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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chicago In Concert
Non classifié
15
Piano & claviers
Piano seul
5
Instruments en Do
3
Piano, Voix
3
Orgue
2
Piano, Voix et Guitare
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
+ 2 instrumentations
Retracter
Guitares
Voix
Pack Instrumental pour Chorale
7
Chorale SATB
4
Chorale 3 parties
2
Chorale TTBB
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte, Hautbois, Clarinette, Basson
4
Quatuor de Saxophones: 4 saxophones
4
2 Saxophones (duo)
3
Ensemble de Clarinettes
2
2 Flûtes traversières (duo)
1
Clarinette et Piano
1
2 Clarinettes (duo)
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Piano (duo)
1
Saxophone Alto et Piano
1
2 Hautbois (duo)
1
2 Flûte à bec (duo)
1
Ensemble De Flûte à bec
1
Quintette de Clarinettes: 5 clarinettes
1
+ 10 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
2 Trombones (duo)
1
Cor et Piano
1
Euphonium, Piano (duo)
1
2 Cors (duo)
1
Trombone (partie séparée)
1
Trombone et Piano
1
2 Trompettes (duo)
1
+ 4 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3
Violon, Violoncelle (duo)
1
2 Violons (duo)
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
Orchestre & Percussions
Orchestre d'harmonie
26
Ensemble de cuivres
4
Orchestre de chambre
3
Orchestre
2
Jazz combo
1
Orchestre à Cordes
1
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--INSTRUMENTS--
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Vous avez sélectionné:
Chicago In Concert
Partitions à imprimer
135 partitions trouvées
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Chicago In Concert (7-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Rock
#
Chicago
#
Roger Emerson
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Chicago In Concert
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.384384 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #12219. Pu...
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SKU: HX.384384 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #12219. Published by Hal Leonard - Digital (HX.384384).
Digital Pack includes
:
Chicago In Concert - Bb Trumpet 1
Chicago In Concert - Bb Trumpet 2
Chicago In Concert - Bb Tenor Saxophone
Chicago In Concert - Trombone
Chicago In Concert - Guitar
Chicago In Concert - Bass
Chicago In Concert - Drums
$40.00
Chicago In Concert - Bb Trumpet 1
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Pack Instrumental pour Chorale
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Rock
#
Chicago
#
Roger Emerson
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Chicago In Concert - Bb Trumpe
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.384378 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #...
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Choral - SKU: HX.384378 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #12219. Published by Hal Leonard - Digital (HX.384378).
$7.00
Chicago In Concert (Medley)
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Chorale 3 parties
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Rock
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Chicago
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Roger Emerson
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Chicago In Concert
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Hal Leonard - Digital
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SheetMusicPlus
(SAB) - SKU: HX.384395 By Chicago. Arranged by Roger Emerson. Choral. Pop,Rock. Choral. 23 pages. Published by Hal Leonard - Digital (HX.384395).
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(SAB) - SKU: HX.384395 By Chicago. Arranged by Roger Emerson. Choral. Pop,Rock. Choral. 23 pages. Published by Hal Leonard - Digital (HX.384395).
$3.25
Chicago In Concert - Drums
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Pack Instrumental pour Chorale
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Rock
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Chicago
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Roger Emerson
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Chicago In Concert - Drums
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.384384 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #12219. Pu...
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SKU: HX.384384 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #12219. Published by Hal Leonard - Digital (HX.384384).
$7.00
Chicago In Concert - Bass
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Pack Instrumental pour Chorale
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Rock
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Chicago
#
Roger Emerson
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Chicago In Concert - Bass
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.384383 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 5 pages. Hal Leonard - Digital #12219. Pu...
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SKU: HX.384383 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 5 pages. Hal Leonard - Digital #12219. Published by Hal Leonard - Digital (HX.384383).
$7.00
Chicago In Concert - Bb Trumpet 2
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Pack Instrumental pour Chorale
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Rock
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Chicago
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Roger Emerson
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Chicago In Concert - Bb Trumpe
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.384379 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #12219. Pu...
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SKU: HX.384379 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #12219. Published by Hal Leonard - Digital (HX.384379).
