English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Association
Non classifié
698
Piano & claviers
Piano seul
589
Piano, Voix et Guitare
395
Piano, Voix
156
Piano Facile
91
Orgue
75
Instruments en Do
45
2 Pianos, 4 mains
23
1 Piano, 4 mains
18
Piano grosses notes
7
Piano Trio: piano, violon, violoncelle
6
Accompagnement Piano
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Trompette (duo)
2
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
254
Ligne De Mélodie, (Paroles) et Accords
29
Guitare
23
Ukulele Baryton
13
Ukulele
10
Dulcimer
9
Paroles et Accords
6
4 Guitares (Quatuor)
3
Mandoline
2
Mandoline, Piano (duo)
1
2 Guitares (duo)
1
2 Dulcimers (duo)
1
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
193
Chorale 2 parties
67
Chorale 3 parties
58
Chorale TTBB
31
Chorale Unison
29
Voix duo, Piano
26
Chorale SSAA
20
Voix duo
13
Voix moyenne, Piano
6
Voix Alto, Piano
5
Voix seule
5
Voix Baryton, Piano
4
Voix Soprano, Piano
3
Voix haute
3
Voix Tenor
2
Voix Tenor, Piano
2
Voix Mezzo-Soprano, Piano
2
Chorale SSAATB
1
Chorale SSATTB
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière
64
2 Saxophones (duo)
59
Clarinette
53
Flûte traversière et Piano
44
Clarinette et Piano
41
2 Flûtes traversières (duo)
35
2 Clarinettes (duo)
35
Saxophone Alto et Piano
34
Saxophone
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Flûte, Hautbois, Clarinette, Basson
26
Hautbois, Piano (duo)
26
Saxophone Tenor et Piano
25
Quatuor de Saxophones: 4 saxophones
24
Saxophone Soprano et Piano
23
Flûte, Clarinette (duo)
22
Saxophone, Clarinette (duo)
20
Quatuor de Clarinettes: 4 clarinettes
18
Saxophone Alto
17
Saxophone Baryton, Piano
15
Clarinette, Trompette (duo)
15
Clarinette, Violon (duo)
14
Cor anglais, Piano
12
Ensemble de Clarinettes
10
Flûte, Violon
8
Trio de Flûtes: 3 flûtes
8
Ensemble de Flûtes
8
Clarinette et Alto
7
Saxophone Tenor
7
Flûte, Trompette (duo)
7
Hautbois (partie séparée)
7
Hautbois, Clarinette (duo)
7
Flûte, Saxophone (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Hautbois, Basson (duo)
7
2 Hautbois (duo)
7
Flûte, Alto (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone (partie séparée)
6
2 Flûtes traversières, Piano
6
Quintette de Saxophone: 5 saxophones
6
Hautbois, Flûte
6
Clarinette Basse, Piano
5
Flûte à Bec
5
Ensemble de saxophones
5
Flûte à bec Alto, Piano
4
3 Saxophones (trio)
3
Flûte, Clarinette, Piano (trio)
3
Ensemble à vent
2
Saxophone et Orgue
2
Clarinette, Guitare (duo)
2
Flûte, Violon, Piano
2
Hautbois
2
Quintette de Flûte : 5 flûtes
1
2 Cors Anglais Et Pianoforte
1
Piccolo, Piano
1
Clarinette, Basson, Piano (trio)
1
Saxophone, Tuba (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
3 Clarinettes (trio)
1
Flûte, Trombone (duo)
1
Flute, harpe et violon
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano
1
5 Flûtes à bec
1
Flûte, Basson et Piano
1
Clarinette, Orgue
1
Flûte à bec Soprano, Piano
1
Flûte et Guitare
1
Saxophone Soprano
1
+ 65 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
79
Ensemble de Trompettes
34
Trombone et Piano
28
Trompette, Piano
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette
20
Trompette, Saxophone (duo)
14
2 Trombones (duo)
12
Cor anglais, Piano
12
2 Trompettes (duo)
11
Cor et Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Euphonium, Piano (duo)
9
Trombone
9
Trompette, Trombone (duo)
7
Tuba
7
Trompette, Cor (duo)
5
Cor
4
Tuba et Piano
4
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trombones
3
Trombone (partie séparée)
2
Cor et Orgue
2
3 Trompettes (trio)
2
Trombone, Orgue
2
Trompette (partie séparée)
2
Quatuor de Cuivres
2
Ensemble de Trombones
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
2 Cors (duo)
1
3 Euphoniums
1
Ensemble de Cors
1
Euphonium
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Trombones (trio)
1
Clarinette, Cor (duo)
1
+ 33 instrumentations
Retracter
Cordes
Violon
110
Quatuor à cordes: 2 violons, alto, violoncelle
75
Violoncelle
69
Violon et Piano
53
Violoncelle, Piano
42
Violon, Violoncelle (duo)
37
Alto, Piano
29
Contre Basse
28
2 Violons (duo)
17
Alto seul
15
Trio à Cordes: violon, alto, violoncelle
14
Harpe
12
Violon, Alto (duo)
12
Trio à Cordes: 2 violons, violoncelle
10
2 Violoncelles (duo)
10
2 Altos (duo)
7
Alto (partie séparée)
4
2 Harpes (duo)
3
Violoncelle, Orgue
3
Contrebasse, Piano (duo)
3
Piano Trio: Violon, Alto, Piano
3
Alto, Orgue
2
Violon, Clarinette, Piano (trio)
2
4 Violoncelles
2
Violon, Guitare (duo)
