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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sole, Sole, Sole
Non classifié
478
Piano & claviers
Piano seul
336
Piano, Voix
270
Piano, Voix et Guitare
125
Orgue
91
Piano Facile
82
2 Pianos, 4 mains
23
Instruments en Do
20
Accordéon
12
Accompagnement Piano
9
Piano Trio: piano, violon, violoncelle
7
Orgue, Trompette (duo)
4
1 Piano, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Accordéons
1
Piano grosses notes
1
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
38
Guitare
30
Ligne De Mélodie, (Paroles) et Accords
13
2 Guitares (duo)
7
Ukulele
4
Paroles et Accords
3
Mandoline
3
Piano, Guitare (duo)
2
3 Guitares (trio)
1
Basse electrique
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
235
Chorale 2 parties
64
Chorale 3 parties
42
Voix duo, Piano
26
Chorale TTBB
26
Chorale Unison
22
Voix seule
21
Voix duo
17
Voix Alto, Piano
11
Voix Soprano, Piano
6
Chorale
5
Chorale SSAA
5
Voix basse, Piano
4
Voix Baryton, Piano
3
Voix Tenor, Piano
3
Chorale SSAATTBB
1
Voix haute
1
Voix Mezzo-Soprano, Piano
1
Voix et basse continue
1
Pack Instrumental pour Chorale
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
59
Quintette de Saxophone: 5 saxophones
50
Flûte traversière et Piano
28
Saxophone
27
Clarinette
25
Clarinette et Piano
25
Saxophone Alto
24
Flûte traversière
23
Saxophone Alto et Piano
22
Quatuor de Saxophones: 4 saxophones
21
Hautbois, Piano (duo)
19
Quatuor de Clarinettes: 4 clarinettes
17
Clarinette (partie séparée)
17
Saxophone Tenor et Piano
17
Flûte, Hautbois, Clarinette, Basson
17
Saxophone (partie séparée)
15
Flûte à Bec
14
Hautbois
14
2 Saxophones (duo)
13
Saxophone Soprano et Piano
13
Saxophone Tenor
12
Ensemble de Clarinettes
11
Flûte et Guitare
10
Flute (partie séparée)
7
Hautbois (partie séparée)
6
Quintette de Clarinettes: 5 clarinettes
6
Quatuor de Flûtes : 4 flûtes
6
2 Clarinettes (duo)
5
3 Saxophones (trio)
5
Ensemble de Flûtes
5
2 Flûtes traversières (duo)
5
Quintette de Flûte : 5 flûtes
5
Ensemble de saxophones
4
Saxophone et Orgue
3
Saxophone Soprano
3
2 Hautbois (duo)
3
Saxophone Baryton, Piano
3
Clarinette, Guitare (duo)
3
Clarinette Basse, Piano
3
Trio de Flûtes: 3 flûtes
3
Cor anglais, Piano
3
2 Flûte à bec (duo)
2
3 Flûtes à bec (trio)
2
Instruments en Mib
2
Flûte, Clarinette (duo)
2
Flûte à bec Soprano
2
Flûte à Bec, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Basson (duo)
2
Saxophone et Harpe
2
Flûte, Clarinette et Basson
2
Flûte, Violon, Piano
2
Hautbois, Violoncelle et Piano
1
Flûte à bec Alto
1
5 Flûtes à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte et Trio à cordes
1
Clarinette, Basson, Piano (trio)
1
Cornemuse
1
Flûte, Hautbois, Basson
1
Harmonica
1
Flute, harpe et violon
1
Hautbois, Guitare (duo)
1
Hautbois, Basson et Piano
1
Flûte à bec Alto, Piano
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Alto et Piano (trio)
1
Flûte à bec Tenor
1
Piccolo
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Flûte
1
Hautbois, Harpe
1
Flûte à bec Soprano, Piano
1
Flûte, Basson et Piano
1
Clarinette, Basson (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Orchestre
1
Clarinette, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Flûte, Alto et Piano
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
+ 80 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Trompette
27
Trombone et Piano
21
Trompette, Piano
21
Cor
17
Trombone
17
Trombone (partie séparée)
17
Cor et Piano
12
Ensemble de Trombones
11
Tuba
9
Trompette (partie séparée)
8
Cor (partie séparée)
8
Euphonium
7
Tuba et Piano
6
Quatuor de cuivres: 4 trombones
6
Quatuor de cuivres: 4 cors
6
Tuba (partie séparée)
5
Quatuor de Cuivres
5
2 Trompettes (duo)
4
Trompette, Cor (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium, Piano (duo)
3
4 Tubas
3
Ensemble de Trompettes
3
Cor anglais, Piano
3
Ensemble de Tubas
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
Instruments en Sib
2
2 Tubas (duo)
1
Ensemble de Cors