$7.00
Chicago In Concert - Guitar
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Pack Instrumental pour Chorale
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Rock
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Chicago
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Roger Emerson
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Chicago In Concert - Guitar
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.384382 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #12219. Pu...
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SKU: HX.384382 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #12219. Published by Hal Leonard - Digital (HX.384382).
$7.00
Chicago In Concert - Bb Tenor Saxophone
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Pack Instrumental pour Chorale
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Rock
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Chicago
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Roger Emerson
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Chicago In Concert - Bb Tenor
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.384380 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #12219. Pu...
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SKU: HX.384380 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #12219. Published by Hal Leonard - Digital (HX.384380).
$7.00
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Strangers In The Night
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Piano seul
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AVANCÉ
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Frank Sinatra
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Timothy Stapay/Liberace
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Strangers In The Night
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1342176 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay/Liberace. Br...
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Piano Solo - Level 5 - SKU: A0.1342176 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #927698. Published by Timothy Stapay (A0.1342176). Strangers In The Night is here arranged as performed by famous piano artist, Liberace. He played this in concerts around the world and on his piano albums. This piano solo arrangement has all of the sparkle and fiery improvisations that made Liberace famous. Now for the first time, here is the sheet music as played by Liberace.On a personal note: I saw Liberace perform this live at a concert in Chicago, when I was a very, very young piano student. My parents were both Liberace fans and took me to one of his concerts. The memory stayed with me for a lifetime!Lyrics:[Verse 1]Strangers in the night exchanging glancesWondering in the night, what were the chances?We'd be sharing love before the night was through[Verse 2]Something in your eyes was so invitingSomething in your smile was so excitingSomething in my heart told me I must have you[Chorus]Strangers in the nightTwo lonely people, we were strangers in the nightUp to the moment when we said our first hello, little did we knowLove was just a glance away, a warm embracing dance away and[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night[Bridge]Love was just a glance away, a warm embracing dance away[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night [Outro]Dooby-doooby-dooDoob-dooob-doob-dee-daaDaaa-daaa-daaa-daaa-daaa.
$8.99
Sweet Home Chicago
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Robert Johnson
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Adrian Horvath
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Sweet Home Chicago
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Horváth Adrián
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1146311 By Robert Johnson. By Robert Johnson. Arranged by Adrian Horvath. Blues,Jazz,Patriotic. Score and Parts. 72 pag...
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Concert Band - Level 3 - SKU: A0.1146311 By Robert Johnson. By Robert Johnson. Arranged by Adrian Horvath. Blues,Jazz,Patriotic. Score and Parts. 72 pages. Horváth Adrián #746532. Published by Horváth Adrián (A0.1146311). Visit my website: https://www.hadrian.huInstrumentation: Full Score (A4 Portrait), Parts (A4 Portrait): Singer (opt.) Flute 1., 2., Oboe, Bassoon, Clarinet in Bb 1., 2., 3., Bass Clarinet in Bb, Alto Saxophone 1., 2., Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1., 2., 3., Horn in F, Horn in Eb, Euphonium in Bb 1., 2., (T.C.), Euphonium in C 1., 2., (B.C.), Trombone 1., 2., 3., Tuba, Bass Guitar (opt.), Rock Organ (opt.), Guitar (opt.), Drum Set, Percussion, Glockenspiel, Xylophone.
$49.99
"The Young Oak" Concert March for Concert Band
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Orchestre d'harmonie
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Kazys DaugÄ—la
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"The Young Oak" Conc
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Kazys Daugela
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SheetMusicPlus
Concert Band - SKU: A0.935514 Composed by Kazys DaugÄ—la. 20th Century,Contemporary,Patriotic,World. Score and parts. 21 pages. Kazys Daugela #670924...
