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CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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277 603
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79 790
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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REGGAE
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Vendeurs (tous)
Musicnotes
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Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
26126
PIANO & CLAVIERS
Piano seul
22678
Piano, Voix
10892
Piano, Voix et Guitare
7691
Piano Facile
6133
Orgue
1549
Instruments en Do
1384
Accompagnement Piano
777
1 Piano, 4 mains
619
Piano grosses notes
613
Accordéon
535
Piano Trio: piano, violon, violoncelle
369
Piano (partie séparée)
182
2 Pianos, 4 mains
132
Piano Quatuor: piano, violon, alto, violoncelle
68
Piano Quatuor: piano, 2 violons, violoncelle
51
Piano Quintette: piano, 2 violons, alto, violoncelle
47
Orgue, Trompette (duo)
33
Clavecin
31
Clavier
21
Orgue, Piano (duo)
21
Ligne De Mélodie, Piano
21
2 Pianos, 8 mains
17
Tous Les Instruments
13
Accordéon, Voix
11
1 Piano, 6 mains
11
Instrument seul et Orgue
5
2 Orgues (duo)
4
2 Accordéons
3
Orgue, Voix
3
Accordéon - Piano, Voix, Guitare
2
Ensemble de Pianos
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
Concertina
1
Accordéon et Orchestre
1
Accordéon, Corde(s)
1
Instrumentations suivantes
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
37887
Paroles et Accords
22309
Guitare notes et tablatures
5138
Guitare
4725
Basse electrique
1683
Ukulele
1447
4 Guitares (Quatuor)
560
2 Guitares (duo)
476
Banjo
268
Guitare (partie séparée)
198
3 Guitares (trio)
198
Ensemble de guitares
176
Mandoline
160
Dulcimer
122
Piano, Guitare (duo)
95
Basse électrique (partie séparée)
49
Ensemble de Ukulélés
36
2 Ukuleles
30
Mandoline, Guitare (duo)
29
Ukulele Baryton
28
Mandoline, Piano (duo)
22
Orchestre à Plectres
12
2 Dulcimers (duo)
8
Dobro
8
Guitare, Quatuor à cordes
7
Guitare Pedal Steel
7
Partitions De Groupes
5
2 Guitares et Orchestre
4
Guitare, Violon, Violoncelle (trio)
4
3 Dulcimers (trio)
3
2 Mandolines (duo)
3
Luth
3
Guitare, Orchestre
3
Guitare, Harpe
2
Guitare, Flûte, Clarinette
2
2 Guitares, Clarinette (trio)
1
Guitare Tab, Voix, Basse, Batterie
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
7395
Chorale 3 parties
2459
Chorale TTBB
1469
Chorale 2 parties
1368
Voix seule
1010
Chorale SSAA
851
Chorale Unison
735
Chorale
377
Voix duo, Piano
314
Voix haute
193
Voix duo
169
Voix Soprano, Piano
136
Voix, Guitare
74
Voix basse, Piano
66
Voix moyenne, Piano
65
Voix Tenor, Piano
63
Voix Alto, Piano
39
Chorale SSAATTBB
25
Voix Moyenne
22
Voix Tenor
17
Chorale SSATB
15
Chorale SSAB a cappella
15
Chorale SSATTB
14
Voix Mezzo-Soprano, Piano
13
Soli, choeur mixte et accompagnement
11
Voix d'Enfants
7
Chorale SSAB, Piano
7
Voix Soprano
7
Voix Baryton, Piano
6
Male Voice
6
Voix Soprano, Orchestre
5
Voix basse
4
Chorale SATBB
3
Chorale SAATB A Cappella
3
Voix et basse continue
3
Voix Baryton
2
Chorale SSATBB
2
Chorale SSAATB
2
Chorale SATTBB, Clavier
1
Chorale, Orgue
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière
2961
Clarinette
2386
Saxophone
2312
Flûte traversière et Piano
1933
Saxophone (partie séparée)
1702
2 Saxophones (duo)
1664
Saxophone Alto
1508
2 Flûtes traversières (duo)
1501
Quatuor de Saxophones: 4 saxophones
1444