2
Contrebasse (partie séparée)
1
2 Violons, Piano
1
Trio à Cordes: 3 violoncelles
1
Harpe, Voix
1
Harpe, Flûte (duo)
1
Alto, Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe et mandoline
1
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
326
Cloches
97
Caisse Claire
51
Timbales
40
Orchestre à Cordes
39
Orchestre
31
Ensemble Jazz
26
Ensemble de cuivres
25
Orchestre de chambre
17
Percussion
10
Jazz combo
9
Ensemble de Percussions
4
Fanfare
3
Batterie
2
Vibraphone
2
2 Marimbas
1
Percussion (partie séparée)
1
Marimba
1
Piano et Orchestre
1
Xylophone
1
+ 15 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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MARIMBA
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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VIELLE A RO…
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VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violon, Clarinette, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.8 €
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Violon, Clarinette, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
Walking In The Air
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1118521 Composed by Howard Blak…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1118521 Composed by Howard Blake. Arranged by Kevin Riley. 20th Century,Christmas,Film/TV. Score and parts. 53 pages. Kevin Riley #720042. Published by Kevin Riley (A0.1118521). Walking in the Air is a song written by Howard Blake for the 1982 animated film The Snowman based on Raymond Briggs' 1978 children's book of the same name. The song forms the centrepiece of The Snowman, which has become a seasonal favourite on British and Finnish television. The story relates the fleeting adventures of a young boy and a snowman who has come to life. In the second part of the story, the boy and the snowman fly to the North Pole. Walking in the Air is the theme for the journey. They attend a party of snowmen, at which the boy seems to be the only human until they meet Father Christmas with his reindeer, and the boy is given a scarf with a snowman pattern. In the film, the song was performed by St Paul's Cathedral choirboy Peter Auty, and reissued in 1985 (on Stiff Records) and 1987. In 1985, an altered version was recorded for use in a TV advertising campaign for Toys R Us. As Auty's voice had then broken, Blake recommended the then-14-year-old Welsh chorister Aled Jones, whose recording reached number five in the UK Singles Chart, and who became a popular celebrity on the strength of his performance. The association of the song with Jones, combined with Auty not being credited on The Snowman, led to a common misbelief that Jones performed the song in the film. Walking in the Air has subsequently been performed by over forty artists, in a variety of styles. In a UK poll in 2012, the Aled Jones version was voted 13th on the ITV television special The Nation's Favourite Christmas Song.
$70.00
64.42 €
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Orchestre
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Howard Blake
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Kevin Riley
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Walking In The Air
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Kevin Riley
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.22 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Out of the Depths I Cry to Thee (SATB)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.719681 Composed by Hans Le…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.719681 Composed by Hans Leo Hassler, Johann Sebastian Bach, Johann Walther, and Martin Luther. Arranged by Curtis Hanson. Easter,Sacred. Octavo. 5 pages. Curtis Hanson #2857833. Published by Curtis Hanson (A0.719681). The chorale in this set of variations is part of a project celebrating the 500th anniversary of the Reformation. The German chorale has a heritage which forms the basis of many of the hymns associated with the Protestant church, many of which have a close association with Martin Luther either in melody or in text. These chorales have been set by many composers in the late Renaissance and Baroque periods in various harmonizations and vocal/instrumental genres, culminating in the grandeur of those by J. S. Bach. This set of variations celebrates the German Lutheran chorale in the Luther-Bach lineage.