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Concert Band - SKU: A0.935514 Composed by Kazys DaugÄ—la. 20th Century,Contemporary,Patriotic,World. Score and parts. 21 pages. Kazys Daugela #6709249. Published by Kazys Daugela (A0.935514). The Young Oak March was composed by Lithuanian composer Kazys DaugÄ—la (b. 1960) in 1989 for the first international festival Trimitas held in the city of Vilnius. The spirit of the march reflects the hopeful mood of the long-depressed people of Lithuania. The melody near the midpoint is taken from the Lithuanian folk song The Young Oak Grew in the Forest, which is with 3/4 and 2/2 meters, but as for marching everything goes symmetrically. In this context the young oak refers to a young man whose mother wanted him to be a ploughman, not a soldier. But as the text continues, if you haven't been a soldier, you can't be a good ploughman.The Young Oak - a popular patriotic march in Lithuania composed during the Lithuanian revival. It is often performed by military bands during Lithuanian statehood celebrations and festivals. This march was involved in the world march encyclopedia March Music Notes and Program Notes for Band by Norman E. Smith (GIA Publications, Inc. Chicago)
$14.99
"The Young Oak" Concert March for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Kazys DaugÄ—la
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"The Young Oak" Conc
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Kazys Daugela
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.935512 Composed by Kazys DaugÄ—la. 20th Century,Contemporary,Patriotic,World. Score and parts. 123 pages. Kazys Daug...
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Concert Band - Level 3 - SKU: A0.935512 Composed by Kazys DaugÄ—la. 20th Century,Contemporary,Patriotic,World. Score and parts. 123 pages. Kazys Daugela #6709227. Published by Kazys Daugela (A0.935512). The Young Oak March was composed by Lithuanian composer Kazys DaugÄ—la (b. 1960) in 1989 for the first international festival Trimitas held in the city of Vilnius. The spirit of the march reflects the hopeful mood of the long-depressed people of Lithuania. The melody near the midpoint is taken from the Lithuanian folk song The Young Oak Grew in the Forest, which is with 3/4 and 2/2 meters, but as for marching everything goes symmetrically. In this context the young oak refers to a young man whose mother wanted him to be a ploughman, not a soldier. But as the text continues, if you haven't been a soldier, you can't be a good ploughman. The Young Oak - a popular patriotic march in Lithuania composed during the Lithuanian revival. It is often performed by military bands during Lithuanian statehood celebrations and festivals. This march was involved in the world march encyclopedia March Music Notes and Program Notes for Band by Norman E. Smith (GIA Publications, Inc. Chicago)
$49.99
Concerto for Flute and Strings
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Orchestre de chambre
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AVANCÉ
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Julian Harvey
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Concerto for Flute and Strings
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Julian Harvey
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453174 Composed by Julian Harvey. 20th Century,Classical. 61 pages. Julian Harvey #1030353. Published by Julian H...
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Chamber Orchestra - Level 5 - SKU: A0.1453174 Composed by Julian Harvey. 20th Century,Classical. 61 pages. Julian Harvey #1030353. Published by Julian Harvey (A0.1453174). Concerto for Flute and Strings is a decidedly neo-classical work in three movements designed, like all concertos, to show off the skills of the soloist. The cocerto has been performed by the Chicago Chamber Orchestra under the direction of Dieter Kober.
$20.00
Rocked In The Cradle Of The Deep
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Musique Sacrée
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E
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Peet du Toit
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Rocked In The Cradle Of The De
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Peet du Toit
#
SheetMusicPlus
Brass Ensemble Bass Trombone,Horn,Trumpet,Tuba - Level 2 - SKU: A0.1495668 Composed by E. De Lamater. Arranged by Peet du Toit. Praise & Worship. 21 pag...
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Brass Ensemble Bass Trombone,Horn,Trumpet,Tuba - Level 2 - SKU: A0.1495668 Composed by E. De Lamater. Arranged by Peet du Toit. Praise & Worship. 21 pages. Peet du Toit #1072189. Published by Peet du Toit (A0.1495668). Eric DeLamarter (February 18, 1880 – May 17, 1953) was an American composer and classical organist.DeLamarter was born in Lansing, Michigan on February 18, 1880, the child of Dr. Louis and Mary B. DeLamarter. He attended public schools in Kalamazoo, then Albion College. He was a music critic for the Chicago Tribune in 1909, 1910, 1915, and 1916.He served as assistant conductor of the Chicago Symphony Orchestra from 1918 to 1933 and from 1933 to 1936 he served as their associate conductor. He was also an uncredited orchestra conductor in the 1946 film Humoresque.Among his pupils was Leon Stein.Eric DeLamarter was a composer, church organist, and music and drama critic of The Inter Ocean. He was also a close friend and adviser to Leo Sowerby as well as a champion of Sowerby's music. DeLamarter aided Sowerby in his becoming an accomplished organist. In 1915 he was organist at the Fourth Presbyterian Church in Chicago, IL. The following year he commissioned and gave the premiere performance of Sowerby's Comes Autumn Time.He died in Orlando, Florida on May 17, 1953.The Lila Acheson Wallace Library of The Juilliard School has several of his holographs as well as printed items. The University of Michigan Library holds the holograph of his organ concerto and a number of printed items.
