English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sir Arthur Seymour Sullivan
Non classifié
92
Piano & claviers
Piano, Voix
70
Piano seul
27
Piano Facile
21
Piano, Voix et Guitare
16
Orgue
9
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
+ 5 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
3
Voix
Chorale SATB
8
Chorale 3 parties
4
Chorale TTBB
3
Chorale 2 parties
1
Chorale
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte traversière et Piano
8
Quatuor de Flûtes : 4 flûtes
6
Saxophone Alto et Piano
6
Flûte, Hautbois, Clarinette, Basson
6
Clarinette et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette
6
Hautbois, Piano (duo)
5
Clarinette (partie séparée)
5
Quatuor de Saxophones: 4 saxophones
5
Saxophone (partie séparée)
4
2 Flûtes traversières (duo)
3
Flûte traversière
3
Saxophone Tenor et Piano
3
Ensemble de Clarinettes
2
Saxophone Alto
2
Quintette de Saxophone: 5 saxophones
2
Ensemble de saxophones
2
2 Saxophones (duo)
2
2 Clarinettes (duo)
2
Cor anglais, Piano
2
Saxophone Baryton, Piano
2
Quatuor de Flûtes à bec
1
Ensemble de Flûtes
1
Flûte, Clarinette et Basson
1
Clarinette Basse, Piano
1
3 Clarinettes (trio)
1
Saxophone Soprano
1
4 Hautbois
1
Saxophone Tenor
1
Piccolo, Piano
1
Saxophone Soprano et Piano
1
Hautbois
1
+ 29 instrumentations
Retracter
Cuivres
Trombone
6
Trompette, Piano
5
Cor et Piano
5
Trombone (partie séparée)
4
Trombone et Piano
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Cor (partie séparée)
3
Trompette
3
Cor
2
2 Trompettes (duo)
2
2 Trombones (duo)
2
Cornet A Pistons
2
Quatuor de Cuivres
2
Cor anglais, Piano
2
Euphonium, Piano (duo)
2
Tuba et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Cors (duo)
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
4 Tubas
1
Trompette (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums et 2 Tubas
1
Tuba
1
+ 21 instrumentations
Retracter
Cordes
Violon et Piano
9
Violoncelle, Piano
7
Quatuor à cordes: 2 violons, alto, violoncelle
6
Alto, Piano
5
Violon (partie séparée)
5
Violon
4
Harpe
3
Alto seul
3
2 Violons (duo)
2
Violoncelle (partie séparée)
2
2 Violoncelles (duo)
2
Violoncelle
2
Contre Basse
2
2 Altos (duo)
2
Violon, Violoncelle (duo)
1
Violon, Alto (duo)
1
4 Violoncelles
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
30
Orchestre
7
Orchestre à Cordes
6
Percussion (partie séparée)
6
Ensemble de cuivres
3
Percussion
2
Cloches
2
Quatuor à Vent : 4 instruments à vents
1
Timbales (partie séparée)
1
Orchestre de chambre
1
+ 5 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
92
PIANO & CLAVIERS
Piano, Voix
70
Piano seul
27
Piano Facile
21
Piano, Voix et Guitare
16
Orgue
9
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
Piano, Voix
70
Piano seul
27
Piano Facile
21
Piano, Voix et Guitare
16
Orgue
9
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
3
Ligne De Mélodie, (Paroles) et Accords
3
VOIX
Chorale SATB
8
Chorale 3 parties
4
Chorale TTBB
3
Chorale 2 parties
1
Chorale
1
Chorale SATB
8
Chorale 3 parties
4
Chorale TTBB
3
Chorale 2 parties
1
Chorale
1
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte traversière et Piano
8
Quatuor de Flûtes : 4 flûtes
6
Saxophone Alto et Piano
6
Flûte, Hautbois, Clarinette, Basson
6
Clarinette et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette
6
Hautbois, Piano (duo)
5
Clarinette (partie séparée)
5
Quatuor de Saxophones: 4 saxophones
5
Saxophone (partie séparée)
4
2 Flûtes traversières (duo)
3
Flûte traversière
3
Saxophone Tenor et Piano
3
Ensemble de Clarinettes
2
Saxophone Alto
2
Quintette de Saxophone: 5 saxophones
2
Ensemble de saxophones
2
2 Saxophones (duo)
2
2 Clarinettes (duo)
2
Cor anglais, Piano
2
Saxophone Baryton, Piano
2
Quatuor de Flûtes à bec
1
Ensemble de Flûtes
1
Flûte, Clarinette et Basson