$2.00
1.84 €
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Chorale SATB
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Hans Leo Hassler, Johann Sebastian Bach, Johann Walther, and Martin Luther
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Curtis Hanson
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Out of the Depths I Cry to Thee
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Curtis Hanson
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SheetMusicPlus
The United States Army Hymn (Eternal Father, Hear Our Prayer)
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1465850 Compos…
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Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1465850 Composed by James F. Linzey and William H. Monk. 21st Century,Chamber,Christian,Classical,Religious. 4 pages. Military Bible Association #1044448. Published by Military Bible Association (A0.1465850). The History of the Four Immortal Chaplains and the United States Army HymnDuring World War II, four Army chaplains met at the Army Chaplains School at Harvard University. ere, they received training for their assignments in the European theater. They then boarded and sailed on the United States Army Transport (USAT) Dorchester to report to their new assignments. The USAT Dorchester left New York on January 23, 1943, en route to Greenland. She carried about 900 military personnel and was escorted by Coast Guard Cutters Tampa, Escanaba, and Comanche. During the early morning hours of February 3, 1943, the vessel was torpedoed by the German submarine U-223 off Newfoundland in the North Atlantic. As the Dorchester sank on that fateful day of February 3, 1943, the four Army chaplains on board helped their soldiers board lifeboats as they handed out life jackets. When they ran out of life jackets, the chaplains gave their own life jackets to four soldiers that they might live. Then the chaplains joined arms and prayed as they went down with the Dorchester. These were young chaplains, new to the Army, holding the rank of first lieutenant. They included Methodist minister Reverend George L. Fox, Reform Rabbi Alexander D. Goode, Catholic priest Father John P. Washington, and Reformed Church in America minister Reverend Clark V. Poling. e four chaplains were posthumously awarded the Distinguished Service Cross and the Purple Heart. Chaplain (MAJ) James F. Linzey, USA (Ret.), who was one of four military chaplains in his family, composed the United States Army Hymn, “Eternal Father, Hear Our Prayer,” in remembrance of the “Four Immortal Chaplains” on board the Dorchester. Also, James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99
1.83 €
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Chorale SATB
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James F
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The United States Army Hymn
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Military Bible Association
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SheetMusicPlus
The Star Spangled Banner (Marching Band)
Fanfare
Marching Band - Level 2 - Digital Download SKU: A0.934825 Composed by Francis Scott…
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Marching Band - Level 2 - Digital Download SKU: A0.934825 Composed by Francis Scott Key, John Stafford Smith. Arranged by Christopher Durigg. Folk,Holiday,Patriotic. Score and parts. 21 pages. Christopher Durigg #6437539. Published by Christopher Durigg (A0.934825). PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING: www.cdurigg.com/cdmb001C. DURIGG MUSIC ID FOR THIS PIECE: CDMB-001GRADE LEVEL: EMERGING and SOARING BAND SERIES (Grade Range of 1.5-2)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced students in a very small band program? Are your students ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back?My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:Some school and community bands have limited size or instrumentation. This arrangement has been written to work as both a traditional marching band arrangement or a flex marching band arrangement. It was written to sound great for both traditional and limited ensembles, both large and small. It is accessible for student musicians at various playing levels. I sincerely hope you enjoy my arrangement, and I hope that it helps to make your musicians successful!Important Compositional ElementsKey: The Key of Ab lends itself more to limited-range playing than the Key of Bb does. While this is not the traditional philosophy, my experience has shown me that most students can learn to play successfully in the Key of Ab even if they are still working on their extended range.Range: Players have the option to play the extended ranges. However, parts are doubled at the octave where necessary for players with more beginning/limited ranges. THIS ALLOWS FOR A WIDER RANGE OF ABILITY LEVELS IN SMALLER BANDS TO SUCCESSFULLY PLAY TOGETHER.
