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ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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UKULELE
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VIOLONCELLE
XYLOPHONE
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609 582
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
54312
PIANO & CLAVIERS
Piano seul
65454
Piano, Voix
46711
Piano, Voix et Guitare
35653
Piano Facile
17064
Orgue
6165
Accordéon
3434
Piano grosses notes
2419
1 Piano, 4 mains
1761
Instruments en Do
1180
Accompagnement Piano
874
Piano Trio: piano, violon, violoncelle
694
2 Pianos, 4 mains
531
Piano (partie séparée)
473
Piano Quatuor: piano, violon, alto, violoncelle
152
Piano Quintette: piano, 2 violons, alto, violoncelle
133
Piano Quatuor: piano, 2 violons, violoncelle
129
1 Piano, 6 mains
127
Orgue, Trompette (duo)
125
Accordéon, Voix
122
Orgue, Piano (duo)
100
Ligne De Mélodie, Piano
98
Clavecin
81
2 Accordéons
52
2 Pianos, 8 mains
45
Clavier
31
Ensemble d'Accordéons
29
2 Orgues (duo)
16
Orgue, Voix
14
Ensemble de Pianos
9
Accordéon, Corde(s)
7
Tous Les Instruments
7
Accordéon, Piano
6
Accordéon et Orchestre
5
Orgue et Orchestre
3
Accordéon - Piano, Voix, Guitare
2
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
15366
Guitare
8415
Ligne De Mélodie, (Paroles) et Accords
7440
Basse electrique
4763
Ukulele
2807
Guitare (partie séparée)
806
2 Guitares (duo)
742
Mandoline
432
Piano, Guitare (duo)
273
4 Guitares (Quatuor)
259
3 Guitares (trio)
162
Banjo
154
Dulcimer
142
Ensemble de guitares
124
Paroles et Accords
92
Guitare Pedal Steel
60
Basse électrique (partie séparée)
47
Ukulele Baryton
35
Mandoline, Guitare (duo)
22
Mandoline, Piano (duo)
21
3 Dulcimers (trio)
20
2 Dulcimers (duo)
18
Guitare, Violon, Violoncelle (trio)
16
2 Ukuleles
13
Ensemble de Ukulélés
11
Guitare, Orchestre
9
Guitare, Flûte, Clarinette
9
Orchestre à Plectres
9
Dobro
7
Guitare, Quatuor à cordes
6
Luth
6
2 Mandolines (duo)
5
2 Guitares et Orchestre
2
Cithare
2
Bouzouki
2
Partitions De Groupes
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
21859
Chorale 3 parties
6346
Voix seule
6243
Chorale 2 parties
4474
Chorale TTBB
2782
Chorale Unison
2446
Chorale SSAA
1342
Voix duo, Piano
937
Voix duo
827
Voix Soprano, Piano
553
Chorale
495
Voix haute
282
Voix basse, Piano
260
Voix moyenne, Piano
248
Voix Tenor, Piano
228
Chorale SSATB
179
Voix, Guitare
170
Chorale SSAATTBB
158
Voix Baryton, Piano
144
Chorale SSATTB
119
Voix Alto, Piano
109
Voix Mezzo-Soprano, Piano
105
Soli, choeur mixte et accompagnement
93
Voix Tenor
77
Voix Moyenne
68
Voix haute, Piano
61
Voix Soprano
50
Chorale SSATBB
25
Voix basse
24
Chorale SATBB
17
Chorale SSAATB
15
Chorale SSAB a cappella
14
Voix d'Enfants
11
Chorale SSAB, Piano
10
Voix Soprano, Orchestre
9
Chorale SAATB A Cappella
9
Chorale SATTB
7
Voix duo, Orgue
6
Chorale SATTBB A Cappella
5
Male Voice
3
Chorale SSAATB A Cappella
2
Voix Baryton
1
Voix et basse continue
1
Instrumentations suivantes
Retracter
VENTS
Saxophone
16296
Flûte traversière
9236
Clarinette
9082
Flûte traversière et Piano
5624
Saxophone (partie séparée)
4044
Quatuor de Saxophones: 4 saxophones
3312
Clarinette et Piano
2844
Hautbois, Piano (duo)
2626
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2560
Saxophone Alto et Piano
2332
Saxophone Alto
2293
Flûte, Hautbois, Clarinette, Basson
2210
2 Saxophones (duo)
1944
Quatuor de Clarinettes: 4 clarinettes
1932
2 Flûtes traversières (duo)
1924
Saxophone Tenor et Piano
1676
