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57
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The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.2 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Everything for the Church Soloist-Digital Download
Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack …
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Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
Song List
: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95
73.13 €
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Various Writers
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Everything for the Church Soloist-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
The Raymond Variations for Piano (Set 1)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.499760 Composed by S. G. Potts. 20t…
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Piano Solo - Level 4 - Digital Download SKU: A0.499760 Composed by S. G. Potts. 20th Century,Contemporary,Romantic Period,Standards. Score. 18 pages. S. G. Potts #3512109. Published by S. G. Potts (A0.499760). The Raymond Variations for Piano (Set 1), received its world premiere on 2nd December 2015 at the 1901 Arts Club London, performed by Lorraine Womack-Banning as part of a memorial tribute concert to her late husband Raymond Banning (former professor of pianoforte at Trinity College London). The Variations are based on the three Andantino themes which form a central part of the ‘Raymond Overture’ written in 1851 by French composer Ambroise Thomas: 1811-1896. There are nine piano variations in total; these include a mix of both full and short partial variations (including a very short declamatory two chord introductory variation). The variations are not numbered or set-apart in a conventional manner, rather they form part of a continuous whole, and are separated only by bridge passages and/or cadence points; they last a little under eight minutes in duration, and strongly exploit the passionate elements of Thomas’s themes. They have been written for the most part in an accessible tonal style (with a passing nod to Messrs. Beethoven and J.S. Bach) and are based predominately in the home key of D minor, but they do also take advantage of many 20th and 21st century harmonic techniques where deemed appropriate: e.g. added note chords; cluster chords; percussive chords, and melodic deflection. In particular, the interval of the major 7th and its enharmonic equivalent(s) (the most distinctive interval in the main andantino theme from the overture) is heard in various different guises throughout the variations: this includes its inversion the minor 2nd which has a very distinctive sharp dissonant quality. Much play is made of these intervals – to somewhat humorous effect in variation 8 (the joker in the pack) heard some three quarters into the set, here the dissonant interval is pounded out double forte before hastily leading into some boisterous cluster harmonic instability; then quietly begins variation 9 which duly brings the set to a close. Look out for the sting in the tail!
$9.99
9.14 €
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Piano seul
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S
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these include a  
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The Raymond Variations for Piano
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S. G. Potts
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SheetMusicPlus
An die Türen (I will creep up to the doors) for low voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - Digital Download SKU: A0.57670…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - Digital Download SKU: A0.576706 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and parts. 5 pages. David Warin Solomons #90245. Published by David Warin Solomons (A0.576706). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for low voice and guitar. In some places the guitar part is simplified in comparison to the original piano part in order to improve the flowing quality and to make it possible for one person to accompany herself/himself on the guitar. A version for low voice and piano also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt, Wer nie sein Brot mit Tränen ass, An die Türen) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site The pdf file contains the score and also the separate parts. An die Türen An die Türen will ich schleichen, Still und sittsam will ich steh'n; Fromme Hand wird Nahrung reichen, Und ich werde weitergehn. Jeder wird sich glücklich scheinen, Wenn mein Bild vor ihm erscheint; Eine Träne wird er weinen, Und ich weiß nicht, was er weint. I will creep up to the doors and stand there quiet and polite goodly hands will give me food and grateful I will leave their sight Every person will seem happy When they see me at their door They will shed a tear which I will never know the reason for. (English translation (c) 2015 David Warin Solomons) If you would like a downloadable mp3 of the guitar accompaniment, you can use this reference in the search box on sheetmusicplus: S0.707285
$8.00
7.32 €
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Franz Schubert
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David Warin Solomons
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An die Türen
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David Warin Solomons
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SheetMusicPlus
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784838 Composed by McCor…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.74 €
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Voix Alto, Piano
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
The DaySpring
Orgue
Organ: 3-staff - Intermediate SKU: LO.70-1608S Advent Meditations for Organ.…
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Organ: 3-staff - Intermediate SKU: LO.70-1608S Advent Meditations for Organ. Composed by Gilbert M. Martin. Sacred, Advent. Sacred Music Press #70/1608S. Published by Sacred Music Press (LO.70-1608S). ISBN 9780893288372.For the coming of the Christ-child, whether quietly awaited or fervently desired, expectation is musically gathered in this joyous collection of organ music designed for the Advent season. Familiar carols (and one or two less familiar ones) receive sparkling and contemplative treatments. Registered for all organs and accurately timed.
