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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All I Know
Non classifié
1 162
Piano & claviers
Piano seul
567
Piano, Voix
334
Piano, Voix et Guitare
224
Piano Facile
194
Instruments en Do
115
Orgue
81
Accompagnement Piano
30
1 Piano, 4 mains
16
Piano grosses notes
12
Piano Trio: piano, violon, violoncelle
11
Orgue, Trompette (duo)
5
Accordéon
4
Clavier
3
2 Pianos, 4 mains
3
Clavecin
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
+ 13 instrumentations
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Guitares
Guitare notes et tablatures
58
Guitare
53
Ligne De Mélodie, (Paroles) et Accords
26
Ukulele
21
Basse electrique
18
Piano, Guitare (duo)
10
Paroles et Accords
10
4 Guitares (Quatuor)
8
Mandoline
6
2 Guitares (duo)
4
3 Guitares (trio)
4
Dulcimer
3
Mandoline, Guitare (duo)
2
Guitare (partie séparée)
2
Ensemble de guitares
1
Banjo
1
2 Dulcimers (duo)
1
+ 12 instrumentations
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Voix
Chorale SATB
342
Chorale 3 parties
121
Chorale 2 parties
72
Chorale TTBB
44
Chorale Unison
28
Chorale SSAA
21
Voix Soprano, Piano
20
Voix Alto, Piano
11
Voix seule
8
Voix Baryton, Piano
6
Voix duo
6
Voix duo, Piano
5
Voix haute
5
Chorale SSAB, Piano
2
Voix Tenor
2
Chorale SSAATB
1
Voix Tenor, Piano
1
Chorale SSATB
1
Voix basse
1
Voix moyenne, Piano
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
128
Quintette de Saxophone: 5 saxophones
95
Flûte traversière et Piano
75
Quatuor de Saxophones: 4 saxophones
60
Clarinette et Piano
57
Hautbois, Piano (duo)
51
Ensemble de saxophones
51
Saxophone Alto et Piano
43
2 Flûtes traversières (duo)
40
Quatuor de Clarinettes: 4 clarinettes
39
2 Saxophones (duo)
37
Saxophone Tenor et Piano
36
Ensemble de Clarinettes
36
Clarinette
35
2 Clarinettes (duo)
31
Flûte, Hautbois, Clarinette, Basson
30
Flûte traversière
29
Hautbois (partie séparée)
26
Quatuor de Flûtes : 4 flûtes
22
Saxophone Soprano et Piano
21
Saxophone Alto
21
3 Clarinettes (trio)
19
Ensemble de Flûtes
17
Saxophone Baryton, Piano
16
Saxophone Tenor
15
Saxophone (partie séparée)
13
Quintette de Clarinettes: 5 clarinettes
12
Quintette de Flûte : 5 flûtes
11
2 Hautbois (duo)
7
Flûte à bec Soprano
7
Cor Anglais
7
Quatuor de Flûtes à bec
7
Flûte, Clarinette (duo)
7
Cor anglais, Piano
6
Hautbois, Basson (duo)
6
Flute (partie séparée)
6
Clarinette Basse, Piano
5
3 Saxophones (trio)
5
Trio de Flûtes: 3 flûtes
5
Flûte à bec Alto
4
Flûte et Guitare
4
Hautbois
4
Saxophone, Clarinette (duo)
3
Clarinette, Violon (duo)
3
Clarinette (partie séparée)
3
Harmonica
3
Clarinette, Basson (duo)
2
Flûte, Trompette (duo)
2
Clarinette Basse
2
Hautbois, Guitare (duo)
2
Flûte à bec Soprano, Piano
2
Saxophone Soprano
2
Saxophone Baryton
2
Hautbois, Clarinette (duo)
2
Ensemble De Flûte à bec
2
Flûte à bec Alto, Piano
2
Hautbois, Flûte
2
2 Flûte à bec (duo)
2
Flûte, Saxophone (duo)
2
Clarinette, Trompette (duo)
2
Clarinette et Alto
2
Ocarina
2
Flûte, Clarinette, Piano (trio)
2
Flûte irlandaise
1
5 Flûtes à bec
1
Flûte à bec Tenor
1
Flûte, Violon
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, Cor (duo)
1
2 Cors Anglais Et Pianoforte
1
Piccolo
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle (duo)
1
+ 68 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
107
Quatuor de Cuivres : 2 trompettes, trombone, tuba
100
Trombone et Piano
38
Trompette, Piano
35
Ensemble de Trombones
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
Trompette
28
Cor et Piano
23
Tuba et Piano
20
2 Trombones (duo)
17
Trombone
16
Quatuor de Cuivres
15
Quatuor de cuivres: 4 trombones
14
Ensemble de Trompettes
13
Cor
11
2 Trompettes (duo)
11
Tuba
10
2 Cors (duo)
9
Trombone (partie séparée)
8
Trompette (partie séparée)
8
Cor Anglais
7
Trompette, Trombone (duo)
6
Cor anglais, Piano
6
Euphonium, Piano (duo)
5
Euphonium
4
3 Trompettes (trio)
3
Cor (partie séparée)
3
Euphonium, Tuba (duo)
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 cors
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trompettes
2
Tuba (partie séparée)
2
Trompette, Euphonium (duo)
1
Ensemble de Cors
1
Trio de Cuivres
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
Trompette, Trombone, Piano
1
Clarinette, Cor (duo)
1
+ 37 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
188
Violon et Piano
66
Violoncelle, Piano
53
Violon
48
Alto, Piano
47
Violoncelle
36
Harpe
35
Trio à Cordes: violon, alto, violoncelle
32
2 Violons (duo)
28
Violon, Violoncelle (duo)
22
Contrebasse, Piano (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Alto seul