1
2 Euphoniums et 2 Tubas
1
Cor et Orgue
1
3 Tubas (trio)
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trompettes
1
Cor et Harpe
1
Cor anglais, Guitare (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Trombone, Piano
1
2 Cors, Piano
1
2 Cors (duo)
1
Trombone, Cor (duo)
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
66
Violon et Piano
51
Violoncelle, Piano
35
Violon
29
Alto, Piano
26
Violoncelle
18
Violon, Violoncelle (duo)
15
Harpe
15
Violon (partie séparée)
14
Alto seul
14
2 Violons (duo)
11
Violon, Alto (duo)
8
2 Harpes (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Piano Trio: Violon, Alto, Piano
5
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle , Guitare (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
Ensemble d'Altos
4
Ensemble de Violons
4
2 Violoncelles (duo)
4
Violoncelle (partie séparée)
4
Contrebasse (partie séparée)
4
Harpe, Trombone (duo)
3
Trio à Cordes: 2 violons, alto
3
Quatuor à cordes : 4 altos
3
2 Altos (duo)
3
Alto (partie séparée)
3
Contrebasse, Piano (duo)
2
Alto, Violoncelle (duo)
2
4 Violoncelles
2
Violon, Guitare (duo)
2
Contre Basse
2
Alto, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle, Orgue
2
Trio à cordes: 3 violins
2
2 Violons, Piano
1
Trio à Cordes: 3 violoncelles
1
Violon, Orgue
1
Trio à cordes
1
Harpe et Piano
1
Harpe, Violon (duo)
1
Trio à cordes: 3 altos
1
Harpe, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
124
Cloches
116
Orchestre à Cordes
103
Orchestre
64
Orchestre de chambre
32
Ensemble de cuivres
19
Percussion (partie séparée)
6
Percussion
5
Fanfare
4
Timbales (partie séparée)
3
Ensemble de Percussions
3
Jazz combo
3
Marimba
2
Ensemble Jazz
1
Big band
1
Instrumentation Flexible
1
Marimba et Orgue
1
+ 12 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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Vous avez sélectionné:
Sole, Sole, Sole
Partitions à imprimer
3 958 partitions trouvées
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3951
ROSSINI Cum Sancto Spirito (Messe Solenelle) for 3 violins, viola & piano
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Violon, Alto (duo)
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INTERMÉDIAIRE/AVANCÉ
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Gioachino Rossini
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Ian Butterworth
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ROSSINI Cum Sancto Spirito
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Ian Butterworth
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.963680 Composed by Gioachino Rossini. Arranged by Ian Butterworth. Romantic Period,Wedding. 25 pages....
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Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.963680 Composed by Gioachino Rossini. Arranged by Ian Butterworth. Romantic Period,Wedding. 25 pages. Ian Butterworth #5821073. Published by Ian Butterworth (A0.963680). A lively piece (very unsolemn) where the four voice parts have been effectively arranged for three violins and viola. The short introduction is followed by a light-hearted fugue where all the parts are of equal importance. This arrangement is very suitable for small or large groups. Copying of individual string parts for sole use by the purchaser is permitted.  A version, for four violins, also by Ian Butterworth, is also available. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$12.99
ROSSINI Cum Sancto Spirito (Messe Solenelle) for 4 violins & piano
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gioachino Rossini
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Ian Butterworth
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ROSSINI Cum Sancto Spirito
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Ian Butterworth
#
SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.963681 Composed by Gioachino Rossini. Arranged by Ian Butterworth. Romantic Period. 25 pages. Ian Butterworth #5821039. ...
