English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
To Follow the Star
Non classifié
273
Piano & claviers
Piano seul
310
Piano, Voix
146
Piano Facile
142
Instruments en Do
40
Piano, Voix et Guitare
35
Orgue
16
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
3
1 Piano, 4 mains
3
Accordéon
2
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
30
Ukulele
22
Guitare
18
Ligne De Mélodie, (Paroles) et Accords
8
2 Guitares (duo)
8
Mandoline
4
Basse electrique
3
Piano, Guitare (duo)
2
Guitare (partie séparée)
2
3 Guitares (trio)
1
Ensemble de guitares
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
84
Chorale 3 parties
28
Chorale TTBB
11
Chorale SSAA
9
Chorale 2 parties
8
Voix Baryton, Piano
5
Chorale Unison
5
Voix haute
4
Voix Soprano, Piano
3
Voix basse, Piano
2
Voix duo, Piano
2
Voix duo
1
Voix Alto, Piano
1
Chorale SSATTB
1
+ 9 instrumentations
Retracter
Vents
Clarinette et Piano
33
Flûte traversière
33
Saxophone (partie séparée)
20
Saxophone Alto
19
Saxophone Alto et Piano
18
Saxophone Tenor et Piano
17
Clarinette
17
Hautbois, Piano (duo)
16
Saxophone Tenor
15
Flûte traversière et Piano
15
Quatuor de Saxophones: 4 saxophones
14
Hautbois (partie séparée)
14
2 Flûtes traversières (duo)
14
Quatuor de Clarinettes: 4 clarinettes
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
3 Saxophones (trio)
8
Flûte, Hautbois, Clarinette, Basson
8
2 Saxophones (duo)
8
Cor anglais, Piano
8
Flûte à Bec
7
Saxophone Soprano et Piano
7
Flûte, Clarinette (duo)
6
Quintette de Saxophone: 5 saxophones
6
Quatuor de Flûtes : 4 flûtes
6
Cor Anglais
4
Saxophone Baryton, Piano
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone, Clarinette (duo)
3
2 Flûte à bec (duo)
3
2 Clarinettes (duo)
3
3 Clarinettes (trio)
3
Clarinette, Violon (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violon et Violoncelle
2
Flûte, Violon, Piano
2
Flûte à bec Soprano
2
Flûte, Saxophone (duo)
2
Hautbois
2
Ensemble de Clarinettes
2
Clarinette, Trompette (duo)
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Guitare (duo)
2
Flûte, Clarinette et Basson
2
Ensemble de Flûtes
2
Quatuor de Flûtes à bec
2
5 Flûtes à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes traversières, Piano
1
Hautbois, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Ensemble de saxophones
1
Flûte, Violon
1
Flûte, Hautbois, Basson
1
Flûte, trombone et piano
1
Hautbois, Flûte
1
Clarinette, trompette et piano
1
Flûte à bec Tenor
1
Flûte irlandaise
1
Flute (partie séparée)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois (duo)
1
3 Flûtes à bec (trio)
1
Clarinette, Guitare (duo)
1
Ensemble De Flûte à bec
1
2 Hautbois (duo)
1
Flûte, Basson et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Flûte, Violon, Violoncelle et Piano
1
+ 67 instrumentations
Retracter
Cuivres
Trombone et Piano
22
Trompette
20
Trombone
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trompette, Piano
14
Tuba
13
Cor et Piano
11
Cor
10
Trompette, Trombone (duo)
10
Cor anglais, Piano
8
Trompette (partie séparée)
7
Trombone (partie séparée)
5
Cor Anglais
4
Quatuor de cuivres: 4 trombones
4
Trompette, Cor (duo)
4
Tuba et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium, Piano (duo)
3
Quatuor de Cuivres
3
Trio de Cuivres
2
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trompettes
2
4 Tubas
1
Tuba (partie séparée)
1
Euphonium
1
Trombone, Violon (duo)
1
2 Trombones (duo)
1
Ensemble de Cors
1
Ensemble de Trompettes
1
Cor (partie séparée)
1
3 Euphoniums
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
181
Violon, Violoncelle (duo)
153
Violon
138
Trio à Cordes: violon, alto, violoncelle
120
Violoncelle
40
Violon et Piano
37
Alto, Piano
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Violoncelle, Piano
20
Alto seul
18
Violon, Alto (duo)
16
Contre Basse
7
2 Violons (duo)
5
2 Violoncelles (duo)
5
Alto (partie séparée)
5
Harpe
4
2 Altos (duo)
3
Violon (partie séparée)
3
4 Violoncelles
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 violins
2
Trio à Cordes: 3 violoncelles
2
Violon, Clarinette, Piano (trio)
2
Contrebasse (partie séparée)
1
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle (partie séparée)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
109
Orchestre d'harmonie
59
Ensemble de cuivres
39
Orchestre
31
Ensemble Jazz
29
Orchestre de chambre
10
Cloches
10
Marimba
3