Song List: Watchman Tell Us Of The Night Come Thou Long Expected Jesus O Come O Come Emmanuel Savior of the Nations Come Creator Of The Stars Of Night On Jordan's Bank The Baptist's Cry
Song List
: Watchman Tell Us Of The Night Come Thou Long Expected Jesus O Come O Come Emmanuel Savior of the Nations Come Creator Of The Stars Of Night On Jordan's Bank The Baptist's Cry
$25.00
22.87 €
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Orgue
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Gilbert M
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The DaySpring
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Sacred Music Press
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SheetMusicPlus
THE DEEP for solo DOUBLE BASS
Contre Basse
Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Ed…
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Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published by Alan Edgar Ted Moon (A0.1347908). Jacques Cousteau, Father of the Aqualung, wrote: The sea, once it casts its spell, holds one in its net of wonder for ever.This piece, for virtuoso double bass, imagines a scuba-diver encountering large animals, and consists of a suite of short depictions of animals in the form of variations on a melody plus a recurrent new melody representing the diver's smooth movements and bubbles. The variations are: Lobster Jazz Waltz, Sea-anemone Belly-dance, Tuna Tune, Luminous Light Show, Dolphin Fling, Jaws Serial and Blues Whale Pavane.The piece lasts about eight minutes with repeats.TECHNICAL NOTE The C harmonics will be a pip flat--they are only bursting bubbles anyway!Scuba Fins tries to feel the quiet calmness and agelessness of the underwater world, using the ancient and universal major pentatonic scale C,D,E, G,A ,C. The rhythm is mostly steady and simple, but triplets indicate the occasional extra effort. Now and again, he glances down at the infinite depths. Tintinnabulation and soft staccatissimo arpeggios represent the bubbles. Lobster Waltz is a jazz waltz with many staccato notes and leaps representing the many appendages and the tangle of lively giant crustaceans.Sea-anemone Belly-Dance pictures the soft body and tentacles swaying under the waves, using the Arabic scale Shad 'Araban, roughly G,Ab, B,C,D,Eb,F#,G and influenced by a dance to the folk tune known as Bint El-Salabiya.Tuna Tune is a quick moto perpetuo in the cheerful major mode, septuple time, the rapid rise and fall of the phrases and of volume reflecting the powerful shoal's unpredictable, ceaseless movements, approaching and retreating.Dolphin Fling is a stathspey, or highland fling, using the major mode and typical dance rhythms including the Scotch snap to depict the weighty but intelligent dolphins enjoying their leisure time and perhaps dancing with the diver.Jaws Serial reminds us of the fear a shark generates, using the dissonant 12-note serial mode and unpredictable leaps and pauses. The opening slow trill will chill you as it invokes the Jaws film theme by John Williams. You might even hear the diver's heart sink and the snap pizzicato of the teeth snapping. The prime row is the nearest possible to the original theme: Bb, Ab, F, Eb, B, C, E, G, Db, D, Gb.A, but I have followed the contours of the main themes. Blues Whale is a pavane, a slow, stately processional incorporating the typical renaissance drum rhythm. and using a blues scale, G, A, Bb, C, C#, D, F, G, and an implied 12-bar minor blues harmony.
$20.00
18.29 €
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Contre Basse
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Alan Edgar
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THE DEEP for solo DOUBLE BASS
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Alan Edgar Ted Moon
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SheetMusicPlus
And They Were Friends From That Day On
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1495488 By Damien Gauci. By Damien …
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Piano Solo - Level 4 - Digital Download SKU: A0.1495488 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 7 pages. Damien Gauci #1072005. Published by Damien Gauci (A0.1495488). Whiskers and Pippin had left the abandoned house behind, but they carried with them something far more valuable than anything they could have found within its dusty walls—a new friendship. As they journeyed through the woods, they discovered that they had more in common than just their fur colour. Their shared curiosity led them to explore new paths, while their cautious natures kept them safe from danger. Every rustle of the leaves, every flicker of movement in the underbrush, became an adventure when they were together.Day after day, Whiskers and Pippin would meet at the edge of the forest, eager to explore each other’s favourite spots. Whether it was a hidden grove full of the sweetest acorns or a quiet stream perfect for reflection, they found joy in sharing these special places with each other. The once lonely woods now felt alive with the warmth of their companionship. They would chase each other up trees, playfully darting between branches, and when the day grew late, they would sit side by side, watching the sun dip below the horizon.The fear and hesitation that once filled their first encounter was now just a distant memory. In its place was a deep bond, forged through shared experiences and a mutual understanding. Whiskers and Pippin might have been cautious, but together, they found the courage to explore a world that felt much less daunting with a friend by their side. And so, from that day on, they were inseparable—two squirrels who had found in each other a lifelong companion, proving that sometimes, the best adventures begin when you least expect them.