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1357
Clarinette et Piano
1262
Saxophone Tenor
1244
Flûte, Hautbois, Clarinette, Basson
1139
Saxophone Alto et Piano
1123
Hautbois, Piano (duo)
1007
Saxophone Tenor et Piano
800
2 Clarinettes (duo)
792
Quintette de Saxophone: 5 saxophones
774
Quatuor de Clarinettes: 4 clarinettes
750
Clarinette (partie séparée)
536
Hautbois
507
Hautbois (partie séparée)
505
Quatuor de Flûtes : 4 flûtes
417
Saxophone Soprano et Piano
411
Flûte, Clarinette (duo)
391
3 Clarinettes (trio)
387
Flûte à Bec
366
2 Hautbois (duo)
292
3 Saxophones (trio)
292
2 Flûte à bec (duo)
276
Saxophone Baryton, Piano
266
Trio de Flûtes: 3 flûtes
260
Flute (partie séparée)
249
Saxophone, Clarinette (duo)
247
Flûte et Guitare
244
Ensemble de saxophones
243
Quintette de Clarinettes: 5 clarinettes
236
Saxophone Soprano
233
Clarinette, Violon (duo)
232
Ensemble de Clarinettes
222
Hautbois, Clarinette (duo)
196
Ensemble de Flûtes
188
Hautbois, Basson (duo)
179
Clarinette, Trompette (duo)
161
Flûte, Violon
159
Instruments en Mib
154
Cor anglais, Piano
142
Harmonica
129
Quintette de Flûte : 5 flûtes
118
Clarinette et Alto
109
2 Saxophones, Piano
105
Flûte à bec Soprano
100
Flûte, Saxophone (duo)
95
Quatuor de Flûtes à bec
92
Flûte, Alto (duo)
91
Clarinette, Basson (duo)
87
Saxophone Baryton
85
Hautbois, Flûte
83
Flûte, Trompette (duo)
83
Flûte, Clarinette et Basson
82
Flûte, Hautbois, Clarinette (trio)
81
Flûte, Hautbois (duo)
79
Hautbois, Clarinette, Basson (trio d'anches)
72
Cor Anglais
72
Clarinette Basse, Piano
69
Flûte, Violoncelle
65
Clarinette, Violoncelle (duo)
63
2 Flûtes traversières, Piano
60
Flûte, Hautbois, Basson
57
Hautbois, Violoncelle
54
Flûte à bec Alto
51
Ocarina
50
Flûte, Clarinette, Piano (trio)
45
Clarinette, Guitare (duo)
35
Hautbois, violon (duo)
35
Flûte, Violon, Piano
32
Piccolo
31
3 Flûtes à bec (trio)
30
Flûte à bec Alto, Piano
29
Flûte, Violoncelle, Piano (trio)
29
Flûte, Violon et Violoncelle
28
Flûte à bec Soprano, Piano
27
5 Flûtes à bec
27
Clarinette, Violoncelle, Piano (trio)
25
Clarinette Basse
23
Flûte à bec Tenor
21
2 Clarinettes, Piano
21
Ensemble De Flûte à bec
21
Saxophone et Guitare
20
Hautbois et alto (duo)
20
Clarinette, Harpe (duo)
20
Hautbois, Guitare (duo)
20
Flûte, Clarinette, Cor, Basson (Quartet)
19
Flûte, Trombone (duo)
19
Flûte, Basson et Piano
18
Piccolo, Piano
16
3 Hautbois
15
Clarinette, Basson, Piano (trio)
15
Clarinette, Trombone (duo)
14
Flûte, Violon, Violoncelle et Piano
13
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
12
Saxophone et Piano
12
Flûte irlandaise
12
Flûte, Hautbois, Piano (trio)
11
Flûte, Alto et Piano
11
4 Hautbois
10
Flûte, Hautbois, Violon
9
Hautbois, Clarinette et Piano (Trio)
8
Flûte traversière, Orgue (duo)
8
Clarinette, Alto et Piano (trio)
7
Flûte à Bec, Piano
7
Flûte, trombone et piano
7
Flûte, Clarinette, Violon (trio)
7
Flute, harpe et violon
7
Flûte et Trio à cordes
6
Clarinette, Contrebasse (duo)
6
Hautbois, Basson et Piano
6
Flûte, Violon, Guitare
5
Hautbois, Violon, Piano
5
Ensemble à vent
5
Flûte, Tuba (duo)
5
Harmonica, Piano
5
2 Cors Anglais Et Pianoforte
5
Saxophone et Harpe
5
Clarinette, Tuba
5
Hautbois, Harpe
5
Flûte, Violoncelle, Guitare
5
Hautbois, Violoncelle et Piano
5
Hautbois, trombone (duo)
5
Saxophone et Orgue
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Cor anglais et Harpe (duo)
4
Flûte traversière, Basse continue
4
2 Clarinettes, Basson
4
Cornemuse
4
Clarinette, trompette et piano