Batterie
3
Batterie (partie séparée)
2
Ensemble de Percussions
2
Vibraphone
1
+ 7 instrumentations
Retracter
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ACCORDEON
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BASSE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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LUTH, THEOR…
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PERCU. ORCH…
PERCUSSION
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TROMPETTE
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VIOLONCELLE
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TRI ET FILTRES
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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
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To Follow the Star
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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violon, Clarinette, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
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Violon, Clarinette, Piano (trio)
#
Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
#
Adam Lenhart
#
SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
(+)
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.29 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
They Saw a Star - Epiphany/Christmas -Strings Quintet and piano
Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324340 Compo…
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Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324340 Composed by Connie Boss. Christian,Christmas,Holiday,Religious. 25 pages. Connie Boss #912539. Published by Connie Boss (A0.1324340). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge or can cut out some of the verses. This is for Strings quintet and piano. Parts are included with purchase.This can be played without the piano accompaniment if desired.This could be played while a choir sings - you can purchase SATB on here as wellemail cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:.
$7.99
7.37 €
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Connie Boss
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They Saw a Star - Epiphany/Christmas -Strings Quintet and piano
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Connie Boss
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SheetMusicPlus
They Saw a Star - Epiphany/Christmas - SATB (optional flute, violin or cello) and piano
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - L…
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - Digital Download SKU: A0.1317838 Composed by Connie Boss. Christian,Christmas,Holiday. 17 pages. Connie Boss #906529. Published by Connie Boss (A0.1317838). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge. This is for SATB with optional parts for flute, cello and violin accent instruments and piano. It can be sung with solo for verses, adding the harmonies for the refrain and bridge and final ending. email cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:
$7.99
7.37 €
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Connie Boss
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They Saw a Star - Epiphany/Christmas - SATB
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Connie Boss
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SheetMusicPlus
To Follow the Star (Downloadable)
Chorale 3 parties
SSA choir and organ - Medium - Digital Download SKU: MQ.50-2013-E Composed by Julia…
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SSA choir and organ - Medium - Digital Download SKU: MQ.50-2013-E Composed by Julian Darius Revie. Christmas, Epiphany. Instrument parts. 12 pages. MorningStar Music Publishers - Digital Sheet Music #50-2013-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-2013-E). English.This Epiphany carol by Julian Revie for 3-part treble voices and organ was written for a children's choral festival. The inventive organ accompaniment occasionally mimics shimmering starlight. The melodic phrases rise and fall very naturally, sung in unison or 2 parts until the final section of the piece where 3 parts sing canonically. The original text is both poetic and immediate; To follow the star is our joy, our delight, sums up the radiant and mystical nature of this piece. Duration 5:00.
