English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
21 735
Partitions
Numériques
358 310
Librairie
Musicale
158 327
Matériel
de Musique
6 317
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
42529
PIANO & CLAVIERS
Piano seul
59504
Piano, Voix
39077
Piano Facile
18013
Piano, Voix et Guitare
15401
Piano grosses notes
3778
Orgue
3438
Accompagnement Piano
2718
1 Piano, 4 mains
1849
Instruments en Do
1157
Piano (partie séparée)
819
Piano Trio: piano, violon, violoncelle
796
2 Pianos, 4 mains
391
Piano Quatuor: piano, 2 violons, violoncelle
257
Accordéon
256
Piano Quatuor: piano, violon, alto, violoncelle
205
Orgue, Piano (duo)
138
Piano Quintette: piano, 2 violons, alto, violoncelle
111
Clavier
71
1 Piano, 6 mains
70
Orgue, Trompette (duo)
69
Clavecin
68
2 Pianos, 8 mains
27
2 Accordéons
7
Ligne De Mélodie, Piano
4
Ensemble de Pianos
4
Accordéon, Piano
3
Accordéon - Piano, Voix, Guitare
2
Accordéon, Voix
1
Accordéon et Orchestre
1
2 Orgues (duo)
1
Ensemble d'Accordéons
1
Orgue, Voix
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
1899
Guitare
1093
Ligne De Mélodie, (Paroles) et Accords
950
Basse electrique
399
Ukulele
331
Piano, Guitare (duo)
286
2 Guitares (duo)
234
Paroles et Accords
149
Guitare (partie séparée)
143
Mandoline
61
4 Guitares (Quatuor)
56
Dulcimer
32
3 Guitares (trio)
31
Banjo
29
Mandoline, Piano (duo)
17
Ensemble de guitares
16
Guitare, Violon, Violoncelle (trio)
12
Mandoline, Guitare (duo)
10
Basse électrique (partie séparée)
10
2 Ukuleles
8
2 Mandolines (duo)
3
Guitare, Flûte, Clarinette
2
2 Dulcimers (duo)
2
Ukulele Baryton
2
Cithare
1
Guitare Pedal Steel
1
Dobro
1
Ensemble de Ukulélés
1
Orchestre à Plectres
1
Guitare, Orchestre
1
Guitare, Quatuor à cordes
1
Partitions De Groupes
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
14881
Chorale 2 parties
6300
Chorale 3 parties
5125
Chorale Unison
3376
Voix duo, Piano
2528
Chorale TTBB
1771
Chorale SSAA
989
Voix duo
924
Voix seule
565
Chorale
275
Voix haute
246
Voix Soprano, Piano
231
Voix moyenne, Piano
145
Voix Alto, Piano
145
Voix Tenor, Piano
110
Voix basse, Piano
101
Voix Tenor
81
Voix Soprano
45
Voix Mezzo-Soprano, Piano
32
Voix Baryton, Piano
31
Chorale SSAATTBB
25
Voix basse
18
Chorale SSAB a cappella
14
Chorale SSATTB
14
Chorale SSATB
13
Chorale SSAB, Piano
13
Chorale SSATBB
11
Soli, choeur mixte et accompagnement
10
Chorale SATTB
6
Voix haute, Piano
4
Voix Soprano, Orchestre
2
Male Voice
2
Chorale SSAATB A Cappella
1
Voix et basse continue
1
Chorale, Orgue
1
Chorale SSAATB
1
Chorale SATTBB A Cappella
1
Voix, Guitare
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
6026
Clarinette et Piano
3410
Hautbois, Piano (duo)
3273
Saxophone Alto et Piano
2945
Clarinette
2499
Saxophone Tenor et Piano
2378
2 Saxophones (duo)
1904
Quatuor de Saxophones: 4 saxophones
1902
Flûte traversière
1778
Flûte, Hautbois, Clarinette, Basson
1629
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1615
Saxophone Soprano et Piano
1588
Saxophone (partie séparée)
1543
2 Flûtes traversières (duo)
1289
Saxophone
1036
2 Clarinettes (duo)
882