$6.00
5.49 €
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Piano seul
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Damien Gauci
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And They Were Friends From That Day On
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Damien Gauci
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SheetMusicPlus
Dances of the three daughters of Night and Darkness
Violon et Piano
Instrumental Solo,Piano,Violin - Digital Download SKU: A0.938341 Composed by Dr Ant…
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Instrumental Solo,Piano,Violin - Digital Download SKU: A0.938341 Composed by Dr Anthony Costandius. 20th Century,African,Contemporary,World. Score and individual part. 36 pages. Anthony Costandius Music #35773. Published by Anthony Costandius Music (A0.938341). A piece for solo violin and piano. Old Night and his wife Darkness live in a cave deep in the Ghost Mountains of the Kalahari Desert. They had three daughters and lived their quiet life deep in the stone cave while the whole world was covered in cold and darkness. The three daughters were called Mountains, Plains and Waters. These daughters loved to dance and their parents enjoyed watching them. Often people from far away would come and visit them, just to watch the girls dance. There are five parts: The Cave of Old Night and darkness Dance of Mountains and her tortoise shell necklace Dance of Plains and her seed-filled calabashes Dance of Waters and her dried Springbok ears, filled with tiny bone fragments Encore.
$10.00
9.15 €
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Violon et Piano
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Dr Anthony Costandius
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Dances of the three daughters of Night and Darkness
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Anthony Costandius Music
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SheetMusicPlus
Coventry Carol -- The Blessing and Peace of Christmas
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.889284 Composed by Traditiona…
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String Orchestra - Level 4 - Digital Download SKU: A0.889284 Composed by Traditional. Arranged by Mary Jane Lang. Christian,Christmas,Sacred. Score and parts. 22 pages. MaryJaneLang #1411. Published by MaryJaneLang (A0.889284). This is a reaction on the part of the composer to the brash commercialization of Christmas. Christmas is first Christ, Jesus Christ, His humble Birth in a Manger, the quiet tenderness of his Mother Mary and his Father Joseph, the surroundings of people who were prominent in their day but utterly unknown now. It is a reaction to wanting to go back to the Silent Night, the Shepherds Watching the Sheep by Night, etc. The spirit is quiet reverence for Jesus. This is arranged for solo voice (or womens' choir), flute obligato, strings (string orchestra or string quartet), and harp or piano. In other words, this is intended to minister to the quiet nobility of the true spirit of Christmas, with love and blessings.
$35.99
32.92 €
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Orchestre à Cordes
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Traditional
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Mary Jane Lang
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Coventry Carol -- The Blessing and Peace of Christmas
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MaryJaneLang
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SheetMusicPlus
The Holy Child
Chorale SATB
SATB choir, organ, narrator SKU: LO.65-1966S Reflections on the Eve of Christmas…
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SATB choir, organ, narrator SKU: LO.65-1966S Reflections on the Eve of Christmas. Composed by Gilbert M. Martin. Choral, cantatas. Advent, Christmas, Sacred. Choral score. Sacred Music Press #65/1966S. Published by Sacred Music Press (LO.65-1966S). UPC: 000308098303.The birth of the Holy Child is gently recalled in this serene and contemplative mini-cantata. This composer's familiar hallmarks of colorful organ sounds and expressive choral writing shine throughout this luminous work. An original, flowing setting of Come, Thou Long-Expected Jesus leads off the Bethlehem journey, followed by the well-known Lo, How a Rose E'er Blooming. The very first awe-filled visitors are in attendance with While Shepherds Watched Their Flocks, and all adore the new-born King with a sumptuous choral arrangement of Away in a Manger, weaving both familiar melodies together in simple tranquility. A sensitive setting of the Christina Rossetti poem, Love Came Down at Christmas brings the entire work together, quietly heralding Jesus' peaceful arrival on earth. The narrator comments throughout with the familiar Christmas story from St. Luke. You will find this work to be suitable for the Sundays before Christmas, on Christmas Day, and especially, on Christmas Eve.