Saxophone Tenor
1454
Flûte à Bec
1318
2 Clarinettes (duo)
1239
Clarinette (partie séparée)
1154
Saxophone Soprano et Piano
1150
Quintette de Saxophone: 5 saxophones
1125
Quatuor de Flûtes : 4 flûtes
1116
Hautbois
939
Hautbois (partie séparée)
816
3 Clarinettes (trio)
737
Ensemble de Clarinettes
718
Saxophone Soprano
713
Trio de Flûtes: 3 flûtes
633
Flûte, Clarinette (duo)
633
Flute (partie séparée)
616
3 Saxophones (trio)
578
Flûte et Guitare
542
Ensemble de Flûtes
512
Ensemble de saxophones
500
Flûte à bec Soprano
484
Saxophone Baryton, Piano
471
2 Hautbois (duo)
413
2 Flûte à bec (duo)
404
Quintette de Clarinettes: 5 clarinettes
394
Cor anglais, Piano
351
Harmonica
315
Saxophone, Clarinette (duo)
311
Clarinette, Violon (duo)
304
Flûte à bec Alto
297
Quatuor de Flûtes à bec
290
Clarinette, Trompette (duo)
248
Hautbois, Basson (duo)
243
Flûte, Violon
233
Hautbois, Clarinette (duo)
215
Clarinette Basse, Piano
203
2 Flûtes traversières, Piano
202
Flûte, Hautbois, Clarinette (trio)
185
Clarinette, Guitare (duo)
184
Flûte, Clarinette et Basson
154
3 Flûtes à bec (trio)
147
Flûte, Clarinette, Piano (trio)
141
Flûte, Alto (duo)
138
Clarinette et Alto
136
Clarinette, Basson (duo)
131
Flûte, Saxophone (duo)
125
Hautbois, Flûte
125
Flûte à bec Alto, Piano
122
Flûte, Trompette (duo)
121
Quintette de Flûte : 5 flûtes
115
Clarinette, Harpe (duo)
114
Flûte, Violoncelle
111
Flûte, Violoncelle, Piano (trio)
107
Flûte, Hautbois, Basson
105
Flûte à bec Soprano, Piano
97
Hautbois, Clarinette, Basson (trio d'anches)
97
5 Flûtes à bec
95
2 Clarinettes, Piano
94
Cor Anglais
88
Flûte, Violon, Piano
86
Flûte, Hautbois (duo)
86
Saxophone Baryton
83
Ensemble De Flûte à bec
83
Clarinette, Violoncelle, Piano (trio)
70
Clarinette, Violoncelle (duo)
69
2 Saxophones, Piano
68
Flûte à bec Tenor
62
Flûte, Violon et Violoncelle
58
Flûte, Basson et Piano
52
Saxophone et Piano
49
Flûte à bec Alto, Basse continue
48
Saxophone et Orgue
47
Hautbois, Violoncelle
47
Flûte à bec, Guitare (duo)
46
Piccolo
43
Hautbois, Guitare (duo)
41
Saxophone et Harpe
40
Hautbois, violon (duo)
40
Flûte, Hautbois, Piano (trio)
40
Hautbois, Harpe
38
Flûte traversière, Basse continue
37
Piccolo, Piano
34
Ensemble à vent
34
Flûte, trombone et piano
33
3 Hautbois
33
Flûte irlandaise
32
Flûte, Harpe et Violoncelle
31
Flûte, Alto et Piano
31
4 Hautbois
30
Flûte traversière, Orgue (duo)
28
Flûte, Clarinette, Cor, Basson (Quartet)
27
Flûte, Violon, Violoncelle et Piano
26
Hautbois et alto (duo)
25
Clarinette, Alto et Piano (trio)
23
Flûte à Bec, Piano
23
Saxophone et Guitare
23
Flûte, Violon, Guitare
22
Flûte, Trombone (duo)
21
Flute, harpe et violon
20
Clarinette, Basson, Piano (trio)
20
2 Flûtes à bec, Piano
19
Instruments en Mib
18
Flûte, Violoncelle, Guitare
18
Flûte traversière, Orchestre
18
Quintette de Clarinette: Clarinette, Quatuor à Cordes
18
2 Clarinettes, Basson
17
Ocarina
16
Clarinette, Trombone (duo)
16
Flûte, Hautbois, Violon
16
Clarinette, trompette et piano
16
Flûte et Quatuor à Cordes
16
Flûte et Trio à cordes
15
Clarinette Basse
15
Hautbois, Basson et Piano
15
Clarinette, Orgue
13
2 Hautbois, Piano
12
Ensemble de Hautbois
12
Cornemuse
11
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
11
Hautbois, Violoncelle et Piano
10
2 Flûtes traversières, Harpe
10
Flûte à bec Soprano, Basse continue
10
Clarinette, Orchestre
10
Hautbois, Violon, Piano
9
Clarinette, Contrebasse (duo)
9
Flute, Cor (duo)
8
Hautbois, Orgue
8
2 Hautbois et Cor anglais
8
Flûte, alto et harpe
8
Flûte, Guitare, Piano