Quatuor de Clarinettes: 4 clarinettes
864
Saxophone Alto
835
Quintette de Saxophone: 5 saxophones
816
Saxophone Baryton, Piano
678
Hautbois (partie séparée)
587
Flûte, Clarinette (duo)
567
Quatuor de Flûtes : 4 flûtes
507
Cor anglais, Piano
478
3 Clarinettes (trio)
440
3 Saxophones (trio)
416
Ensemble de Clarinettes
354
Flûte et Guitare
330
2 Hautbois (duo)
317
Saxophone, Clarinette (duo)
281
Clarinette, Violon (duo)
265
Trio de Flûtes: 3 flûtes
254
Ensemble de saxophones
241
Hautbois, Basson (duo)
215
Hautbois
203
Flûte à bec Soprano
200
Hautbois, Clarinette (duo)
200
Ensemble de Flûtes
197
Flûte, Violon
196
2 Flûte à bec (duo)
193
Clarinette Basse, Piano
193
Saxophone Tenor
191
Flûte, Clarinette, Piano (trio)
182
Clarinette, Trompette (duo)
176
Flûte à Bec
173
Quintette de Clarinettes: 5 clarinettes
171
Quatuor de Flûtes à bec
138
2 Flûtes traversières, Piano
137
Clarinette et Alto
135
Clarinette (partie séparée)
125
Saxophone Soprano
122
Flûte, Clarinette et Basson
119
Flûte, Violon, Piano
119
Flûte, Violoncelle, Piano (trio)
118
Flûte, Saxophone (duo)
109
Quintette de Flûte : 5 flûtes
109
Clarinette, Basson (duo)
108
Flûte, Alto (duo)
107
Flûte à bec Alto, Piano
101
Flûte à bec Alto
100
Flûte, Trompette (duo)
96
2 Clarinettes, Piano
94
Flûte, Hautbois, Clarinette (trio)
90
Flûte à bec Soprano, Piano
90
Hautbois, Flûte
89
Clarinette, Guitare (duo)
85
Flûte, Violoncelle
82
Flûte irlandaise
82
Flute (partie séparée)
82
Hautbois, Clarinette, Basson (trio d'anches)
81
Flûte, Basson et Piano
80
Cor Anglais
80
Flûte, Hautbois (duo)
73
2 Saxophones, Piano
68
Clarinette, Violoncelle, Piano (trio)
66
Flûte, Violon et Violoncelle
64
Saxophone Baryton
63
Clarinette, Violoncelle (duo)
61
Flûte à bec Tenor
55
Flûte, Hautbois, Basson
52
Ensemble De Flûte à bec
51
Hautbois, Violoncelle
46
Saxophone et Piano
46
5 Flûtes à bec
43
Flûte, Alto et Piano
41
Flûte, Hautbois, Piano (trio)
38
Piccolo, Piano
38
Flûte à Bec, Piano
37
3 Flûtes à bec (trio)
35
Flûte, Violon, Violoncelle et Piano
34
Flûte, trombone et piano
33
Clarinette, Basson, Piano (trio)
29
Hautbois, violon (duo)
27
Saxophone et Orgue
26
Clarinette, trompette et piano
25
Harmonica
24
Flûte, Trombone (duo)
23
Flûte, Clarinette, Cor, Basson (Quartet)
22
Hautbois et alto (duo)
21
Clarinette, Harpe (duo)
20
Piccolo
19
Clarinette, Alto et Piano (trio)
18
Hautbois, Violoncelle et Piano
17
Flûte, Clarinette, Violon (trio)
16
2 Clarinettes, Basson
16
Hautbois, Basson et Piano
15
Flute, Cor (duo)
14
4 Hautbois
12
Hautbois, trombone (duo)
12
3 Hautbois
12
Clarinette, Tuba
12
Flûte, Tuba (duo)
11
Flute, harpe et violon
11
Cor anglais, Guitare (duo)
11
Flûte, Violoncelle, Guitare
10
Clarinette, Trombone (duo)
9
Hautbois, Clarinette et Piano (Trio)
9
2 Cors Anglais Et Pianoforte
9
Hautbois, Harpe
9
Flûte, Hautbois, Violon
9
Hautbois, Violon, Piano
8
Flûte et Trio à cordes
8
Saxophone et Guitare
8
Ensemble à vent
7
Flûte traversière, Orgue (duo)
6
Flûte à bec, Guitare (duo)
6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Clarinette, Orgue
5
Ensemble de Hautbois
4
2 Flûtes à bec, Piano
4
