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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Exercise 6
Non classifié
55
Piano & claviers
Piano seul
147
Piano Facile
18
Piano, Voix
7
1 Piano, 4 mains
2
Accordéon
2
Piano, Voix et Guitare
1
Instruments en Do
1
+ 2 instrumentations
Retracter
Guitares
Guitare notes et tablatures
48
Basse electrique
28
Guitare
23
2 Guitares (duo)
2
Dulcimer
1
4 Guitares (Quatuor)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
6
Voix seule
3
Chorale 2 parties
2
Voix moyenne, Piano
1
Vents
Clarinette
8
Flûte traversière
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Clarinette et Piano
2
Flûte traversière et Piano
2
Saxophone Tenor
2
Quatuor de Clarinettes: 4 clarinettes
2
3 Clarinettes (trio)
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone Alto
1
2 Flûtes traversières (duo)
1
Flûte à bec Alto
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Tenor et Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Basson
1
Saxophone Alto et Piano
1
+ 12 instrumentations
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Cuivres
Tuba
2
Trombone
1
Trompette, Piano
1
2 Tubas (duo)
1
2 Trombones (duo)
1
Cor
1
+ 1 instrumentations
Retracter
Cordes
Violon
16
Trio à Cordes: violon, alto, violoncelle
13
Violoncelle
9
Quatuor à cordes: 2 violons, alto, violoncelle
9
Harpe
5
2 Violoncelles (duo)
4
Violon et Piano
4
Alto seul
2
2 Violons (duo)
1
Violoncelle, Piano
1
Violon, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
2 Altos (duo)
1
Contre Basse
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6
Batterie
5
Fanfare
3
Cloches
3
Percussion
2
Orchestre
2
Caisse Claire
2
Bodhran
1
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Autres
Théorie de la musique
8
Instruments
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COR
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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Crtitères actifs :
Exercise 6
Partitions à imprimer
498 partitions trouvées
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1
26
51
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476
Jazz Exercise 6 Clarinet
#
Clarinette
#
INTERMÉDIAIRE
#
Martin Stolz
#
Jazz Exercise 6 Clarinet
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Martin Stolz
#
SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.806006 Composed by Martin Stolz. Instructional,Jazz. Individual part. 1 pages. Martin Stolz #3418239. Published by Mar...
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Clarinet Solo - Level 3 - SKU: A0.806006 Composed by Martin Stolz. Instructional,Jazz. Individual part. 1 pages. Martin Stolz #3418239. Published by Martin Stolz (A0.806006). Jazz Exercise 6 with listening sample.This Jazz Exercise is part of my instruction book Jazz Studies - Your Way into Jazz available as eBook at:https://martinstolz1.selz.com/deThere as well is more material for clarinet!
$1.99
Jazz Exercise 6 Alto Saxophone
#
Saxophone Alto
#
INTERMÉDIAIRE
#
Martin Stolz
#
Jazz Exercise 6 Alto Saxophone
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Martin Stolz
#
SheetMusicPlus
Alto Saxophone Solo - Level 3 - SKU: A0.806004 Composed by Martin Stolz. Instructional,Jazz. Individual part. 1 pages. Martin Stolz #3418229. Published ...
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Alto Saxophone Solo - Level 3 - SKU: A0.806004 Composed by Martin Stolz. Instructional,Jazz. Individual part. 1 pages. Martin Stolz #3418229. Published by Martin Stolz (A0.806004). Jazz Exercise 6 with listening sample.This Jazz Exercise is part of my instruction book Jazz Studies - Your Way into Jazz available as eBook at:https://martinstolz1.selz.com/deThere as well is more material for alto saxophone!
$1.99
Jazz Exercise 6 Tenor Saxophone
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Saxophone Tenor
#
INTERMÉDIAIRE
#
Martin Stolz
#
Jazz Exercise 6 Tenor Saxophon
#
Martin Stolz
#
SheetMusicPlus
Tenor Saxophone Solo - Level 3 - SKU: A0.806005 Composed by Martin Stolz. Instructional,Jazz. Individual part. 1 pages. Martin Stolz #3418233. Published...