7
Hautbois, Violin, Alto et Violoncelle (Quatuor)
7
Clarinette, Tuba
7
2 Cors Anglais Et Pianoforte
7
Hautbois, Clarinette et Piano (Trio)
7
2 Flûtes, Basse continue
6
Hautbois et Orchestre
6
Hautbois, trombone (duo)
6
Cor anglais, Guitare (duo)
6
2 Hautbois et Basson
6
Flûte, Tuba (duo)
6
Flûte, Alto et Violoncelle
5
Flûte de Pan
4
Harmonica, Piano
4
Clarinette, Saxophone, Piano
3
Hautbois, Quatuor à cordes
3
Flûte, Clarinette, Violon (trio)
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Flûte à bec, Harpe
3
2 Flûtes à bec, Guitare
2
2 Flûtes traversières, Guitare
2
Cor anglais et Harpe (duo)
2
Hautbois, Clarinette, Basson et Piano
1
Saxophone, Tuba (duo)
1
Flute, alto, violoncelle et guitare
1
3 Flûtes à bec, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette (partie séparée)
13110
Trompette
11446
Trombone
6668
Trompette, Piano
3631
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3368
Trombone (partie séparée)
2600
Trombone et Piano
2140
Cor et Piano
1458
Cor
1351
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1148
Cor (partie séparée)
825
Tuba
811
2 Trompettes (duo)
710
Tuba et Piano
709
Quatuor de Cuivres: 2 trompettes, Cor, trombone
563
2 Trombones (duo)
559
Tuba (partie séparée)
515
Euphonium
513
Quatuor de Cuivres
500
Trompette, Trombone (duo)
498
2 Euphoniums et 2 Tubas
420
Quatuor de cuivres: 4 trombones
414
Quatuor de cuivres: 4 cors
413
Euphonium, Piano (duo)
377
2 Cors (duo)
373
Cor anglais, Piano
351
Trompette, Cor (duo)
349
Trompette, Saxophone (duo)
299
Ensemble de Trompettes
209
Ensemble de Trombones
189
Quatuor de cuivres: 4 trompettes
163
Ensemble de Cors
144
3 Trompettes (trio)
137
2 Tubas (duo)
126
Trio de Cuivres
120
3 Trombones (trio)
117
4 Tubas
99
2 Trompettes, Clavier (piano ou orgue)
99
Cor Anglais
88
Tuba et Orgue
61
Cor et Harpe
46
Trombone, Orgue
43
3 Cors (trio)
41
2 Euphoniums (duo)
38
Quatuor de cuivres: 2 trompettes, 2 trombones
38
Trompette, Harpe
37
Trombone, Cor (duo)
33
Trombone basse
33
Trompette, Violoncelle (duo)
30
Trompette, Trombone, Piano
30
Trombone basse et Piano
30
Trombone, Tuba (duo)
29
Euphonium, Tuba (duo)
26
Trompette, Basson (duo)
26
Bass Clef Instruments
25
3 Tubas (trio)
24
Trompette, Tuba (duo)
23
Trompette, Violoncelle et Piano
22
Trompette, Orchestre
17
Ensemble de Tubas
17
Trompette et Guitare
17
2 Trombones, Piano
16
Cor, Tuba (duo)
15
Cornet et Piano
14
Cor et Orgue
14
Instruments en Sib
13
2 Cors, Piano
13
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
11
4 Euphoniums
11
Cor, Violoncelle (duo)
10
Cor, Orchestre
9
Trompette, violon (duo)
8
Trombone et orchestre
7
2 Cors Anglais Et Pianoforte
7
Trombone, Violon (duo)
7
Cornet A Pistons
6
Cor anglais, Guitare (duo)
6
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
6
Cor, Violoncelle et Piano
6
Trompette, Euphonium (duo)
5
Clarinette, Cor (duo)
5
3 Euphoniums
4
Euphonium (partie séparée)
4
Cor, Trompette, Trombone (trio)
3
Tuba ou Euphonium ou Saxhorn
2
Bugle
2
Instruments en Fa
2
Cornet et orchestre
2
Cor anglais et Harpe (duo)
2
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Cor et Basson (duo)
1
Euphonium Ou Saxhorn Et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
7993
Violon
6966
Violon et Piano
6620
Violoncelle, Piano
4059
Harpe
3752
Violoncelle
3474
Alto seul
3255
Alto, Piano
2760
Violon (partie séparée)
1668
Violon, Violoncelle (duo)
1375
Violoncelle (partie séparée)
1334
2 Violons (duo)
1283
Trio à Cordes: violon, alto, violoncelle
1001
2 Violoncelles (duo)
846