1
Clarinette Basse, Piano
1
3 Clarinettes (trio)
1
Saxophone Soprano
1
4 Hautbois
1
Saxophone Tenor
1
Piccolo, Piano
1
Saxophone Soprano et Piano
1
Hautbois
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte traversière et Piano
8
Quatuor de Flûtes : 4 flûtes
6
Saxophone Alto et Piano
6
Flûte, Hautbois, Clarinette, Basson
6
Clarinette et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette
6
Hautbois, Piano (duo)
5
Clarinette (partie séparée)
5
Quatuor de Saxophones: 4 saxophones
5
Saxophone (partie séparée)
4
2 Flûtes traversières (duo)
3
Flûte traversière
3
Saxophone Tenor et Piano
3
Ensemble de Clarinettes
2
Saxophone Alto
2
Quintette de Saxophone: 5 saxophones
2
Ensemble de saxophones
2
2 Saxophones (duo)
2
2 Clarinettes (duo)
2
Cor anglais, Piano
2
Saxophone Baryton, Piano
2
Quatuor de Flûtes à bec
1
Ensemble de Flûtes
1
Flûte, Clarinette et Basson
1
Clarinette Basse, Piano
1
3 Clarinettes (trio)
1
Saxophone Soprano
1
4 Hautbois
1
Saxophone Tenor
1
Piccolo, Piano
1
Saxophone Soprano et Piano
1
Hautbois
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone
6
Trompette, Piano
5
Cor et Piano
5
Trombone (partie séparée)
4
Trombone et Piano
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Cor (partie séparée)
3
Trompette
3
Cor
2
2 Trompettes (duo)
2
2 Trombones (duo)
2
Cornet A Pistons
2
Quatuor de Cuivres
2
Cor anglais, Piano
2
Euphonium, Piano (duo)
2
Tuba et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Cors (duo)
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
4 Tubas
1
Trompette (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums et 2 Tubas
1
Tuba
1
Trombone
6
Trompette, Piano
5
Cor et Piano
5
Trombone (partie séparée)
4
Trombone et Piano
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Cor (partie séparée)
3
Trompette
3
Cor
2
2 Trompettes (duo)
2
2 Trombones (duo)
2
Cornet A Pistons
2
Quatuor de Cuivres
2
Cor anglais, Piano
2
Euphonium, Piano (duo)
2
Tuba et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Cors (duo)
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
4 Tubas
1
Trompette (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums et 2 Tubas
1
Tuba
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
9
Violoncelle, Piano
7
Quatuor à cordes: 2 violons, alto, violoncelle
6
Alto, Piano
5
Violon (partie séparée)
5
Violon
4
Harpe
3
Alto seul
3
2 Violons (duo)
2
Violoncelle (partie séparée)
2
2 Violoncelles (duo)
2
Violoncelle
2
Contre Basse
2
2 Altos (duo)
2
Violon, Violoncelle (duo)
1
Violon, Alto (duo)
1
4 Violoncelles
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon et Piano
9
Violoncelle, Piano
7
Quatuor à cordes: 2 violons, alto, violoncelle
6
Alto, Piano
5
Violon (partie séparée)
5
Violon
4
Harpe
3
Alto seul
3
2 Violons (duo)
2
Violoncelle (partie séparée)
2
2 Violoncelles (duo)
2
Violoncelle
2
Contre Basse
2
2 Altos (duo)
2
Violon, Violoncelle (duo)
1
Violon, Alto (duo)
1
4 Violoncelles
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
30
Orchestre
7
Orchestre à Cordes
6
Percussion (partie séparée)
6
Ensemble de cuivres
3
Percussion
2
Cloches
2
Quatuor à Vent : 4 instruments à vents
1
Timbales (partie séparée)
1
Orchestre de chambre
1
Orchestre d'harmonie
30
Orchestre
7
Orchestre à Cordes
6
Percussion (partie séparée)
6
Ensemble de cuivres
3
Percussion
2
Cloches
2
Quatuor à Vent : 4 instruments à vents
1
Timbales (partie séparée)
1
Orchestre de chambre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Sir Arthur Seymour Sullivan
Partitions à imprimer
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Best of Gilbert and Sullivan
Piano, Voix
20 Sad, Happy and Humorous Songs from the World of the Victorian Operetta. Composed by …
