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THREE WOMEN, for solo voice
Non classifié
12
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2
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1
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1
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Voix
Chorale 3 parties
11
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5
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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THREE WOMEN, for solo voice
Partitions à imprimer
41 partitions trouvées
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THREE WOMEN, for solo voice
Voice - Level 3 - Digital Download SKU: A0.1319283 Composed by Marilena Zlatanou. 2…
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Voice - Level 3 - Digital Download SKU: A0.1319283 Composed by Marilena Zlatanou. 21st Century. Vocal Jazz Ensemble. 4 pages. Marilena Zlatanou #907920. Published by Marilena Zlatanou (A0.1319283). The texts used are by Two lyricists: 1. American poet Emily Dickinson (1830 – 1886): Hope, I' nobody, Compensation, and 2. African-American poet and playwright Georgia Douglas Johnson (1880–1966): The Heart of A Woman. The third woman is composer: Greek-Norwegian Marilena Zlatanou. Duration: 7'45''. For more information on the composer, please visit website www.zlatanou.net (member of TONO, the Norwegian copyright org.)
$20.00
18.44 €
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Marilena Zlatanou
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THREE WOMEN, for solo voice
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Marilena Zlatanou
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SheetMusicPlus
AFRODITA for SSAA women's ensemble /choir
Chorale 3 parties
Choral Choir,Choral (SSA) - Level 4 - Digital Download SKU: A0.887107 Composed by M…
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Choral Choir,Choral (SSA) - Level 4 - Digital Download SKU: A0.887107 Composed by Marilena Zlatanou. A Cappella,Contemporary. 25 pages. Marilena Zlatanou #6457709. Published by Marilena Zlatanou (A0.887107). A Song Cycle for female soloist and women's ensemble/choir, on poem and fragments of poems by ancient Greek poet Sappho (c. 630-560 BC), written in the original language with the phonetic sounding in Latin alphabet given right below and the English translation right above the text. Three movements: 1. A hymn to Afrodite, for solo voice and simple a cappella acc. on Sappho's only extant poem (duration: ca 3'35'') 2. Fragments-nature, for three female voices a cappella on fragments on nature (duration ca 4'40'') 3. Fragments-Love for four female voices a cappella on the subject of Love and with a harp part included as doubling for the voice-parts, if acc. is desired (duration ca 5')Notes on the pronunciation and more information is given on the title page.The mp3 file provided here is of the last movement, made straight from the sibelius score.For more information on the composer (member of the Nowegian copyright org. TONO), please visit website www.zlatanou.net
$20.00
18.44 €
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Chorale 3 parties
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Marilena Zlatanou
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AFRODITA for SSAA women's ensemble /choir
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Marilena Zlatanou
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SheetMusicPlus
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Voix Tenor, Piano
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
60.8 €
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Voix Tenor, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Glow Worm Idyl for solo piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1391817 Composed by Paul Lincke. Ar…
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Piano Solo - Level 4 - Digital Download SKU: A0.1391817 Composed by Paul Lincke. Arranged by Marcus Martin. 20th Century,Opera. Score. 6 pages. Cornelius Edition (uk) #975295. Published by Cornelius Edition (uk) (A0.1391817). Das Glühwürmchen, known in English as The Glow-Worm, is a song from Paul Lincke's 1902 operetta Lysistrata, with German lyrics by Heinz Bolten-Backers. In the operetta, it is performed as a trio with three female solo voices singing alternately and the women's chorus joining in the refrain. Rhythmically, it is in the form of a gavotte and there is a contrasting central section which makes an attractive piano solo.