Flûte à bec Alto, Basse continue
4
Clarinette, Contrebasse (duo)
4
Hautbois, Guitare (duo)
4
2 Hautbois, Piano
4
2 Hautbois et Basson
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Saxophone et Harpe
3
Clarinette Basse
2
Cornemuse
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Instruments en Mib
2
Harmonica, Piano
2
Flûte traversière, Basse continue
2
Cor anglais et Harpe (duo)
2
Flûte, Violon, Guitare
2
Ocarina
2
3 Flûtes à bec, Piano
2
2 Flûtes, Basse continue
2
Flûte à bec, Harpe
1
Clarinette, Saxophone, Piano
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Saxophone, Violon (duo)
1
2 Hautbois, 2 Cors et 2 Bassons
1
2 Flûtes traversières, Harpe
1
Flûte, alto et harpe
1
Clarinette, Orchestre
1
Flûte, Harpe et Violoncelle
1
Flûte et Quatuor à Cordes
1
Flûte à bec Soprano, Basse continue
1
Flûte de Pan
1
2 Flûtes à bec, Guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
2787
Trompette, Piano
2778
Trompette
1868
Cor et Piano
1842
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1582
Trombone
1120
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1004
Tuba et Piano
835
2 Trompettes (duo)
599
Quatuor de Cuivres: 2 trompettes, Cor, trombone
572
2 Trombones (duo)
549
Cor
548
Quatuor de Cuivres
534
Euphonium, Piano (duo)
506
Cor anglais, Piano
478
Tuba
420
Trompette (partie séparée)
415
Trombone (partie séparée)
387
Trompette, Trombone (duo)
344
2 Cors (duo)
323
Trompette, Cor (duo)
254
Trompette, Saxophone (duo)
214
Quatuor de cuivres: 4 trombones
188
Ensemble de Trombones
133
Cor (partie séparée)
119
Ensemble de Trompettes
112
Euphonium
112
Quatuor de cuivres: 4 cors
107
2 Tubas (duo)
93
Cor Anglais
80
Tuba (partie séparée)
71
Quatuor de cuivres: 2 trompettes, 2 trombones
68
Trio de Cuivres
67
Tuba et Orgue
64
3 Trombones (trio)
54
Quatuor de cuivres: 4 trompettes
51
2 Trompettes, Clavier (piano ou orgue)
46
Trombone, Orgue
34
Ensemble de Cors
31
4 Tubas
30
3 Trompettes (trio)
29
Trombone basse et Piano
28
Euphonium, Tuba (duo)
26
Trompette, Trombone, Piano
26
Trompette, Tuba (duo)
24
2 Euphoniums et 2 Tubas
23
Trombone, Cor (duo)
21
Trombone basse
19
Trombone, Tuba (duo)
18
Cor, Tuba (duo)
17
Trompette, Basson (duo)
17
3 Cors (trio)
16
Trompette, Violoncelle et Piano
16
2 Euphoniums (duo)
16
Trompette, Violoncelle (duo)
15
Trombone, Violon (duo)
15
Cor, Violoncelle (duo)
14
3 Tubas (trio)
13
Cor et Orgue
12
Cor et Basson (duo)
11
Cor anglais, Guitare (duo)
11
2 Trombones, Piano
11
2 Cors Anglais Et Pianoforte
9
Clarinette, Cor (duo)
8
Cornet et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Cor et Harpe
6
2 Cors, Piano
5
Cor, Violoncelle et Piano
5
Trompette et Guitare
4
Trombone et orchestre
4
Trompette, violon (duo)
3
Instruments en Sib
3
3 Euphoniums
3
Trompette, Harpe
3
Ensemble de Tubas
2
Bass Clef Instruments
2
Cor anglais et Harpe (duo)
2
Euphonium Ou Saxhorn Et Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
4 Euphoniums
1
Trompette, Orchestre
1
Tuba ou Euphonium ou Saxhorn
1
Cornet et orchestre
1
Trompette, Euphonium (duo)
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
6883