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Violin Solo - Level 4 - SKU: A0.963681 Composed by Gioachino Rossini. Arranged by Ian Butterworth. Romantic Period. 25 pages. Ian Butterworth #5821039. Published by Ian Butterworth (A0.963681). A lively piece (very unsolemn) where the four vocal parts have been effectively arranged for four violins. The short introduction is followed by a light-hearted fugue where all the parts are of equal importance. This arrangement is very suitable for larger groups.  Copying of individual violin parts for sole use by the purchaser is permitted. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$12.99
O sole mio
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Piano seul
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INTERMÉDIAIRE
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Classique
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Eduardo Di Capua
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pfkaori
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O sole mio
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pfkaorimusic
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1281822 By Eduardo Di Capua. By Eduardo Di Capua. Arranged by pfkaori. Classical. Score. 2 pages. Pfkaorimusic #873172. P...
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Piano Solo - Level 3 - SKU: A0.1281822 By Eduardo Di Capua. By Eduardo Di Capua. Arranged by pfkaori. Classical. Score. 2 pages. Pfkaorimusic #873172. Published by pfkaorimusic (A0.1281822). Eduardo di Capua O sole mio (my sun) Piano solo intermediate (Gdur) ♪♪ (osolemio / EduardoDiCapua)Piano solo intermediate score O Sole Mio (Gdur) for music lovers. As the title suggests, the beautiful melody that makes you feel the majestic sea of Italy is impressive. This sheet music has been arranged for intermediate players, and anyone with basic piano playing skills can enjoy it. The composer El Aldo di Capua is a composer known for his canzone. The exotic melodies are loved by many and are still performed all over the world. O Sole Mio (Gdur) is also popular as background music for cafes, restaurants, hotels, etc. I'm sure everyone has listened to this beautiful song at least once. Play a beautiful melody and spend a wonderful time touching the music of Canzone♪*There are individual differences in levels.
$5.00
"O sole mio" (my sun) Piano solo
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Piano seul
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INTERMÉDIAIRE
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Classique
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Eduardo Di Capua
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pfkaori
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"O sole mio"
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pfkaorimusic
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SheetMusicPlus
Piano - Level 3 - SKU: A0.1301519 By Eduardo Di Capua. By Eduardo Di Capua. Arranged by pfkaori. Classical. Full Performance. Duration 142. Pfkaorimusic...
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Piano - Level 3 - SKU: A0.1301519 By Eduardo Di Capua. By Eduardo Di Capua. Arranged by pfkaori. Classical. Full Performance. Duration 142. Pfkaorimusic #891147. Published by pfkaorimusic (A0.1301519). Eduardo di Capua O sole mio (my sun) Piano solo intermediate (Gdur) ♪♪ (osolemio / EduardoDiCapua).
$3.00
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Soleil-Feu
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Violon et Piano
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AVANCÉ
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Thierry Pecou
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Soleil-Feu
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - difficult - SKU: S9.Q21833 For violin and piano. Composed by Thierry Pecou. This edition: Sheet music. Downloadable. Duration ...
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Violin and piano - difficult - SKU: S9.Q21833 For violin and piano. Composed by Thierry Pecou. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q21833. Published by Schott Music - Digital (S9.Q21833). This work is part of a cycle of five short pieces for a single instrument and piano, focused on the five ages in the cosmogony of Ancient Mexican civilisation. The peoples of the Mexican highlands believe that time follows specific cycles and that the world was created following the pattern of 'trial and error'. The creation of the world is divided into several periods which are termed 'suns' (we are currently living in the fifth phase named 'Ollin'). Each period will be brought to an end through a natural catastrophe. Solei-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl).The element of fire is reflected in the musical soundscape of this work, constructed from rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space. An intimate dialogue develops between violin and piano on the basis of extremely simple figures. Interconnecting lines and dense musical material are thrown against each other in a play of contrasting registers and blended tonal colouring, creating a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry PécouSoleil-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl) as described in the cosmogony of Ancient Mexican civilisation. The element of fire is reflected in the musical soundscape of this work; rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space create a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pécou.
