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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ting a Ling
Non classifié
1 585
Piano & claviers
Piano seul
875
Piano, Voix
361
Piano Facile
175
Piano, Voix et Guitare
88
Orgue
63
Instruments en Do
55
1 Piano, 4 mains
27
Piano Trio: piano, violon, violoncelle
20
2 Pianos, 4 mains
16
Piano Quatuor: piano, violon, alto, violoncelle
7
Accompagnement Piano
7
Accordéon
4
Piano (partie séparée)
4
Piano Quatuor: piano, 2 violons, violoncelle
4
1 Piano, 6 mains
3
Orgue, Piano (duo)
1
Ensemble d'Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare
105
Guitare notes et tablatures
60
Ukulele
11
Ligne De Mélodie, (Paroles) et Accords
8
2 Guitares (duo)
7
Guitare (partie séparée)
6
Basse electrique
4
Mandoline
4
4 Guitares (Quatuor)
4
Paroles et Accords
3
Piano, Guitare (duo)
3
Banjo
2
Dulcimer
2
3 Guitares (trio)
1
Guitare, Orchestre
1
Orchestre à Plectres
1
Guitare, Violon, Violoncelle (trio)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
730
Chorale 3 parties
189
Chorale 2 parties
148
Chorale Unison
78
Chorale TTBB
66
Voix duo, Piano
46
Chorale SSAA
38
Voix Alto, Piano
17
Voix duo
14
Voix Soprano, Piano
11
Voix haute
9
Voix seule
8
Chorale
8
Voix Baryton, Piano
5
Voix Tenor, Piano
3
Voix Mezzo-Soprano, Piano
3
Chorale SSAATTBB
2
Chorale SSATTB
2
Voix moyenne, Piano
1
Voix basse, Piano
1
Voix Tenor
1
Chorale SSAB a cappella
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
115
Clarinette et Piano
107
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
104
Quatuor de Saxophones: 4 saxophones
102
Hautbois, Piano (duo)
84
Flûte, Hautbois, Clarinette, Basson
76
Flûte traversière
72
Clarinette
66
Quatuor de Clarinettes: 4 clarinettes
59
Quintette de Saxophone: 5 saxophones
58
Saxophone Tenor et Piano
53
Saxophone Alto et Piano
51
Saxophone Alto
47
2 Saxophones (duo)
41
2 Flûtes traversières (duo)
39
Saxophone Soprano et Piano
35
3 Saxophones (trio)
32
Hautbois (partie séparée)
31
Quatuor de Flûtes : 4 flûtes
30
Saxophone (partie séparée)
26
Saxophone Tenor
21
Hautbois
21
Saxophone Baryton, Piano
20
Ensemble de Clarinettes
20
Ensemble de Flûtes
18
2 Clarinettes (duo)
16
Ensemble de saxophones
16
Quintette de Clarinettes: 5 clarinettes
15
Cor anglais, Piano
14
Flûte, Clarinette (duo)
13
2 Hautbois (duo)
12
Clarinette Basse, Piano
11
Flûte, Trombone (duo)
10
Trio de Flûtes: 3 flûtes
10
3 Clarinettes (trio)
9
2 Flûte à bec (duo)
8
Flûte, Hautbois (duo)
8
Saxophone Soprano
8
Flute (partie séparée)
8
Hautbois, Basson (duo)
8
Saxophone Baryton
7
Clarinette, Violoncelle (duo)
7
Hautbois, Clarinette (duo)
6
Flûte à Bec
6
Quintette de Flûte : 5 flûtes
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette, Guitare (duo)
5
Flûte, Hautbois, Piano (trio)
5
Flûte, Hautbois, Basson
5
Flûte, Violoncelle
5
Flûte, Hautbois, Clarinette (trio)
4
Ocarina
4
Clarinette, Basson (duo)
4
Flûte et Guitare
4
Clarinette (partie séparée)
3
Hautbois, Violoncelle
3
Cor Anglais
3
Flûte à bec Soprano
3
Flûte, Clarinette et Basson
3
Harmonica
3
Clarinette, Violon (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Violon, Piano
2
Quatuor de Flûtes à bec
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Basson et Piano
2
Flûte irlandaise
2
2 Clarinettes, Basson
1
Clarinette et Alto
1
Flûte, Violon et Violoncelle
1
Clarinette, trompette et piano
1
Flûte à bec Tenor
1
Flûte, Saxophone (duo)
1
Piccolo, Piano
1
Hautbois, Trompette (duo)
1
Saxophone et Orgue
1
Flûte et Trio à cordes
1
Clarinette, Harpe (duo)
1
Hautbois, Flûte
1
Hautbois, Harpe
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Guitare (duo)
1
Flûte, Violon
1
Flûte, Alto (duo)
1
Hautbois, violon (duo)
1
Piccolo
1
Flûte, trombone et piano
1
Hautbois et alto (duo)
1
+ 83 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
112
Trombone et Piano
84
Trompette, Piano
84
Cor et Piano
79
Cor
63
Trompette
60
Quatuor de Cuivres : 2 trompettes, trombone, tuba
58
Tuba et Piano
41
Tuba
40
Trombone
40
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Trompette (partie séparée)
20
Euphonium, Piano (duo)
19
Quatuor de Cuivres
17
Trombone (partie séparée)
15
Cor anglais, Piano
14
Trompette, Trombone (duo)
10
Ensemble de Trombones
9
2 Trompettes (duo)
9
2 Cors (duo)
8
2 Trombones (duo)
8
Ensemble de Trompettes
8
Quatuor de cuivres: 4 trombones
8
2 Euphoniums et 2 Tubas
4
Trio de Cuivres
3
3 Trombones (trio)
3
Cor Anglais
3
Trompette, Basson (duo)
3
Quatuor de cuivres: 4 cors
3
Trombone basse et Piano
2
Trompette, Cor (duo)
2
3 Trompettes (trio)
2
Trombone et orchestre
2
Euphonium
1
Trompette, Euphonium (duo)
1
4 Tubas
1
Cor (partie séparée)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
Tuba (partie séparée)
1
Cor, Violoncelle (duo)
1
2 Euphoniums (duo)
1
Cor et Basson (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Euphoniums
1
Cor et Orgue
1