$25.00
23.01 €
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Fanfare
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Francis Scott Key, John Stafford Smith
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Christopher Durigg
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The Star Spangled Banner
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Christopher Durigg
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SheetMusicPlus
Ukrainian Bell Overture (Carol of the Bells)
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.934821 Composed by Mykola Leontov…
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Concert Band - Level 2 - Digital Download SKU: A0.934821 Composed by Mykola Leontovych. Arranged by Christopher Durigg. Christmas,Contemporary,Folk. Score and parts. 50 pages. Christopher Durigg #6208375. Published by Christopher Durigg (A0.934821). PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com  VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: www.cdurigg.com/cdb001  C. DURIGG MUSIC ID FOR THIS PIECE: CDB-001GRADE LEVEL: SOARING BAND SERIES (Grade 2)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced students in a very small band program? Are your students ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back? My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:Leontovych’s CAROL OF THE BELLS is one of the most iconic and timeless Christmas carols in Western music. This arrangement inserts the classic carol into an exciting, lively concert band overture that is sure to interest both your students and your audience! This overture begins with a loud and bombastic riff, accompanied by a lively accented background rhythm. The introduction then gives way to a soft and lively melody in the flutes and high woodwinds. The full ensemble then enters, combining traditional carol with the lively accented rhythm. The piece then softly passes the melody between sections. The melody is further passed around as instruments are added. The piece finally gives way to a bombastic combination of the traditional carol and the introductory riff. The melody is then softly passed between sections once more, and then this section finally builds to a full orchestral finish. I sincerely hope that you enjoy my lively arrangement of Carol of the Bells.   - Christopher Durigg
$30.00
27.61 €
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Orchestre d'harmonie
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Mykola Leontovych
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Christopher Durigg
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Ukrainian Bell Overture
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Christopher Durigg
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SheetMusicPlus
Six Songs of the Holocaust, - string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.773330 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.773330 Composed by Various. Arranged by Yoel Epstein. Christian,Contemporary,Jewish,World. Score and parts. 37 pages. Yoel Epstein #4285845. Published by Yoel Epstein (A0.773330). These six songs have become icons of remembrance of the six million Jews who died in the Holocaust. They are traditionally played on Holocaust Day, which is on the 28th day of the Hebrew month of Nissan in Israel, or January 27th in the rest of the world. Unter Dyne Vyse Shteren (Under the Starry Sky) was written by Avraham Sutskover, a leading Yiddish poet, while trapped in the ghetto of Vilna, in July 1943. Days before the ghetto was destroyed and all the Jews murdered, Sutskover escaped to the forest with his wife. He reached Russia, and in 1947 moved to Palestine. He died in Israel in 2010 at the age of 96. The poem was set to music by Avraham Brodna, a simple laborer in the Vilna ghetto who died in a concentration camp. Ani Maamin (I Believe): The words to this simple song are of the Jewish prayer I believe with perfect faith in the coming of the Messiah. The tune is attributed to Azriel David Festig, a leading Warsaw hazzan (cantor) who died in the Holocaust. The song was performed after the war by Rabbi Shaul Yedidia Eliezer Taub, the Admor (Rabbinical leader) of the Modzitz Hassidic sect, and has become the iconic song of the remembrance in the Hassidic community. Shtiller Shtiller (Hush Hush) was written by Alexander Volkovitzky, then a 12-year-old boy, in the Vilna Ghetto in the spring of 1943. Volkovitzky, who wrote the melody for a song contest organized to encourage the cultural life of the ghetto, eventually came to Israel where he (under the name Alexander Tamir) became a leading pianist and music educator. The words are by Shmerke Kacserginsky, a leading poet of Vilna, who later escaped the Holocaust and migrated to South America. Papirossen (Cigarettes) actually predates the Holocaust by 15 years. It was written by Yiddish actor and composer Herman Yablokoff in 1922 in Grodno, Poland. Yablokoff later immigrated to America, where he produced a musical Papirossen that incorporated the song. It was later made famous by the Barry Sisters, a Yiddish popular music group. Donna Donna was written by Shalom Secunda, with words by Aaron Zeitlin for the Yiddish musical Esterke in 1940. Though the song originally related to the 600-year-old legend of a Polish king who married a Jewess, it quickly became associated with the Holocaust because of its haunting message. The song has entered the popular folk repertoire, with canonical renditions by Joan Baez, Theodore Bikel, and many others. Hatikva (the Hope) is Israel's national anthem. The words are by Naftali Zvi Imber, and the tune is a traditional eastern European tune. You are welcome to try some of my other arrangements. In addition to the songs offered on this site (you can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.