Song List: Come Thou Long-Expected Jesus Lo How A Rose E'er Blooming While Shepherds Watched Their Flocks Away In A Manger Love Came Down At Christmas
Song List
: Come Thou Long-Expected Jesus Lo How A Rose E'er Blooming While Shepherds Watched Their Flocks Away In A Manger Love Came Down At Christmas
$7.95
7.27 €
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Chorale SATB
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Gilbert M
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The Holy Child
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Sacred Music Press
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SheetMusicPlus
Goin' Home - From the New World Op. 95
Harpe, Flûte (duo)
Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.502…
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.502638 Composed by Antonin Dvorak. Arranged by Arranged by Karen Almquist, Edited by Jennifer Grady. Classical,Romantic Period. Score and parts. 4 pages. HarpSong, Jennifer Grady and Karen Almquist #114989. Published by HarpSong, Jennifer Grady and Karen Almquist (A0.502638). “Goin Home†is a peaceful and moving flute and harp arrangement of Antonin Dvorak’s magnificent Symphony No. 9 “From the New World†2nd Movement. The arrangement in Eb begins and ends quietly in the lower register of the instruments. The flute introduces the melody over quiet eighth note arpeggios on the harp. The harp plays the melody in the second verse. “Goin Home†builds to a glorious ending with an uplifting harp glissando, full rolled chords and flute soaring in its high register. The music is full of emotion and hope. William Arms Fisher a student of Dvorak penned the moving lyrics “Goin Home†to the music. Goin' home. Goin' home. I'm a-goin' home. Quiet-like some still day, I'm just goin' home. It's not far, just close by, through an open door. Work all done, cares laid by, goin' to roam no more; Mother's there 'xpecting me, father's waiting, too, Lots of folks gathered there, all the friends I knew. Morning star lights the way, restless dream all done. Shadows gone, break of day, real life just begun. There's no break, there's no end, just a-living on; Wide awake, with a smile, going on and on. Going home. Going home, I'm just going home. It's not far, just close by, through an open door.
$4.99
4.56 €
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Harpe, Flûte (duo)
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Antonin Dvorak
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Goin' Home - From the New World Op. 95
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HarpSong, Jennifer Grady and Karen Almquist
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SheetMusicPlus
Memories Drift Quietly
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1354540 By James Michael Stevens. B…
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Piano Solo - Level 3 - Digital Download SKU: A0.1354540 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Film/TV,Lent,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #939262. Published by James M Stevens Music ASCAP (A0.1354540). Written January 6, 2024, this is an original piano composition in a quiet, nostalgic and somewhat sad style. This has been a difficult holiday season for me. My father unexpectedly passed away on Christmas Day and my mother unexpectedly passed away on New Years Day. They were great parents and the sorrow of losing them is and will be great. They were always proud and supportive of my music and I hope to somehow in their memory honor them as I continue to write.
$4.99
4.56 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Memories Drift Quietly
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James M Stevens Music ASCAP
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publicationsThe Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.14 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
When Stars Are In The Quiet Skies
Piano, Voix
Piano and voice - Digital Download SKU: LV.19992 Arranged by Alexander Ball. Courts…
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Piano and voice - Digital Download SKU: LV.19992 Arranged by Alexander Ball. Courtship & love, Death. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19992). When Stars Are In The Quiet Skies. Poetry by E.L. Bulwer, Esqr. Adapted & Arranged by Alexander Ball. Published [n.d.] by Lee & Walker, 188 Chesnut St. in Philadelphia. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Death. First line reads When stars are in the quiet skies, Then most I pine for thee.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voix
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Alexander Ball
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When Stars Are In The Quiet Skies
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
March of the Kings
Chorale 3 parties
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1120365 By Philip Le Bas. B…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1120365 By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious,Sacred,Traditional. Octavo. 8 pages. Philip Le Bas #721616. Published by Philip Le Bas (A0.1120365). A new arrangement by Philip Le Bas of a thirteenth century French Christmas carol from Provence harmonized by Jean-Baptiste Lully (1632-87, attrib.) and, more famously, by Georges Bizet (1838-75, in his L'Arlesienne Suite of 1872.) In France the melody is still tightly associated with Christmas, and French audiences start singing their own Christmas words whenever they hear the melody (the arranger has heard it himself!) The English translation used here is adapted from a variety of sources. The three kings (or more precisely the magi from St Matthew's gospel) are seen marching towards Bethlehem with their fantastic golden wealth and grandeur. But why are they going to see a low-born baby and why do they worship this child who will die on a cross? The organ sets the scene from the beginning with its marching accompaniment, and the first verse is sung in unison by all three parts. The second begins with a canon, as used by Bizet, and then breaks into harmony. The first section of the third verse is much quieter and legato, sung by the sopranos and altos, using wonderful chromatic harmonies based on another section from Bizet's suite. The lyrics express wonder at the beautiful music heard from the camp of the kings. The second section, sung in differentiated unison then begins to wonder why the kings stoop so low to a baby in a manger. Finally the fourth verse, sung in full harmony, returns to the marching accompaniment and reiterates the amazement of meeting these kings with their mysterious mission. The carol is aimed at parish choirs with limited resources, but a good organist. The melody is well-known, much of it is in unison, and other sections are relatively easy to sing. Care should however should be taken to sing the dotted rhythms accurately - this is what gives the carol its marching character.
