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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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DIDGERIDOO
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FLUTE TRAVERSI…
FORMATION MUSI…
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122
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63
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1
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59
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Cor
4
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4
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Quatuor de Cuivres
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2 Euphoniums et 2 Tubas
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2 Cors (duo)
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Ensemble de Cors
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Trompette, Trombone (duo)
1
Cor et Piano
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Euphonium, Piano (duo)
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Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
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CORDES
Violon
61
Alto seul
34
Violoncelle
34
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon et Piano
19
Violoncelle, Piano
8
Violon, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Alto, Piano
3
Contre Basse
3
2 Violoncelles (duo)
3
Harpe
3
Violoncelle (partie séparée)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Contrebasse (partie séparée)
2
4 Violoncelles
2
Piano Trio: Violon, Alto, Piano
1
Contrebasse, Piano (duo)
1
2 Violons (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Violon, Alto (duo)
1
Trio à Cordes: 3 violoncelles
1
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PERCUSSIONS & ORCHESTRES
Batterie
130
Orchestre d'harmonie
31
Orchestre
25
Ensemble de cuivres
11
Orchestre de chambre
5
Ensemble Jazz
4
Jazz combo
2
Orchestre à Cordes
2
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AUTRES
Vous avez sélectionné:
La Ley
Partitions à imprimer
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La Leyenda de La Puerta de Hayu Marca
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.992846 Composed by Danny Buckley. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.992846 Composed by Danny Buckley. 20th Century,Contemporary. Individual part. 4 pages. Danny Buckley #4991151. Published by Danny Buckley (A0.992846). My work for solo guitar about the puerta de hayu marca roughly translated as gateway of the gods.
$12.99
12 €
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Guitare
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Danny Buckley
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La Leyenda de La Puerta de Hayu Marca
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Danny Buckley
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SheetMusicPlus
La leyenda del beso. Fox Trot por: Reveriano Soutullo Otero y Juan Bautista Vert Carbonell
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.958730 Composed by Reveriano Soutul…
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Piano Solo - Level 4 - Digital Download SKU: A0.958730 Composed by Reveriano Soutullo Otero y Juan Bautista Vert Carbonell. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6116583. Published by Juan Carlos Cortés Aguirre (A0.958730). Transcripción para Piano solo por:JUAN CARLOS CORTÉS A.Basado en la grabación realizada por la orquesta de Aquilino Enrique RodrÃguez Ruiz​, el 27 de Abril de 1956 en Buenos Aires (Argentina).VÃdeo You Tube Enrique RodrÃguez:https://www.youtube.com/watch?v=7Uo6-kC_eyY
$7.99
7.38 €
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Piano seul
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Reveriano Soutullo Otero y Juan Bautista Vert Carbonell
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Juan Carlos Cortés A
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La leyenda del beso. Fox Trot por: Reveriano Soutullo Otero y Juan Bautista Vert Carbonell
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
La Ley Del Monte
Ligne De Mélodie, (Paroles) et Accords
Digital Download SKU: HX.469542 By Jose Angel Espinosa Aragon. Jazz,Latin. Real Boo…
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Digital Download SKU: HX.469542 By Jose Angel Espinosa Aragon. Jazz,Latin. Real Book - Melody/Chords. 2 pages. Published by Hal Leonard - Digital (HX.469542).
$1.99
1.84 €
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Ligne De Mélodie, (Paroles) et Accords
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Jose Angel Espinosa Aragon
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La Ley Del Monte
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Hal Leonard - Digital
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SheetMusicPlus
La Ley Del Monte
Small Ensemble Bass Guitar,Trumpet,Violin - Level 4 - Digital Download SKU: A0.953698
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Small Ensemble Bass Guitar,Trumpet,Violin - Level 4 - Digital Download SKU: A0.953698 Composed by Jose Angel Espinosa Aragon. Arranged by Mariachi Ink Publications. Contemporary. Score and parts. 24 pages. Mariachi Ink Publications #5715387. Published by Mariachi Ink Publications (A0.953698). Mariachi Sheet Music.
