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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All Over
Non classifié
5 951
Piano & claviers
Piano grosses notes
3 304
Piano seul
3 122
Orgue
1 700
Piano, Voix
1 273
Piano Facile
1 005
Piano, Voix et Guitare
959
Instruments en Do
266
1 Piano, 4 mains
72
Clavier
62
Accordéon
52
Piano Trio: piano, violon, violoncelle
45
2 Pianos, 4 mains
36
Accompagnement Piano
25
Piano Quatuor: piano, violon, alto, violoncelle
25
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano (partie séparée)
7
Piano Quatuor: piano, 2 violons, violoncelle
6
Orgue, Piano (duo)
2
Clavecin
2
2 Pianos, 8 mains
2
Tous Les Instruments
1
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
Ensemble de Pianos
1
+ 20 instrumentations
Retracter
Guitares
Basse electrique
350
Ukulele
332
Guitare
318
Guitare notes et tablatures
269
Ligne De Mélodie, (Paroles) et Accords
102
Mandoline
88
Paroles et Accords
48
2 Guitares (duo)
37
Banjo
22
4 Guitares (Quatuor)
20
Dulcimer
18
Piano, Guitare (duo)
14
Guitare (partie séparée)
12
3 Guitares (trio)
8
Ensemble de guitares
3
Guitare, Violon, Violoncelle (trio)
2
2 Ukuleles
2
2 Mandolines (duo)
1
Cithare
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 156
Chorale Unison
483
Chorale 3 parties
359
Chorale 2 parties
177
Chorale TTBB
160
Chorale SSAA
145
Voix Alto, Piano
57
Voix seule
48
Voix Baryton, Piano
47
Voix Soprano, Piano
40
Pack Instrumental pour Chorale
39
Voix duo, Piano
28
Voix Tenor
27
Voix haute
25
Voix Soprano
23
Voix Tenor, Piano
23
Voix duo
16
Chorale
15
Voix basse, Piano
6
Chorale SSAATTBB
4
Chorale SSATB
4
Voix moyenne, Piano
4
Voix Mezzo-Soprano, Piano
3
Voix, Guitare
3
Soli, choeur mixte et accompagnement
3
Chorale SATTBB A Cappella
1
+ 21 instrumentations
Retracter
Vents
2 Saxophones (duo)
516
Quatuor de Saxophones: 4 saxophones
338
Clarinette et Piano
326
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
323
Flûte traversière et Piano
314
Hautbois, Piano (duo)
277
Clarinette
259
Flûte, Hautbois, Clarinette, Basson
238
Flûte traversière
232
2 Clarinettes (duo)
213
Saxophone Alto et Piano
211
2 Flûtes traversières (duo)
209
Saxophone Alto
183
Saxophone Tenor et Piano
179
Quintette de Saxophone: 5 saxophones
162
Quatuor de Clarinettes: 4 clarinettes
162
Saxophone, Clarinette (duo)
144
Saxophone Soprano et Piano
132
Saxophone Tenor
126
Saxophone (partie séparée)
124
2 Hautbois (duo)
118
Hautbois (partie séparée)
116
Ocarina
113
3 Saxophones (trio)
112
Saxophone Baryton, Piano
108
Flûte, Clarinette (duo)
107
Hautbois
99
Clarinette, Violon (duo)
99
Ensemble de saxophones
90
Hautbois, Clarinette (duo)
79
Quatuor de Flûtes : 4 flûtes
73
3 Clarinettes (trio)
73
Hautbois, Basson (duo)
73
Flûte à bec Soprano
68
Clarinette, Trompette (duo)
63
Ensemble de Clarinettes
58
Ensemble de Flûtes
57
Flûte, Violon
54
2 Flûte à bec (duo)
51
Cor anglais, Piano
50
Hautbois, Flûte
50
Clarinette et Alto
50
Saxophone Soprano
46
Trio de Flûtes: 3 flûtes
44
Quintette de Clarinettes: 5 clarinettes
43
Flûte, Saxophone (duo)
42
Saxophone Baryton
38
Clarinette Basse, Piano
38
Flûte, Trompette (duo)
36
Flûte, Alto (duo)
33
2 Flûtes traversières, Piano
31
Ensemble De Flûte à bec
31