$16.99
Petite Messe Solennelle
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Gioacchino Antonio Rossini
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Petite Messe Solennelle
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Soloists, choir, harmonium and piano - SKU: S9.Q21183 Composed by Gioacchino Antonio Rossini. This edition: study score. Choral music - Ernst Eulenburg ...
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Soloists, choir, harmonium and piano - SKU: S9.Q21183 Composed by Gioacchino Antonio Rossini. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q21183. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21183). German • English.Apart from 'Stabat Mater', Rossini's 'little solemn mass', which he composed at the advanced age of 71, is his second major church music composition. In this work, the acclaimed 19th-century opera composer dealt intensively and creatively with Bach's and Palestrina's counterpoint. The edition is based on a revised reprint of the original publisher from Paris.
$16.99
Missa Solemnis for mixed choir, soloist voices and organ - Full
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Santino Cara
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Missa Solemnis for mixed choir
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Santino Cara
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara (A0.516511). The Solemn Mass CS524 for chorus of mixed voices, soloist voices and organ, was composed in Rome by Santino Cara at the end of 1999, and published in 2001. This Mass retraces the six classical canons Latin of the Roman Missal: Kyrie, Gloria, Credo, Sanctus-Benedictus and Agnus Dei. In addition to the complete score of the entire Mass, within the pdf file, are also included the separate part for choir and soloists voice. Movements and voices: 1. Kyrie - Choir SATB 2. Gloria - SATB choir and soloist voices (soprano, alto, tenor, and bass) 3. Credo - SSAATTBB choir and soloist voices (soprano, tenor and bass) 4. Sanctus - Choir SABrB and Variation on the Sanctus for solo voices 5. Benedictus - Choir SABrB 6. Agnus Dei - Choir SATB.
$20.20
Beneath a Soleomn Sky
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Beneath a Soleomn Sky
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano - Level 3 - SKU: A0.1217007 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New Age,...
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Piano - Level 3 - SKU: A0.1217007 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New Age,Sacred. Full Performance. Duration 191. James M Stevens Music ASCAP #813536. Published by James M Stevens Music ASCAP (A0.1217007). This is the piano demonstration performance of Stevens' Beneath a Solemn Sky..
$1.99
Messe solennelle
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Orgue
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Wolfgang Seifen
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Messe solennelle
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and organ - SKU: S9.Q42372 Composed by Wolfgang Seifen. This edition: score. Downloadable, score. Schott Music - Digital #Q42372. Pub...
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Mixed choir (SATB) and organ - SKU: S9.Q42372 Composed by Wolfgang Seifen. This edition: score. Downloadable, score. Schott Music - Digital #Q42372. Published by Schott Music - Digital (S9.Q42372). Latin.A solemn mass setting for mixed choir and concert organ.
$36.99
Messe solennelle
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Orgue
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Wolfgang Seifen
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Messe solennelle
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and organ - SKU: S9.Q42373 Composed by Wolfgang Seifen. This edition: choral score. Downloadable, Choral score. Schott Music - Digita...
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Mixed choir (SATB) and organ - SKU: S9.Q42373 Composed by Wolfgang Seifen. This edition: choral score. Downloadable, Choral score. Schott Music - Digital #Q42373. Published by Schott Music - Digital (S9.Q42373). Latin.A solemn mass setting for mixed choir and concert organ.
$7.99
Ritornello und Sanctus aus der "Petite messe solenelle"
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Gioachino Rossini
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Jens Lohmann
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Ritornello und Sanctus aus der
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Jens Lohmann
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SheetMusicPlus
Recorder Ensemble Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.1503495 Composed by Gioachino Rossini. Arranged by Jen...