$30.00
27.71 €
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Jose Angel Espinosa Aragon
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Mariachi Ink Publications
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La Ley Del Monte
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Mariachi Ink Publications
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SheetMusicPlus
La Llorona (Coco)
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1184448 Composed by Mexican …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1184448 Composed by Mexican Folk Song. Arranged by Christina Magallanes Jones. Folk,Historic,Latin,Multicultural,Traditional,World. Score. 5 pages. Christina Magallanes-Jones #784177. Published by Christina Magallanes-Jones (A0.1184448). La Llorona (The weeping woman) is a Mexican folk song derived from the legend of La Llorona. It is also featured in the 2017 Disney animated film, Coco.La Llorona es una cancion popular mexicana derivada de la leyenda de La Llorona. Tambien aparece en la pelicula animada de Disney de 2017, Coco.
$4.99
4.61 €
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Piano, Voix
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Mexican Folk Song
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Christina Magallanes Jones
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La Llorona
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Christina Magallanes-Jones
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SheetMusicPlus
La Fuerza De Mi Corazon
Piano Facile
Piano - Level 1 - Digital Download SKU: A0.1134905 By El Cid. By Jorge Cubino Berme…
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Piano - Level 1 - Digital Download SKU: A0.1134905 By El Cid. By Jorge Cubino Bermejo. Arranged by Unimusic Academy (Academia Unimusica). Pop,Rock. Score (Chords/Lyrics). 3 pages. Unimusic Academy (Academia Unimusica) #734938. Published by Unimusic Academy (Academia Unimusica) (A0.1134905). The strength of my heart is the official song of the animated film El Cid: The Legend, sung along with Christina Valemi. «La fuerza de mi corazón» es la canción oficial de la pelÃcula animada El Cid: La leyenda, cantada junto con Christina Valemi.
$8.00
7.39 €
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Piano Facile
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El Cid
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La Fuerza De Mi Corazon
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Unimusic Academy
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SheetMusicPlus
Ooh La La
Guitare notes et tablatures
Guitar Tab - Digital Download By Ooh La La. Arranged by Andy Crowley. 11 pages. Publi…
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Guitar Tab - Digital Download By Ooh La La. Arranged by Andy Crowley. 11 pages. Published by Andy Crowley
Learn how to play 'Ooh La La' by The Faces with two easy chords; D major and E minor.<br> <br> Includes chords, strumming, lyrics and TAB to this song accurate to Andy's popular YouTube tutorial from Day 5 of the 10 Day acoustic guitar series!
$4.99
4.61 €
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Guitare notes et tablatures
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Ooh La La
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Andy Crowley
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Ooh La La
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Andy Crowley
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SheetMusicPlus
Burak Yeter and Cecilia Krull - My life is going on (La Casa de Papel theme)
Piano Facile
By Burak Yeter and Cecilia Krull. Arranged by Music- holley. Individual Part, Piano R…
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By Burak Yeter and Cecilia Krull. Arranged by Music- holley. Individual Part, Piano Reduction, Sheet Music Single, Solo Part. 3 pages. Published by music-holley
Burak Yeter and Cecilia Krull - My life is going on (La Casa de Papel theme)<br> Easy piano version, 3 pages, with chords.
$4.99
4.61 €
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Piano Facile
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Burak Yeter and Cecilia Krull
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Music- holley
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Burak Yeter and Cecilia Krull - My life is going on
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SheetMusicPlus
La Leyenda Del Hada Y
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.798155 By Various Artists. By Hector Walter Giardino and Roxana Clara Giardino. Arranged by Gre Lopez. Contemporary. Score and parts. 42 pages. Gre Lopez #4897025. Published by Gre Lopez (A0.798155).