13
Contre Basse
13
2 Altos (duo)
13
Violon, Alto (duo)
13
2 Violoncelles (duo)
13
Ensemble de Violons
13
Ensemble d'Altos
12
Trio à Cordes: 2 violons, violoncelle
8
Harpe, Voix
6
4 Violoncelles
5
Alto (partie séparée)
4
2 Harpes (duo)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon (partie séparée)
2
Contrebasse (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
4 Contrebasses
2
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
Piano Trio: Violon, Alto, Piano
1
Alto et Harpe
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
165
Orchestre à Cordes
73
Orchestre
69
Ensemble Jazz
43
Ensemble de cuivres
37
Orchestre de chambre
31
Cloches
15
Jazz combo
11
Ensemble de Percussions
11
Fanfare
7
Marimba
6
Xylophone
4
Batterie
4
Xylophone, Piano
3
Percussion (partie séparée)
2
Vibraphone
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Batterie (partie séparée)
1
Piano et Orchestre
1
+ 17 instrumentations
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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
All I Know
Partitions à imprimer
6 778 partitions trouvées
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6776
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
He Knows My Name
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Instruments en Do
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DÉBUTANT
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Maranatha! Music
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Maranatha! Music
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He Knows My Name
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Steven See
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1500563 By Maranatha! Music. By Maranatha! Music. Arranged by Maranatha! Music. Christian,Praise & Worship,Religious,Sp...
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C Instrument - Level 1 - SKU: A0.1500563 By Maranatha! Music. By Maranatha! Music. Arranged by Maranatha! Music. Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1076648. Published by Steven See (A0.1500563). I have a MakerHe formed my heartBefore even time beganMy life was in His handsHe knows my nameHe knows my every thoughtHe sees each tear that fallsAnd hears me when I callLets all sing, I have a FatherI have a FatherHe calls me His ownHe'll never leave meNo matter where I goHe knows my nameI'm so glad I can sayHe knows my every thoughtHe sees each tear that fallsAnd hears me when I callHe knows me, He knows my nameHe knows my nameHe knows my every thoughtHe sees each tear that fallsAnd hears me when I callHe knows your nameHe knows your every thoughtHe sees all those tears that fallAnd He'll hear you when you call.
$3.99
I Know Whom I Have Believed - Flex Orchestra
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Musique Sacrée
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having one or more instruments
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James McGranahan
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Kristin Campbell
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I Know Whom I Have Believed -
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Horsehair Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - SKU: A0.596386 Composed by James McGranahan. Arranged by Kristin Campbell....
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Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - SKU: A0.596386 Composed by James McGranahan. Arranged by Kristin Campbell. Sacred. Score and parts. 30 pages. Horsehair Music #4301947. Published by Horsehair Music (A0.596386). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination.Set in the key of D and modulating to G. The finger patterns change after the modulations, the melody part also includes a B-flat for the modulation, allowing the player to experience using a low first finger. The melody part has one section of motif between the stanzas and choruses of the hymn. Also included are the words to the hymn, so that players who may not know the lyrics can learn them.
$9.99
Everybody Knows Your Name
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Jeremy Boyd, Jermaine Dolly, a
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John Fries
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Everybody Knows Your Name
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.546787 Composed by Jeremy Boyd, Jermaine Dolly, and Tyrone Tribbett. Arranged by John Fries. 20th Century,Film/TV,Jazz,...