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Tenor Saxophone Solo - Level 3 - SKU: A0.806005 Composed by Martin Stolz. Instructional,Jazz. Individual part. 1 pages. Martin Stolz #3418233. Published by Martin Stolz (A0.806005). Jazz Exercise 6 with listening sample.This Jazz Exercise is part of my instruction book Jazz Studies - Your Way into Jazz available as eBook at:https://martinstolz1.selz.com/deThere as well is more material for tenor saxophone!
$1.99
Exercise 6
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Guitare notes et tablatures
#
FACILE
#
Methodes
#
John Lyn
#
Exercise 6
#
John A Lyn
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1028568 Composed by John Lyn. Instructional. Guitar Tab. 1 pages. John A Lyn #4775605. Published by John A Lyn (A0.1028568). ...
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Guitar - Level 2 - SKU: A0.1028568 Composed by John Lyn. Instructional. Guitar Tab. 1 pages. John A Lyn #4775605. Published by John A Lyn (A0.1028568). Warm up and dexterity exercise for Guitar.
$1.99
Otakar Sevcik : Méthode de la technique du violon, Opus 1, Partie 3 - Exercice 6
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Violon
#
INTERMÉDIAIRE/AVANCÉ
#
Methodes
#
Classique
#
Otakar Sevcik
#
Méthode de la technique du vi
#
Tomplay
Telechargez la partition Violon Methode de la technique du violon, Opus 1, Partie 3 - Exercice 6 de Sevcik. Partition pour Duo (Violon-Piano) -- Classique...
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Telechargez la partition Violon Methode de la technique du violon, Opus 1, Partie 3 - Exercice 6 de Sevcik. Partition pour Duo (Violon-Piano) -- Classique
3.99€
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
#
INTERMÉDIAIRE
#
Nathan Petitpas - Dots and Bea
#
Rhythm Only - Book 2 - Eighths
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Dots and Beams
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
Rhythm Only - Book 1 - Eighths
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
I encourage you to use both
#
Pitch and Rhythm - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
I encourage you to use both
#
Pitch and Rhythm - Bass Clef,
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Co...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
Fun and Fabulous Vocal Exercises & Warm - Ups for Soloists and Choir (Choir)
#
Chorale 2 parties
#
INTERMÉDIAIRE
#
Kathryn Carpenter
#
Kathryn Carpenter
#
Fabulous Vocal Exercises &
#
Fun and Fabulous Vocal Exercis
#
Kathryn Carpenter
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SheetMusicPlus
Choral Choir (2-Part) - Level 3 - SKU: A0.1241595 By Kathryn Carpenter. By Kathryn Carpenter. Arranged by Kathryn Carpenter. Blues,Classical,Instruction...
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Choral Choir (2-Part) - Level 3 - SKU: A0.1241595 By Kathryn Carpenter. By Kathryn Carpenter. Arranged by Kathryn Carpenter. Blues,Classical,Instructional,Jazz,Traditional. Octavo. 49 pages. Kathryn Carpenter #836967. Published by Kathryn Carpenter (A0.1241595). Fun & Fabulous Vocal Exercises & Warm - Ups for Soloists and Choir:* 49 pages including title page!* Traditional, Classical, and Jazz Warm Ups* Medium and Medium High VoiceSolo Exercises:Vocal 5 Note ExerciseChromatic Vocal ExerciseVocal Staccato ExerciseHarmony Exercises (2 Part Harmony):Harmony Exercises No. 1-6Solo or Harmony Note at End:Vocal Scale ExercisesJazz & Blues Exercises:5 Note Blues ExerciseJazz Vocal Exercises No. 1-5And more!
$2.25
Finger Exercise No. 5 & 6 (Key of C)
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Piano seul
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DÉBUTANT
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Methodes
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Kathryn Carpenter
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Finger Exercise No. 5 & 6
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Kathryn Carpenter
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.807251 Composed by Kathryn Carpenter. Instructional. Score. 1 pages. Kathryn Carpenter #3481907. Published by Kathryn Car...