$15.00
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Concerto for Electric Guitar and Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Concerto for Electric Guitar a
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Publish...
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Full Orchestra - Level 3 - SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow. The second and third movements are most like a blues work. The first movement is a rondo format, is not particularly bluesy. A Les Paul™ guitar would play particularly well in this movement. The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound. The final movement is happy, upbeat, and lively good time blues. In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum. A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound. The guitar should be the equivalent of a Fender™ Stratocaster or Telecaster guitar; a Gibson™ Les Paul would do nicely also. The music is partially fingered leaving the player the opportunity to interpret the part. The work is after the fashion of Chicago style blues of the 1960’s. The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands. It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3™ with Leslie sound, as that instrument was widely used in blues of that period. Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality. The orchestral part is not particularly challenging. The concerto is approx. 17 minutes in length.
$19.95
Trumpet Concerto
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Orchestre de chambre
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AVANCÉ
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Julian Harvey
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Trumpet Concerto
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Julian Harvey
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1456078 Composed by Julian Harvey. 21st Century,Classical,Contemporary. 127 pages. Julian Harvey #1034125. Publish...
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Chamber Orchestra - Level 5 - SKU: A0.1456078 Composed by Julian Harvey. 21st Century,Classical,Contemporary. 127 pages. Julian Harvey #1034125. Published by Julian Harvey (A0.1456078). This work is written for solo trumpet in C and small orchestra. It consists of three movements: Introduction and Fugue, Romanza and Rondo. There is a maestoso return of the opening trumpet theme from the first movement in the Rondo. The Concerto was premiered by the Chicago Chamber Orchestra under the direction of Dieter Kober with Ross Beacraft as the soloist.
$20.00
Chicago in Concert (Medley)
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Pop musique
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Roger Emerson
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Chicago in Concert
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - SKU: HX.387925 Arranged by Roger Emerson. Pop. Choral. Duration 484. Published by Hal Leonard - Digital (HX.387925). ...
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(Full Performance) - SKU: HX.387925 Arranged by Roger Emerson. Pop. Choral. Duration 484. Published by Hal Leonard - Digital (HX.387925).
$1.99
Down by the Riverside - Traditional - 2 Horns in F; Piano and Drum Set - Intermediate level
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2 Cors (duo)
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INTERMÉDIAIRE
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Traditional
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Raymond Fenech
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Down by the Riverside - Tradit
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Raymond Fenech
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SheetMusicPlus
French Horn Duet Horn - Level 3 - SKU: A0.760334 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score. 18 page...
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French Horn Duet Horn - Level 3 - SKU: A0.760334 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score. 18 pages. Raymond Fenech #3574151. Published by Raymond Fenech (A0.760334). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This arrangement is very ideal for school concerts. The level is Intermediate and the duration is 2.39minutes.
$4.50
Maryland My Maryland With Concert Variations for the Piano
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Piano seul
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Frederic Lewis
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Frederic Lewis
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Maryland My Maryland With Conc
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.22448 Composed by Frederic Lewis. Civil War--Union. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan L...
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Piano - SKU: LV.22448 Composed by Frederic Lewis. Civil War--Union. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22448). Maryland My Maryland With Concert Variations for the Piano. By Frederic Lewis. Published 1904 by McKinley Music Co. in Chicago. Composition of theme and variation with piano instrumentation. Subject headings for this piece include Civil War--Union. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Passacaglia and Fugue in C minor
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Craig Garner
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Passacaglia and Fugue in C min
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.740280 Composed by Johann Sebastian Bach. Arranged by Craig Garner. Baroque. Score and parts. 71 pages. Dorm 40 Music...