$2.65
2.44 €
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Chorale 3 parties
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Julian Darius Revie
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To Follow the Star
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
The Eremite's Desire
Orgue
Organ - Level 4 - Digital Download SKU: A0.918621 Composed by William Zeitler. Chri…
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Organ - Level 4 - Digital Download SKU: A0.918621 Composed by William Zeitler. Christian,Contemporary,Sacred. Score. 12 pages. Musica Arcana #2033589. Published by Musica Arcana (A0.918621). An ‘eremite’ is a religious recluse - from the Greek words eremia (desert) & eremos (solitary). In a broader sense, it is not necessary for an eremite to physically leave society - an ‘eremite’ is someone who goes against the grain of society to follow their own spiritual star, such as Gandhi, Martin Luther King and Mother Theresa. It takes a certain fierce determination to be an eremite.
$2.99
2.76 €
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Orgue
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William Zeitler
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The Eremite's Desire
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Musica Arcana
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SheetMusicPlus
We Must Learn to Walk Together
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.68 €
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Piano, Voix et Guitare
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
To Boldly Go
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.851221
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Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.851221 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. 40 pages. Sophia Transistor #6209061. Published by Sophia Transistor (A0.851221). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for flute quartet (or any 4 voices notated in C). A symphonic suite arranged for quartet instrumentation.This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for flute players. Breething signs and spaces are included.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid woodwind only Star Trek performance.Leadsheet with all 4 voices is available in C with 18 pages in DIN-A4 format.Following parts are available:1st voice as flute in C on 5 pages in DIN-A4.2nd voice as flute in C on 5 pages in DIN-A4.3rd voice as flute in C on 5 pages in DIN-A4.4th voice as as flute in C on 5 pages in DIN-A4.Titelpage and table of contents page are included.Total page number: 40Highest note of voice 1: ringing c''' (but the higher notes are also notated one octave lower)Thanks!Youtube Play Along:https://youtu.be/Zfi2ZiB3GKA German Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert für Querflöte in C.Dieses Stück von Michael Giacchino enthält auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den Anfängen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphfonisch und orchestral.Dieses Stück wurde speziell auf Querflöte angepasst. Die Streicher-lastigen Stellen wurden gekürzt, weggelassen oder umgedichtet, damit man am Ende ein solides Holzblasstück hat. Atmungszeichen und Plätze zum Atmen finden Verwendung. Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhört:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur mit allen 4 Stimmen gibt es einmal als Lead-Conductor-Sheet auf 18 Seiten in DIN-A4.Folgende Einzelstimmen sind verfügbar:1. Stimme als Querflöte in C auf 5 Seiten in DIN-A4.2. Stimme als Querflöte in C auf 5 Seiten in DIN-A4.3. Stimme als Querflöte in C auf 5 Seiten in DIN-A4.4. Stimme als Querflöte in C auf 5 Seiten in DIN-A4.Knallige Titelseite und Inhaltsangabe mit Copyrightinfo sind ebenfalls vorhanden.Insgesamt 40 Seiten.Stimme 1 bis klingend c''' (nach unten transponieren immer möglich)Epische Filmmusiknoten für Quer-Flöten-Quartett: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epicfluteDanke fürs anschauen!TAGS:STAR TREK theme, flute quartet, Noten, sheet music, score, arrangement, flute quartet arrangement, to boldly go, filmmusic for flute quartet, epic film music, Querflöten Qj.