$13.00
12.01 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various Artists
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Gre Lopez
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La Leyenda Del Hada Y
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Gre Lopez
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SheetMusicPlus
Paris (ooh La La)
Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombo…
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Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1206631 By Grace Potter And The Nocturnals. By Grace Potter. Arranged by jfarley@arrangementsone.com. Pop,Rock. Score and parts. 71 pages. Jim Farley arrangementsone.com #804805. Published by Jim Farley arrangementsone.com (A0.1206631). This is arranged for 7-8 piece horn band including: Directors Score, Piano/Vocal/Chords, Guitar (chords only), Bass Guitar, Drums, Alto Sax, Tenor S@ax (identical to alto), Trumpets 1 & 2 and Trombone.ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyest since the mis 1970's, and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College & High School Pep Band, Orchestra, Show Choir, Cruise Ship Performers as well as arranging for dozens of classic rock horn bands throughout the U.S, Canada & Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact Jim at: farleyjc@gmail.com or visit his website at: Arrangements On E!
$49.99
46.17 €
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Grace Potter And The Nocturnals
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jfarley@arrangementsone
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2 and Trombone
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Paris
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Jim Farley arrangementsone.com
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SheetMusicPlus
La Cucaracha - Tuba/Euphonium Quartet
2 Euphoniums et 2 Tubas
Brass Ensemble Euphonium,Tuba - Digital Download SKU: A0.740031 Composed by Traditi…
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Brass Ensemble Euphonium,Tuba - Digital Download SKU: A0.740031 Composed by Traditional. Arranged by Norlan Bewley. Folk. Score and parts. 9 pages. Norlan Bewley #3125009. Published by Norlan Bewley (A0.740031). Traditional Octoberfest favorite performed by Harvey Phillips for his official Octubafest series and collection. Octubafest® used with permission of the Harvey Phillips Foundation Inc. www.norlanbewley.com
$10.00
9.24 €
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2 Euphoniums et 2 Tubas
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Traditional
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Norlan Bewley
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www.norlanbewley.com
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La Cucaracha - Tuba/Euphonium Quartet
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Norlan Bewley
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SheetMusicPlus
Leyendas indígenas
Large Ensemble Flute - Level 4 - Digital Download SKU: A0.1023596 Composed by Georg…
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Large Ensemble Flute - Level 4 - Digital Download SKU: A0.1023596 Composed by Georgina Perazzo. 20th Century,Contemporary,World. Score and parts. 102 pages. Georgina Perazzo #6073841. Published by Georgina Perazzo (A0.1023596). La obra consta de 3 números, los cuales cada uno constituyen una leyenda de diferentes regiones de la república Argentina. Es un concierto para 3 flautas y orquesta de cuerdas. En el 1 ° número será solista el flautÃn, en el 2 ° una flauta en sol y en el tercero una flauta travesera. El paquete consta de partitura general y particellas, esto significa que la obra está lista para ser ejecutada. Es una obra apta para concierto, ballet o documental o film inclusivo. La muestra que ofrezco de youtube es una grabación hecha en sintetizador del 3 ° número.