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C Instrument - Level 4 - SKU: A0.546787 Composed by Jeremy Boyd, Jermaine Dolly, and Tyrone Tribbett. Arranged by John Fries. 20th Century,Film/TV,Jazz,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #156721. Published by John Fries (A0.546787). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Where Everybody Knows Your Name, also credited as Theme from Cheers (Where Everybody Knows Your Name), is the theme song from the television sitcom Cheers, as well as the debut single for Gary Portnoy. He finally came up with a catchy intro followed by simple alternating chords on a piano. The opening verse lines, both musically and lyrically, were something of a lament. The verse then transitioned into a soaring refrain that seemed to capture the essence of why people might want to go to a place like Cheers—a place Where Everybody Knows Your Name.
$3.99
Where Everybody Knows Your Name
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gary Portnoy and Judy Hart Ang
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John Fries
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Where Everybody Knows Your Nam
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1339566 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score....
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Piano Solo - Level 4 - SKU: A0.1339566 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 3 pages. John Fries #925265. Published by John Fries (A0.1339566). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Where Everybody Knows Your Name, also credited as Theme from Cheers (Where Everybody Knows Your Name), is the theme song from the television sitcom Cheers, as well as the debut single for Gary Portnoy. He finally came up with a catchy intro followed by simple alternating chords on a piano. The opening verse lines, both musically and lyrically, were something of a lament. The verse then transitioned into a soaring refrain that seemed to capture the essence of why people might want to go to a place like Cheers—a place Where Everybody Knows Your Name.
$5.99
Where Everybody Knows Your Name
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Gary Portnoy and Judy Hart Ang
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John Fries
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Where Everybody Knows Your Nam
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201518 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by John Fries. 20th Century,Film/TV,Pop,Sta...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201518 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 3 pages. John Fries #800139. Published by John Fries (A0.1201518). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Where Everybody Knows Your Name, also credited as Theme from Cheers (Where Everybody Knows Your Name), is the theme song from the television sitcom Cheers, as well as the debut single for Gary Portnoy. He finally came up with a catchy intro followed by simple alternating chords on a piano. The opening verse lines, both musically and lyrically, were something of a lament. The verse then transitioned into a soaring refrain that seemed to capture the essence of why people might want to go to a place like Cheers—a place Where Everybody Knows Your Name.
$4.99
I Am a Covenant Child of God, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Am a Covenant Child of God,
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1268718 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1268718 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #861246. Published by Kevin G. Pace (A0.1268718). A dramatically beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:When in the dark with vision obscured,My prayer is answered from God’s peace conferred:“Be not afraid; oh, be not dismayed.Jesus is near thee; for thy soul He paid.â€I am a cov’nant chi-ld of God.His holy Son draws my honor and laud.I feel Christ’s love; to Him I am bound.Fearlessness comes from his merited crown.I am an heir of Abraham’s seed;I will be blessed for each cov’nant I heed.I can be strong in these latter days.Courage will come with Christ’s infinite aid.I will trust God and his Son of Man.I know I can for I know whose I am.I will hold tight to heaven’s sure rod,For I am a cov’nant child of God.I am a child in God’s family.He knows my name and He calls me to beHumble and bold, and in Him confide.Jesus has promised He’ll be by my side.I can proclaim my legacy acquiredBecause of my Savior’s most holy desire.I’ll not forget my heritage bought,For I am a cov’nant child of God.
$1.99
All I Know So Far
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Chorale SATB
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FACILE
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Pink
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Ash
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All I Know So Far
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Music by Ash
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1494437 By Pink. By Alecia Moore, Benj Pasek, and Justin Paul. Arranged by Ash. Pop,Rock,Singer/Song...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1494437 By Pink. By Alecia Moore, Benj Pasek, and Justin Paul. Arranged by Ash. Pop,Rock,Singer/Songwriter. 16 pages. Music by Ash #1071031. Published by Music by Ash (A0.1494437). General DetailsSATB with piano only4 voice parts (no further divisi)Well-suited for small ensembles (8-12 voices), large choruses (100+), or in betweenDuration: approx. 4:30Vocal RangesSoprano: G3-F5Alto: G3-D5Tenor: C3-F4Bass: C3-E4Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com.