Contrebasse (partie séparée)
813
Alto (partie séparée)
733
Violon, Alto (duo)
700
Contre Basse
672
2 Altos (duo)
605
Contrebasse, Piano (duo)
567
Quintette à cordes: 2 violons, alto, violoncelle, basse
522
Trio à Cordes: 2 violons, violoncelle
433
2 Harpes (duo)
386
4 Violoncelles
327
Harpe, Flûte (duo)
305
Piano Trio: Violon, Alto, Piano
300
Violon, Guitare (duo)
289
Trio à cordes: 3 violins
247
Violoncelle , Guitare (duo)
246
Alto, Violoncelle (duo)
218
Trio à Cordes: 3 violoncelles
192
Quatuor à cordes: 4 violons
174
Alto, Guitare (duo)
147
Harpe, Violon (duo)
129
2 Violons, Piano
99
Trio à cordes
92
2 Contrebasses (duo)
89
Harpe, Violoncelle (duo)
84
Quatuor à cordes : 4 altos
72
Violoncelle, Contrebasse (duo)
63
Trio à cordes: 3 altos
62
Trio à Cordes: 2 violons, alto
62
Alto et Harpe
56
Violon, Basse continue
53
Violoncelle, Orgue
45
Violoncelle, Orchestre
41
Violoncelle, Basse continue
40
Violon, Clarinette, Piano (trio)
40
2 Violons et Basse continue
39
Violon, Basson (duo)
38
Ensemble de Violoncelles
38
2 Violoncelles, Piano
38
Quintette à cordes: 2 violons, 2 altos, violoncelle
35
Violon, Orgue
33
Ensemble de Violons
32
Harpe, Voix
30
Ensemble d'Altos
26
3 Harpes
25
Harpe (partie séparée)
22
Flûte, Contrebasse (duo)
20
Quintette à cordes : 2 violons, alto et 2 violoncelles
20
Harpe et Piano
17
Harpe et mandoline
15
2 Altos, Piano
15
Harpe, Violon, Violoncelle
14
Alto et orchestre
14
Alto et Basson
14
4 Contrebasses
12
Violon, Trompette et Piano
10
Autoharp
10
Violon, Violoncelle, Clarinette
7
Alto, Orgue
7
3 Contrebasses
7
Harpe, Trombone (duo)
6
4 Harpes
6
5 Harpes
5
Violon, Tuba (duo)
5
Harpe et Orgue
4
Harpe, Quatuor à cordes
3
Ensemble de Contre basses
3
Harpe, Orchestre
3
Violon, Contrebasse (duo)
1
Violon, Clarinette et Guitare
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
26423
Orchestre
9999
Orchestre à Cordes
6157
Batterie
5987
Ensemble Jazz
4584
Fanfare
1946
Cloches
1829
Ensemble de cuivres
1651
Orchestre de chambre
936
Percussion (partie séparée)
808
Batterie (partie séparée)
658
Jazz combo
520
Percussion
404
Ensemble de Percussions
313
Marimba
231
Quintette à Vent
76
Caisse Claire
68
Timbales
63
Piano et Orchestre
62
Vibraphone
61
Timbales (partie séparée)
60
Xylophone, Piano
57
Quatuor à Vent : 4 instruments à vents
53
Orchestre, Violon
48
Xylophone
45
Batterie-Fanfare
27
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
23
Instrumentation Flexible
19
2 Xylophones
16
Ensemble d'École
10
3 Marimbas
8
Quintette de Cuivres: autres combinaisons
8
Vibraphone et Marimba
7
Xylophone ou Marimba ou Vibraphone
6
Marimba et Orgue
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2 Marimbas
6
Trio à Vent: 3 instruments à vents
5
Big band
4
Vibraphone (partie séparée)
3
Voix et Orchestre
3
2 Caisses Claires (duo)
3
Conga
3
Marimba, Piano (duo)
3
Bodhran
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2 Percussions
2
Orchestre Symphonique
2
Bongos
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Voix Mezzo-Soprano, Orchestre
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La Formation Musicale Tout Simplement Volume 3
Formation musicale - Solfège
Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises…
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Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises, European, Children's Musicals. Individual Part. 42 pages. Published by MCM Editions Musicales