$10.00
9.24 €
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Georgina Perazzo
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Leyendas indígenas
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Georgina Perazzo
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SheetMusicPlus
La Re Do ( Laredo )
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.930812 Composed by Steven Stanley …
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Solo Guitar - Level 1 - Digital Download SKU: A0.930812 Composed by Steven Stanley Bayes. Country,Film/TV,Folk,Standards. Individual part. 1 pages. Steven Stanley Bayes #2853091. Published by Steven Stanley Bayes (A0.930812). 2016 Easy Piano Contest Entry More lyrics and more formats, such as mp3, mid, MusicXML, MuseScore, pdf, doc, etcetera, at : www.Steven-Stanley-Bayes.com/Scores.html http://www.free-scores.com/Download-PDF-Sheet-Music-stevenstanleybayes.htm http://www.8notes.com/members/stevenstanleybayes/
$1.99
1.84 €
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Guitare
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Steven Stanley Bayes
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La Re Do
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Steven Stanley Bayes
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SheetMusicPlus
Albeniz/Leytush – “La Vega”, (The Alhambra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Alben…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #680568. Published by Arkady Leytush (A0.1076412). Orchestra: Piccolo, Flute, Oboe, English Horn, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings. - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Arkady Leytush. Romantic Period, Impressionistic, Repertoire, European. 96 pages. Published by Arkady Leytush (S0.616185). Item Number: S0.616185 The composition of La Vega completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after La Vega, although his fame was mainly focused on the works for this instrument. Although La Vega was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished La Vega at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: La Alhambra, symphonic suite on poems by F. B. Money-Coutts: nº 1: La Vega. La Vega is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
55.41 €
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Orchestre
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Isaac Albeniz
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A
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Albeniz/Leytush – “La Vega”,
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Arkady Leytush
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SheetMusicPlus
I. Albeniz -"La Vega", Symphonic Poem, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1378418 Composed by Isaac Alben…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1378418 Composed by Isaac Albeniz. Arranged by A. Leytush. 19th Century. 98 pages. Arkady Leytush #963038. Published by Arkady Leytush (A0.1378418). Albeniz completed only La Vega (on 26 January 1897) and the first 16 bars of Generalife. The score was written in piano solo format, and La Vega was later orchestrated. The orchestral version of La Vega was never published however, but the composer decided to publish the piano solo version after discarding the last three pages and writing a new, more developed version of the entire piece, with a reprise of the opening A section taking the place of the three discarded pages. This new expanded version was completed on 14 February 1897 and published that year. The piece lasts approximately 14 minutes. «La Vega» is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
55.41 €
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Orchestre
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Isaac Albeniz
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A
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I. Albeniz -"La Vega", Symphonic Poem, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.09 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.09 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
F. Poulenc - Les soirées de Nazelles, FP 84, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1367543 Composed by Francis Pou…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1367543 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 163 pages. Arkady Leytush #951902. Published by Arkady Leytush (A0.1367543). Francis Poulenc - Les soirées de Nazelles, FP 84, Preamble, Cadenza #1, Variations: Le comble de la distinction, Le cÅ?ur sur la main, La désinvolture et la discrétion, La suite dans les idées, Le charme enjôleur, Le contentement de soi, Le goût du malheur, Lâ??alerte vieillesse, Cadenza #2, Finale.During the evenings, the composer used to sit at the piano and improvise portraits of his friends, all based on a given theme. The work was begun in 1930, and completed at Noizay on October 1, 1936. At the beginning of the score, it reads: The variations that form the center of this work were improvised at Nazelles during long country evenings wherein the composer played portraits for friends gathered around his piano. The composition is dedicated to the memory of my aunt LIÃ?NARD, in memory of Nazelles. My orchestral transcription of this piece is for a full orchestra. In such a new quality, this music can live well on the symphonic stage, adorning many programs with its originality. But first of all, I would like to draw the attention of the choreographers to this basically danceable, diverse and brightly characteristic music. I can say with great confidence that this work can become a ballet performance.