$17.01
15.68 €
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Quatuor de Flûtes : 4 flûtes
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Alexander Courage, Gene Roddenberry, and Michael Giacchino
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Sophia Johanna Transistor
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To Boldly Go
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Sophia Transistor
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SheetMusicPlus
To Boldly Go
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.851130 Composed by Ale…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.851130 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. Score and parts. 40 pages. Sophia Transistor #6275113. Published by Sophia Transistor (A0.851130). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for trombone quartet (or any 4 voices notated in bass clef in C). A symphonic suite arranged for quartet instrumentation.This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for trombone t-bone brass players. Breething signs and spaces are included. Page changes are mainly during breaks.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid brasswind only Star Trek performance.Leadsheet with all 4 voices is available in C with 18 pages in DIN-A4 format.Following parts are available:1st voice as trombone in C on 5 pages in DIN-A4.2nd voice as trombone in C on 5 pages in DIN-A4.3rd voice as trombone in C on 5 pages in DIN-A4.4th voice as trombone or bass trombone in C on 5 pages in DIN-A4.Titelpage and table of contents page are included.Total page number: 40Highest note of voice 1: ringing c''' (but the higher notes are also notated one octave lower)Thanks!Youtube Play Along:https://youtu.be/XP8sB87veKIGerman Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert für Posaune notiert in C im Bassschlüssel.Dieses Stück von Michael Giacchino enthält auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den Anfängen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphonisch und orchestral.Dieses Stück wurde speziell auf Posaune angepasst. Die Streicher-lastigen Stellen wurden gekürzt, weggelassen oder umgedichtet, damit man am Ende ein solides Blechblasstück hat. Atmungszeichen und Plätze zum Atmen finden Verwendung. Wenn man umblättern muss, dann meistens an Stellen, wo man Pause hat.Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhört:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur mit allen 4 Stimmen gibt es einmal als Lead-Conductor-Sheet auf 18 Seiten in DIN-A4.Folgende Einzelstimmen sind verfügbar:1. Stimme als Posaune in C auf 5 Seiten in DIN-A4.2. Stimme als Posaune in C auf 5 Seiten in DIN-A4.3. Stimme als Posaune in C auf 5 Seiten in DIN-A4.4. Stimme als Posaune oder Bassposaune in C auf 5 Seiten in DIN-A4.Knallige Titelseite und Inhaltsangabe mit Copyrightinfo sind ebenfalls vorhanden.Insgesamt 40 Seiten.Stimme 1 bis klingend c'' (nach unten transponieren immer möglich)Epische Filmmusiknoten für Posaunen-Quartett: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epictrom.
$17.01
15.68 €
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Alexander Courage, Gene Roddenberry, and Michael Giacchino
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Sophia Johanna Transistor
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To Boldly Go
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Sophia Transistor
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SheetMusicPlus
The Lone Star Blues Shuffle
Ukulele
Ukulele - Level 1 - Digital Download SKU: A0.1238898 By Andrew D. Gordon. By Andrew…
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Ukulele - Level 1 - Digital Download SKU: A0.1238898 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Folk,Jazz,Multicultural,Rock,World. Score. 1 pages. A.D.G. Productions #834303. Published by A.D.G. Productions (A0.1238898). The Lone Star Blues Shuffle is one of a collection of beginner blues songs Andrew D. Gordon has created for Ukulele.The Play-A-Long track can be downloaded for free at the following link.tinyurl.com/nwrbvtwh Scroll down to the very bottom of the category list on the left hand side of the page to where it says Play-A-Long Tracks.About the ComposerAndrew D. Gordon is a well-known author of over 130 music instructional books, particularly in the field of contemporary music and improvisation. His books are highly regarded and are considered to be of excellent quality by musicians and music educators.One notable aspect of Andrew D. Gordon's instructional books is their practicality. He has a knack for presenting complex musical concepts in a clear and accessible manner, making it easier for musicians of different skill levels to understand and apply them. Whether you are a beginner or an advanced player, his books provide valuable insights and techniques that can enhance your musical proficiency.Gordon's instructional books often focus on specific genres such as jazz, blues, funk, and rock, offering targeted guidance to musicians interested in these styles. He explores various aspects of improvisation, including scales, chord progressions, phrasing, and