$2.99
All I Know So Far
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Chorale TTBB
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INTERMÉDIAIRE
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Pink
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Ash
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All I Know So Far
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Music by Ash
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1497354 By Pink. By Alecia Moore, Benj Pasek, and Justin Paul. Arranged by Ash. Pop,Rock,Singer/So...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1497354 By Pink. By Alecia Moore, Benj Pasek, and Justin Paul. Arranged by Ash. Pop,Rock,Singer/Songwriter. 15 pages. Music by Ash #1073767. Published by Music by Ash (A0.1497354). General DetailsTTBB with piano onlySolo for first verse and chorus4 voice parts (no further divisi)Well-suited for small ensembles (8-12 voices), large choruses (100+), or in betweenDuration: approx. 4:45Note: there is an alternate version without a solo available here.Vocal RangesSolo: A2-F#4Tenor 1: C#3-B4Tenor 2: C#3-F#4Baritone: A2-E4Bass: A2-C#4Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com
$2.99
All I Know So Far
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Pink
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Ash
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All I Know So Far
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Music by Ash
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.919867 By Pink. By Alecia Moore, Alicia B. Moore, Benj Pasek, and Justin Paul. Arranged by Ash. Pop. Octavo. 16 ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.919867 By Pink. By Alecia Moore, Alicia B. Moore, Benj Pasek, and Justin Paul. Arranged by Ash. Pop. Octavo. 16 pages. Music by Ash #6655721. Published by Music by Ash (A0.919867). General DetailsTTBB with piano onlyBass and drum set scores NOT included (alternate version with bass and drums coming soon to SMP)4 voice parts (no further divisi)Well-suited for small ensembles (8-12 voices), large choruses (100+), or in betweenDuration: approx. 4:30Vocal RangesTenor 1: E3-A4Tenor 2: E3-F#4Baritone: C#3-E4Bass: A2-C#4 Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com
$2.00
The Best Hymns of All Time (for Wind Instruments) Book 3
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin K...
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Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
How Shall I Know
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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William Hawley
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How Shall I Know
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William Hawley
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1222835 Composed by William Hawley. Classical,Contemporary. Score. 4 pages. William Hawley #818811. Published by W...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1222835 Composed by William Hawley. Classical,Contemporary. Score. 4 pages. William Hawley #818811. Published by William Hawley (A0.1222835). This is the score of William Hawley's How Shall I Know for Voice and Piano, setting a poem by Edna St. Vincent Millay. The Audio Sample is the complete Composer's Demo recording. Performance duration: 1½ minutes. ASCAP https://williamhawley.net.
$1.99
All I Need to Know (Choir Version: includes unlimited license to copy)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Everall A
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Everall Aiken Peele
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All I Need to Know
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Everall Aiken Peele
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.821570 Composed by Everall A. Peele. Arranged by Everall Aiken Peele. Christian,Sacred. Octavo. 6 pages. Everall...
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Choral Choir (SATB) - Level 3 - SKU: A0.821570 Composed by Everall A. Peele. Arranged by Everall Aiken Peele. Christian,Sacred. Octavo. 6 pages. Everall Aiken Peele #3513765. Published by Everall Aiken Peele (A0.821570). Christian song for meditative call-to-worship, pre-sermon, or general worship. Based on and includes portions of Jesus Loves Me with thoughts about the deeper meaning of those words. Buy one and make as many copies as needed for your group.
$5.00
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
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Contemporain
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Grace Joy Reid
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Poe's Evening Carousel Ride, b
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Creating Music Joy
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SheetMusicPlus
Small Ensemble Flute,Keyboard,Voice - Level 5 - SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creatin...
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Small Ensemble Flute,Keyboard,Voice - Level 5 - SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape. Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache. My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful. With me poetry has not been a purpose, but a passion. Edgar Allan Poe. Warning: Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.
$7.95
All I Know So Far
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Pink
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Bryan Sharpe
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All I Know So Far
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Bryan Sharpe
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.725974 By Pink. By Alecia Moore, Alicia B. Moore, Benj Pasek, and Justin Paul. Arranged by Bryan Sharpe. ...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.725974 By Pink. By Alecia Moore, Alicia B. Moore, Benj Pasek, and Justin Paul. Arranged by Bryan Sharpe. A Cappella,Pop. 19 pages. Bryan Sharpe (BSharpe Music) #6496813. Published by Bryan Sharpe (BSharpe Music) (A0.725974). A cappella arrangement of All I Know So Far by Pink for Solo + SSATB
$2.50
All I Know
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Harpe
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INTERMÉDIAIRE
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Jimmy Webb
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Laurie Peterson
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All I Know
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Laurie Peterson
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SheetMusicPlus
Lever Harp - Level 3 - SKU: A0.1360807 Composed by Jimmy Webb. Arranged by Laurie Peterson. 20th Century,Pop. Score. 4 pages. Laurie Peterson #945304. P...