This methodis for third Year students Musical.<br> <br> <br> It coversthe bulk of the acquisitions requested for<br> third year of Formation and will make them discover all the language<br> Musical they need to play theirinstrument.<br> <br> <br> Each lessonincludes:<br> <br> <br> - Horizontal and vertical readingnotes<br> - Reading by the directory<br> - Reading rhythm<br> - Rhythm struck hands together one voice and two voice<br> - Rhythm struck and read by the directory<br> - Singing<br> - Theory<br> - Melodic dictation<br> - Rhythmic Dictation
$29.00
26.7 €
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Formation musicale - Solfège
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Christian Champeil
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La Formation Musicale Tout Simplement Volume 3
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MCM Editions Musicales
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SheetMusicPlus
La Formation Musicale Tout Simplement Volume 4
Formation musicale - Solfège
Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises…
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Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises, European. Individual Part. 42 pages. Published by MCM Editions Musicales France
This methodis for fourth Year students Musical.<br> <br> <br> It coversthe bulk of the acquisitions requested for<br> fourth year of Formation and will make them discover all the language<br> Musical they need to play theirinstrument.<br> <br> <br> Each lessonincludes:<br> <br> <br> - Readingnotes horizontal and vertical<br> - Reading rhythm by the directory<br> - Rhythm struck hands together one voice two voice<br> - Singing<br> - Theory<br> - Melodic dictation<br> - Rhythmic Dictation
$29.00
26.7 €
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Formation musicale - Solfège
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Christian Champeil
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La Formation Musicale Tout Simplement Volume 4
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MCM Editions Musicales France
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SheetMusicPlus
Jazztrompete kreativ
Trompette
Trumpet - intermediate - Digital Download Technik, Stilistik, Aufbautraining. This ed…
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Trumpet - intermediate - Digital Download Technik, Stilistik, Aufbautraining. This edition: Sheet music. Jazz, Trompete, Unterricht. Downloadable. Op. 1. Schott Music - Digital #Q54842. Published by Schott Music - Digital
Harmonik und Rhythmik sind fur jeden Jazzmusiker eine Selbstverstandlichkeit. Wie aber lernt man melodische Improvisation? Wie gestaltet man ein Thema und vor allem: Wie entwickelt man es weiter? Diese Lucke zu schliessen ist das Ziel von "Jazztrompete kreativ". Es bietet dem angehenden und fortgeschrittenen Jazztrompeter mit ausfuhrlichen Erlauterungen und Ubungen sowie zahlreichen Notenbeispielen eine Fulle von ubersichtlich gegliederten Ubungen, Informationen und Anregungen. Eine umfassende Anleitung zum Improvisieren, die sich nicht nur auf die Arbeit mit Skalen und Akkordpatterns beschrankt, sondern einen wirklich kreativen Zugang zur Jazzmelodik und dazu viele echte Tipps aus der Praxis bietet. Fur Unterricht und Selbststudium geeignet.<br> Band 1 mit den Themen Technik, Stilistik und Aufbautraining enthalt eine Einfuhrung in die blaserischen, technischen und stilistischen Grundlagen des Jazztrompetenspiels und behandelt Themen wie Ansatz, Tonbildung, Kondition, Spieltechnik und Aufbautraining.