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20 Sad, Happy and Humorous Songs from the World of the Victorian Operetta. Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by Barrie Carson Turner. This edition: performance score. Schott Best Of. Downloadable. Schott Music - Digital #Q45898. Published by Schott Music - Digital
English. The composer Arthur Sullivan and the dramatist W. S. Gilbert joined forces in 1871, and over the next .25 years produced a series of 14 comic operas. Sullivan's tuneful and memorable melodies and Gilbert's amusing words and dialogue .- which frequently made fun of British national characteristics and institutions such as the Royal Navy .- are as fresh and amusing today as they were over a hundred years ago. Songs vary immensely in style, and apart from the clearly comical include others, such as 'The flowers that bloom in the spring', that though at first suggesting seriousness, on close examination reveal deliberately ludicrous words and ridiculous sentiments .- all to the delight of the audience!English.
The composer Arthur Sullivan and the dramatist W. S. Gilbert joined forces in 1871, and over the next .25 years produced a series of 14 comic operas. Sullivan's tuneful and memorable melodies and Gilbert's amusing words and dialogue .- which frequently made fun of British national characteristics and institutions such as the Royal Navy .- are as fresh and amusing today as they were over a hundred years ago. Songs vary immensely in style, and apart from the clearly comical include others, such as 'The flowers that bloom in the spring', that though at first suggesting seriousness, on close examination reveal deliberately ludicrous words and ridiculous sentiments .- all to the delight of the audience!
$18.99
17.42 €
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Piano, Voix
#
Barrie Carson Turner
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Best of Gilbert and Sullivan
#
Schott Music - Digital
#
SheetMusicPlus
Sullivan: Overture to "H.M.S. Pinafore" - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by Ray Thompson. Opera, …
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Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by Ray Thompson. Opera, Musicals, Repertoire. Score, Set of Parts. 14 pages. Published by RayThompsonMusic
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation.<br> <br> Arranged wind quintet.H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation.<br> <br> Arranged wind quintet.
$14.95
13.71 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Sir Arthur Seymour Sullivan
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Sullivan: Overture to "H.M.S. Pinafore" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Sullivan - The Lost Chord in D Major for Low Voice & piano - Intermediate
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1108226 Composed by Sir Arth…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1108226 Composed by Sir Arthur Seymour Sullivan and Words by Adelaide Anne Porter. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score. 11 pages. Piacere Music Sheets #710853. Published by Piacere Music Sheets (A0.1108226). Opus/Catalog Number: IAS 42Key/Tone: D MajorMovements/Sections: Andante moderatoYear/Date of Composition: 1858/1877Difficulty: Grade 4/12 (Intermediate)Vocal range: A3-D5Obs.: Sir Arthur Sullivan composed this song at the bedside of his brother Fred during Fred's last illness. Fred Sullivan died five days after, on January 18.This song has been recorded by many singers, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The Lost Chord is one of Sullivan's best-known songs, and it is still performed nowadays.This is an arrangement for Low Voice and piano.Included: Full score and separated parts for each instrument.