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Lever Harp - Level 3 - SKU: A0.1360807 Composed by Jimmy Webb. Arranged by Laurie Peterson. 20th Century,Pop. Score. 4 pages. Laurie Peterson #945304. Published by Laurie Peterson (A0.1360807). Art Garfunkel's 1973 recording All I Know from his album Angel Clare is a natural for the harp. This sweet song can be played on lever or pedal harp and is in the key of C major. It has only one lever/pedal change (G to G#) and can be played on a minimum 34-string harp. The arrangement is intermediate level.
$5.99
All I Know So Far
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Pink
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Whitney Lussier
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All I Know So Far
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Rosesong Music
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.768579 By Pink. By Alecia Moore, Benj Pasek, and Justin Paul. Arranged by Whitney Lussier. Pop. Individual part. 2 pages....
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Cello Solo - Level 4 - SKU: A0.768579 By Pink. By Alecia Moore, Benj Pasek, and Justin Paul. Arranged by Whitney Lussier. Pop. Individual part. 2 pages. Rosesong Music #376204. Published by Rosesong Music (A0.768579). A cello solo of P!nk's All I Know So Far. This arrangement is kept in the original key, so you can perform along with the original!
$4.99
All I Know So Far
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Alto (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Pink
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Whitney Lussier
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All I Know So Far
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Rosesong Music
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SheetMusicPlus
Viola Solo - Level 4 - SKU: A0.769486 By Pink. By Alecia Moore, Benj Pasek, and Justin Paul. Arranged by Whitney Lussier. Pop. Individual part. 2 pages....
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Viola Solo - Level 4 - SKU: A0.769486 By Pink. By Alecia Moore, Benj Pasek, and Justin Paul. Arranged by Whitney Lussier. Pop. Individual part. 2 pages. Rosesong Music #377117. Published by Rosesong Music (A0.769486). A viola solo of P!nk's All I Know So Far. This arrangement is kept in the original key, so you can perform along with the original!
$4.99
All I Know So Far
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Pink
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Whitney Lussier
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All I Know So Far
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Rosesong Music
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.769488 By Pink. By Alecia Moore, Benj Pasek, and Justin Paul. Arranged by Whitney Lussier. Pop. 2 pages. Rosesong Music ...
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Violin Solo - Level 4 - SKU: A0.769488 By Pink. By Alecia Moore, Benj Pasek, and Justin Paul. Arranged by Whitney Lussier. Pop. 2 pages. Rosesong Music #377119. Published by Rosesong Music (A0.769488). A violin solo of P!nk's All I Know So Far. This arrangement is kept in the original key, so you can perform along with the original!
$4.99
All Creatures of Our God and King
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Jeff Bjorck
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Jeff Bjorck
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All Creatures of Our God and K
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Pure Piano Music by Jeff Bjorck
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1256146 By Jeff Bjorck. By Geistliche Kirchengesang, Cologne, 1623. Arranged by Jeff Bjorck. Christian,Religious,Sacred,S...
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Piano Solo - Level 3 - SKU: A0.1256146 By Jeff Bjorck. By Geistliche Kirchengesang, Cologne, 1623. Arranged by Jeff Bjorck. Christian,Religious,Sacred,Spiritual,Traditional. Score. 7 pages. Pure Piano Music by Jeff Bjorck #849613. Published by Pure Piano Music by Jeff Bjorck (A0.1256146). Jeff Bjorck's original solo piano arrangement of this ancient hymn melody is from Bjorck's album/CD This I Know: Ageless Hymns of Faith. This tune was used to accompany words translated from a poem by St. Francis of Assisi, whose love of animals and all creation are well-known. Whereas this hymn is typically sung as a majestic song of praise, Bjorck's arrangement conveys the gentility with which St. Francis exhorted his fellow creatures to Lift up your heads and with us sing. No doubt, he would have sung softly so as not to frighten the smaller woodland inhabitants!
$5.50
Prelude and Allegro, "Urbanalia"
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Joshua A
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Prelude and Allegro, "Urb
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Joshua A Idio
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1074907 Composed by Joshua A. Idio. 20th Century,Classical,Contest,Festival,Multicultural,Standards,Wo...