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Brass Ensemble - Level 4 - SKU: A0.740280 Composed by Johann Sebastian Bach. Arranged by Craig Garner. Baroque. Score and parts. 71 pages. Dorm 40 Music #6210525. Published by Dorm 40 Music (A0.740280). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series.Passacaglia and Fugue in C minor (BWV 582) is an organ work composed by Bach early in his career. It is arguably one of his greatest and most important works. The passacaglia starts with an ostinato theme, followed by 20 variations. Immediately after the passacaglia, without break, is a double fugue based on the ostinato theme. This arrangement pays homage to the great transcriptions of Stokowski and Ormandy, by weaving the colors of brass, organ and percussion into symphonic textures. Perfect for any recital, concert or pops program. This arrangement is scored for brass quintet, organ and a single percussionist (timpani, snare drum, suspended cymbal). Due to the range of the first trumpet (to C6), parts are provided for trumpet in C, E-flat and doubling on B-flat trumpet/B-flat piccolo (select whichever part works best for you). Performance time is about 14 minutes. Published by Dorm 40 Music, www.dorm40music.com.
$25.00
Dreams in the Dusk
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Mary Ann Joyce-Walter
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Dreams in the Dusk
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Mary Ann Joyce-Walter
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SheetMusicPlus
Alto Voice,Cello,Piano - SKU: A0.1071321 Composed by Mary Ann Joyce-Walter. 20th Century,Concert,Romantic Period. Full Performance. Duration 165. Mary A...
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Alto Voice,Cello,Piano - SKU: A0.1071321 Composed by Mary Ann Joyce-Walter. 20th Century,Concert,Romantic Period. Full Performance. Duration 165. Mary Ann Joyce-Walter #6905689. Published by Mary Ann Joyce-Walter (A0.1071321). This is a setting of Carl Sandburg's Dreams in the Dusk from Chicago Poems. The song is reflective and dreamy, a bit melancholic and impressionistic..
$4.99
Sweet Home Chicago
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Blues
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Robert Johnson
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Austin Ralphson
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Sweet Home Chicago
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SheetMusicPlus
Small Ensemble Alto Saxophone, Tenor Saxophone, Trombone, Trumpet - Level 4 - Digital Download By Robert Johnson. By Robert Johnson. Arranged by Austin...
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Small Ensemble Alto Saxophone, Tenor Saxophone, Trombone, Trumpet - Level 4 - Digital Download By Robert Johnson. By Robert Johnson. Arranged by Austin Ralphson. Blues. Score and parts. 11 pages. Austin Ralphson #4278441. Published by Austin Ralphson
Horn parts arranged as per the original for this classic soul track. The parts are flexible, as the tenor sax and trombone are the same. Trombone part is also provided in B flat treble and in concert C bass clef.
$12.99
Moonlight Serenade - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Glenn Miller and Mitchell Pari
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Popnroll
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Moonlight Serenade - Score Onl
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Popnroll 1976
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1291978 Composed by Glenn Miller and Mitchell Parish. Arranged by Popnroll.76. 20th Century,Funk,Pop,Rock,Standards. 36...
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Concert Band - Level 4 - SKU: A0.1291978 Composed by Glenn Miller and Mitchell Parish. Arranged by Popnroll.76. 20th Century,Funk,Pop,Rock,Standards. 36 pages. Popnroll 1976 #882610. Published by Popnroll 1976 (A0.1291978). Moonlight Serenade - Chicago (Complete Score for Vocal/Band/Horns/Parts/Lyrics)This is a complete transcription of the band score (with parts) for Moonlight Serenade, a moody number composed by Glenn Miller from Night & Day, a stylish album of jazz standards with a rock beat released by the American rock band Chicago in 1995.Composed by Glenn Miller Lyrics: Mitchell Parish Performed by: Chicago Album: Night & Day (1995)PDF format, 36 pages. Contents: Score (C) 10 pages, Lead Vocals & Chorus (with lyrics) 3 pages, Lyrics 1 page, Flute (C) 2 pages, Alto Sax (Eb) 2 pages, Tenor Sax (Bb) 2 pages, Trumpet (Bb) 2 pages, Trombone (C) 2 pages, Electric Guitar 3 page, Keyboards 3 pages, Bass 3 pages, Drums 3 pages.
$9.99
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Chicago In Concert