4
2 Hautbois, Piano
3
Flûte de Pan
3
Flûte à bec Alto, Basse continue
3
2 Hautbois et Basson
3
Clarinette, Orgue
3
Flûte, Harpe et Violoncelle
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Clarinette, Orchestre
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flute, Cor (duo)
2
Flûte à bec, Guitare (duo)
1
Flûte traversière, Orchestre
1
Flûte à bec Soprano, Basse continue
1
2 Flûtes à bec, Guitare
1
Flûte et Quatuor à Cordes
1
Cor anglais, Guitare (duo)
1
Flûte, Alto et Violoncelle
1
Flûte à bec, Harpe
1
2 Flûtes traversières, Guitare
1
2 Flûtes traversières, Harpe
1
Flûte, alto et harpe
1
Hautbois et Orchestre
1
2 Hautbois et Cor anglais
1
Hautbois, Orgue
1
Saxophone, Violon (duo)
1
2 Flûtes à bec, Piano
1
Instrumentations suivantes
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CUIVRES
Trompette
2493
Trombone
1931
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1558
Trompette (partie séparée)
1072
Trompette, Piano
1054
Trombone (partie séparée)
985
Cor
931
Trombone et Piano
917
Quatuor de Cuivres : 2 trompettes, trombone, tuba
845
Cor et Piano
648
2 Trompettes (duo)
613
2 Trombones (duo)
573
Trompette, Trombone (duo)
469
Tuba
410
Tuba et Piano
408
Quatuor de Cuivres: 2 trompettes, Cor, trombone
360
Cor (partie séparée)
332
Quatuor de Cuivres
326
2 Cors (duo)
244
Trompette, Saxophone (duo)
208
Tuba (partie séparée)
171
Quatuor de cuivres: 4 trombones
159
Ensemble de Trombones
147
Cor anglais, Piano
142
Instruments en Sib
138
Euphonium, Piano (duo)
135
Bass Clef Instruments
132
Ensemble de Trompettes
114
2 Tubas (duo)
108
Quatuor de cuivres: 4 cors
100
Euphonium
98
Cor Anglais
72
2 Euphoniums et 2 Tubas
71
Trompette, Cor (duo)
66
4 Tubas
53
3 Trombones (trio)
45
Trio de Cuivres
41
Euphonium, Tuba (duo)
32
Ensemble de Cors
32
Tuba et Orgue
30
Quatuor de cuivres: 4 trompettes
27
2 Euphoniums (duo)
26
3 Trompettes (trio)
25
Cor, Violoncelle (duo)
25
Trompette, Tuba (duo)
20
Trombone, Tuba (duo)
18
Trompette, Violoncelle (duo)
18
Trombone basse
16
Trompette, Trombone, Piano
16
Instruments en Fa
15
Ensemble de Tubas
15
Trombone basse et Piano
14
Trombone, Orgue
14
Trompette, Basson (duo)
13
Trombone, Cor (duo)
13
2 Trompettes, Clavier (piano ou orgue)
11
Cor et Basson (duo)
9
Cor, Tuba (duo)
9
Trompette et Guitare
9
Trompette, violon (duo)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
7
3 Cors (trio)
7
Tuba ou Euphonium ou Saxhorn
6
Cor et Harpe
6
Cor, Orchestre
5
Cornet A Pistons
5
2 Cors Anglais Et Pianoforte
5
Trombone, Violon (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Cor anglais et Harpe (duo)
4
2 Trombones, Piano
4
3 Euphoniums
3
Clarinette, Cor (duo)
3
3 Tubas (trio)
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Trompette, Euphonium (duo)
2
Trompette, Violoncelle et Piano
2
Cor anglais, Guitare (duo)
1
Trompette, Harpe
1
Trombone et orchestre
1
2 Cors, Piano
1
4 Euphoniums
1
Trompette, Orchestre
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Cor, Violoncelle et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
4228
Violon
3143
Violoncelle
2404
Violon et Piano
2132
Alto seul
1819
Violoncelle, Piano
1445
Violon, Violoncelle (duo)
1184
Alto, Piano
1144
2 Violons (duo)
1004
Harpe
905
Trio à Cordes: violon, alto, violoncelle
818
2 Violoncelles (duo)
713
Quintette à cordes: 2 violons, alto, violoncelle, basse
601
Violon, Alto (duo)
488
Violon (partie séparée)
473
2 Altos (duo)
469
Contre Basse
391
Alto (partie séparée)
338