Quatuor de Flûtes à bec
27
Flûte à Bec
25
Flûte, Violon, Piano
23
Flûte à bec Alto
22
Hautbois, Violoncelle
22
Flûte et Guitare
20
Clarinette, Basson (duo)
19
Flûte, Violon et Violoncelle
19
Flute (partie séparée)
17
Harmonica
17
Flûte, Hautbois, Basson
16
Clarinette (partie séparée)
16
Flûte, Clarinette et Basson
15
Quintette de Flûte : 5 flûtes
14
Flûte, Violoncelle
13
Flûte, Hautbois (duo)
13
Clarinette, Guitare (duo)
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Hautbois, Piano (trio)
11
Clarinette, Violoncelle (duo)
11
Flûte, Hautbois, Clarinette (trio)
11
Flûte, Trombone (duo)
11
Clarinette, Violoncelle, Piano (trio)
10
Cor Anglais
9
Flûte, Clarinette, Piano (trio)
9
Piccolo, Piano
9
5 Flûtes à bec
7
Flûte, Basson et Piano
7
3 Flûtes à bec (trio)
7
Flûte, Violoncelle, Piano (trio)
7
Flûte à bec Tenor
6
Flûte, Clarinette, Cor, Basson (Quartet)
6
Flûte, trombone et piano
6
Flûte, Violon, Violoncelle et Piano
6
Flûte, Alto et Piano
6
2 Clarinettes, Piano
5
2 Saxophones, Piano
4
Saxophone et Orgue
4
Flute, harpe et violon
4
Flûte à bec Alto, Piano
4
Hautbois, violon (duo)
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
2 Hautbois, Piano
3
Hautbois, Guitare (duo)
3
Piccolo
3
Clarinette, Alto et Piano (trio)
3
Hautbois, Clarinette et Piano (Trio)
3
Clarinette, Harpe (duo)
3
Instruments en Mib
3
Hautbois, Violoncelle et Piano
2
4 Hautbois
2
Flûte, Violoncelle, Guitare
2
Flûte et Trio à cordes
2
Saxophone
2
Cor anglais, Guitare (duo)
2
Flûte à bec Soprano, Piano
2
Hautbois et alto (duo)
2
Clarinette, trompette et piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte traversière, Orchestre
1
Cornemuse
1
Clarinette, Basson, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
Clarinette Basse
1
Ensemble à vent
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Contrebasse (duo)
1
Clarinette, Tuba
1
Hautbois, Harpe
1
Saxophone et Guitare
1
Flûte irlandaise
1
Cor anglais et Harpe (duo)
1
Flûte traversière, Basse continue
1
Clarinette, Trombone (duo)
1
+ 121 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
353
Trompette
247
Trombone et Piano
234
Trompette, Piano
223
Cor et Piano
184
Trombone
172
Quatuor de Cuivres : 2 trompettes, trombone, tuba
149
Cor
147
2 Trombones (duo)
143
Tuba
140
Tuba et Piano
125
2 Trompettes (duo)
124
Quatuor de Cuivres: 2 trompettes, Cor, trombone
111
Trompette, Saxophone (duo)
94
Trompette, Trombone (duo)
88
2 Cors (duo)
82
Quatuor de Cuivres
63
Euphonium, Piano (duo)
62
Quatuor de cuivres: 4 trombones
61
Cor anglais, Piano
50
Trompette (partie séparée)
50
Trombone (partie séparée)
49
2 Tubas (duo)
36
Ensemble de Trombones
31
Quatuor de cuivres: 4 cors
20
Trompette, Cor (duo)
18
Cor (partie séparée)
14
Ensemble de Trompettes
14
Quatuor de cuivres: 4 trompettes
13
3 Trombones (trio)
12
Trombone, Cor (duo)
9
Cor Anglais
9
Tuba (partie séparée)
9
Trio de Cuivres
9
2 Euphoniums (duo)
8
4 Tubas
7
Trombone, Tuba (duo)
7
Trompette, Tuba (duo)
6
3 Tubas (trio)
6
Trombone basse et Piano
6
Ensemble de Cors
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trombone basse
5
Instruments en Sib
5
Cor, Tuba (duo)
4
Bass Clef Instruments
4
Euphonium, Tuba (duo)
4
2 Euphoniums et 2 Tubas
4