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Piano Solo - Level 1 - SKU: A0.807251 Composed by Kathryn Carpenter. Instructional. Score. 1 pages. Kathryn Carpenter #3481907. Published by Kathryn Carpenter (A0.807251). Finger Exercise 5 & 6 (Key of C)Finger Exercise No.5 & No. 6 written by Kathryn Carpenter. Kathryn has used these various finger exercises with her own piano students for many years! Finger Exercise No. 5 & No.6* Emphasize C major and G7 (tonic and dominant chords in the key of C)* Give the student a strong sense of the five note C scale (C-D-E-F-G)* Assists in learning keyboard geography (where the notes are located)
$1.99
Major Scale Exercise For String Quartet No.6 in B Major
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Methodes
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Neal Fitzpatrick
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Major Scale Exercise For Strin
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Neal Fitzpatrick Editions
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.955360 Composed by Neal Fitzpatrick. Instructional. Score and parts. 2 pages. Neal ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.955360 Composed by Neal Fitzpatrick. Instructional. Score and parts. 2 pages. Neal Fitzpatrick Editions #5215655. Published by Neal Fitzpatrick Editions (A0.955360). This work for string quartet in B Major is No.6 of a set Major scale exercises in all 12 major keys. The focus of the study is varied divisions of the beat using whole notes, half notes, quarter notes and eighth notes. The exercise will also help understand articulation, tone and dynamics. A steady cycle through all 12 keys will help further an understanding of keys, key signatures and harmonic relationships.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.comhttps://www.youtube.com/channel/UCqZJwiMXPYbpckJVveQ6qag
$1.99
Major Scale Exercise For Violin Ensemble No.6 in B Major
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Methodes
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Neal Fitzpatrick
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Neal Fitzpatrick
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Major Scale Exercise For Violi
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Neal Fitzpatrick Editions
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SheetMusicPlus
String Quartet String Quartet,Violin - Level 1 - SKU: A0.955346 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Instructional. Score and par...
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String Quartet String Quartet,Violin - Level 1 - SKU: A0.955346 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Instructional. Score and parts. 2 pages. Neal Fitzpatrick Editions #5046373. Published by Neal Fitzpatrick Editions (A0.955346). This work is in B major is No.6 of a set Major scale exercises in all 12 major keys. The focus of the study is varied divisions of the beat using whole notes, half notes, quarter notes and eighth notes. The exercise will also help understand articulation, tone and dynamics. A steady cycle through all 12 keys will help further an understanding of keys, key signatures and harmonic relationships.
$1.99
Our Little Animal Friends Piano Exercises
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Piano Facile
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DÉBUTANT
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Methodes
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SilverTonalities
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SilverTonalities
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Our Little Animal Friends Pian
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.645708 Composed by SilverTonalities. Arranged by SilverTonalities. Instructional. Score. 14 pages. SilverTonalities #6363...
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Easy Piano - Level 1 - SKU: A0.645708 Composed by SilverTonalities. Arranged by SilverTonalities. Instructional. Score. 14 pages. SilverTonalities #6363235. Published by SilverTonalities (A0.645708). Our Little Animal Friends Piano Exercises 6 Dexterity Exercises for Beginner and Novice Pianists which will increase your speed, strength and accuracy while also developing the ability to recognize Musical Pitch A continuation of the first level of this series Little Pink Rabbits Piano Exercises Colored Notation for Quick and Accurate Reading Based on the C Major Scale, these daily exercises will help to acquire the agility needed in order to maintain a clear and even touch, while enhancing the ability to read Music Daily finger exercises are important building blocks for every level of Pianist!!
$4.99
Little Pink Rabbits Piano Exercises with Colored Notes
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Piano Facile
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DÉBUTANT
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SilverTonalities
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SilverTonalities
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Little Pink Rabbits Piano Exer
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.645638 Composed by SilverTonalities. Arranged by SilverTonalities. Children,Instructional. Score. 15 pages. SilverTonalit...