rhythmic patterns, allowing readers to develop their improvisational skills and musical vocabulary.One of the strengths of Andrew D. Gordon's books is the inclusion of practical examples and exercises. He provides musical examples that are relevant to the concepts being discussed, enabling readers to hear and internalize the ideas being presented. Additionally, his books feature exercises that encourage active participation and practice, ensuring that readers can apply what they have learned and reinforce their understanding.Gordon's writing style is concise and engaging, making it easy to follow along and stay engaged throughout the book. He presents the material in a logical and organized manner, building upon foundational concepts and gradually introducing more advanced techniques. This approach helps readers progress in a structured way, ensuring a comprehensive understanding of the topics covered.Moreover, Andrew D. Gordon's instructional books are often accompanied by audio recordings or backing tracks, providing an immersive learning experience. These resources allow readers to hear how the concepts and techniques should sound in a musical context and provide opportunities for practice and improvisation.Overall, Andrew D. Gordon's music instructional books are highly regarded for their practicality, clarity, and comprehensive coverage of contemporary music and improvisation. Whether you are an aspiring musician, a seasoned player, or an educator, his books can serve as valuable resources for enhancing your musical skills and understanding.Andrew D. Gordon's music instructional books are widely available for purchase through various online platforms and music retailers. Here are some common places where you can find his books:Author's Website: http://www.adgproductions.com.  Andrew D. Gordon has a dedicated website where you can directly purchase his books. Online Retailers: Websites like Amazon, Barnes & Noble, and Sheet Music Plus carry Andrew D. Gordon's instructional books. Simply search for his name or the specific book title to find the available options.Music Stores: Check with local music stores or instrument shops in your area. They may stock Andrew D. Gordon's instructional books or be able to order them for you.E-Book Platforms: Look for digital versions of Andrew D. Gordon's books on platforms like Kindle, Apple Books, or Google Play Books. These platforms often offer e-books that can be purchased and downloaded directly to your device.
$2.99
2.76 €
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Ukulele
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Andrew D
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Andrew D
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The Lone Star Blues Shuffle
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A.D.G. Productions
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SheetMusicPlus
1917: The Halifax Disaster
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
21.19 €
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Orchestre d'harmonie
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Stars Through the Rain for SAB and electronic track
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1265057 Composed by Adrienn…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1265057 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,New Age. Octavo. 8 pages. Adrienne Inglis (ASCAP) #857898. Published by Adrienne Inglis (ASCAP) (A0.1265057). Perfect SAB for youth or community choirs! Evocative music that speaks to loneliness and sharingEasy to follow trance-style electronic trackStars Through the Rain (2022) by Adrienne Inglis (ASCAP) and Walter Torres (BMI)SAB and electronic track by Walter TorresText — Stars Through the Rain by Kim Stafford Program note — Duration 3:23Difficulty 2 (High school)Language — SpanishProgram note — Commissioned by Inversion’s new youth choir Nova for its inaugural concert “Star Stuff†in June 2023, Stars Through the Rain is scored for SAB chorus by Adrienne Inglis with electronic track created by Walter Torres. Kim Stafford’s poignant poem of the same name tells the story of a young woman living alone in a remote corner of the world. She witnesses remarkable images of a rainbow over the moon and stars showing through the rain showers. She yearns to share these beautiful experiences with another person. The piece sets the choruses of the poem, which start in a lonely mood and subtly evolve, giving the listener the hope of being lifted into a sharing relationship with another soul. The electronic track weaves natural and synthesized elements together, creating a dreamlike soundscape evoking the night sky. The emotive arpeggiated melody line alternates between minor and major tonality, capturing her melancholic yet hopeful yearning to share this sublime moment with somebody else. The driving percussion elements represent the pitter-patter of rain drops. Synthesized pads provide the harmony and are affected by filter sweeps, a sonic interpretation of starlight refracting through rain sheets.YouTube link for electronic track: https://youtu.be/HlQFoy9hw0E.