2 Cors, Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
Cor, Violoncelle (duo)
3
3 Euphoniums
2
3 Trompettes (trio)
2
Tuba et Orgue
2
Trompette, Basson (duo)
2
Cor anglais, Guitare (duo)
2
Cor et Orgue
2
Euphonium
2
Cor et Basson (duo)
1
Trompette, Trombone, Piano
1
Trompette, Violoncelle et Piano
1
Trompette, Violoncelle (duo)
1
Cor et Harpe
1
3 Cors (trio)
1
2 Cors Anglais Et Pianoforte
1
Trombone, Orgue
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
Trompette, Harpe
1
Instruments en Fa
1
+ 66 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
832
Violon et Piano
354
Violon
324
Violoncelle
311
Violoncelle, Piano
284
Alto, Piano
283
Violon, Violoncelle (duo)
258
2 Violons (duo)
193
Alto seul
158
2 Violoncelles (duo)
150
Violon, Alto (duo)
147
Quintette à cordes: 2 violons, alto, violoncelle, basse
144
Trio à Cordes: violon, alto, violoncelle
136
2 Altos (duo)
132
Harpe
131
Contre Basse
122
Trio à Cordes: 2 violons, violoncelle
114
Contrebasse, Piano (duo)
107
Violon (partie séparée)
39
Alto, Violoncelle (duo)
30
Alto (partie séparée)
29
2 Contrebasses (duo)
28
Trio à cordes: 3 violins
19
Trio à Cordes: 3 violoncelles
18
4 Violoncelles
18
Quatuor à cordes: 4 violons
16
Contrebasse (partie séparée)
16
Piano Trio: Violon, Alto, Piano
13
Violoncelle, Contrebasse (duo)
12
2 Harpes (duo)
12
Quatuor à cordes : 4 altos
10
Violoncelle (partie séparée)
10
Harpe, Flûte (duo)
9
Trio à Cordes: 2 violons, alto
8
Violoncelle , Guitare (duo)
8
Trio à cordes: 3 altos
7
Flûte, Contrebasse (duo)
7
Violon, Basson (duo)
5
Harpe, Violon (duo)
5
Ensemble de Violons
5
Violon, Guitare (duo)
5
Trio à cordes
4
Violon, Clarinette, Piano (trio)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Voix
4
4 Contrebasses
3
2 Altos, Piano
3
2 Violoncelles, Piano
3
Ensemble d'Altos
3
2 Violons, Piano
2
Violoncelle, Orgue
2
3 Contrebasses
2
Alto et Harpe
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
3 Harpes
1
Violoncelle, Orchestre
1
Harpe et Piano
1
Alto et Basson
1
4 Harpes
1
Violon, Tuba (duo)
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 770
Orchestre à Cordes
436
Orchestre
353
Ensemble Jazz
186
Ensemble de cuivres
183
Orchestre de chambre
114
Cloches
86
Jazz combo
84
Fanfare
63
Batterie
52
Ensemble de Percussions
30
Percussion
30
Percussion (partie séparée)
15
Marimba
8
Batterie (partie séparée)
5
Ensemble d'École
5
Piano et Orchestre
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone
3
2 Xylophones
2
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
2
Xylophone
2
Caisse Claire
2
Vibraphone et Marimba
1
Marimba, Piano (duo)
1
Bongos
1
Timbales (partie séparée)
1
+ 23 instrumentations
Retracter
Autres
Théorie de la musique
4
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SYNTHETISEUR
TROMBONE
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style (tous)
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Partitions à imprimer
41 585 partitions trouvées
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9976
It was a lover and his lass (a modern madrigal) for SATB choir
#
Chorale SATB
#
David Warin Solomons
#
It was a lover and his lass
#
David Warin Solomons
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Warin Solomons #49...