$1.99
1.83 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Yoel Epstein
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Six Songs of the Holocaust, - string quartet
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Yoel Epstein
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SheetMusicPlus
We Gather Together - trombone, flute, piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trombone - Digital Download SKU: …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trombone - Digital Download SKU: A0.726101 Arranged by Traditional, Johann Cruger. Christian,Holiday,Sacred. Score and parts. 12 pages. Con Spirito Music #6077249. Published by Con Spirito Music (A0.726101). This arrangement for trombone, flute, and piano brings together two hymn tunes that are especially popular at the American holiday of Thanksgiving, but appropriate at any time of year. We gather together are the opening words to a poem written by the Dutch poet and composer Adrianus Valerius in 1597 to celebrate the Dutch victory in a long-standing dispute with Spain. 1878, the Austrian composer/conductor Edward Kremser arranged six Dutch folk songs for men's voices, including Prayer of Thanksgiving: Old Dutch Melody, with texts in German. In 1894, Theodore Baker (editor of Baker's Biographical Dictionary of Musicians) translated the German text of Prayer of Thanksgiving into the familiar English version, We gather together to ask the Lord's blessing, that is sung today. Now Thank We All Our God is Catherine Winkworth's (1827-1878) translation of the German Nun Danket Alle Gott, written by Lutheran clergyman and hymn-writer Martin Rinckart (1586-1649). Rinckart's text, based on a passage from Ecclesiasticus, was set to a chorale tune by Johann Cruger (1598-1662) in his 1647 collection, Praxis pietatis melica (The Practice of Piety in Song), a hymnal for use in public worship and private devotions. Like We Gather Together, it is strongly associated the Thanksgiving holiday and other services of thanksgiving. Copyright 2015 Todd Marchand / www.ConSpiritoMusic.com
$6.00
5.52 €
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Traditional, Johann Cruger
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We Gather Together - trombone, flute, piano
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Con Spirito Music
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SheetMusicPlus
In The Name Of Pele (for Symphonic Band)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1028005 Composed by Becca Schack.…
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Concert Band - Level 4 - Digital Download SKU: A0.1028005 Composed by Becca Schack. Contemporary,Folk,World. Score and parts. 111 pages. Ingenue Music #3140847. Published by Ingenue Music (A0.1028005). Commissioned by The Association for Music in International Schools AMIS. Premiered in Bangkok, Thailand in January 2011, conducted by Dimosthenis Dimitrakoulakos. Program Notes: The image of Pele, the Hawaiian goddess of fire and volcanoes, kept reappearing in my mind as the main focus for this piece. According to myth, the islands of Hawaii owe their existence to Pele who ran away from her jealous sister, a sea goddess, to these tiny islands. Her sister sent tidal waves and Pele answered by sending fiery lava into the ocean, making new land as it cooled. The spirit of Pele lives on in the craters of the volcano, watching over the islands, reminding us that fiery eruptions and emotional upheavals are followed by new life and change. Pele, unpredictable and powerful, makes her entrance with a loud bang of brass and percussion, followed by the entire ensemble joining in. As the trumpets trail off, words from the ancient Hawaiian chant E Pele, E Pele are heard moving between each section in contrasting rhythms, as the tuba and low brass unfold the main theme. This chant is performed in Hawaiian culture accompanied by hula kahiko, an ancient style of hula dancing. The vibraphone plays a tranquil melody reminiscent of a Hawaiian wind chime softly blowing in the wind. The congas and rainstick evokes a tribal element. The piece is meant to juxtapose the multi-faceted natures of Pele. Syncopated rhythms in the winds paired with big brass and percussion represent her passion and violent temper. The playful, quiet, lingering sections led by the flute and vibraphone represent her irresistible and enchanting mystery as she creates new land and the living things that inhabit these magnificent islands. Hawaiian Chant: E Pele e Pele ka`uka`ulï ana Ha`ina ka inoa no Pele la ea English Translation: O Pele o Pele, moving along In the name of Pele
$60.00
55.22 €
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Orchestre d'harmonie
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Becca Schack
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In The Name Of Pele
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Ingenue Music
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SheetMusicPlus
The Emotional Lives of Colors (for trumpet, piano, and percussion)
B-Flat Trumpet,Percussion,Piano - Level 5 - Digital Download SKU: A0.1201730 Compos…
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B-Flat Trumpet,Percussion,Piano - Level 5 - Digital Download SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37 pages. Brandon Nelson #800346. Published by Brandon Nelson (A0.1201730). Johann Wolfgang von Goethe and his theory on how colors impacted mental states was the inspiration for this piece. He was far more gifted with prose than I, so I’ll him explain further:We shall not be surprised to find that [colours’] effects are at all times decided and significant, and that they are immediately associated with the emotions of the mind.Colour, considered as an element of art, may be made subservient to the highest aesthetical needs.General impressions produced by single colours cannot be changed[.] They act specifically and must produce definite, specific states in the living organ. Experience teaches us that particular colours excite particular states of feeling.Goethe goes on to detail these notions in an elaborate, deeply imaginative treatise. Sadly for him, this work was coming out just as the science of optics had begun to give the world an empirical understanding of color, leaving Goethe’s romantic ideas in the margins.But it is those ideas that I find intriguing from a poetic viewpoint, and, in this composition, I shed musical light unto his dramatic descriptions of several different colors.“Yellow-Red†is described as “primordial, impetuous, robust,†to the point of eliciting “extreme excitement†which disturbs and enrages even animals!“Yellow†is portrayed as that being nearest to natural light. It is of “utmost purity and beauty[….] Serene, gay, softly exciting.â€The color “Red-Blue†we are told is “something lively without gladness.â€â€œBlue†is steeped in darkness, a “contradiction between excitement and repose.†It gives one the “impression of cold.†and brings to mind melancholy.
