of Nazelles. My orchestral transcription of this piece is for a full orchestra. In such a new quality, this music can live well on the symphonic stage, adorning many programs with its originality. But first of all, I would like to draw the attention of the choreographers to this basically danceable, diverse and brightly characteristic music. I can say with great confidence that this work can become a ballet performance.
$100.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
French Christmas Carol Medley for String Trio - Noëls Français en Pot Pourri pour Trio à Cordes
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Noël
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Various, Traditional
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French Christmas Carol Medley
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Samantha Bramley
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.800202 Composed by Various, Traditional. Arranged by Samantha J Bramley - stringspirational@gmail.com. C...
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String Ensemble,String Trio - Level 3 - SKU: A0.800202 Composed by Various, Traditional. Arranged by Samantha J Bramley - stringspirational@gmail.com. Children,Christmas. Score and parts. 25 pages. Samantha Bramley #3877327. Published by Samantha Bramley (A0.800202). The Holiday Season can be really painful for lower string players in any ensemble. Playing ‘cello in a Carol concert makes me want to cry. That is why I have created arrangements of classic Christmas Carols and Songs guaranteed not to bore the pants off your violist or ‘cellist. No more bashing out bass notes for the ‘cello, and no more chugging away on the off-beat for viola while the fiddles get soaring melody after soaring counter-melody. We deserve more than this, right guys? You got it! Noël Re-Nouvellé Pot pourri des chants de Noëls Français les plus populaires pour trio à cordes. Durée de six minutes à la vitesse proposée. A jolly romp through some of the most popular French language carols, Noël Re-Nouvellé is a medley for string trio lasting 6 minutes at given tempo. With optional 2nd violin for viola part. Written with interest in all three parts, and taking turns with melody and accompaniment, this is a very enjoyable arrangement for ensembles of intermediate ability. If you have a great viola player or bored ‘cellist s/he will love this! Contains some double stopping of open and stopped strings. 1. Joie dans le monde - Joy to the World 2. Quittez, Pasteurs - Shepherds, Leave your Flocks 3. Entre le bœuf et l'âne gris - The Ox and the Grey Donkey 4. La Marche des Rois Mages - March of the Magi Kings 5. Il est né, le Divin Enfant - He is Born, the Divine Christ Child 6. Noël Nouvelet - Traditional French Folk Carol 7. Les Anges dans nos campagnes - Angels from the Realms of Glory 8. Vive le vent d’hiver - Jingle Bells 9. C’est Noël - Deck the Halls 10. O Venez, les Fideles - O Come All Ye Faithful 11. On se dit Joyeux Noël - We Wish You a Merry Christmas Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. Most parts do not go beyond 4th position (with the exception of a few harmonics in the lower string parts), making them suitable for student and mixed ability groups. A complete score and set of individual parts (violin, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com Keep Calm & Play Strings!
$22.99
Barrios - La Catedral (easy piano sheet)
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Piano Facile
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DÉBUTANT
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A
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Music-holley
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Barrios - La Catedral
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music-holley
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1278180 Composed by A. Barrios. Arranged by Music-holley. 19th Century,Classical,Multicultural,Romantic Period,World. Sco...
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Easy Piano - Level 1 - SKU: A0.1278180 Composed by A. Barrios. Arranged by Music-holley. 19th Century,Classical,Multicultural,Romantic Period,World. Score. 2 pages. Music-holley #869877. Published by music-holley (A0.1278180). Barrios - La Catedral Easy piano version, 2 pages.La Catedral is a musical composition originally for guitar by AgustÃn Barrios, structured as a suite in three movements. The sheet is taken from the third movement, the Allegro solemne. The title refers to the beautiful Montevideo Cathedral. La Catedral is widely considered the masterpiece in Barrios' works, and it is one of the most offered pieces in the repertoire and discographies of the world's leading performers.
$3.49
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