Trombone, Orgue
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
356
Violon
194
Violon, Violoncelle (duo)
179
Trio à Cordes: violon, alto, violoncelle
149
Violon et Piano
137
Alto, Piano
104
Violoncelle, Piano
94
Violoncelle
73
Alto seul
59
Quintette à cordes: 2 violons, alto, violoncelle, basse
59
Contre Basse
36
Contrebasse, Piano (duo)
35
Violon, Alto (duo)
33
2 Violons (duo)
30
Harpe
30
2 Violoncelles (duo)
22
Alto (partie séparée)
16
Violon (partie séparée)
14
2 Altos (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
Trio à cordes: 3 violins
12
4 Violoncelles
12
Piano Trio: Violon, Alto, Piano
10
Trio à Cordes: 3 violoncelles
9
Contrebasse (partie séparée)
7
Alto, Violoncelle (duo)
7
Violoncelle (partie séparée)
6
Harpe, Voix
6
Quatuor à cordes : 4 altos
4
Violoncelle, Contrebasse (duo)
4
Quatuor à cordes: 4 violons
4
Trio à Cordes: 2 violons, alto
4
Harpe, Flûte (duo)
4
Ensemble de Violons
3
Violon, Guitare (duo)
3
Trio à cordes: 3 altos
3
2 Harpes (duo)
3
2 Contrebasses (duo)
2
Harpe, Violon (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle , Guitare (duo)
2
Violon, Basson (duo)
1
4 Contrebasses
1
Ensemble d'Altos
1
Harpe et Piano
1
Harpe et mandoline
1
2 Altos, Piano
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
721
Orchestre à Cordes
205
Orchestre
125
Cloches
91
Ensemble de cuivres
74
Ensemble Jazz
48
Fanfare
33
Orchestre de chambre
30
Jazz combo
14
Ensemble de Percussions
14
Batterie
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie (partie séparée)
4
Percussion (partie séparée)
3
Xylophone, Piano
3
Xylophone
2
Vibraphone
2
Marimba
2
2 Marimbas
1
Bodhran
1
Piano et Orchestre
1
+ 16 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
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Vous avez sélectionné:
Ting a Ling
Partitions à imprimer
10 700 partitions trouvées
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9976
Meeting Place
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Alex Turner and Miles Kane
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Isaac Regules
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Meeting Place
#
Isaac Regules
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1494549 Composed by Alex Turner and Miles Kane. Arranged by Isaac Regules. 21st Century,Baroque,Pop,Rock,Singer/Songwrite...
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Piano Solo - Level 4 - SKU: A0.1494549 Composed by Alex Turner and Miles Kane. Arranged by Isaac Regules. 21st Century,Baroque,Pop,Rock,Singer/Songwriter. Score. 7 pages. Isaac Regules #1071136. Published by Isaac Regules (A0.1494549). Meeting Place (sometimes titled The Meeting Place) by The Last Shadow Puppets, is a standout track from their debut album The Age of the Understatement. The song blends symphonic pop, pop rock and baroque pop, creating a sound that feels nostalgic, haunting and cinematic. This piano solo arrangement of this piece captures the essence of the original, distilling its qualities into a format that allows for an intimate and expressive performance.The song, written by Alex Turner and Miles Kane, explores themes of love, loss, and the lingering impact of memories associated with a particular place. It tells the story of a man who, after a difficult breakup, finds himself reflecting on a relationship that was as fleeting as it was meaningful. The lyrics paint a vivid picture of a couple who, for a short time, found solace in their meeting place, even as they understood their time together was limited. The inevitable end of the relationship, initiated by the woman, leaves the man grappling with heartache and a profound sense of longing.As the man wrestles with his emotions, he is caught between wishing the relationship had never happened and being unable to forget it. The orchestral elements and bittersweet melody underscore the melancholic tone of the song, culminating in a reflective conclusion that leaves a lasting impression of love lost.Miles Kane has mentioned that the inspiration for this song came from his own experiences at Heebie Jeebies, a beloved Liverpool venue where his first girlfriend worked.This piano solo arrangement translates the intricate melodies and uplifting accompaniment into a format that is both accessible and challenging for performers. Intended for intermediate to advanced players, it offers an opportunity to delve into the emotional nuances of the piece while improving technical skills.Engage with this arrangement, and allow the piano to evoke the feelings of longing, memory, and the inevitable pain of break-ups. This sheet music, transcribed and arranged by a life-long TLSP fan, faithfully captures the spirit of Meeting Place”.Listen to the arrangement now on YouTube—find the link in the post details.Contact: wnis4659@gmail.comJust for the love of music.