$8.95
8.21 €
#
Piano, Voix
#
Sir Arthur Seymour Sullivan and Words by Adelaide Anne Porter
#
Piacere Music Sheets
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Sullivan - The Lost Chord in D Major for Low Voice & piano - Intermediate
#
Piacere Music Sheets
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SheetMusicPlus
Sullivan - The Lost Chord in G Major for High Voice & piano - Intermediate
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1108433 Composed by Sir Arth…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1108433 Composed by Sir Arthur Seymour Sullivan, Words by Adelaide Anne Porter. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score. 11 pages. Piacere Music Sheets #711075. Published by Piacere Music Sheets (A0.1108433). Opus/Catalog Number: IAS 42Key/Tone: G MajorMovements/Sections: Andante moderatoYear/Date of Composition: 1858/1877Difficulty: Grade 4/12 (Intermediate)Vocal range: D4-G5Obs.: Sir Arthur Sullivan composed this song at the bedside of his brother Fred during Fred's last illness. Fred Sullivan died five days after, on January 18.This song has been recorded by many singers, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The Lost Chord is one of Sullivan's best-known songs, and it is still performed nowadays.This is an arrangement for High Voice and piano.Included: Full score and individual parts.
$8.95
8.21 €
#
Piano, Voix
#
Sir Arthur Seymour Sullivan, Words by Adelaide Anne Porter
#
Piacere Music Sheets
#
Sullivan - The Lost Chord in G Major for High Voice & piano - Intermediate
#
Piacere Music Sheets
#
SheetMusicPlus
Sullivan - The Lost Chord in F Major for Low Voice & piano - Intermediate
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1108220 Composed by Sir Arth…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1108220 Composed by Sir Arthur Seymour Sullivan and Words by Adelaide Anne Porter. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score. 11 pages. Piacere Music Sheets #710835. Published by Piacere Music Sheets (A0.1108220). Opus/Catalog Number: IAS 42Key/Tone: F MajorMovements/Sections: Andante moderatoYear/Date of Composition: 1858/1877Difficulty: Grade 4/12 (Intermediate)Vocal range: C4-F5Obs.: Sir Arthur Sullivan composed this song at the bedside of his brother Fred during Fred's last illness. Fred Sullivan died five days after, on January 18.This song has been recorded by many singers, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The Lost Chord is one of Sullivan's best-known songs, and it is still performed nowadays.This is an arrangement for Low Voice and piano.Included: Full score and separated parts for each instrument.
$8.95
8.21 €
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Piano, Voix
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Sir Arthur Seymour Sullivan and Words by Adelaide Anne Porter
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Piacere Music Sheets
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Sullivan - The Lost Chord in F Major for Low Voice & piano - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
Sullivan - The Lost Chord in F Major - Easy
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.1108441 Composed by Sir Arthur Sey…
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Flute,Piano - Level 1 - Digital Download SKU: A0.1108441 Composed by Sir Arthur Seymour Sullivan. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score and part. 13 pages. Piacere Music Sheets #711082. Published by Piacere Music Sheets (A0.1108441). Opus/Catalog Number: IAS 42 Key/Tone: F Major Movements/Sections: Andante moderato Year/Date of Composition: 1858/1877 Difficulty: Grade 3/12 (Easy) Obs.: Sir Arthur Sullivan composed this song at the bedside of his brother Fred during Fred's last illness. Fred Sullivan died five days after, on January 18. This song has been recorded by many singers, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The Lost Chord is one of Sullivan's best-known songs, and it is still performed nowadays. This is an arrangement for Flute with piano accompaniment. Included: Full score and separated parts for each instrument.
$8.95
8.21 €
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Flûte traversière et Piano
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Sir Arthur Seymour Sullivan
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Piacere Music Sheets
#
Sullivan - The Lost Chord in F Major - Easy
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Piacere Music Sheets
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SheetMusicPlus
Sullivan - The Lost Chord in B flat Major - Easy
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1108456 Composed by Sir A…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1108456 Composed by Sir Arthur Seymour Sullivan. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score and part. 13 pages. Piacere Music Sheets #711098. Published by Piacere Music Sheets (A0.1108456). Opus/Catalog Number: IAS 42 Key/Tone: B-flat Major Movements/Sections: Andante moderato Year/Date of Composition: 1858/1877 Difficulty: Grade 3/12 (Easy) Obs.: Sir Arthur Sullivan composed this song at the bedside of his brother Fred during Fred's last illness. Fred Sullivan died five days after, on January 18. This song has been recorded by many singers, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The Lost Chord is one of Sullivan's best-known songs, and it is still performed nowadays. This is an arrangement for Alto Saxophone with piano accompaniment. Included: Full score and separated parts for each instrument.