Quatuor à cordes: 2 violons, alto, violoncelle
4469
Violoncelle, Piano
4387
Alto, Piano
3428
Violon
2060
Violon, Violoncelle (duo)
1084
Violoncelle (partie séparée)
850
2 Violons (duo)
833
Alto seul
830
Harpe
826
Trio à Cordes: violon, alto, violoncelle
809
Contrebasse, Piano (duo)
752
2 Violoncelles (duo)
742
Quintette à cordes: 2 violons, alto, violoncelle, basse
701
Violon, Alto (duo)
570
Violoncelle
532
2 Altos (duo)
485
Piano Trio: Violon, Alto, Piano
479
Contre Basse
349
Alto (partie séparée)
289
Trio à Cordes: 2 violons, violoncelle
230
Violon (partie séparée)
194
Alto, Violoncelle (duo)
183
Contrebasse (partie séparée)
160
4 Violoncelles
153
Violon, Guitare (duo)
127
Trio à cordes: 3 violins
92
Harpe, Flûte (duo)
92
2 Harpes (duo)
85
Trio à Cordes: 3 violoncelles
83
2 Contrebasses (duo)
79
Quatuor à cordes: 4 violons
74
2 Violons, Piano
61
Violoncelle , Guitare (duo)
60
Harpe, Violon (duo)
53
Violon, Clarinette, Piano (trio)
52
Alto, Guitare (duo)
48
Violon, Basson (duo)
47
Violoncelle, Contrebasse (duo)
46
Trio à Cordes: 2 violons, alto
46
Trio à cordes: 3 altos
45
Quatuor à cordes : 4 altos
41
Quintette à cordes: 2 violons, 2 altos, violoncelle
34
Quintette à cordes : 2 violons, alto et 2 violoncelles
31
Alto et Basson
30
Alto et Harpe
28
Harpe, Violoncelle (duo)
28
Violoncelle, Orgue
27
Ensemble de Violons
26
Harpe, Voix
25
2 Violoncelles, Piano
24
Ensemble d'Altos
22
Harpe et Piano
17
Violon, Tuba (duo)
16
Trio à cordes
14
4 Contrebasses
13
Violoncelle, Orchestre
9
Violon, Orgue
8
Ensemble de Violoncelles
8
Harpe, Violon, Violoncelle
8
Violon, Trompette et Piano
8
2 Altos, Piano
7
Harpe (partie séparée)
6
Flûte, Contrebasse (duo)
6
Violon, Basse continue
5
Violoncelle, Basse continue
5
Violon, Violoncelle, Clarinette
4
Harpe, Quatuor à cordes
4
4 Harpes
3
Harpe et mandoline
3
Harpe, Trombone (duo)
2
3 Contrebasses
2
Autoharp
2
Alto et orchestre
2
Alto, Orgue
2
2 Violons et Basse continue
1
Harpe et Orgue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4306
Orchestre à Cordes
1939
Orchestre
1898
Ensemble Jazz
1460
Cloches
1130
Ensemble de cuivres
1060
Jazz combo
854
Orchestre de chambre
797
Batterie
463
Ensemble de Percussions
183
Fanfare
162
Batterie (partie séparée)
127
Percussion (partie séparée)
94
Xylophone, Piano
70
Marimba
64
Vibraphone
52
Piano et Orchestre
52
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
27
Xylophone
19
Percussion
18
Quintette à Vent
16
Timbales
9
Ensemble d'École
8
Orchestre, Violon
8
2 Xylophones
8
Caisse Claire
7
Timbales (partie séparée)
7
Marimba, Piano (duo)
4
Quintette de Cuivres: autres combinaisons
4
Big band
3
Quatuor à Vent : 4 instruments à vents
3
Vibraphone (partie séparée)
3
Vibraphone et Marimba
3
Instrumentation Flexible
2
3 Marimbas
2
Orchestre Symphonique
1
Marimba et Orgue
1
Voix et Orchestre
1
Marimba ou Xylophone et Piano
1
2 Marimbas
1
Bongos
1
Cajon
1
Xylophone ou Marimba ou Vibraphone
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
46
Théorie de la musique
7
Vous avez sélectionné:
Ian A
Partitions à imprimer
358 310 partitions trouvées
<
1
26
51
....