$4.99
4.6 €
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Piano seul
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Paul Lincke
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Marcus Martin
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The Glow Worm Idyl for solo piano
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Cornelius Edition
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SheetMusicPlus
Schubert: Mass in G Major D-167 (Version for SSAA choir, SSA soli, strings and organ) Vocal Score
Piano seul
Piano Solo - Digital Download SKU: A0.768511 Composed by Franz Schubert. Arranged b…
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Piano Solo - Digital Download SKU: A0.768511 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score. 58 pages. KVAMusic Edition #5321077. Published by KVAMusic Edition (A0.768511). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$10.00
9.22 €
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Piano seul
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Franz Schubert
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Roar Kvam
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Schubert: Mass in G Major D-167
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KVAMusic Edition
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SheetMusicPlus
The Ballad of Green Broom (voice and classical guitar)
Voix duo
Voice Duet Voice - Level 3 - Digital Download SKU: A0.575606 Composed by Traditiona…
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Voice Duet Voice - Level 3 - Digital Download SKU: A0.575606 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. 6 pages. David Warin Solomons #2026291. Published by David Warin Solomons (A0.575606). After singing the excellent Britten setting of this traditional song I was moved to write various versions of my own: The choral versions are more sophisticated than the original but different from and possibly rather easier than the Britten arrangement. The voice and guitar version has a more interesting guitar part than the traditional guitar chords. The sound samples are sung by Matthew Curtis of choraltracks.com for the choral versions and by Margaret Jackson-Roberts with the composer on guitar for the voice and guitar version. All three versions are available here: voice and guitar (low alto or high tenor: both versions are in the pdf file) Women's voices (SSA or SMezA) men's voices (TBarB) in D major and in B major (both versions are in the pdf file) videos of the choral versions can be seen here: women's voices https://www.youtube.com/watch?v=yumtXSa_o-w men's voices https://www.youtube.com/watch?v=Zxy3opZlBog.
$7.00
6.45 €
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Voix duo
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Traditional
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David Warin Solomons
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The Ballad of Green Broom
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David Warin Solomons
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SheetMusicPlus
The Ballad of Green Broom (men's voices)
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.575608 Composed by Tradit…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.575608 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Octavo. 8 pages. David Warin Solomons #2026283. Published by David Warin Solomons (A0.575608). After singing the excellent Britten setting of this traditional song I was moved to write various versions of my own: The choral versions are more sophisticated than the original but different from and possibly rather easier than the Britten arrangement. The voice and guitar version has a more interesting guitar part than the traditional guitar chords. The sound samples are sung by Matthew Curtis of choraltracks.com for the choral versions and by Margaret Jackson-Roberts with the composer on guitar for the voice and guitar version. All three versions are available here: voice and guitar (low alto or high tenor: both versions are in the pdf file) Women's voices (SSA or SMezA) men's voices (TBarB) in D major and in B major (both versions are in the pdf file) videos of the choral versions can be seen here: women's voices https://www.youtube.com/watch?v=yumtXSa_o-w men's voices https://www.youtube.com/watch?v=Zxy3opZlBog.
$2.99
2.76 €
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Chorale SATB
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Traditional
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David Warin Solomons
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The Ballad of Green Broom
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David Warin Solomons
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SheetMusicPlus
My Voice
Chorale 3 parties
Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.1021454 Composed by Helen M…
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Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.1021454 Composed by Helen MacKinnon. Contemporary. Octavo. 23 pages. Helen MacKinnon #6012963. Published by Helen MacKinnon (A0.1021454). Female Voices (SSA) and PianoComposed by Helen MacKinnon. Sheet music. A4. 23 pages. Duration 7.5'. Published by Helen MacKinnon, 2015. Originally written for an international conference on the theme of 'Women and the Canon', My Voice is a melodic polyphonic work for female voices exploring the themes of gender, voice and authority. The song is founded on a recurring musical theme that builds in strength and visibility as the work progresses. The work is written in three parts (SSA) with divisi scoring within each part and short solo lines. It can be performed by an ensemble of six voices or by a larger female chorus. www.helenmackinnon.co.uk @composerhelen
$3.00
2.77 €
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Chorale 3 parties
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Helen MacKinnon
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My Voice
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Helen MacKinnon
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SheetMusicPlus
Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo)
Orgue
Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards.…
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Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon!