$29.99
27.6 €
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Brandon Nelson
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The Emotional Lives of Colors
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Brandon Nelson
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SheetMusicPlus
Pop Hits of The '60s - 4 (5-Piece Digital Pack)
Piano, Voix et Guitare
Piano, voice and guitar (chords only) - Interactive Download SKU: HX.20195 By David…
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Piano, voice and guitar (chords only) - Interactive Download SKU: HX.20195 By David Cassidy and The Association. This edition: Interactive Download. Love,Oldies,Pop,Rock,Standards,Wedding. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital (HX.20195).
Digital Pack includes:Louie, LouieMy GirlThe Loco-MotionWild ThingCherish
Digital Pack includes
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Louie, Louie
My Girl
The Loco-Motion
Wild Thing
Cherish
$9.99
9.19 €
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Piano, Voix et Guitare
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David Cassidy and The Association
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Pop Hits of The '60s - 4
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Hal Leonard - Digital
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voix
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
55.21 €
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Piano, Voix
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
The Message (SSAA)
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.949381 Composed by Adam Le…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.949381 Composed by Adam Lenhart. Contemporary. Octavo. 11 pages. Adam Lenhart #5305499. Published by Adam Lenhart (A0.949381). The Message is written to evoke a feeling of love and happiness in everything one does. The speaker uses nocturnal events to represent life: although the rain (mournful times) is not here, the stars cannot be seen if one is not opening themselves to love and the beauty life offers. The speaker believes the message should be heard by all, so everyone can witness the stars and encourages others to become messengers themselves.Duration: approx. 5:02The Message was selected as a winner in the 2020 MMEA Honors Composition Contest.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$1.99
1.83 €
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Chorale SSAA
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Adam Lenhart
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The Message
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Adam Lenhart
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SheetMusicPlus
The Dancing Forest
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1023643 Composed by Ben Ledochows…
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Concert Band - Level 3 - Digital Download SKU: A0.1023643 Composed by Ben Ledochowski. Contemporary,New Age. Score and parts. 31 pages. Ben Ledochowski #6217581. Published by Ben Ledochowski (A0.1023643). Far to the westernmost regions of Russia, and then farther still, there is a place known as theDancing Forest of Kaliningrad. It is a mysterious, otherworldly place where trees grow in tangles,knots, and other unfathomable shapes, a place described by local psychics as a point of conflict where great positive and negative forces collide. Due to its remarkable air of mystery, the forest has woven its way into the legends and folklore of the region. My personal favorite legend about it goes as follows: The Prussian prince Barty used to hunt in these forests. Chasing a Roe deer one day, heheard a wonderful tune, and as he came to a field, he saw a beautiful girl playing a lyre. She was a Christian and her name was Predislava. The prince proposed to her but she replied that she would marry only a man of her faith. Prince Barty agreed to become a Christian as long as she could prove the power of her invisible God was more powerful than the surrounding trees. Predislava played her lyre. Birds grew silent, and the trees started dancing. The prince then took a bracelet from his hand and gave it to her as a token of their betrothal. On this very spot, many years later, there grew the Dancing Forest.This piece is my homage to the Dancing Forest of Kaliningrad and all its associated legends. Premiered by the Santa Teresa High School Concert Band in May 2019, the work is scored for a concert band of intermediate size and skill level and is designed to help introduce high school musicians to modal music and unconventional key signatures. Furthermore, the piece is inspired by multiple rhythmic and harmonic elements of rock and folk music in an attempt to help bridge the gap between popular music and contemporary wind ensemble repertoire. Enjoy!