$8.95
8.21 €
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Saxophone Alto et Piano
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Sir Arthur Seymour Sullivan
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Piacere Music Sheets
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Sullivan - The Lost Chord in B flat Major - Easy
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Piacere Music Sheets
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SheetMusicPlus
Sullivan - The Lost Chord in G Major - Intermediate
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1108437 Composed by Sir Arthur Se…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1108437 Composed by Sir Arthur Seymour Sullivan. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. 14 pages. Piacere Music Sheets #711078. Published by Piacere Music Sheets (A0.1108437). Opus/Catalog Number: IAS 42 Key/Tone: G Major Movements/Sections: Andante moderato Year/Date of Composition: 1858/1877 Difficulty: Grade 6/12 (Intermediate) Obs.: Sir Arthur Sullivan composed this song at the bedside of his brother Fred during Fred's last illness. Fred Sullivan died five days after, on January 18. This song has been recorded by many singers, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The Lost Chord is one of Sullivan's best-known songs, and it is still performed nowadays. This is an arrangement for Violin with piano accompaniment. The violin part is to be played in the first six positions. Included: Full score and separated parts for each instrument.
$8.95
8.21 €
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Violon et Piano
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Sir Arthur Seymour Sullivan
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Piacere Music Sheets
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Sullivan - The Lost Chord in G Major - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
Repertoire of Arthur Sullivan's Popular Ballads. Little Maid of Arcadee
Piano, Voix
Piano and voice - Digital Download SKU: LV.11504 Composed by Sir Arthur Seymour Sul…
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Piano and voice - Digital Download SKU: LV.11504 Composed by Sir Arthur Seymour Sullivan. Musical instruments, Vines, Flowers, Couples, Wealth, Deception, Courtship, Love. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11504). Repertoire of Arthur Sullivan's Popular Ballads. Little Maid of Arcadee. Words by W.S. Gilbert. Music by Arthur S. Sullivan. Published [n.d.] by S.T. Gordon & Son, 13 East 14th Ave. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Musical instruments, Vines, Flowers, Couples, Wealth, Deception, Courtship, Love. First line reads Little maid of Arcadee, sat on Cousin Robin's knee.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.49 €
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Piano, Voix
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Sir Arthur Seymour Sullivan
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Repertoire of Arthur Sullivan's Popular Ballads. Little Maid of Arcadee
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Lost Chord by Arthur Sullivan - TROMBONE QUARTET
Quatuor de cuivres: 4 trombones
Brass Ensemble,Trombone Quartet Trombone - Level 3 - Digital Download SKU: A0.789782
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Brass Ensemble,Trombone Quartet Trombone - Level 3 - Digital Download SKU: A0.789782 Composed by Sir Arthur Seymour Sullivan. Arranged by Matt Smith. Romantic Period,Sacred. Score and parts. 16 pages. Matt Smith #6198151. Published by Matt Smith (A0.789782). The Lost Chord is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord, published in 1858 in The English Woman's Journal.This arrangement for Trombone Quartet is a great addition to any concert. It gives the chance to show off the lyrical qualities of the trombone, as well as having a powerful and emotional ending which will satisfy any audience.Duration: About 5 minutesYouTube demo video: https://www.youtube.com/watch?v=p7Zhe-pHEc4Visit www.mattsmithmusic.co.uk for more!Also available for Brass Quintet: https://www.youtube.com/watch?v=19pN3XvvCuc
$29.99
27.51 €
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Quatuor de cuivres: 4 trombones
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Sir Arthur Seymour Sullivan
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Matt Smith
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The Lost Chord by Arthur Sullivan - TROMBONE QUARTET
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Matt Smith
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SheetMusicPlus
The Lost Chord by Arthur Sullivan - TROMBONE QUARTET
Trombone - Digital Download SKU: A0.1069439 Composed by Sir Arthur Seymour Sullivan…
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Trombone - Digital Download SKU: A0.1069439 Composed by Sir Arthur Seymour Sullivan. Arranged by Matt Smith. Broadway,Musical/Show,Romantic Period. Full Performance. Duration 290. Matt Smith #6209707. Published by Matt Smith (A0.1069439). The Lost Chord is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord, published in 1858 in The English Woman's Journal.This arrangement for Trombone Quartet is a great addition to any concert. It gives the chance to show off the lyrical qualities of the trombone, as well as having a powerful and emotional ending which will satisfy any audience.Duration: About 5 minutesYouTube demo video: https://www.youtube.com/watch?v=p7Zhe-pHEc4Visit www.mattsmithmusic.co.uk for more!Also available for Brass Quintet: https://www.youtube.com/watch?v=19pN3XvvCuc
$2.99
2.74 €
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Sir Arthur Seymour Sullivan
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Matt Smith