$5.99
5.52 €
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Orgue
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verbum supernum prodiens"
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Matthew Alan Edwards
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SheetMusicPlus
When Silent Voices Sing
Digital Download SKU: H1.8120DP Composed by Allen Pote. Musicals for Adults. Musica…
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Digital Download SKU: H1.8120DP Composed by Allen Pote. Musicals for Adults. Musicals & Cantatas. Lent, General Worship, Sacred. SATB Score. 64 pages. Hope Publishing - Digital #8120DP. Published by Hope Publishing - Digital (H1.8120DP). Tom S. Long.Lent & Easter Musical From Tom Long and Allen Pote, this 35-minute cantata is a fresh retelling of the gospel from the perspective of three women: Mary, the mother of Jesus, Rachel, the woman caught in adultery, and Mary of Magdala. For SATB choir featuring three solo parts for soprano, alto and mezzo-soprano, plus smaller solo parts for tenor and baritone. The story that is told culminates in a moving description of the events of Easter morning, and its implications for us, His followers.
$12.95
11.94 €
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Allen Pote
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When Silent Voices Sing
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Hope Publishing - Digital
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SheetMusicPlus
When Silent Voices Sing
Digital Download SKU: H1.8125DP Composed by Allen Pote. Musicals & Cantatas. Lent, …
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Digital Download SKU: H1.8125DP Composed by Allen Pote. Musicals & Cantatas. Lent, General Worship. Instrumental parts. 302 pages. Hope Publishing - Digital #8125DP. Published by Hope Publishing - Digital (H1.8125DP). Tom S. Long.Lent & Easter Musical From Tom Long and Allen Pote, this 35-minute cantata is a fresh retelling of the gospel from the perspective of three women: Mary, the mother of Jesus, Rachel, the woman caught in adultery, and Mary of Magdala. For SATB choir featuring three solo parts for soprano, alto and mezzo-soprano, plus smaller solo parts for tenor and baritone. The story that is told culminates in a moving description of the events of Easter morning, and its implications for us, His followers.
$175.00
161.33 €
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Allen Pote
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When Silent Voices Sing
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Hope Publishing - Digital
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SheetMusicPlus
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ) - Score Only
Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by …
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Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by Roar Kvam. 19th Century,Classical,Latin,Praise and Worship,Romantic Period. 123 pages. KVAMusic Edition #985149. Published by KVAMusic Edition (A0.1401951). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$20.00
18.44 €
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Franz Schubert
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Roar Kvam
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Schubert: MASS In G Major D-167
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KVAMusic Edition
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SheetMusicPlus
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ)
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Octavo. 123 pages. KVAMusic Edition #5321075. Published by KVAMusic Edition (A0.768510). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$55.00
50.71 €
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Franz Schubert
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Roar Kvam
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Schubert: MASS In G Major D-167
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KVAMusic Edition
#
SheetMusicPlus
Schubert: MASS in G Major (Version for SSAA choir, SAA soli, strings and organ) set of orchestra par
Small Ensemble - Level 3 - Digital Download SKU: A0.768512 Composed by Franz Schube…
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Small Ensemble - Level 3 - Digital Download SKU: A0.768512 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score and parts. 98 pages. KVAMusic Edition #5321083. Published by KVAMusic Edition (A0.768512). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$25.00
23.05 €
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Franz Schubert
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Roar Kvam
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Schubert: MASS in G Major
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KVAMusic Edition
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SheetMusicPlus
Drei gesänge auf Deutsch
Chorale 3 parties
SSA chorus and piano - Digital Download SKU: BJ.1205 Composed by Alice Tegner. Octa…
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SSA chorus and piano - Digital Download SKU: BJ.1205 Composed by Alice Tegner. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1205. Published by Bo Ejeby Forlag - Digital (BJ.1205). 8.27 x 11.7 inches.Alice Tegner (1864-1943) is the most famous Swedish composer of children's songs; all Swedes know many of these songs. But she composed so much more which is not wellknown, mostly because it was never published.These three songs were found during the work on a new book, Alice Tegner - Musikskapare, which also contains some 70 songs for solo voice and choir as well as some piano pieces. The three songs in German are composed to lyrics by Finnish poet Zackarias Topelius, the great J.W. Goethe and an anonymous poet (maybe A.T. herself). The style is romantic in a very attractive way. I do hope that many women choirs will find this music!Contents:Suesser Sang Wechsel-Lied zum Tanze Welle, schlafe ein im Westen.