$1.99
1.83 €
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Chorale 3 parties
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Adrienne Inglis
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Stars Through the Rain for SAB and electronic track
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Adrienne Inglis
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SheetMusicPlus
The Complete Instrumentalist Book One
Level 2 - Digital Download SKU: A0.1315388 By DaCapo Primary Music. By Jane Cutler …
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Level 2 - Digital Download SKU: A0.1315388 By DaCapo Primary Music. By Jane Cutler and Tracey Mathias. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Method. 94 pages. DaCapo Primary Music #904114. Published by DaCapo Primary Music (A0.1315388). This Book Contains 68 songs for the instrumentalist.This new edition of the DaCapo Complete Instrumentalist contains the same material as when first published in 2000, with one big change - many of the songs have been re-worded by our writer in residence, Tracey Mathias, to make them more engaging for very young children.Singing is the foundation of all musical skills.The book concentrates on the building of musicianship, is not clef specific and is therefore suitable for ANY instrument. It has been written on a reduced stave of 1, 2 or 3 lines in order to develop the skill of hearing the music from the page. The songs are classified by their note range, using solfa symbols and handsigns to identify relative pitches.The collection starts with the  so  mi interval and moves progressively to cover the complete major pentatonic scale. These intervals are easier to pitch accurately and you have the added advantage of working in canon. You may find another section more appropriate for the early stages of your instrument. A violinist or cellist may find the  so  do section better as a starting point for example, whilst  la  so might be more comfortable on a fife or recorder.Each section starts with a list of ideas for very simple activities used to teach a song and establish it in the pupil's mind. There follows a variety of more complex and creative ideas which will enhance their musicianship. The activities are at three levels and we suggest that first you learn lots of the songs and then return to them later, tackling some of the more challenging suggestions.Whilst every attempt has been made to research the source material, if you think we have not credited an original song please let us know.We hope that you enjoy becoming a Complete Instrumentalist. Jane CutlerYou can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
7.37 €
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DaCapo Primary Music
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The Complete Instrumentalist Book One
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DaCapo Primary Music
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SheetMusicPlus
Rise Up Shepherd and Follow the Star
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.945632 Composed by Traditi…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.945632 Composed by Traditional. Arranged by Nancy J. Brammer. Christian,Christmas,Romantic Period,Sacred,Spiritual. Octavo. 18 pages. Nancy Brammer #6020479. Published by Nancy Brammer (A0.945632). A unique arrangement of two pieces that were blended together for the Christmas season. Rise Up Shepherd and Follow and Star in the East. The arrangement is for two basic parts for women and men, set up to be accessible for both soprano and alto, and tenor and baritone. They are accompanied by oboe, clarinet and piano. Flute could easily play the oboe part with perhaps raising an octave here and there. The piece has a bit of jazz feeling to it contrasting with the Shaker plain song of the Star in the East. Unfortunately on the recording, the program doesn't make it possible to have the voices sing the words. Only oohs.
$10.50
9.68 €
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Chorale SATB
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Traditional
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Nancy J
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Rise Up Shepherd and Follow the Star
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Nancy Brammer
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SheetMusicPlus
Rise Up Shepherd and Follow SSAA, optional instruments and piano
Small Ensemble - Level 3 - Digital Download SKU: A0.1514814 Composed by Spiritual. …
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Small Ensemble - Level 3 - Digital Download SKU: A0.1514814 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas. 12 pages. Connie Boss #1089306. Published by Connie Boss (A0.1514814). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a SSAA with optional flute or violin or cello and piano. Parts are included with the purchase. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$6.99
6.44 €
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow SSAA, optional instruments and piano
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Connie Boss
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SheetMusicPlus
Rise Up Shepherd and Follow SATB flute and piano
Alto Voice,Bass Voice,Flute,Piano Accompaniment,Soprano voice,Tenor Voice - Level 2 - Digi…
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Alto Voice,Bass Voice,Flute,Piano Accompaniment,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.1346769 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 13 pages. Connie Boss #931551. Published by Connie Boss (A0.1346769). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a SATB with optional flute or violin or cello and piano. Parts are included with the purchase. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow  SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$7.99
7.37 €
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow SATB flute and piano
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Connie Boss
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SheetMusicPlus
Rise Up Shepherd and Follow Strings quintet and piano
Level 3 - Digital Download SKU: A0.1347788 Composed by Spiritual. Arranged by Conni…
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Level 3 - Digital Download SKU: A0.1347788 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 18 pages. Connie Boss #932598. Published by Connie Boss (A0.1347788). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a Strings quintet - 3 violins, viola, cello and piano. Parts are included with the purchase. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. Lyrics are included with most partsemail cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow  SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$7.99