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Easy Piano - Level 1 - SKU: A0.645638 Composed by SilverTonalities. Arranged by SilverTonalities. Children,Instructional. Score. 15 pages. SilverTonalities #6295039. Published by SilverTonalities (A0.645638). Little Pink Rabbits Piano Exercises 6 Dexterity Exercises for Beginner and Novice Pianists which will increase your speed, strength and accuracy while also developing the ability to recognize Musical Pitch Improve your Technique by using these exercises daily! Colored Notation for Quick and Accurate Reading Based on the C Major , these daily exercises will help to acquire the agility needed in order to maintain a clear and even touch, while enhancing the ability to read Music Daily finger exercises are important building blocks for every level of Pianist!!
$4.99
Sight-singing exercises for two-part choirs vol. 1C - Compound meters
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Chorale SATB
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DÉBUTANT
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Nicholas Palmer
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Sight-singing exercises for tw
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Nicholas D Palmer
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by N...
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Choral Choir (Mixed) - Level 1 - SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by Nicholas D Palmer (A0.782809). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers.These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses.This volume contains 20 exercises, using common rhythmic patterns in 6/8, 6/4, and 9/8, with some exercises in 12/8, and then 5/8 and 5/4. Volume 1A includes only longer note values, B introduces eighths and sixteenths, and D will introduce melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing.If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmerwww.nicholaspalmer.comnicholasdpalmer@gmail.com
$9.99
Mozart - Menuet II in F Major, K.6 - Easy
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Piano seul
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Classique
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Wolfgang Amadeus Mozart
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Mozart - Menuet II in F Major,
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SheetMusicPlus
Piano Solo - Composed by Wolfgang Amadeus Mozart (1756-1791). Classical Period, Method, Etudes and Exercises, Repertoire. Score, Solo Part. 3 pages. P...
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Piano Solo - Composed by Wolfgang Amadeus Mozart (1756-1791). Classical Period, Method, Etudes and Exercises, Repertoire. Score, Solo Part. 3 pages. Published by Piacere Music Sheets
Opus/Catalog Number: K.6 ; Op.1 No.1
Key/Tone: F Major
Movements/Sections: Menuet 2
Year/Date of Composition: 1762
Difficulty: Grade 3/12 (Easy)
Obs.: This Menuet is part of the Notebook for Nannerl Mozart. Along with Menuetto I in C Major, this menuet forms the third movement of Mozart's Sonata in C Major for Keyboard or Keyboard and Violin, K.6.
$4.95
Jazzytude. 6 jazz etude for piano
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Piano seul
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FACILE
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Methodes Etudes
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Jazz
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Igor Jussim
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Jazzytude. 6 jazz etude for pi
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Igor Jussim
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SheetMusicPlus
Piano Solo - Composed by Igor Jussim. Jazz, Etudes and Exercises, Repertoire. 52 pages. Published by Igor Jussim ...
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Piano Solo - Composed by Igor Jussim. Jazz, Etudes and Exercises, Repertoire. 52 pages. Published by Igor Jussim
The 6 virtuoso jazz pieces in this booklet, each dealwith a fundamentally important element of jazz piano playing. That is why thepieces are called Jazz - Etudes. However, they serve not only as teachingmaterial, but are composed primarily for concert practice.
Performing the booklet does not require you to have anyin-depth experience in jazz music. All pieces are to be played "aswritten" and without any special jazz playing techniques, (such as "swing- triplets" etc.).
$15.00
Finger Exercises "Ten A Day" - Week 6
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Piano seul
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FACILE
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April Chapman / Piano Academy
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April Chapman / Piano Academy
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Finger Exercises "Ten A D
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AprilChapmanPianoAcademy
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1405931 Composed by April Chapman / Piano Academy. Arranged by April Chapman / Piano Academy. 21st Century,Classical,Stan...