$4.80
4.43 €
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Chorale 3 parties
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Alice Tegner
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Drei gesänge auf Deutsch
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Choral Sentences for Holy Week and Easter (Downloadable)
Chorale SATB
SATB choir a cappella, solo or unison voices, organ - Medium - Digital Download SKU: MQ…
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SATB choir a cappella, solo or unison voices, organ - Medium - Digital Download SKU: MQ.50-3029-E Composed by James Biery and Marilyn Biery. Epiphany, Triduum/Three Days. 10 pages. MorningStar Music Publishers - Digital Sheet Music #50-3029-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-3029-E). Fourchoral pictures suitable as introits or short anthems. Palm Sunday: patient, plodding donkey carrying Jesus into Jerusalem; Maundy Thursday: prayerful petition; Good/plaintive melody with mournful accompaniment; Easter: women trudging to the tomb only to discover that Christ has risen! Most pieces SATB, some a cappella. Good Friday piece is Solo or Unison Voices and Organ.
$2.65
2.44 €
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Chorale SATB
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James Biery and Marilyn Biery
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Choral Sentences for Holy Week and Easter
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
La Fede for Clarinet Trio
3 Clarinettes (trio)
Clarinet Solo - Level 3 - Digital Download SKU: A0.777980 Composed by Rossini, Gioa…
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Clarinet Solo - Level 3 - Digital Download SKU: A0.777980 Composed by Rossini, Gioachino Antonio (1792-1868). Arranged by Mikio Kamada. Romantic Period. Individual part. 5 pages. ACORDO Sheet Music #4735685. Published by ACORDO Sheet Music (A0.777980). Rossini’s famous religious-music with beautiful and natural melody. The original was written for women’s voices (SSA) accompanied by piano. Three players play both the chorus part and the accompaniment part in this trio.
$6.80
6.27 €
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3 Clarinettes (trio)
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Rossini, Gioachino Antonio
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Mikio Kamada
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La Fede for Clarinet Trio
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ACORDO Sheet Music
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SheetMusicPlus
I Will Cross The Oceans SSA
Voix seule
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1029573 Composed by Merrin By…
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1029573 Composed by Merrin Bydder. A Cappella,Contemporary. 2 pages. Merrin Bydder #5197085. Published by Merrin Bydder (A0.1029573). A hauntingly beautiful a cappella song for three female voices. Suitable for a trio or for a women's choir. This song was written as a tribute to all those brave travellers who have gone before: capturing the spirit of adventure; heading off into the unknown. Song duration: 2:30.
$1.99
1.83 €
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Voix seule
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Merrin Bydder
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heading off into the unknown
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I Will Cross The Oceans SSA
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Merrin Bydder
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SheetMusicPlus
Verbum caro factum est
Female choir or 3 solo parts (SSA) and organ - intermediate - Digital Download SKU: S9.…
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Female choir or 3 solo parts (SSA) and organ - intermediate - Digital Download SKU: S9.Q6909 Composed by Naji Hakim. This edition: choral score. Downloadable, Choral score. Schott Music - Digital #Q6909. Published by Schott Music - Digital (S9.Q6909). Latin.After 'Nunc dimittis' (ED 20242) and 'Magnificat' (ED 20150), Naji Hakim now presents 'Verbum caro factum est' (And the word became flesh), his third sacred work for three high voices and organ. The melodious and swaying 'Verbum caro' is followed by a powerful and optimistic 'Gloriam quasi unigeniti' before the introductory text leads to the hymnal ending. The effective setting of the text from St. John's Gospel used as closing gospel in the Catholic Mass can be performed either with women's choir or with three solo voices (2 sopranos, alto).Mit Verbum caro factum est (Und das Wort ist Fleisch geworden) hat Naji Hakim ein drittes geistliches Werk für drei hohe Stimmen und Orgel vorgelegt. Die effektvolle Vertonung des in der katholischen Messe als Schluss-Evangelium verwendeten Textes aus dem Johannes-Evangelium kann entweder mit Frauenchor oder drei Solostimmen (2 Soprane, Alt) musiziert werden.