9976
Gregorian Modes - 7 Little Pieces In Church Modes For Piano
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Sebastian Freisleben. Jazz, …
(+)
Piano Solo - Intermediate - Digital Download Composed by Sebastian Freisleben. Jazz, Method, Etudes and Exercises, Pop. 15 pages. Published by Sebastian Freisleben
You want to know how modern songs in old church modes could sound? Let yourself be enchanted by these 7 wonderful & characteristic pieces in ionian \| dorian \| phrygian \| lydian \| mixolydian \| aeolian \| locrian.<br> <br> For the intermediate pianist and jazz piano lover.<br> <br> As a bonus and present from me, you will get a quick explanation about how to use these scales for your own modern sounding songs in old modes!<br> <br> Hear all 7 songs on Spotify or YouTube:<br> https://spoti.fi/2X3xfnq<br> https://bit.ly/2RB2rtt<br> <br> Check out my social media for more!<br> https://facebook.com/sebastianfreisleben <br> https://instagram.com/sebfreis
$10.99
10.28 €
#
Piano seul
#
Sebastian Freisleben
#
Gregorian Modes - 7 Little Pieces In Church Modes For Piano
#
Sebastian Freisleben
#
SheetMusicPlus
Prelude 19 in A Major Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883006. Published by Brian Golden (A0.1292493). Prelude 19 in A Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 19 in A Major Ionian
#
Brian Golden
#
SheetMusicPlus
Prelude 1 in C Major Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 1 in C Major Ionian
#
Brian Golden
#
SheetMusicPlus
Prelude 7 in Eb Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 7 in Eb Ionian
#
Brian Golden
#
SheetMusicPlus
Prelude 13 in F# Major Ionian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 13 in F# Major Ionian
#
Brian Golden
#
SheetMusicPlus
Prelude 22 in B Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 22 in B Minor Phrygian
#
Brian Golden
#
SheetMusicPlus
Prelude 4 in D Minor Phrygian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 4 in D Minor Phrygian
#
Brian Golden
#
SheetMusicPlus
Prelude 10 in F Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812805. Published by Brian Golden (A0.1216194). Prelude 10 in F Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 10 in F Minor Phrygian
#
Brian Golden
#
SheetMusicPlus
Prelude 16 in G# Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 pages. Brian Golden #843067. Published by Brian Golden (A0.1248575). Prelude 16 in G# Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 16 in G# Minor Phrygian
#
Brian Golden
#
SheetMusicPlus
Prelude 11 in Db Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 11 in Db Major Lydian
#
Brian Golden
#
SheetMusicPlus
Prelude 23 in G Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 23 in G Major Lydian
#
Brian Golden
#
SheetMusicPlus
Prelude 17 in E Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 17 in E Major Lydian
#
Brian Golden
#
SheetMusicPlus
Prelude 5 in Bb Major Lydian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 5 in Bb Major Lydian
#
Brian Golden
#
SheetMusicPlus
Prelude 12 in Bb Minor Dorian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 12 in Bb Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Prelude 6 in G Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 6 in G Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Prelude 18 in C# Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 18 in C# Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Prelude 24 in E Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883014. Published by Brian Golden (A0.1292440). Prelude 24 in E Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 24 in E Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Prelude 14 in D# Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843063. Published by Brian Golden (A0.1248570). Prelude 14 in D# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 14 in D# Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Prelude 2 in A Minor Aolian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 2 in A Minor Aolian
#
Brian Golden
#
SheetMusicPlus
Prelude 20 in F# MInor Aolian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883008. Published by Brian Golden (A0.1292438). Prelude 20 in F# Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 20 in F# MInor Aolian
#
Brian Golden
#
SheetMusicPlus
Prelude 8 in C Minor Aolian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.61 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 8 in C Minor Aolian
#
Brian Golden
#
SheetMusicPlus
How to Play Indian Sitar Rāgas on a Piano (2020 edition)
Piano seul
Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by …
(+)
Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by Intensely Pleasant Music