$18.99
17.49 €
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Trompette
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Jazztrompete kreativ
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Schott Music - Digital
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.09 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
John Miles : Music (niveau intermédiaire)
Trompette
Téléchargez la partition Trompette Music (niveau intermédiaire) de Jo…
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Téléchargez la partition Trompette Music (niveau intermédiaire) de John Miles. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
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John Miles
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Music
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Tomplay
John Miles : Music (niveau difficile)
Trompette
Téléchargez la partition Trompette Music (niveau difficile) de John Miles. P…
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Téléchargez la partition Trompette Music (niveau difficile) de John Miles. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
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John Miles
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Music
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Tomplay
John Miles : Music (niveau facile)
Trompette
Téléchargez la partition Trompette Music (niveau facile) de John Miles. Part…
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Téléchargez la partition Trompette Music (niveau facile) de John Miles. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
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John Miles
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Music
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Tomplay
John Miles : Music (niveau très facile)
Trompette
Téléchargez la partition Trompette Music (niveau très facile) de John…
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Téléchargez la partition Trompette Music (niveau très facile) de John Miles. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
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John Miles
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Music
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Tomplay
My First Concert
Trompette
Trumpet (B) and piano - easy to intermediate - Digital Download 26 Easy Concert Piece…
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Trumpet (B) and piano - easy to intermediate - Digital Download 26 Easy Concert Pieces from 5 Centuries. This edition: Sheet music. Trompete, Blasinstrument, Konzert. My first Concert. Downloadable. Schott Music - Digital #Q54864. Published by Schott Music - Digital
To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. .The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.
$16.99
15.64 €
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Trompette
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My First Concert
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Schott Music - Digital
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SheetMusicPlus
My First Concert
Trompette
Trumpet in C - easy - Digital Download 26 Easy Concert Pieces from 5 Centuries. This …
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Trumpet in C - easy - Digital Download 26 Easy Concert Pieces from 5 Centuries. This edition: PDF. Trompete, Blasinstrument, Konzert. My first Concert. Downloadable. Schott Music - Digital #Q47091. Published by Schott Music - Digital
To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. Approaching the works is made easier by the enclosed CD which contains all pieces as a demo version and as a play-along version with just piano accompaniment. The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.
$3.99
3.67 €
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Trompette
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My First Concert
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Schott Music - Digital
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SheetMusicPlus
Celebre Comptine
Trompette
Bb Trumpet, Piano - Grade 3 - Digital Download SKU: FX.FX071969 Composed by Pascal …
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Bb Trumpet, Piano - Grade 3 - Digital Download SKU: FX.FX071969 Composed by Pascal Proust. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071969. Published by FLEX Editions - Digital Sheet Music (FX.FX071969). Easy variations on a famous popular theme. For an auditon or exam on folk songs, and with a piano accompaniement adapted to the young musicians.