Contrebasse, Piano (duo)
324
Contrebasse (partie séparée)
314
Trio à Cordes: 2 violons, violoncelle
237
Piano Trio: Violon, Alto, Piano
172
Violoncelle (partie séparée)
163
Alto, Violoncelle (duo)
155
Violon, Guitare (duo)
140
4 Violoncelles
125
2 Contrebasses (duo)
98
Violoncelle , Guitare (duo)
89
Trio à cordes
80
Trio à cordes: 3 violins
62
Trio à Cordes: 3 violoncelles
57
2 Harpes (duo)
50
Violon, Basson (duo)
49
Quatuor à cordes: 4 violons
49
Violoncelle, Contrebasse (duo)
49
Harpe, Flûte (duo)
44
Harpe, Violon (duo)
37
Quintette à cordes: 2 violons, 2 altos, violoncelle
35
Quatuor à cordes : 4 altos
33
Trio à Cordes: 2 violons, alto
30
Ensemble de Violons
28
Ensemble d'Altos
27
Alto et Basson
26
Quintette à cordes : 2 violons, alto et 2 violoncelles
24
Trio à cordes: 3 altos
23
2 Violons, Piano
23
Harpe, Voix
22
Alto, Guitare (duo)
21
Harpe (partie séparée)
20
Violon, Clarinette, Piano (trio)
18
Violoncelle, Orchestre
14
Harpe, Violoncelle (duo)
13
Flûte, Contrebasse (duo)
10
Ensemble de Violoncelles
9
Harpe et Piano
8
Harpe, Violon, Violoncelle
8
Violoncelle, Basse continue
7
Alto et Harpe
7
2 Violoncelles, Piano
7
2 Altos, Piano
7
3 Harpes
6
Violon, Tuba (duo)
6
Autoharp
6
Violoncelle, Orgue
5
Violon, Violoncelle, Clarinette
5
Violon, Orgue
4
Harpe, Quatuor à cordes
3
Violon, Contrebasse (duo)
3
Violon, Basse continue
2
4 Contrebasses
2
Violon, Clarinette et Guitare
2
Harpe et Orgue
2
4 Harpes
2
Alto, Orgue
1
Harpe, Trombone (duo)
1
Harpe et mandoline
1
Violon, Trompette et Piano
1
3 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
5605
Orchestre
2882
Timbales (partie séparée)
1984
Orchestre à Cordes
1684
Ensemble Jazz
1397
Cloches
1113
Batterie
989
Ensemble de cuivres
733
Orchestre de chambre
504
Fanfare
435
Percussion (partie séparée)
406
Jazz combo
292
Batterie (partie séparée)
273
Ensemble de Percussions
218
Instrumentation Flexible
151
Percussion
132
Marimba
92
Xylophone
88
Timbales
65
Vibraphone
64
Piano et Orchestre
37
Xylophone, Piano
26
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
24
Orchestre, Violon
20
Big band
15
Quintette à Vent
12
Caisse Claire
10
2 Xylophones
9
Ensemble d'École
9
Xylophone ou Marimba ou Vibraphone
6
Vibraphone (partie séparée)
5
Quatuor à Vent : 4 instruments à vents
5
Quintette de Cuivres: autres combinaisons
5
Marimba, Piano (duo)
5
Cajon
2
3 Marimbas
2
Bongos
2
Vibraphone et Marimba
2
Voix et Orchestre
1
Orchestre Symphonique
1
2 Caisses Claires (duo)
1
Conga
1
Voix Mezzo-Soprano, Orchestre
1
2 Marimbas
1
Bodhran
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
40
Théorie de la musique
27
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9976
Hercules Waltzes
Piano seul
Piano - Digital Download SKU: LV.8069 Arranged by J. Jay Watson. Portraits, Myths, …
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Piano - Digital Download SKU: LV.8069 Arranged by J. Jay Watson. Portraits, Myths, Gods, Apples, Atlas, Castles & palaces. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8069). Hercules Waltzes. Arranged by J. Jay Watson. Published 1871 by J.L. Peters in New York. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits, Myths, Gods, Apples, Atlas, Castles & palaces. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Piano seul
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J
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Hercules Waltzes
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Valses nobles et sentimentales