(+)
Choral Choir (SATB) - SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Warin Solomons #49135. Published by David Warin Solomons (A0.576648). A jolly parody of Shakespeare's song by the same name but using my Bell Dance as the melody to represent mobile phones (or cell phones as they say in the USA). A version for men's voices is also available on this site. The sound sample here was performed by the Composer's Choir under Dan Shaw. ring ding dong ding dong ring ding dong ding dong It was a lover and his lass in the spring time that through the city streets did pass in this ring time calling each other every minute or two and texting in case they couldn't get through oh hearken to the lovers in the spring time! Between the supermarket aisles while they're shopping these pretty city folk would chat without stopping vainly the birds are welcoming spring with their song they'll wear themselves out e'er very long while lads and lasses never tire of ringing! Then one day when Romeo must text his Julietta just to say I luv ya yeah I luv ya so much but then she rings back to tell him that it's all over she's met a nicer lad from Folkestone or Dover (It's all over it's all over lad from Dover) so he just rings to all of his pals and calls her a slag! and all the people on the tram hear the show while our pretty city folk live all on their mobile then suddenly the battery's flat as a skate and Romeo can not ring his mate he's sorry that he called her slag in spring time he can't ring her he can't ring his Julietta sorry now in spring.
$3.99
alt.Callahans Reel
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Celtique/Irlandais
#
Tim Fatchen
#
alt.Callahans Reel
#
Flying Tadpole Productions
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published...
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Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50
Jesus Shall Reign Where'er the Sun
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Piano seul
#
AVANCÉ
#
John Hatton
#
Paul Thurmond
#
Jesus Shall Reign Where'er the
#
Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
Bambino dalle stelle (Child of the Stars)
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Chorale SATB
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Alfonso Maria de' Liguori
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Sandra Milliken
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Bambino dalle stelle
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.774720 Composed by Alfonso Maria de' Liguori. Arranged by Sandra Milliken. Christian,Christmas,Classical,Sacred. Octavo. 1...
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Choral Choir (SATB) - SKU: A0.774720 Composed by Alfonso Maria de' Liguori. Arranged by Sandra Milliken. Christian,Christmas,Classical,Sacred. Octavo. 15 pages. Sandra Milliken #3676507. Published by Sandra Milliken (A0.774720). Bambino dalle stelle (Child of the Stars )is a choral arrangement based on the traditional Italian Christmas carol Tu scendi dalla stelle (From Starry Skies Descending).Tu scendi dalla stelle is amongst the oldest of Christmas songs in Italy. The original version was written in the mid-1700s in Naples by the Catholic Bishop of Sant'Agata dei Goti, Alfonso Maria de’ Ligouri. At that time it was called Quanno nascette Ninno and was written in the Neapolitan dialect in the style of a pastorale.The song was later re-written in Italian by Pope Pius IX and thereafter it became famous as a Christmas carol all over the world.Originally containing seven verses, today’s performances of the carol in Italy generally include only the first two verses. Notable recordings and performances of the carol include those by Sergio Franchi, Andrea Bocelli and Luciano Pavarotti.This English language arrangement has been extended to four verses. Verse 1 and 2 are adaptations of the first two verses of the original; the third verse tells of the adoration of the shepherds and the wise men; and the fourth is based on some ideas inspired by the remaining verses of the original version.Instrumental accompanimentAvailable separately is an instrumental accompaniment scored for string quintet and glockenspiel. (S0.923433)
$2.20
Can't Help Falling In Love
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Ukulele
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DÉBUTANT
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Mariage/Ballade
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Rock
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Elvis Presley
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Andre D Tuffo
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Can't Help Falling In Love
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Andre D. Tuffo
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SheetMusicPlus
Ukulele - Level 1 - SKU: A0.1189818 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Andre D Tuffo. Film/TV,Rock,S...