$1.99
1.82 €
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Chorale 3 parties
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Philip Le Bas
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Philip Le Bas
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March of the Kings
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Philip Le Bas
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SheetMusicPlus
The Peace of Christmas
Piano seul
Piano - Intermediate - Digital Download SKU: LX.70-2261L Quiet Carol Meditations…
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Piano - Intermediate - Digital Download SKU: LX.70-2261L Quiet Carol Meditations for the Holiday Season. Arranged by Larry Shackley. Sacred, Christmas. Church Piano. 32 pages. Lorenz Publishing - Digital Sheet Music #e70/2261L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2261L). ISBN 9780787771263.A glowing candle, the scent of evergreens, and the sound of a distant piano echoing over the snow--that's the scene Larry Shackley evokes in this beautiful collection of carols. Whether you are playing at home or providing a sensitive background to holiday services and get-togethers, these quiet meditations will display the peace of Christmas.
$19.95
18.25 €
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Piano seul
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Larry Shackley
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The Peace of Christmas
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Where Eagles Dare (Theme) - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
13.71 €
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Orchestre
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
When the World Drops In to Town
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893864 Composed by Da…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Published by David Kai (A0.893864). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song is dedicated to my spouse Marly's parents, Isaac and Sybil who were a part of the crew who helped the plane people in Gander through their involvement in the Anglican church. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! Take it all to help the plane people, it’s the least that we can do! Aunt Winnie baked two dozen of her partridgeberry pies She said, I think those plane people will be in for some surprise! So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:
$3.00
2.74 €
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Piano, Voix et Guitare
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David Kai
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When the World Drops In to Town
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David Kai
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SheetMusicPlus
Quiet Peace (SSABar choir and piano)
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1132080 Composed by Philip …
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1132080 Composed by Philip Le Bas. Christian,Praise & Worship,Religious,Sacred. Octavo. 7 pages. Philip Le Bas #732317. Published by Philip Le Bas (A0.1132080). An original setting, for SSABar choir and piano by Philip Le Bas, of Quiet Peace by Amy Carmichael (1867-1951), who worked as a Christian missionary among the poorest of the poor in India in the first half of the twentieth century. The poem is in the form of a prayer, and the music here has been been kept deliberately simple to perform, so that it canbe sung by a typical church choir. The piano here provides a constantly flowing ritornello throughout the verses, while the voices weave around it in a gentle wave of prayerful reflection. The poet feels an interior quiet peace while all around her there are storms and disquiet, because she knows that her Lord hears her voice. The setting is deliberately simple and undemanding, and it should be sung quietly, meditatively and without rushing. O Lord my heart is all a prayer, But it is silent unto thee; I am too tired to look for words, I rest upon thy sympathy To understand when I am dumb; And well I know thou hearest me. I know thou hearest me because A quiet peace comes down to me, And fills the places where before Weak thoughts were wandering wearily; And deep within me it is calm, Though waves are tossing outwardly. Amy Carmichael (1867-1951).