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Recorder Ensemble Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.1503495 Composed by Gioachino Rossini. Arranged by Jens Lohmann. 19th Century,A Cappella,Classical,Religious,Spiritual. Recorder Ensemble. 13 pages. Jens Lohmann #1078956. Published by Jens Lohmann (A0.1503495). The Petite Messe solennelle is a mass setting by Gioachino Rossini. It is considered to be the most important work of Rossini's last phase of work and one of his most important sacred compositions.The Sanctus is a wonderful gem from the Petite Messe solennelle. It was composed for soloists and choir a capella and is therefore ideal for realisation with recorder orchestra.Instrumentation: Soprano recorder, 2 Alto recorder, 2 Tenor recorder, Bass recorder, Greatbass recorder, Subbass recorder.
$5.99
Soler Sonata in D minor, R.25 by Elaine Yu
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Piano seul
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Soler
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Elaine Yu
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Soler Sonata in D minor, R.25
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Elaine Yu
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SheetMusicPlus
Piano - SKU: A0.1069046 Composed by Soler. Arranged by Elaine Yu. Baroque,Instructional,Standards. Full Performance. Duration 199. Elaine Yu #6906275. P...
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Piano - SKU: A0.1069046 Composed by Soler. Arranged by Elaine Yu. Baroque,Instructional,Standards. Full Performance. Duration 199. Elaine Yu #6906275. Published by Elaine Yu (A0.1069046). Soler Sonata in D minor, R.25 by Elaine Yu.
$1.99
Panis Angelicus from „Missa Solennelle" FMV 59 - Vers. in As & F - arrangement for trumpet and organ
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Orgue, Trompette (duo)
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INTERMÉDIAIRE
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Classique
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César Franck
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Panis Angelicus from „Mi
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Matthias Eckart
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SheetMusicPlus
Instrumental Duet,Organ,Trumpet - Level 3 - SKU: A0.1000620 Composed by César Franck (1822-1890). Arranged by Matthias Eckart - Edition Ensemble Akze...
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Instrumental Duet,Organ,Trumpet - Level 3 - SKU: A0.1000620 Composed by César Franck (1822-1890). Arranged by Matthias Eckart - Edition Ensemble Akzente. Romantic Period. 17 pages. Matthias Eckart #6362849. Published by Matthias Eckart (A0.1000620). Panis Angelicus from „Missa Solennelle FMV 59 from César Franck (1822-1890) is a beautiful romantic piece for trumpet/flugelhorn and organ - here in two Versions Ab and F. Trumpet parts in Bb, Eb and C are included. A calm and meditative piece for concerts.Panis Angelicus aus der „Missa Solennelle FMV 59 von César Franck (1822-1890) ist ein zauberhaftes romantisches Stück für Trompete/Flügelhorn und Orgel. Trompetenstimmen B, Es und C sind vorhanden. Ein ruhiges und meditatives Stück für Konzerte. Â
$17.00
FANFARE IMPERIALE (EASY ORGAN) - P. A. SOLER
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Orgue
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Padre Antonio Soler
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Juliano Music
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FANFARE IMPERIALE
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Juliano Alessandro Molteni
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SheetMusicPlus
Organ - SKU: A0.1071990 Composed by Padre Antonio Soler. Arranged by Juliano Music. Instructional,Romantic Period,Sacred. Full Performance. Duration 126...
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Organ - SKU: A0.1071990 Composed by Padre Antonio Soler. Arranged by Juliano Music. Instructional,Romantic Period,Sacred. Full Performance. Duration 126. Juliano Alessandro Molteni #5287385. Published by Juliano Alessandro Molteni (A0.1071990). MY EASY MP3 PERFORMANCE OF FANFARE IMPERIALE BY P. A. SOLER. VERSION FOR ORGAN.