7.37 €
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow Strings quintet and piano
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Connie Boss
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SheetMusicPlus
Rise Up Shepherd and Follow SATB and piano
Alto Voice,Bass Voice,Piano Accompaniment,Soprano voice,Tenor Voice - Level 3 - Digital Do…
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Alto Voice,Bass Voice,Piano Accompaniment,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1346762 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 10 pages. Connie Boss #931543. Published by Connie Boss (A0.1346762). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a SATB and piano.  It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow  SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$5.99
5.52 €
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow SATB and piano
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Connie Boss
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SheetMusicPlus
Rise Up Shepherd and Follow solo and piano
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1346145 Composed by S…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1346145 Composed by Spiritual. Arranged by Connie Boss. Christmas,Folk,Holiday,Religious,Spiritual. Score. 3 pages. Connie Boss #930969. Published by Connie Boss (A0.1346145). This well know spiritual has a new intro and ending. The melody is still there for the verses. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow  SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow
$5.50
5.07 €
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Piano, Voix et Guitare
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow solo and piano
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Connie Boss
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SheetMusicPlus
Rise Up Shepherd and Follow Duet with flute and piano
Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 2 - Digital Download SKU: A0…
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Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 2 - Digital Download SKU: A0.1347246 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 6 pages. Connie Boss #932046. Published by Connie Boss (A0.1347246). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a duet, flute and piano. Flute part is included with purchase.  It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow  SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$5.99
5.52 €
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow Duet with flute and piano
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Connie Boss
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SheetMusicPlus
Rise Up Shepherd and Follow Solo with flute and piano
Alto Voice,Flute,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1347248 C…
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Alto Voice,Flute,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1347248 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 10 pages. Connie Boss #932048. Published by Connie Boss (A0.1347248). This well know spiritual has a new intro and ending. The melody is still there for the verses. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. This is for a soloist, flute and piano. Parts are included with purchase.Lyrics:Rise Up Shepherd and Follow  SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$5.99
5.52 €
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow Solo with flute and piano
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Connie Boss
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SheetMusicPlus
Rise Up Shepherd and Follow Trio with flute or cello or violin and piano
Alto Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Di…
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Alto Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1347191 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 12 pages. Connie Boss #931987. Published by Connie Boss (A0.1347191). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a trio - can be SAT or SAA (low alto) with a choice of flute or violin or cello as an accent instrument and piano. Parts are included with purchase for all three instruments. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow  SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$7.99
7.37 €
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow Trio with flute or cello or violin and piano
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Connie Boss
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SheetMusicPlus
Rise Up Shepherd and Follow duet and piano
Alto Voice,Piano Accompaniment,Soprano voice - Level 2 - Digital Download SKU: A0.13463…
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Alto Voice,Piano Accompaniment,Soprano voice - Level 2 - Digital Download SKU: A0.1346323 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 5 pages. Connie Boss #931147. Published by Connie Boss (A0.1346323). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a duet. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow  SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$5.99
5.52 €
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow duet and piano
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Connie Boss
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SheetMusicPlus
Rather Be
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521292 By Clean…
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521292 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Sherry Lewis. Contemporary. 12 pages. Sherry Lewis Publishing #4626217. Published by Sherry Lewis Publishing (A0.521292). RATHER BE String Duo for violin and cello score 5 pages parts:4 pages time: 3'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$5.99
5.52 €
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Violon, Violoncelle (duo)
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Clean Bandit Feat
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Sherry Lewis
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https://www
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Rather Be
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Sherry Lewis Publishing
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.86 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
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To Follow the Star