$19.99
18.4 €
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Orchestre d'harmonie
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Ben Ledochowski
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The Dancing Forest
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Ben Ledochowski
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SheetMusicPlus
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie S…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
7.32 €
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Ensemble de cuivres
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
The Four Horsemen (unaccompanied sax)
Saxophone
Instrumental Solo,Saxophone - Level 5 - Digital Download SKU: A0.1202307 Composed b…
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Instrumental Solo,Saxophone - Level 5 - Digital Download SKU: A0.1202307 Composed by Brandon Nelson. 20th Century,Chamber,Christian,Classical,Contemporary. Individual part. 11 pages. Brandon Nelson #800991. Published by Brandon Nelson (A0.1202307). Dr. Brian Kauth assembled a consortium of saxophone players to commission me to write a piece in four movements, each to be for a different member of the saxophone family(soprano, alto, tenor, baritone). He chose the theme of the “four horsemen of the apocalypse†because, as he puts it, “the saxophone was long considered ‘the devil’s instrument’due to the seedy and sultry qualities associated with it.â€ProgramThe story of the Four Horsemen comes from the biblical Book of Revelation. Each of the Horsemen is said to represent events that are supposed to usher in the Apocalypse, the final battle between good and evil. As with many biblical passages, there are numerous interpretations of this account debated among theologians. Those that I’ve taken in thispiece are strictly based on my own aesthetic requirements and should not be construed as taking any particular sides in these spiritual debates.The Four Horsemen symbolize the evils to come before the end of the world. It is said that a quarter of the world’s population is to be wiped out by a combination of these ills. The Horsemen pave the way for the finalbattle, the final judgement, and the Second Coming.The account begins with the White Horsemen, symbolizing pestilence. Next comes the Red Horse, representing war. Then the Black Horse, bringing widespread famine, especially against the poor of the world.Finally, the Pallid Horse, the personification of Death, reaping his reward in the victims of the tribulations.Performance NoteEach movement is assigned a different member of the saxophone family. Ideally it should be performed as such. However, if you do not have access to all four saxes, you may perform the movements on the sax or saxesof your choosing. The movements are written such that they will sound satisfactory on any of the saxes.
$12.99
11.95 €
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Saxophone
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Brandon Nelson
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The Four Horsemen
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Brandon Nelson
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SheetMusicPlus
March of the Kings
Chorale 3 parties
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1120365 By Philip Le Bas. B…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1120365 By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious,Sacred,Traditional. Octavo. 8 pages. Philip Le Bas #721616. Published by Philip Le Bas (A0.1120365). A new arrangement by Philip Le Bas of a thirteenth century French Christmas carol from Provence harmonized by Jean-Baptiste Lully (1632-87, attrib.) and, more famously, by Georges Bizet (1838-75, in his L'Arlesienne Suite of 1872.) In France the melody is still tightly associated with Christmas, and French audiences start singing their own Christmas words whenever they hear the melody (the arranger has heard it himself!) The English translation used here is adapted from a variety of sources. The three kings (or more precisely the magi from St Matthew's gospel) are seen marching towards Bethlehem with their fantastic golden wealth and grandeur. But why are they going to see a low-born baby and why do they worship this child who will die on a cross? The organ sets the scene from the beginning with its marching accompaniment, and the first verse is sung in unison by all three parts. The second begins with a canon, as used by Bizet, and then breaks into harmony. The first section of the third verse is much quieter and legato, sung by the sopranos and altos, using wonderful chromatic harmonies based on another section from Bizet's suite. The lyrics express wonder at the beautiful music heard from the camp of the kings. The second section, sung in differentiated unison then begins to wonder why the kings stoop so low to a baby in a manger. Finally the fourth verse, sung in full harmony, returns to the marching accompaniment and reiterates the amazement of meeting these kings with their mysterious mission. The carol is aimed at parish choirs with limited resources, but a good organist. The melody is well-known, much of it is in unison, and other sections are relatively easy to sing. Care should however should be taken to sing the dotted rhythms accurately - this is what gives the carol its marching character.