$11.99
11.05 €
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Naji Hakim
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Verbum caro factum est
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Schott Music - Digital
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SheetMusicPlus
Pictures at an exHERbition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
9.22 €
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Voix Soprano, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
MELANIA
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1017867 Composed by Hilary B…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1017867 Composed by Hilary Brooks, Lyrics by Clive King. Broadway,Contemporary,Holiday,Musical/Show,Patriotic. Score. 64 pages. Hilary Brooks #6343455. Published by Hilary Brooks (A0.1017867). Vocal selection. Musical. Music by Hilary Brooks, Book & Lyrics by Clive King.It's a long way from the Eastern Bloc to the East Wing - and for one former glamour model turned FLOTUS it hasn't been a happy journey. Can the ghosts of Eleanor Roosevelt and Jackie Kennedy lift our heroine's spirits? Hilary Brooks and Clive King have written a highly entertaining musical with songs full of humour and irony (Mumble Musicals) ★★★★★@brooksandking. Brooks & King are represented by Micheline Steinberg Associates: micheline@steinplays.com. Requests for script copies and permissions for productions should be sought through MSA.A chamber musical for three female actors.Original production length: 58 minutes. Suitable for MT students, colleges, MT societies. Songs : 9I WANTED THE WORLD - soloTHE FIRST FIRST LADY - duetOUR FAIR LADY - duetMEL AT NATIONS UNITED - soloMAKE AMERICA GREAT AGAIN - trioLITTLE COUNTRY - soloA NEW DEAL - soloHAPPY AT THE END - soloIT'S UP TO THE WOMEN - trio
$30.61
28.22 €
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Piano, Voix
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Hilary Brooks, Lyrics by Clive King
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Lyrics by Clive King
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MELANIA
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Hilary Brooks
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SheetMusicPlus
Sueño Despierto (I dream, awake...)
Chorale 3 parties
Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.912861 Composed by Richard …
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Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.912861 Composed by Richard Arnest. Contemporary. Octavo. 10 pages. MUC #2924307. Published by MUC (A0.912861). This mystical poem by the Cuban poet José MartÃ, depicts the Christ Child riding on a desert lion. I set this for three women's voices and obbligato flute, one of a series of works with similar textures. Some have piano, some only two voices.It can be performed with solo voices or a women's chorus. It may be used as a concert piece, as music in a church service, or as part of an Advent or Christmas presentation.Yo sueño con los ojosAbiertos, y de dÃaY noche siempre sueño.Y sobre las espumasDel ancho mar revuelto,Y por entre las crespasArenas del desierto,Y del león pujante,Monarca de mi pecho,Montado alegrementeSobre el sumiso cuello.Un niño que me llamaFlotando siempre veo!– José Martà (1853-1895)I dream with eyesOpen, and by dayAnd night always dream.And above the wavesOf the broad, restless sea,And among the crestingSands of the desertAnd the powerful lion,Ruler of my heartRiding joyfullyOn whose submissive neckA child who calls to me,Floating, always, I see2'15facebook.com/RichardArnestASCAPLicense for 30 singers
$20.00
18.44 €
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Chorale 3 parties
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Richard Arnest
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Sueño Despierto
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MUC
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SheetMusicPlus
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
2.02 €
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Chorale TTBB
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verbum supernum prodiens"
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Matthew Alan Edwards
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SheetMusicPlus
Stabat Mater - Abos (Galiè) SSA
Chorale 3 parties
Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.923323 Composed by Girolamo…
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Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.923323 Composed by Girolamo Abos (1715-1760). Arranged by Kevin Galiè. Baroque,Easter,Sacred. Octavo. 32 pages. Kevin Galie #3210719. Published by Kevin Galie (A0.923323). Staggeringly beautiful Neapolitan women's chorus setting. Manuscript suggests three solo voices, but the consistent layout of simpler ripieno melodic lines, interlaced with either echo or preceding lines of a clearly more virtuosic nature, seem to strongly indicate ripieno and concertino (three solo voices) treatment and performance practice.
$4.50
4.15 €
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Chorale 3 parties
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Girolamo Abos
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Kevin Galiè
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Stabat Mater - Abos
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Kevin Galie
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SheetMusicPlus
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
2.02 €
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Chorale TTBB
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verbum supernum prodiens"
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Matthew Alan Edwards
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SheetMusicPlus
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THREE WOMEN, for solo voice