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String Quartet String Quartet - Level 3 - SKU: A0.1074907 Composed by Joshua A. Idio. 20th Century,Classical,Contest,Festival,Multicultural,Standards,World. Score and parts. 55 pages. Joshua A Idio #679162. Published by Joshua A Idio (A0.1074907). Composed by Joshua A. Idio. Chamber Music. String Quartet. This is a two-movement piece comprising of a prelude and an allegro. The entire piece is meant to convey a simple story of witnessing the change of different lifestyles, from the peaceful and simple rural life to the electrifying grandeur of urban city life. The prelude, signifying the rural atmosphere, begins with unsettling chords that feel seasonal and constantly moving. The different string melodies are as lovingly soothing as playing in the grassy fields and mountains. They are fun, pleasant, and whimsical, and they express the rather playful and tranquil setting of rural living. The beginning chords may feel unusually active, but it also adds to the color of this calming tranquility. Life couldn't be any better. In contrast to the fun and joyful theme of the prelude, the allegro embodies the absolute hustle and bustle of the big city. Explosive harmonies progress through the movement. Melodies from the prelude now intertwine with this new faster theme, playing more lively and vigorous. The mood has changed. Everything seems fast-paced and maybe overloading. But, maybe that's not a bad thing. A bit into the movement, as the hustle and bustle finally slow down, the essence of the prelude returns to calm the music. Homesickness mixed with overwhelming emotions is just as powerful of an expression as joy or anger. Filled with confidence and resolve, the music quickens back into its fast theme. The nature of intense focus, inspired by the urban surroundings, mixes with the joy and fun of the old ways. Everything now seems not just more familiar and comforting, but lively as well. As the music reaches its end, those unsettling chords from the prelude return to once again remind us that the rural lifestyle will always be a part of us. Maybe this city life won't be such a bad thing. We experience the best life when it comes with change. While I never lived in a rural community myself, I can empathize with the experience of people who have from their own stories and emotions. And when they move into the overwhelming cityscape, they sometimes either break down or build up. In the end, though, I can never really understand what it is like until I move into a rural community. But I know nothing will ever change how they grew up there, as the experiences always seem to follow them into the next chapter of their adventures. And it is because of that kind of beautiful resolve, did I nickname this Prelude and Allegro Urbanalia. When life meets change it opens up a whole new story.
$45.00
I Know Whom I Have Believed
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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Lyndell Leatherman
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I Know Whom I Have Believed
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1221513 By Various. By Words: Daniel W. Whittle / Music: James McGranahan. Arranged by Lyndell Leatherman. ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1221513 By Various. By Words: Daniel W. Whittle / Music: James McGranahan. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #817813. Published by Leatherman Music Services (A0.1221513). Welcome to this entry in the Leatherman Library of Christian Hymnody (LLOCH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Much was published; some was not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
The Valley of the Dry Bones
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Orchestre
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AVANCÉ
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Zsigmond Rosarion
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The Valley of the Dry Bones
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Zsigmond Rosarion
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond...
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Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond Rosarion #1092214. Published by Zsigmond Rosarion (A0.1518051). The Valley of the Dry Bones is based off of the chapter in Ezekiel The Valley of the Dry Bones (from the Bible) symbolizes the Israelites' revival and God's power and sovereignty Ezekiel 37:1-6The hand of the Lord was upon me, and He brought me out by the Spirit of the Lord and set me down in the middle of the valley; and it was full of bones. He caused me to pass among them round about, and behold, there were very many on the surface of the valley; and lo, they were very dry. He said to me, “Son of man, can these bones live?” And I answered, “O Lord God, You know.” Again He said to me, “Prophesy over these bones and say to them, ‘O dry bones, hear the word of the Lord.’ Thus says the Lord God to these bones, ‘Behold, I will cause breath [spirit] to enter you that you may come to life. I will put sinews on you, make flesh grow back on you, cover you with skin and put breath in you that you may come alive; and you will know that I am the Lord.’”Ezekiel is called by the Lord, and given a vision. Ezekiel is set down in a valley full of bones. This is not some symbolic imagery, but these are literally dead people, long dead. God asks Ezekiel if he believes the bones can come back to life, and Ezekiel says only the Lord knows. God gives Ezekiel a prophesy concerning all the dead. At a future date, God will cause breath (His Spirit) to enter the bones so that they may come to life. God will use His power (which is always through the Spirit of God) to cause these dead to be resurrected. We know this isn’t symbolic of spiritual death and spiritual life because of the graphic imagery that is used.
$39.99
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All I Know