3 Guitares (trio)
3 guitares - Avance - Digital Download Composed by Maurice Ravel (1875-1937). Arrange…
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3 guitares - Avance - Digital Download Composed by Maurice Ravel (1875-1937). Arranged by Raymond Burley. Scores (3). 81 pages. Les Productions d'OZ - Digital #DZ 3414. Published by Les Productions d'OZ - Digital
$24.95
22.69 €
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3 Guitares (trio)
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Maurice Ravel (1875-1937)
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Raymond Burley
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Valses nobles et sentimentales
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Les Productions d'OZ - Digital
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SheetMusicPlus
Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.54 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Escales musicales
Guitare
Composed by Various. Arranged by Laurent Meneret. Score. 13 pages. Les Productions d'OZ …
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Composed by Various. Arranged by Laurent Meneret. Score. 13 pages. Les Productions d'OZ - Digital #DZ 3637. Published by Les Productions d'OZ - Digital
$8.95
8.14 €
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Guitare
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Various
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Escales musicales
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Les Productions d'OZ - Digital
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SheetMusicPlus
Favorite Recorder Tunes - Beautiful Airs and Ballads of the British Isles
Flûte à Bec
Solos & Duets. British Isles. E-book. 45 pages. Mel Bay Publications - Digital She…
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Solos & Duets. British Isles. E-book. 45 pages. Mel Bay Publications - Digital Sheet Music #30963EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459462. 8.75x11.75 inches.<br> <br> This exceptional collection of 41 truly beautiful airs and ballads from the British Isles offers both well-known tunes by the prolific blind Irish harpist, Turlough OCarolan and rarely heard melodies by anonymous composers; all have stood the test of time. Arranged for soprano or tenor recorder, these include OCarolans classically influenced Lord Inchiquin and Eleanor Plunkett as well as O Gentle Dove and Cuckoo Dear both examples of the strong tradition of song in Wales. Among other tunes, the haunting modal melodies of The Dark Slender Boy and Enchanted Valley express the melancholic heart and soul of the British Isles. A few of these songs have taken on a life of their own in modern times. Bonny at Morn, a popular traditional tune of northern England and Scotland, was arranged for soprano voice and harp by the 20th century British composer, Benjamin Britten. The Skye Boat Song originally recounted Bonnie Prince Charles Edward Stuarts journey to the Isle of Skye after his defeat at the historic Battle of Culloden. Later, the song evolved into a lilting lullaby and was more recently used as the theme song for the popular Outlander television series. Departing slightly from recorder notation practice, author Marcia Diehl has judiciously arranged these melodies complete with spare slur markings to aid the amateur player in authentically and musically rendering these tunes.