$1.99
1.82 €
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Chorale 3 parties
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Philip Le Bas
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Quiet Peace
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Philip Le Bas
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SheetMusicPlus
A Quiet Place
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.875870 By Take 6. By Ralph Carmichael. Arranged by Jim Fieldhouse. A Cappella,Jazz. 9 pages. Nefarious Music Publications #4408528. Published by Nefarious Music Publications (A0.875870). Take 6, the american a cappella vocal group, formed in the 1980s.They soon gained critical acclaim and a succession of albums were released. They have worked with some of the biggest names in pop music, R&B and jazz and are still performing today. A Quiet Place was written my Ralph Carmichael in 1967 but the 1988 recording by Take 6 is the most well loved version of this song.This quartet arrangement is scored for two alto saxes, tenor and baritone. In order to bring Take 6's beautiful setting of Ralph Carmichael's music & lyrics to life, all four players will need to capitalise on the vocal fluidity of the saxophone sound. the lyrics (listed below) will give performers an indication of the atmosphere they are looking to create.There is a quiet placeFar from the rapid paceWhere God can soothe my troubled mindSheltered by tree and flowerThere in my quiet hourWith Him my cares are left behindWhether a garden smallOr on a mountain tallNew strength and courage there I find Then from this quiet placeI go prepared to faceA new day with love for all mankindEnjoy!
$20.00
18.29 €
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Quatuor de Saxophones: 4 saxophones
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Take 6
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Jim Fieldhouse
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A Quiet Place
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Nefarious Music Publications
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SheetMusicPlus
When the World Drops In to Town
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital…
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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!†Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!†So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.
$1.99
1.82 €
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David Kai
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David Kai
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When the World Drops In to Town
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David Kai
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SheetMusicPlus
Consider The Lillies
Flûte traversière
Flute Solo - Level 3 - Digital Download SKU: A0.1196871 Composed by Chris Salerno. …
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Flute Solo - Level 3 - Digital Download SKU: A0.1196871 Composed by Chris Salerno. 20th Century,Baroque,Christian,Religious,Renaissance. Individual part. 4 pages. Chris Salerno Music #796031. Published by Chris Salerno Music (A0.1196871). Program NotesConsider The Lillies is inspired by Jesus’ sermon on the mount, specifically, His explanation of the futility of worrying. He uses two illustrations from nature, birds and flowers, as examples of living in quiet contentment. In each case, Jesus admonishes us to take a moment to either look at or consider. Both actions require us to engage in contemplation. The piece is cast loosely in the Loure dance form, with long pauses interrupting each phrase portion. The piece is an illustration of taking time to consider something in a deep and meaningful way. A technically simple tune embodies the quiet life of contented trust in God and contemplation. Consider The Lillies mimics the act of hearing an idea, then pausing to consider it. Both performer and audience are given time to contemplate the musical phrase portions during the moment of silence that follows each musical idea.Performance NotesWhen performing Consider The Lillies, approach each phrase portion as a melody in and of itself. The main tempo marking at the beginning, Adagio Rubato, allows the performer to  naturally act out the process of hearing an idea, then pausing for contemplation. Executing a strict tempo is not necessary. However, each phrase should be performed without drastic tempo changes.
$5.00
4.57 €
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Flûte traversière
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Chris Salerno
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Consider The Lillies
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Chris Salerno Music
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SheetMusicPlus
The Lord's My Shepherd, I'll Not Want
Cloches
3, 4, 5, 6, or 7 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB979 …
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3, 4, 5, 6, or 7 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB979 Psalm 23. Composed by Alex Guebert. Arranged by Alex Guebert. General, Estertide. With Flute. Score. 12 pages. Chorister's Guild - Digital #CGB979. Published by Chorister's Guild - Digital (C7.CGB979). UPC: 749193024553.Uplifting and sweet, this arrangement of The Lord’s My Shepherd, I’ll Not Want (BROTHER JAMES’ AIR) makes use of stirring crescendos and orchestral-sounding sweeping musical lines. The quiet waters of the Psalm 23 text are reflected in the shimmering, peaceful first verse. The second verse gains momentum (My soul He doth restore again) and the powerful crescendo into the third verse brings a confident sense of peace (Yea, though I walk in death’s dark vale / yet will I fear no ill). At the final cadence, ethereal, unusual harmonies give way to a serene resolution, symbolizing heaven as a final resting place, calling to mind the last lines of the text: and in God’s house forevermore / my dwelling place shall be. The optional flute part sweetens the lovely soft sections and adds flourish and weight to the majestic third verse and coda.
$5.50
5.03 €
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Cloches
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Alex Guebert
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Alex Guebert
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The Lord's My Shepherd, I'll Not Want
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Chorister's Guild - Digital
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SheetMusicPlus
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