2nd edition - fully revised 2020 (first published 2016). Available as a pdf from www.pianoraga.com either for individual use or with a studio licence for teachers (this includes a hard copy). Also perfect-bound or coil-bound from www.pianoraga.com (also https://www.amazon.com/Play-Indian-Sitar-R%C4%81gas-Piano/dp/B08DBVQZK8 and https://www.lulu.com/en/gb/shop/john-pitts/how-to-play-indian-sitar-r%C4%81gas-on-a-piano-coil-bound... ).<br> <br> Indian rāgas (or raags) have an extraordinary musical heritage dating back several centuries (from the area that is now India, Pakistan and Bangladesh) - a truly unique musical genre of fascinating melodic beauty and rhythmic intricacy – freely combining elaborate composed melodies with carefully rehearsed improvisation.This rich and intriguing music is traditionally performed on sitar – or instruments such as the sarangi, sarod, esraj or voice – and has previously been generally unavailable to pianists. But now the amazing world of Indian rāgas has been opened up in this sympathetic but thorough reinvention for piano solo (or duet or two pianos) by an award-winning British composer. This collection of 24 rāgas will be enjoyed by good amateur pianists through to virtuosic professionals. It is suitable for any pianist who enjoys discovering new music, or who has an interest in music from other cultures, or who knows the pleasure of jazz noodling and wants to explore a rewarding and fresh (but centuries-old) form of improvisation.<br> <br> This book contains:<br> •Sheet music for piano solo: a set of 24 rāgas, newly composed within a traditional rāga genre, one for each hour of night and day, sunset to sunset, encompassing a wide array of moods, and based on over twenty fascinating scales.<br> •Step by step instructions to play each of the pre-composed and improvised sections of Indian rāgas, written for pianists who are used to playing European classical music and jazz. This includes how to develop the melodic material in the improvised ālāp (with optional joṛ and jhālā sections), and the part composed part improvised slow, medium and fast gat sections, with optional jhālā to finish.<br> •Instructions to play any of these rāgas in a duet or at two pianos.<br> •Hundreds of musical examples.<br> •Accompanying audio & video examples can be accessed for free at pianoraga.com<br> <br> The book has been fully revised in 2020, with improved explanations and definitions, spellings conformed to academic usage, corrected inclusion of the improvised joṛ section, inclusion of mohrā phrases in the ālāp, and a transcription of the intricate free-pulse rhythms in the first example ālāp video. .
$25.99
24.32 €
#
Piano seul
#
John Pitts (1976-)
#
How to Play Indian Sitar Rāgas on a Piano
#
SheetMusicPlus
Mystic Space - Ambient Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.573205 Composed by James Michael St…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.573205 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age. Score. 4 pages. James M Stevens Music ASCAP #5011245. Published by James M Stevens Music ASCAP (A0.573205). Written December 22, 2019, this is a minimalistic piano composition written in a reflective and mystical style with some light ambient orchestration. The key is somewhat ambivalent and model with a mixture between D minor (aeolian), A phrygian, and B flat lydian. Wrote it just for a change of pace before I work on some commissions. Hope you enjoy this deep space meditative piece! 
$3.99
3.73 €
#
Piano seul
#
James Michael Stevens
#
James Michael Stevens
#
Mystic Space - Ambient Piano
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Piano album - volume 1 (15 pieces for piano solo), edition I - 2012 (Romanian language edition)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.912979 Composed by Andrei-Lucian Dr…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.912979 Composed by Andrei-Lucian Drăgoi (Dragoi). 20th Century,Multicultural,Standards,World. Score. 63 pages. Andrei-Lucian Dragoi #2931267. Published by Andrei-Lucian Dragoi (A0.912979). I am a Romanian composer. This is my first musical album for piano solo (the 1st edition published in Romania, in 2012). This album addresses to (early) intermediate level piano players and contains 15 miniatures for piano solo. The melodies of these pieces also contain the harmonic lines so that to encourage improvisation and added/alternative guitar accompaniments.The separate lead sheets for 10 of these pieces can also be found on my other album called: Multi-instrumental musical album - volume 1, edition I (lead sheets) (Album muzical poli-instrumental, volume 1, edition I) (Romanian language edition).The mp3 sample is an audio variant of the miniature Mic dans cu aroma irlandeza (Little Irish-flavored dance) from this album.All the miniatures from this album can be listened in audio format on this personal blog page:https://acdecojocullumii.wordpress.com/2013/01/14/albumul-meu-de-pian-solo-pentru-incepatori-volumul...I have marked more instruments that piano solo because each piece is written so that it can also be played in duets (piano-woodwind/strings duo, guitar-woodwind/strings duo) and trio/quartets (piano-guitar-woodwind/-strings).
$7.00
6.55 €
#
Piano seul
#
Andrei-Lucian Drăgoi
#
Piano album - volume 1
#
Andrei-Lucian Dragoi
#
SheetMusicPlus
<
1
26
51
....
9976
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