$12.99
11.82 €
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Flûte à Bec
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Duets
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Favorite Recorder Tunes - Beautiful Airs and Ballads of the British Isles
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
May You Be Eternally Blessed
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1368428 By Jose Valladares. By Jose…
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Piano Solo - Level 3 - Digital Download SKU: A0.1368428 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 8 pages. Circlesquare Music #952774. Published by Circlesquare Music (A0.1368428). Introducing May You Be Eternally Blessed, an exuberant and soul-lifting piano composition that resonates with heartfelt wishes and positive affirmations. This vibrant piece, from the inspiring album A Celebration of Love, and Life by the distinguished artist and composer Jose Valladares, is a melodious expression of hope, joy, and the endless blessings that life offers.With a lively tempo of 115, May You Be Eternally Blessed bursts forth like the first rays of sunrise, heralding a new day filled with promise and possibilities. The composition is a jubilant celebration, an auditory bouquet of harmonious wishes sent forth into the universe. Each note radiates positivity, each chord sings of gratitude, and the melody weaves a tapestry of goodwill and joyous aspirations.May You Be Eternally Blessed is more than just a piece of music; it's an anthem of optimism and a testament to the power of positive intentions. It invites listeners to join in the chorus of hope, to embrace the beauty of life's journey, and to share in the collective wish for eternal blessings. This composition is perfect for those who seek to uplift spirits through music, for pianists looking to infuse their performances with a message of positivity, and for anyone in search of a melody that echoes the heart's deepest wishes for well-being and happiness.Let May You Be Eternally Blessed be your musical companion in times of celebration and reflection. Allow its uplifting melodies to fill your heart with warmth, inspire your steps with its energetic rhythm, and remind you of the boundless blessings that life holds. This piece is a celebration of life's gifts, a harmonious hymn of eternal optimism, and a heartfelt wish set to the universal language of music.
$8.99
8.18 €
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Piano seul
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Jose Valladares
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Jose Valladares
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May You Be Eternally Blessed
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Circlesquare Music
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SheetMusicPlus
Homeless Spirit Suite
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1308094 Composed by Ann Ruane. New …
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Piano Solo - Level 5 - Digital Download SKU: A0.1308094 Composed by Ann Ruane. New Age. Score. 20 pages. Ann Ruane-Lux Eterna Healing #897365. Published by Ann Ruane-Lux Eterna Healing (A0.1308094). Homeless Spirit Suite is a suite of 3 pieces for advanced piano.I. Wandering Alone: This piece starts with a cry of exhausted desperation. The refrain reflects an unhurried presence with what is. The verses each contain a repeated note in the inner voice of the right hand, sometimes meshing with the melody and sometimes creating dissonance. Those notes represent the inner nudge, quietly wanting to be acknowledged. In the bridge, things seemingly turn upside down, only to return to the exhausted desperation. II. Through the Tempest: There is a fiery nature to this movement; an unapologetic expression of chaos, anger, fear, and heated conversation--between the hands in the music, but maybe between you and…? Creator? Yourself? Life? Lean into the unrelenting nature of this movement and let it cleanse you. III. Finding a New Path: Although somewhat melancholy, the refrain depicts a different state of calm following the storm. There is still inner restlessness heard in the verses and a hint of hope in the bridge. Things become clearer and less cluttered by the time the piece closes.Audio samples of the suite at annruane.hearnow.com/homeless-spirit-suite.