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Panis Angelicus aus der „Missa Solennelle" FMV 59 - arrangement for three trumpets and organ
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Orgue, Trompette (duo)
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INTERMÉDIAIRE
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Classique
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César Franck
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Panis Angelicus aus der &bdquo
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Matthias Eckart
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SheetMusicPlus
Organ,Trumpet - Level 3 - SKU: A0.1000608 Composed by César Franck (1822-1890). Arranged by Matthias Eckart - Edition Ensemble Akzente. Romantic Peri...
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Organ,Trumpet - Level 3 - SKU: A0.1000608 Composed by César Franck (1822-1890). Arranged by Matthias Eckart - Edition Ensemble Akzente. Romantic Period. 11 pages. Matthias Eckart #6352665. Published by Matthias Eckart (A0.1000608). Panis Angelicus from „Missa Solennelle FMV 59 from César Franck (1822-1890) is a beautiful romantic piece for three trumpets/flugelhorns and organ. Trumpet parts in Bb and C are included. A calm and meditative piece for concerts.Panis Angelicus aus der „Missa Solennelle FMV 59 von César Franck (1822-1890) ist ein zauberhaftes romantisches Stück für drei Trompeten/Flügelhorn und Orgel. Trompetenstimmen B und C sind vorhanden. Ein ruhiges und meditatives Stück für Konzerte.
$17.00
Panis Angelicus from/aus der „Missa Solennelle" FMV 59 - arrangement for trumpet, trombone & organ
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Classique
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César Franck
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Panis Angelicus from/aus der &
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Matthias Eckart
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SheetMusicPlus
Organ,Trombone,Trumpet - Level 3 - SKU: A0.1000588 Composed by César Franck (1822-1890). Arranged by Matthias Eckart - Edition Ensemble Akzente. Roma...
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Organ,Trombone,Trumpet - Level 3 - SKU: A0.1000588 Composed by César Franck (1822-1890). Arranged by Matthias Eckart - Edition Ensemble Akzente. Romantic Period. 11 pages. Matthias Eckart #6349903. Published by Matthias Eckart (A0.1000588). Panis Angelicus from „Missa Solennelle FMV 59 from César Franck (1822-1890) is a beautiful romantic piece for trumpet/flugelhorn, trombone and organ. Parts in Bb and C are included. A calm and meditative piece for concertsPanis Angelicus aus der „Missa Solennelle FMV 59 von César Franck (1822-1890) ist ein zauberhaftes romantisches Stück für Trompete/Flügelhorn, Posaune und Orgel. Stimmen B und C sind vorhanden. Ein ruhiges und meditatives Stück für Konzerte.
$17.00
Solemn Days
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Abigail Valadez
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Solemn Days
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A.Val
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.1304303 Composed by Abigail Valadez. Classical,Religious. 9 pages. A...
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Instrumental Duet,Piano Euphonium,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.1304303 Composed by Abigail Valadez. Classical,Religious. 9 pages. A.Val #893810. Published by A.Val (A0.1304303). A trio for Flute, Euphonium, and Piano inspired by the piece My Jesus, Oh What Anguish Composed originally by J.S Bach. This piece carried the original theme of My Jesus and lengthens it throughout each part while showing dexterity and flexibility in each part. Also contributes the same chord progressions. Play as solemnly as possible.
$8.99
Beethoven : Messe Solennelle, Opus 123
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Voix seule
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INTERMÉDIAIRE
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Classique
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Beethoven
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Messe Solennelle, Opus 123
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Tomplay
Telechargez la partition Chant Messe Solennelle, Opus 123 de Beethoven. Partition pour Choeur -- Classique...
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Telechargez la partition Chant Messe Solennelle, Opus 123 de Beethoven. Partition pour Choeur -- Classique
8.99€
Sacris Solemniis: Our Sacred Hymn
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Chorale 3 parties
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FACILE
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Ephrem Feeley
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Ephrem Feeley
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Sacris Solemniis: Our Sacred H
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Cherrybrook Music
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SheetMusicPlus
Choral Choir,Choral,SAB Chorus - Level 2 - SKU: A0.1449711 By Ephrem Feeley. By Ephrem Feeley. Arranged by Ephrem Feeley. Christian,Easter,Religious,Sac...