$100.00
92.35 €
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Orchestre
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Francis Poulenc
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A
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F. Poulenc - Les soirées de Nazelles, FP 84, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.09 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
French Christmas Carol Medley for String Trio - Noëls Français en Pot Pourri pour Trio à Cordes
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.800202 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.800202 Composed by Various, Traditional. Arranged by Samantha J Bramley - stringspirational@gmail.com. Children,Christmas. Score and parts. 25 pages. Samantha Bramley #3877327. Published by Samantha Bramley (A0.800202). The Holiday Season can be really painful for lower string players in any ensemble. Playing ‘cello in a Carol concert makes me want to cry. That is why I have created arrangements of classic Christmas Carols and Songs guaranteed not to bore the pants off your violist or ‘cellist. No more bashing out bass notes for the ‘cello, and no more chugging away on the off-beat for viola while the fiddles get soaring melody after soaring counter-melody. We deserve more than this, right guys? You got it! Noël Re-Nouvellé Pot pourri des chants de Noëls Français les plus populaires pour trio à cordes. Durée de six minutes à la vitesse proposée. A jolly romp through some of the most popular French language carols, Noël Re-Nouvellé is a medley for string trio lasting 6 minutes at given tempo. With optional 2nd violin for viola part. Written with interest in all three parts, and taking turns with melody and accompaniment, this is a very enjoyable arrangement for ensembles of intermediate ability. If you have a great viola player or bored ‘cellist s/he will love this! Contains some double stopping of open and stopped strings. 1. Joie dans le monde - Joy to the World 2. Quittez, Pasteurs - Shepherds, Leave your Flocks 3. Entre le bœuf et l'âne gris - The Ox and the Grey Donkey 4. La Marche des Rois Mages - March of the Magi Kings 5. Il est né, le Divin Enfant - He is Born, the Divine Christ Child 6. Noël Nouvelet - Traditional French Folk Carol 7. Les Anges dans nos campagnes - Angels from the Realms of Glory 8. Vive le vent d’hiver - Jingle Bells 9. C’est Noël - Deck the Halls 10. O Venez, les Fideles - O Come All Ye Faithful 11. On se dit Joyeux Noël - We Wish You a Merry Christmas Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. Most parts do not go beyond 4th position (with the exception of a few harmonics in the lower string parts), making them suitable for student and mixed ability groups. A complete score and set of individual parts (violin, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com Keep Calm & Play Strings!
$22.99
21.23 €
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Various, Traditional
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French Christmas Carol Medley for String Trio - Noëls Français en Pot Pourri pour Trio à Cordes
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Samantha Bramley
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SheetMusicPlus
Io son la primavera (Original Key)
Choir - Level 5 - Digital Download SKU: A0.1201044 By Chanticleer. By William Hawle…
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Choir - Level 5 - Digital Download SKU: A0.1201044 By Chanticleer. By William Hawley. A Cappella,Classical,Contemporary. Full Performance. Duration 165. William Hawley #799581. Published by William Hawley (A0.1201044). This is the World Premiere live recording of William Hawley's madrigal Io son la primavera from Seven Madrigals, in the original key for ATBar.B voices, composed for the vocal ensemble Chanticleer in 1986. All seven live recordings from the World Premiere are available individually on this site as separate downloads by title, as is the original complete autograph ms score. The ms score and World Premiere recordings are distinct from Hawley's Six Madrigals, published in 1996 in the standard Hinshaw Music octavo edition by title, which constitute arrangements by the composer for SATB voices of the first six of the original seven madrigals. All seven madrigals are settings of the lyric poetry of the 16th-Century Italian poet Torquato Tasso.This is the original order of madrigals in performance:I. Vita de la mia vitaII. Ore, fermate il voloIII. Io v'amo sol perchè voi siete bellaIV. Siepe, che gli orti vaghiV. Dolcissimi coloriVI. Io son la primaveraVII. Mentre angoscia e doloreThe Audio Sample is the first half-minute of the recording. ASCAP  https://williamhawley.net.
$1.99
1.84 €
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Chanticleer
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Io son la primavera
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William Hawley
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SheetMusicPlus
Vita de la mia Vita (Original Key)
Choir - Level 5 - Digital Download SKU: A0.1201039 By Chanticleer. By William Hawle…
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Choir - Level 5 - Digital Download SKU: A0.1201039 By Chanticleer. By William Hawley. A Cappella,Classical,Contemporary. Full Performance. Duration 138. William Hawley #799401. Published by William Hawley (A0.1201039). This is the World Premiere live recording of William Hawley's madrigal Vita de la mia vita from Seven Madrigals, in the original key for ATBar.B voices, composed for the vocal ensemble Chanticleer in 1986. All seven live recordings from the World Premiere are available individually on this site as separate downloads by title, as is the original complete autograph ms score. The ms score and World Premiere recordings are distinct from Hawley's Six Madrigals, published in 1996 in the standard Hinshaw Music octavo edition by title, which constitute arrangements by the composer for SATB voices of the first six of the original seven madrigals. All seven madrigals are settings of the lyric poetry of the 16th-Century Italian poet Torquato Tasso.This is the original order of madrigals in performance:I. Vita de la mia vitaII. Ore, fermate il voloIII. Io v'amo sol perchè voi siete bellaIV. Siepe, che gli orti vaghiV. Dolcissimi coloriVI. Io son la primaveraVII. Mentre angoscia e doloreThe Audio Sample is the first half-minute of the recording. ASCAP  https://williamhawley.net.