$8.95
8.24 €
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Trompette
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Pascal Proust
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Celebre Comptine
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Clarke (Jeremiah) : Shore’s Musick – Shoar's New Trumpett Tune
Trompette
Téléchargez la partition Trompette Shore’s Musick – Shoar's New Tru…
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Téléchargez la partition Trompette Shore’s Musick – Shoar's New Trumpett Tune de Clarke (Jeremiah). Partition pour Duo (Trompette-Piano) -- Classique
3.99 €
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Trompette
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Clarke (Jeremiah)
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Shore’s Musick – Shoar's N
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Tomplay
Clarke (Jeremiah) : Shore’s Musick – Trumpett
Trompette
Téléchargez la partition Trompette Shore’s Musick – Trumpett de Clarke (…
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Téléchargez la partition Trompette Shore’s Musick – Trumpett de Clarke (Jeremiah). Partition pour Duo (Trompette-Piano) -- Classique
3.99 €
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Trompette
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Clarke (Jeremiah)
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Shore’s Musick – Trumpett
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Tomplay
Clarke (Jeremiah) : Shore’s Musick – Trumpet Minuet
Trompette
Téléchargez la partition Trompette Shore’s Musick – Trumpet Minuet de Cl…
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Téléchargez la partition Trompette Shore’s Musick – Trumpet Minuet de Clarke (Jeremiah). Partition pour Duo (Trompette-Piano) -- Classique
4.99 €
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Trompette
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Clarke (Jeremiah)
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Shore’s Musick – Trumpet M
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Tomplay
Clarke (Jeremiah) : Shore’s Musick – Shore's Tune
Trompette
Téléchargez la partition Trompette Shore’s Musick – Shore's Tune de…
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Téléchargez la partition Trompette Shore’s Musick – Shore's Tune de Clarke (Jeremiah). Partition pour Duo (Trompette-Piano) -- Classique
4.99 €
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Trompette
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Clarke (Jeremiah)
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Shore’s Musick – Shore's T
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Tomplay
The Organ Music of Fred Bock
Orgue
Organ SKU: HL.8738397 Volume 1: Six Hymn Tunes. Composed by Fred Bock. Arran…
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Organ SKU: HL.8738397 Volume 1: Six Hymn Tunes. Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Bock Publications. General Worship, Sacred. 31 pages. Fred Bock Music Company #BG0889. Published by Fred Bock Music Company (HL.8738397). ISBN 9781934596456. UPC: 073999383973. 9.0x12.0x0.127 inches.With over 30 years of arranging and composing experience as a church music director, arranger, composer, music editor and performer, Fred Bock excels in the ability to add freshness and strength to his settings of traditional hymn tunes. Congregations, as well as the musicians, are sure to value and identify with Mr. Bock's preludes. Includes: Be Thou My Vision * Now Thank We All Our God * Morning Has Broken * and others.
Song List: Now Thank We All Our God (J Cruger) Morning has Broken Jesus, Thou Joy of Loving Hearts (Henry Baker) On Christmas Night (Arr: Fred Bock) Be Thou My Vision LORD'S MY SHEPHERD, THE (ARR: FRED BOCK)
$12.95
11.92 €
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Orgue
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Fred Bock
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Fred Bock
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The Organ Music of Fred Bock
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Fred Bock Music Company
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SheetMusicPlus
Traditional Afro-Cuban Concepts in Contemporary Music
Percussion - Beginning-Intermediate - Digital Download SKU: M0.98081BCDEB Composed …
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Percussion - Beginning-Intermediate - Digital Download SKU: M0.98081BCDEB Composed by Arturo Rodriguez. Technique, Theory and Reference. Latin American. E-book and online audio. Mel Bay Publications - Digital Sheet Music #98081BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.98081BCDEB). ISBN 9781610658881. 8.75x11.75 inches.This course examines the infusion of traditional Afro-Latin and especially Afro-Cuban concepts into contemporary Western music. Upon completion of this book you will have mastered many new skills that will help you become a more accomplished percussionist and, more importantly, a more complete musician. By exploring the role of percussion in traditional Afro-Cuban music, you will understand the important contribution drums make towards a complete musical piece, and that a drum is not merely a rhythmic placeholder but truly a musical instrument worthy of recognition. While this book focuses primarily on hand percussion, its basic principals are also applied to the drum kit. There is no standard notation in this book; rather, the rhythms are illustrated with easily understood charts based on counting out subdivided beats. The companion audio offers examples of all major points.