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Choral Choir,Choral,SAB Chorus - Level 2 - SKU: A0.1449711 By Ephrem Feeley. By Ephrem Feeley. Arranged by Ephrem Feeley. Christian,Easter,Religious,Sacred. 6 pages. Cherrybrook Music #1029468. Published by Cherrybrook Music (A0.1449711). The beloved, familiar Aquinas text Panis Angelicus is the basis for the straightforward Latin/English refrain of this communion processional. Lyrical verses for cantor use an English translation by Alan Hommerding of Aquinas' text Sacris Solemniis. A marvelous way to introduce your congregation to this poetic hymn on the mystery of Christ present in the Eucharist.
$3.00
澳門咀香園廣告歌 [2007]Soler版[轉調C大調]
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Violon
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FACILE
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Film/TV
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Soler
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澳門咀香園廣告歌 [2007
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學嘢街 Learning Guy. Arranged by
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.1442845 By Soler. By Published by 學嘢街 Learning Guy. Arranged by Published by 學嘢街 Learning Guy. Film/TV. 2 pa...
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Violin Solo - Level 2 - SKU: A0.1442845 By Soler. By Published by 學嘢街 Learning Guy. Arranged by Published by 學嘢街 Learning Guy. Film/TV. 2 pages. 學嘢街 Learning Guy #1022781. Published by 學嘢街 Learning Guy (A0.1442845). 基本要求：✅ 完成「少年篠崎小提琴教本第一冊」G/D/A/E弦✅ C大調[C Major]✅ 12/8 拍子.
$1.99
Agnus Dei - Vesperae solennes de confessore (E Major)
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Jonathan Prentice
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Agnus Dei - Vesperae solennes
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Jonathan Prentice
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.884666 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical. Score. 5 pages. Jonathan Pre...
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Piano,Vocal,Voice - Level 3 - SKU: A0.884666 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical. Score. 5 pages. Jonathan Prentice #5743875. Published by Jonathan Prentice (A0.884666). Mozart's beautiful aria from his choral work, Vesperae solennes de confessore (Here in E Major suitable for mezzos).
$1.99
Crucifixus - Petite Messe Solennelle (Ab Major)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gioachino Rossini
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Jonathan Prentice
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Crucifixus - Petite Messe Sole
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Jonathan Prentice
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.884689 Composed by Gioachino Rossini. Arranged by Jonathan Prentice. Romantic Period. Score. 5 pages. Jonathan Pre...
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Piano,Vocal,Voice - Level 4 - SKU: A0.884689 Composed by Gioachino Rossini. Arranged by Jonathan Prentice. Romantic Period. Score. 5 pages. Jonathan Prentice #5755393. Published by Jonathan Prentice (A0.884689). Rossini's surprisingly jaunty rendition of the Crucifixus from his Petite Messe Solennelle in Ab Major (Piano accompaniment only).
$1.99
Livet under solen
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Chorale SATB
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Lennart Esborn
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Livet under solen
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus and accompaniment - SKU: BJ.1203 Composed by Lennart Esborn. African, World, Folk. Octavo. 25 pages. Bo Ejeby Forlag - Digital #1203. Publis...
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SATB chorus and accompaniment - SKU: BJ.1203 Composed by Lennart Esborn. African, World, Folk. Octavo. 25 pages. Bo Ejeby Forlag - Digital #1203. Published by Bo Ejeby Forlag - Digital (BJ.1203). 8.27 x 11.7 inches.Life under the sun. Five Swedish-Gambian songs, deriving from a collaboration between two countries. The music is catchy and inspires to accompaniment with various instruments. Texts in Swedish and various African languages.Contents: Det ar med hjartat man ser Nar morkret ar sa morkt Kairabe Kana koronto Livet under solen.
$7.00
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