$6.50
5.91 €
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Piano seul
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Ann Ruane
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Homeless Spirit Suite
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Ann Ruane-Lux Eterna Healing
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SheetMusicPlus
Blessed Are They That Mourn (for SATB Chorus and Brass Quintet)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.808672 Composed by Johanne…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.808672 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Period,Sacred. Octavo. 38 pages. Sweetwater Brass Press #3046205. Published by Sweetwater Brass Press (A0.808672). Brahms composed Ein deutsches Requiem, nach Worten der heiligen Schrift, his longest composition, during the period, 1865-1868. For the libretto, he eschewed the Latin text of the Roman Catholic Requiem Mass, using instead verses he chose from the German-language Luther Bible. Thus, it was A German Requiem. The Roman Church’s Requiem Mass begins with prayers for the dead; Brahms, on the other hand, chose to console the living and framed his first movement around the second of the Beatitudes, Blessed are they that mourn, for they shall be comforted.  The first movement is, indeed, comforting, filled with warmth and beauty. This arrangement retains Brahms’ original choral parts and translates the orchestral accompaniment to the five quietly playing brass instruments. The audio sample was digitally created, so the choral part of the arrangement can be heard but without words. This arrangement was completed in 2017 and runs about 10 minutes, 32 seconds. The arranger, Les Smith, can be reached at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
13.6 €
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Chorale SATB
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Johannes Brahms
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F
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Blessed Are They That Mourn
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Sweetwater Brass Press
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SheetMusicPlus
Blessed Are They That Mourn (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.808673 Composed by Johannes Bra…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808673 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Period,Sacred. Score and parts. 38 pages. Sweetwater Brass Press #3064649. Published by Sweetwater Brass Press (A0.808673).    Brahms composed Ein deutsches Requiem, nach Worten der heiligen Schrift, his longest composition, during the period, 1865-1868. For the libretto, he eschewed the Latin text of the Roman Catholic Requiem Mass, using instead verses he chose from the German-language Luther Bible. Thus, it was A German Requiem. The Roman Church’s Requiem Mass begins with prayers for the dead; Brahms, on the other hand, chose to console the living and framed his first movement around the second of the Beatitudes, Blessed are they that mourn, for they shall be comforted. The first movement is, indeed, comforting, filled with warmth and beauty. This arrangement translates Brahms’ choral parts and orchestral accompaniment into a warm and appealing five-brass-instruments version.    This arrangement was completed in 2017, and performance time runs about 10 minutes, 32 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.23 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johannes Brahms
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F
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Blessed Are They That Mourn
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Sweetwater Brass Press
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. I…
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Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Quatuor de Flûtes : 4 flûtes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Slide Ride
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SheetMusicPlus
Études mélodiques simples dans tous les tons
Guitare
Guitar - easy - Digital Download SKU: ZZ.DZ-2072 Composed by Luc Levesque. Score. 1…
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Guitar - easy - Digital Download SKU: ZZ.DZ-2072 Composed by Luc Levesque. Score. 16 pages. Les Productions d'OZ - Digital #DZ 2072. Published by Les Productions d'OZ - Digital (ZZ.DZ-2072). ISBN 9782896559718.
$7.95
7.23 €
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Guitare
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Luc Levesque
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Études mélodiques simples dans tous les tons
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Les Productions d'OZ - Digital
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
Cor Anglais
English Horn Solo - Level 3 - Digital Download SKU: A0.784328 Composed by Joshua Ha…
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English Horn Solo - Level 3 - Digital Download SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slide Ride (A0.784328). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Cor Anglais
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
Alto seul
Viola Solo - Level 3 - Digital Download SKU: A0.784339 Composed by Joshua Hauser. I…
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Viola Solo - Level 3 - Digital Download SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride (A0.784339). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Alto seul
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua H…
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Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Quatuor de Clarinettes: 4 clarinettes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
Basson
Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser.…
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Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Basson
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
Flûte, Hautbois, Clarinette, Basson
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$15.00
13.64 €
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Flûte, Hautbois, Clarinette, Basson
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Ensemble de Percussions
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
Cor
French Horn Solo - Level 3 - Digital Download SKU: A0.784335 Composed by Joshua Hau…
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French Horn Solo - Level 3 - Digital Download SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide Ride (A0.784335). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Cor
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
6.82 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser…
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Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Quatuor de Clarinettes: 4 clarinettes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 C…
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. In…
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Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Tuba
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by …
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
Saxophone (partie séparée)
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Jos…
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Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Saxophone (partie séparée)
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
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Slide Ride
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