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The Lost Chord by Arthur Sullivan - TROMBONE QUARTET
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Matt Smith
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SheetMusicPlus
The Lost Chord by Arthur Sullivan - BRASS QUINTET
Digital Download SKU: A0.1069427 Composed by Sir Arthur Seymour Sullivan. Arranged …
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Digital Download SKU: A0.1069427 Composed by Sir Arthur Seymour Sullivan. Arranged by Matt Smith. Broadway,Musical/Show,Romantic Period. Full Performance. Duration 290. Matt Smith #6209671. Published by Matt Smith (A0.1069427). The Lost Chord is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord, published in 1858 in The English Woman's Journal.This arrangement for Brass Quintet is a great addition to any concert. It gives the chance to show off the lyrical qualities of the brass family, as well as having a powerful and emotional ending which will satisfy any audience.Duration: About 5 minutesYouTube demo video: www.youtube.com/watch?v=19pN3XvvCucVisit www.mattsmithmusic.co.uk for more!Also available for Trombone Quartet: https://www.youtube.com/watch?v=p7Zhe-pHEc4
$2.99
2.74 €
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Sir Arthur Seymour Sullivan
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Matt Smith
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The Lost Chord by Arthur Sullivan - BRASS QUINTET
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Matt Smith
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SheetMusicPlus
The Lost Chord by Arthur Sullivan - BRASS QUINTET
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.789759
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.789759 Composed by Sir Arthur Seymour Sullivan. Arranged by Matt Smith. Romantic Period. Score and parts. 18 pages. Matt Smith #2931059. Published by Matt Smith (A0.789759). The Lost Chord is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord, published in 1858 in The English Woman's Journal.This arrangement for Brass Quintet is a great addition to any concert. It gives the chance to show off the lyrical qualities of the brass family, as well as having a powerful and emotional ending which will satisfy any audience.Duration: About 5 minutesYouTube demo video: www.youtube.com/watch?v=19pN3XvvCucVisit www.mattsmithmusic.co.uk for more!Also available for Trombone Quartet: https://www.youtube.com/watch?v=p7Zhe-pHEc4
$29.99
27.51 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Sir Arthur Seymour Sullivan
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Matt Smith
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The Lost Chord by Arthur Sullivan - BRASS QUINTET
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Matt Smith
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SheetMusicPlus
Sullivan: The Lost Chord for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthu…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.72 €
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Cor et Piano
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Sir Arthur Seymour Sullivan
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James M
#
dynamic control
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Sullivan: The Lost Chord for French Horn & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seym…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.72 €
#
Violoncelle, Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Cello & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir A…
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E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.72 €
#
Clarinette
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Alto Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir A…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.72 €
#
Clarinette et Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur …
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.72 €
#
Euphonium, Piano (duo)
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Art…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.72 €
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Clarinette Basse, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur S…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.72 €
#
Trombone et Piano
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Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Trombone & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Ar…
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B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.72 €
#
Trompette
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Sir Arthur Seymour Sullivan
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James M
#
dynamic control
#
Sullivan: The Lost Chord for Trumpet & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seym…
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Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.72 €
#
Flûte traversière et Piano
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Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 4 - Digital Download SKU: A0.549455 Composed by Sir Arth…
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English Horn,Piano - Level 4 - Digital Download SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.72 €
#
Cor anglais, Piano
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Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for English Horn & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.72 €
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seym…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.72 €
#
Alto, Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Viola & Piano
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jmsgu3
#
SheetMusicPlus
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