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Ukulele - Level 1 - SKU: A0.1189818 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Andre D Tuffo. Film/TV,Rock,Spiritual,Standards,Wedding. Score. 1 pages. Andre D. Tuffo #789416. Published by Andre D. Tuffo (A0.1189818). https://linktr.ee/andredtuffoCan't Help Falling in Love is a timeless classic that has been beloved by generations of music lovers. The song was written by Hugo Peretti, Luigi Creatore, and George David Weiss, and was made famous by Elvis Presley in 1961.The lyrics of Can't Help Falling in Love express the feeling of falling deeply in love and the sense of helplessness that comes with it. The song has been interpreted in many different ways, from a message of romantic love to a more universal message of the power of love to overcome all obstacles.The melody of Can't Help Falling in Love is simple and beautiful, and has been covered by many artists in a variety of styles. The song has been used in countless films, television shows, and other media, and has become a cultural touchstone for people all over the world.One of the reasons why Can't Help Falling in Love is such a beloved song is because of its universality. The feeling of falling in love is something that is experienced by people of all ages, races, and backgrounds, and the song captures that feeling perfectly.In conclusion, Can't Help Falling in Love is a beautiful and timeless song that continues to captivate and move people all over the world. Whether you're a fan of Elvis Presley, or simply appreciate the beauty of a classic love song, Can't Help Falling in Love is a song that is sure to touch your heart and stay with you for a lifetime.
$10.00
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
Tu scendi dalle stelle (From starry skies descending)
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Chorale 2 parties
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DÉBUTANT
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Alfonso Maria de' Liguori
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Sandra Milliken
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Tu scendi dalle stelle
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.774718 Composed by Alfonso Maria de' Liguori. Arranged by Sandra Milliken. Christian,Christmas,Classical,Sacred. O...
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Choral Choir (SA) - Level 1 - SKU: A0.774718 Composed by Alfonso Maria de' Liguori. Arranged by Sandra Milliken. Christian,Christmas,Classical,Sacred. Octavo. 10 pages. Sandra Milliken #3676501. Published by Sandra Milliken (A0.774718). Tu scendi dalla stelle is amongst the oldest of Christmas songs in Italy. The original version was written in the mid-1700s in Naples by the Catholic Bishop of Sant'Agata dei Goti, Alfonso Maria de’ Liguori. At that time it was called Quanno nascette Ninno and was written in the Neapolitan dialect in the style of a pastorale.The song was later re-written in Italian by Pope Pius IX and thereafter it became famous as a Christmas carol all over the world. Originally containing seven verses, today’s performances of the carol in Italy generally include only the first two verses. Notable recordings and performances of the carol include those by Sergio Franchi, Andrea Bocelli and Luciano Pavarotti. This arrangement features both Italian and English lyrics, with the English version being a very close adaptation of the original Italian. The carol may therefore be sung in either Italian or English, or a combination of both. Available in 2 Part and SSA, both with piano and optional descant/flute.
$2.20
Tu scendi dalle stelle (From starry skies descending)
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Chorale 3 parties
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DÉBUTANT
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Alfonso Maria de' Liguori
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Sandra Milliken
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Tu scendi dalle stelle
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SSA) - Level 1 - SKU: A0.774719 Composed by Alfonso Maria de' Liguori. Arranged by Sandra Milliken. Christian,Christmas,Classical,Sacred. ...