$1.99
1.84 €
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Chanticleer
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Vita de la mia Vita
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William Hawley
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SheetMusicPlus
Barrios - La Catedral (easy piano sheet)
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1278180 Composed by A. Barrios. Arr…
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Easy Piano - Level 1 - Digital Download SKU: A0.1278180 Composed by A. Barrios. Arranged by Music-holley. 19th Century,Classical,Multicultural,Romantic Period,World. Score. 2 pages. Music-holley #869877. Published by music-holley (A0.1278180). Barrios - La Catedral Easy piano version, 2 pages.La Catedral is a musical composition originally for guitar by AgustÃn Barrios, structured as a suite in three movements. The sheet is taken from the third movement, the Allegro solemne. The title refers to the beautiful Montevideo Cathedral. La Catedral is widely considered the masterpiece in Barrios' works, and it is one of the most offered pieces in the repertoire and discographies of the world's leading performers.
$3.49
3.22 €
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Piano Facile
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A
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Music-holley
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Barrios - La Catedral
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music-holley
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SheetMusicPlus
La Valse De L'amour
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1216827 Composed by Patrick …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1216827 Composed by Patrick Doyle. Arranged by Bryson Merkley. Classical,Contemporary,Film/TV. Score and Parts. 51 pages. Voices of the Valley #813351. Published by Voices of the Valley (A0.1216827). Flowing and beautiful, this arrangement of the original piece from Disney's Cinderella by Patrick Doyle captures the magic of Cinderella's dance with the prince. For late intermediate to advanced ensembles.Instrumentation:Flute 1 & 2Oboe 1 & 2Clarinet 1 & 2Bassoon 1 & 2French Horn 1-4GlockenspielHarp 1 & 2Violin 1Violin 2ViolaCelloBass.
$79.99
73.87 €
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Orchestre de chambre
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Patrick Doyle
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Bryson Merkley
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2
Oboe 1 &
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La Valse De L'amour
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Voices of the Valley
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SheetMusicPlus
La Caccia (from "9 Fantasies for 2")
2 Saxophones (duo)
Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.1237695 C…
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Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.1237695 Composed by Thomas Morley. Arranged by Wendolien Krul. Chamber,Classical,Early Music,Renaissance,Traditional. Score. 4 pages. Wendolien Krul #833198. Published by Wendolien Krul (A0.1237695). Discover the beautiful sheet music of composer Thomas Morley  (1557-1602) with our arrangement for La Caccia (The Hunt), the sixth part of the enchanting series 9 Fantasies for Two.Originally written for 2 viola da gambas, it's carefully crafted into a unique arrangement for 2 tenor saxophones. This allows saxophonists of all levels to enjoy Morley's exciting and adventurous music.La Caccia takes you on a musical hunt full of energy and dynamism. With its masterful melodies and lively rhythms, Morley creates an exhilarating atmosphere. This piece offers an excellent opportunity for more expressive freedom and exploration of the most beautiful way to play the melody, as there are no precise indications in the original work.Our sheet music is of high quality, thoughtfully compiled, with clear notation that allows for artistic interpretation. This empowers you to explore and express your own unique musicality while playing Thomas Morley's music.Don't miss this chance to immerse yourself in the masterpieces of this renowned composer. Get your copy of the sheet music for La Caccia today and let the exciting sounds of Morley come to life on your tenor saxophone.
$5.99
5.53 €
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2 Saxophones (duo)
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Thomas Morley
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Wendolien Krul
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La Caccia
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Wendolien Krul
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SheetMusicPlus
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