$24.99
23.01 €
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exploring the role of percussion in traditional Afro-Cuban music, you will understand the important contribution drums make towards a complete musical piece, and that a drum is not merely a rhythmic placeholder but truly a musical instrument worthy of recognition
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Arturo Rodriguez
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Traditional Afro-Cuban Concepts in Contemporary Music
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
How To Comp
Melody instruments (piano/keyboard/guitar/vibraphone) - Digital Download SKU: S9.Q48014…
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Melody instruments (piano/keyboard/guitar/vibraphone) - Digital Download SKU: S9.Q48014 A Study In Jazz Accompaniment. Jazz - music education - lessons. Downloadable, Textbook. Advance Music GmbH - Digital #Q48014. Published by Advance Music GmbH - Digital (S9.Q48014). English.This digital book/audio set presents a clear, comprehensive, one-step-at-a-time method for learning how to accompany an improvised jazz solo. As a sequel to Hal Crook’s text How to Improvise, How to Comp offers precise explanations, practical exercises, recorded musical examples, four play-along tracks, and daily practice routines. How to Comp organizes a vast amount of information that helped to make the author’s previous work a major contribution to jazz pedagogy. How to Comp is primarily for intermediate through advanced level players of harmonic instruments, e.g. piano (keyboard), guitar and vibraphone. However, drummers, bassists and horn players can also benefit from its study. Subject covered include: Voicing construction, preferred stock voicings, voiceleading, constant structure, non-harmonic voicings, single-note lines, rhythmic vocabulary, altering the harmonic rhythm, motive development, dividing and shifting attention, supportive and interactive comping styles, the soloist’s viewpoint, pacing, strolling, and much more. In How to Comp, the author, an accomplished jazz trombonist, pianist, composer, arranger and educator, looks deeply into the nature and challenge of artistic jazz accompaniment and puts into focus a direct, sure path toward mastery.A comprehensive, one-step-at-a-time method for learning how to accompany an improvised solo. It offers precise explanations, practical exercises, recorded examples, four play-along tracks, and daily practice routines. Intended for intermediate-to-advanced players of harmonic instruments (piano, guitar, vibraphone), it can also be used by drummers, bassists and horn players.
$33.99
31.3 €
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How To Comp
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Advance Music GmbH - Digital
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SheetMusicPlus
Schubert : Impromptu n° 3 en si bémol majeur, D. 935, Opus 142
Trompette
Téléchargez la partition Trompette Impromptu n° 3 en si bémol maj…
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Téléchargez la partition Trompette Impromptu n° 3 en si bémol majeur, D. 935, Opus 142 de Schubert. Partition pour Trompette avec piano d‘accompagnement -- Classique
2.99 €
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Trompette
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Schubert
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Impromptu n° 3 en si bémol m
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Tomplay
Stompin' on a Riff: 2nd B-flat Trumpet
Trompette (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017156_T2 2nd B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017156_T2 2nd B-flat Trumpet. Composed by David Berger. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017156_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017156_T2). UPC: 038081343402.As an homage to the great Count Basie, composer/arranger David Berger delivers just what the title says---this chart is truly Stompin' on a Riff. Features include a piano intro, a sax section melody and some brass, written solos for 2nd trumpet and 1st alto, a modulation, some piano fills, another modulation and a diminuendo into the shout chorus. This chart swings hard---you'll love it! (3:41) This excellent blues chart in the Basie style uses the keys of G, A-flat, E-flat, and A-flat. The written solos for piano, trumpet, and alto sax include changes and fit the style well. The writing includes a great shout chorus and some neat plunger work for the trumpets -The Instrumentalist This title is available in SmartMusic.
$3.00
2.76 €
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Trompette (partie séparée)
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David Berger
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Stompin' on a Riff: 2nd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Stompin' on a Riff: 1st B-flat Trumpet
Trompette (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017156_T1 1st B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017156_T1 1st B-flat Trumpet. Composed by David Berger. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017156_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017156_T1). UPC: 038081343402.As an homage to the great Count Basie, composer/arranger David Berger delivers just what the title says---this chart is truly Stompin' on a Riff. Features include a piano intro, a sax section melody and some brass, written solos for 2nd trumpet and 1st alto, a modulation, some piano fills, another modulation and a diminuendo into the shout chorus. This chart swings hard---you'll love it! (3:41) This excellent blues chart in the Basie style uses the keys of G, A-flat, E-flat, and A-flat. The written solos for piano, trumpet, and alto sax include changes and fit the style well. The writing includes a great shout chorus and some neat plunger work for the trumpets -The Instrumentalist This title is available in SmartMusic.
$3.00
2.76 €
#
Trompette (partie séparée)
#
David Berger
#
Stompin' on a Riff: 1st B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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