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Choral Choir (SSA) - Level 1 - SKU: A0.774719 Composed by Alfonso Maria de' Liguori. Arranged by Sandra Milliken. Christian,Christmas,Classical,Sacred. Octavo. 12 pages. Sandra Milliken #3676503. Published by Sandra Milliken (A0.774719). Tu scendi dalla stelle is amongst the oldest of Christmas songs in Italy. The original version was written in the mid-1700s in Naples by the Catholic Bishop of Sant'Agata dei Goti, Alfonso Maria de’ Liguori. At that time it was called Quanno nascette Ninno and was written in the Neapolitan dialect in the style of a pastorale.The song was later re-written in Italian by Pope Pius IX and thereafter it became famous as a Christmas carol all over the world.Originally containing seven verses, today’s performances of the carol in Italy generally include only the first two verses. Notable recordings and performances of the carol include those by Sergio Franchi, Andrea Bocelli and Luciano Pavarotti.This arrangement features both Italian and English lyrics, with the English version being a very close adaptation of the original Italian. The carol may therefore be sung in either Italian or English, or a combination of both.Available in 2 Part and SSA, both with piano and optional descant/flute.Also available separately is an instrumental accompaniment for the SSA version, scored for String quintet and glockenspiel, with conductor's score. (S0.937945)
$2.20
Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Juan MarÃa Solare
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Bad Hombres Jumping Over my Wa
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.596525 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. Juan Maria Solare...
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Piano Solo - Level 4 - SKU: A0.596525 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. Juan Maria Solare #3621769. Published by Juan Maria Solare (A0.596525). The piano piece Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!' was composed in Bremen, Germany, in August 2018, for the project 45miniatures by pianist Nick Phillips. The overall character of this piece responds vaguely to Nicholas Phillips' suggestion: playful/childish outbursts, in the form of heckler chords or bad hombre-like non-chord tones. The title depicts a surrealistic, clownesque, ridiculous situation; a dream for some and a nightmare for others.For those totally unaware: the expression Bad Hombres was used by president Donald Trump during the third 2016 United States Presidential Debate. While answering a question about his immigration policy, Donald Trump stated that there were a lot of drug lords in the United States and that they needed to be removed. He concluded his comment by saying we have some bad hombres here and we have to get them out. (thus implying that the responsible of US' drug problems are Latinos)Character and moods: happy, merry, mysterious. About the performance All the piece consists of mini clusters (two minor seconds). The notation can be sometimes obscure (due to the many unavoidable accidentals). To facilitate the reading (deciphering) of the score, the easiest is to follow the highest note of each cluster: they usually form a simple chord. For instance, bar 17 is (melodically speaking) a F7 chord. Got it? L = Left Hand R = Right Hand The verbal comments along the music are not meant to be actually read aloud, but alla mente (like in some Satie's music). However, if you want to recite them at concert, go ahead.Juan MarÃa Solare (http://www.JuanMariaSolare.com)
$2.00
I Love Halloween! (A Spooky Round for Unison Choir)
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Chorale Unison
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DÉBUTANT
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Halloween
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Joanna Mills
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Joanna Mills
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I Love Halloween!
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Joanna Mills Music
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SheetMusicPlus
Choral Choir,Choral (Unison) - Level 1 - SKU: A0.1093608 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Blues,Children,Halloween,Jazz,Tradi...
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Choral Choir,Choral (Unison) - Level 1 - SKU: A0.1093608 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Blues,Children,Halloween,Jazz,Traditional. 12 pages. Joanna Mills Music #697678. Published by Joanna Mills Music (A0.1093608). Inspired by the traditional campfire song I Love the Mountains, this spooky song celebrates all things Halloween! Set in a minor key, the arrangement starts out slowly and spookily, then transforms into a fast, fun, bluesy song that elementary and middle school choirs will love! Set in an accessible key for young voices, I Love Halloween! features a unison call and response format, as well as optional easy counterpoint harmonies and an optional round at the end for unison choirs ready for a small challenge. An mp3 recording of the piano accompaniment is also available for purchase! Joanna Mills' passion is music and singing. From 1998 to 2018, she was the director of the Roncesvalles Gospel Choir and has written and directed many original children's musicals at Roncesvalles United Church. From 2011 to 2020 Joanna was the music director and head vocal teacher at Broadway Arts Centre. She performs frequently in local festivals and clubs with her six-voice folkgrass ensemble North of Queen and also sings with Toronto’s premiere rock choir newchoir. Joanna is an award-winning songwriter (Songdoor, Song of the Year, ISSA) and arranger and her works have been performed by choirs and bands all over the world. Trained formally in voice, piano, and oboe throughout her younger years, Joanna has sung in (and lead) various choirs, performed with the New Westminster Musical Theatre Guild, and teaches Musical Theatre, piano, and voice at her studio in Toronto, Ontario. www.joannamills.ca.