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Piano Solo - Level 2 - SKU: A0.1405931 Composed by April Chapman / Piano Academy. Arranged by April Chapman / Piano Academy. 21st Century,Classical,Standards. Score. 4 pages. AprilChapmanPianoAcademy #988950. Published by AprilChapmanPianoAcademy (A0.1405931). Ten Week Exercise Programme for Intermediate Pianists (Grade 4-5). At the end of the 10 week challenge you will have learnt and practiced 100 finger exercises.All of the exercises are designed with finger fitness in mind. Keeping your hands moving is vital to ward of aches and pains and playing the piano is one of the best things you can do to keep your fingers fit and flexible.
$2.99
D.C. Dounis The Technique Of Double Stop - Selected Exercises from Op. 12 and 29 - Arranged for Viola by Szczepan Pytel
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Alto seul
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AVANCÉ
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Methodes
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Demetrius Constantine Dounis
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D.C. Dounis The Technique Of D
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Szczepan Pyte
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SheetMusicPlus
Viola - Advanced - Digital Download Composed by Demetrius Constantine Dounis. Arranged by Szczepan Pytel. Method, Etudes and Exercises, Repertoire, General...
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Viola - Advanced - Digital Download Composed by Demetrius Constantine Dounis. Arranged by Szczepan Pytel. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. Individual Part. 10 pages. Published by Szczepan Pyte
D.C. Dounis The Technique Of Double Stop - Selected Exercises from Op. 12 and 29 - Arranged for Viola by Szczepan Pytel
10 Pages including:
- thirds, fourths, sixths, octaves, tenths, and 10 additional exercises:
1. Broken Thirds
2. 3. Octaves
4. Finger independence
5. Chords of three notes
6. - 10. Chromatic Double Stops
$5.30
Sight-singing exercises for two-part choirs vol. 1A - quarters, halves, wholes
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Chorale 2 parties
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DÉBUTANT
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Methodes
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Nicholas Palmer
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Sight-singing exercises for tw
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Nicholas D Palmer
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.782807 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3507649. Published by Nich...
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Choral Choir (SA) - Level 1 - SKU: A0.782807 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3507649. Published by Nicholas D Palmer (A0.782807). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers. These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses. This volume contains the first 10 exercises of Volume 1, and then 10 more exercises that use only longer note values. Since Volume 1 also covers eighth note and sixteenth note rhythms and some compound meters, I decided to provide a volume with only the longer note values and then restructure the collection in the following way: in each series of volumes, A includes only longer note values, B introduces eighths and sixteenths, C introduces compound meter, and D introduces melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing. If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmer www.nicholaspalmer.com nicholasdpalmer@gmail.com
$9.99
Merk-Exercise No.14,Op.11 No.14,from '20 Exercises,Op.11',for Cello
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Violoncelle
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INTERMÉDIAIRE
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Classique
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Joseph Merk
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OSM Press
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Merk-Exercise No.14,Op.11 No.1
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Open Cloud
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.1198094 Composed by Joseph Merk. Arranged by OSM Press. Classical. Individual part. 6 pages. Open Cloud #797280. Publishe...
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Cello Solo - Level 3 - SKU: A0.1198094 Composed by Joseph Merk. Arranged by OSM Press. Classical. Individual part. 6 pages. Open Cloud #797280. Published by Open Cloud (A0.1198094).
$2.99
SOLFEGGIO CANTATO - Exercise No. 6
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Voix seule
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FACILE
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Methodes
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Renato Tagliabue
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SOLFEGGIO CANTATO - Exercise N
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Renato Tagliabue
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SheetMusicPlus
Voice - Early Intermediate - Composed by Renato Tagliabue. Method, Etudes and Exercises. 3 pages. Published by Renato Tagliabue...
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Voice - Early Intermediate - Composed by Renato Tagliabue. Method, Etudes and Exercises. 3 pages. Published by Renato Tagliabue
Progressive study of the theory and practice of music.
At the end of the course (10 lessons) you will be able to sing a medium difficulty score simply following the step by step videos and practicing to associate "notes you sing" to "notes you listen" on the audio file.
$5.00
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Exercise 6