$1.99
1.83 €
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Chorale 3 parties
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Philip Le Bas
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Philip Le Bas
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March of the Kings
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Philip Le Bas
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SheetMusicPlus
The Last Brigade (Duet for Flute and 3-Octave Marimba)
Flute,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.949371 Compose…
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Flute,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.949371 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 12 pages. Adam Lenhart #5214719. Published by Adam Lenhart (A0.949371). The Last Brigade utilizes the F harmonic minor scale to evoke imagery of an intense battle scene. The contrasting timbres of each instrument must work together over both legato and marcato phrases. Fun and driving, this piece perfectly blends the elements of energizing the audience and showcasing the players' abilities. The marimba part for this piece is suitable for a three-octave instrument (F3-F6) and can be performed with two mallets or four. Medium-hard rubber or yarn mallets are recommended. Includes full score and individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99
4.59 €
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Adam Lenhart
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The Last Brigade
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Adam Lenhart
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SheetMusicPlus
Brass Band - March -So Fly the Eagles
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.767302 Composed by Mike Lyons. Contemporary. Brass Band. 58 pages. Lyons Music Services #3409907. Published by Lyons Music Services (A0.767302). An original march dedicated to The Eagley Band, with whom I have a very long associationThe opening section is quite chaotic, as the eagles flap their wings and get ready for take-off. Then they are off with a run and a leap and we hear the first theme, a martial tune in the solo euphonium, with fanfare-like interjections on the cornets. At letter B, the tune is expanded to encompass the other sections of the band. Then at letter C, a new idea is introduced which has little obbligato tweets from the soprano and repieno on the repeat.The bass solo continues the military idea with aggressive fanfare interjections over the bass melody.The trio changes style completely and should be played as lightly and delicately as possible. The leaps on baritone and trombones should be clear and well articulated but should fit into the general texture rather than stick out abruptly.At letter G, the grace notes should be played by only one player in each section to avoid sounding like clucking chickens. The grace notes should be extremely light.
$25.00
23.01 €
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Mike Lyons
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Brass Band - March -So Fly the Eagles
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Lyons Music Services
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SheetMusicPlus
Northern Irish Anthem for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1491876 By Keith Terrett. By …
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String Orchestra - Level 3 - Digital Download SKU: A0.1491876 By Keith Terrett. By Irish Folk Song. Arranged by Keith Terrett. 20th Century,Celtic,Contest,Festival,Irish,Multicultural,Traditional,World. 10 pages. Keith Terrett #1068558. Published by Keith Terrett (A0.1491876). There is no official anthem which represents only Northern Ireland.Two pieces of music are used to represent Northern Ireland in a sporting context:Londonderry Air is played as the anthem of Northern Ireland at the Commonwealth Games. Danny Boy is a popular set of lyrics to the tune.God Save the King, the national and royal anthem of the United Kingdom, is played as the anthem of Northern Ireland at association football.Ireland's Call is used by the Ireland rugby union team, Ireland rugby league team, Ireland cricket team and Ireland field hockey teams. All of these teams represent the entire island of Ireland.Amhrán na bhFiann (The Soldier's Song), the national anthem of the Republic of Ireland, is used by some organisations operating on the island of Ireland, such as the Gaelic Athletic Association.
$8.99
8.27 €
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Orchestre à Cordes
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Keith Terrett
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Keith Terrett
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Northern Irish Anthem for String Orchestra
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Keith Terrett
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SheetMusicPlus
Northern Irish Anthem for Brass Quintet
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Digital…
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Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1491872 By Keith Terrett. By Trad. Arranged by Keith Terrett. 20th Century,Celtic,Classical,Contest,Festival,Irish,Multicultural,World. 10 pages. Keith Terrett #1068555. Published by Keith Terrett (A0.1491872). There is no official anthem which represents only Northern Ireland.Two pieces of music are used to represent Northern Ireland in a sporting context:Londonderry Air is played as the anthem of Northern Ireland at the Commonwealth Games. Danny Boy is a popular set of lyrics to the tune.God Save the King, the national and royal anthem of the United Kingdom, is played as the anthem of Northern Ireland at association football.Ireland's Call is used by the Ireland rugby union team, Ireland rugby league team, Ireland cricket team and Ireland field hockey teams. All of these teams represent the entire island of Ireland.Amhrán na bhFiann (The Soldier's Song), the national anthem of the Republic of Ireland, is used by some organisations operating on the island of Ireland, such as the Gaelic Athletic Association..
$8.99
8.27 €
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Keith Terrett
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Keith Terrett
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Northern Irish Anthem for Brass Quintet
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Keith Terrett
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SheetMusicPlus
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