$1.99
ColorAll Violin Fingering and Piano String Sampler
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Violon et Piano
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FACILE
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Contemporain
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Robin Kay Deverich
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ColorAll Violin Fingering and
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Global Music School String Publications
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.902216 Arranged by Robin Kay Deverich. Contemporary. 255 pages. Global Music School String Publications #5355093. Publi...
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Piano,Violin - Level 2 - SKU: A0.902216 Arranged by Robin Kay Deverich. Contemporary. 255 pages. Global Music School String Publications #5355093. Published by Global Music School String Publications (A0.902216). This combined version of the of the Piano Accompaniment and Violin Online String Sampler: ColorAll Fingering Violin Music is a fun and easy way to actively learn, study and play beautiful violin music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. If you need help with fingering, this ColorAll Fingering version of Violin Online String Sampler Violin Music is a simple and easy way to quickly begin playing the violin sheet music. ColorAll Fingering is a patented approach to violin playing, and uses colored violin fingering numbers over each note to indicate which string should be used to play the fingered notes: blue fingering numbers, play these notes on the G string; gold fingering numbers, play these notes on the D string; green fingering numbers, play these notes on the A string; purple fingering numbers, play these notes on the E. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolinOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violinonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes violin technique tips for each piece of music. Let the music begin!*No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jar.
$5.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Wrecking Ball
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Pop musique
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Miley Cyrus
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Kyle Pudenz
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Wrecking Ball
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ViolinVagabond Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan ...
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String Quartet String Quartet - Level 5 - SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99
Tchaikovsky: Overture from Nutcracker Suite for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549625 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Per...
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English Horn,Piano - Level 3 - SKU: A0.549625 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515357. Published by jmsgu3 (A0.549625). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite.  Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Overture from Nutcracker Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549632 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Peri...
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French Horn,Piano - Level 3 - SKU: A0.549632 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515725. Published by jmsgu3 (A0.549632). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite.  Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Overture from Nutcracker Suite for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549617 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic ...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.549617 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515015. Published by jmsgu3 (A0.549617). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Overture from Nutcracker Suite for Trumpet & Piano
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Trompette, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549629 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic P...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549629 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515637. Published by jmsgu3 (A0.549629). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.Â
$32.95
Tchaikovsky: Overture from Nutcracker Suite for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Overture from Nut
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jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549630 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,...
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Piano,Trombone - Level 3 - SKU: A0.549630 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515687. Published by jmsgu3 (A0.549630). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.Â
$32.95
Tchaikovsky: Overture from Nutcracker Suite for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Overture from Nut
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549613 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Sta...
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Piano,Viola - Level 3 - SKU: A0.549613 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3514625. Published by jmsgu3 (A0.549613). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.Â
$32.95
Tchaikovsky: Overture from Nutcracker Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Classique
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Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Overture from Nut
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549627 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Pe...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549627 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515369. Published by jmsgu3 (A0.549627). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Overture from Nutcracker Suite for Baritone Horn & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Overture from Nut
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jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552859 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christma...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552859 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515673. Published by jmsgu3 (A0.552859). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Overture from Nutcracker Suite for Alto Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Overture from Nut
#
jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549626 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic ...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549626 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515363. Published by jmsgu3 (A0.549626). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Overture from Nutcracker Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549620 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romanti...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549620 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515113. Published by jmsgu3 (A0.549620). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Overture from Nutcracker Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549619 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romant...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549619 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515097. Published by jmsgu3 (A0.549619). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
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