$5.99
Shrill Chanticleer: A Song of Emmanuel
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James Siddons
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Shrill Chanticleer: A Song of
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James Siddons Music and Writings
#
SheetMusicPlus
Small Ensemble Handbell,Organ - Level 3 - SKU: A0.972670 Composed by James Siddons. Christian,Christmas,Contemporary. Score and parts. 9 pages. James Si...
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Small Ensemble Handbell,Organ - Level 3 - SKU: A0.972670 Composed by James Siddons. Christian,Christmas,Contemporary. Score and parts. 9 pages. James Siddons Music and Writings #6593557. Published by James Siddons Music and Writings (A0.972670). This score is for two Readers, handbells (3 octaves) and organ.A medieval folk belief of old Europe was that of all the animals miraculously starting to speak at the birth of the Christ Child. In about 1630, William Austin, a poet and lawyer in London, drew on this traditional belief to write one of his Carrols, for Christmas-day, in which he imagined what the most Stentorian animal of all, the rooster, might say about the new-born Holy Infant in Bethlehem. In setting William Austin’s carrol to music, James Siddons has given the organ the role of creating a soundscape to underpin the drama of Chanticleer’s proclamation. Following each of Austin’s three stanzas (in dramatic recitation by the Readers), an adaptation of the old French tune O Come, Emmanuel is played by handbells in a harmonic style that recalls the pealing of church bells on Christmas morning. This work is appropriate for the beginning of Advent and Christmas day worship, and in a service or program of Christmas music; for example, a service of lessons and carols. The purchase price includes permission to make 14 copies of the score (2 Readers, 8-10 handbell players, organist, and conductor) and permission to video-record a performance for posting on school or church websites and in streaming broadcast.
$25.99
A Day on Hellroaring Plateau
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Robert Myers
#
A Day on Hellroaring Plateau
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WheatMyer Music
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.976732 Composed by Robert Myers. 20th Century,Contemporary,Folk. Score and parts. 186 pages. WheatMyer Music #6252911. ...
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Concert Band - Level 4 - SKU: A0.976732 Composed by Robert Myers. 20th Century,Contemporary,Folk. Score and parts. 186 pages. WheatMyer Music #6252911. Published by WheatMyer Music (A0.976732). A Day on Hellroaring Plateau for Concert Band or Wind SymphonyDownload includes transposed score and all parts.Difficulty is Grade 5.Duration is approximately 9:30.Preview the entire score at https://wheatmyermusic.com/product/a-day-on-hellroaring-plateau/The Hellroaring Plateau is a landmass on the northeast extremity of the Absaroka mountain range straddling the Montana-Wyoming border. Its relatively flat topography and high elevation lead to intense winds and unpredictable storms bestowing the plateau's colorful moniker. Contrary to the title, the music reflects a compilation of impressions from multiple visits over a decade’s time, gathered with my son’s first-hand reports of overnight stays, rather than a single day’s experience. My original objective for the music was to portray the stark and stony landscape alternatively caressed and buffeted in a stew of breezes and gales, sunshine and storms. However, as I was writing the piece it became apparent the true theme of the music is rather a daily high-altitude drama pitting light versus darkness, a drama staged on the plateau’s rocks, meadows, streams, and lakes depicting a perpetually shifting kaleidoscope of distinctive lighting unlike any I have experienced elsewhere. The transparent, thin air reveals indigo blue skies and scalding-white clouds overarching stunning vistas stretching a hundred miles or more. The landscape glitters under the radiance of high latitude sunlight. The only word I can think of to describe the golden glow of sunbeams slicing through a summer snow squall is ethereal. The utter absence of artificial light makes for the darkest night skies and brightest stars one can experience on earth.
$125.00
We Wish You A Merry Christmas
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Piano Facile
#
FACILE
#
Noël
#
Traditional
#
PL Ting
#
We Wish You A Merry Christmas
#
Pek Ling Ting
#
SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1012843 Composed by Traditional. Arranged by PL Ting. Christian,Christmas,Concert,Pop. Score. 2 pages. Pek Ling Ting #613...
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Easy Piano - Level 2 - SKU: A0.1012843 Composed by Traditional. Arranged by PL Ting. Christian,Christmas,Concert,Pop. Score. 2 pages. Pek Ling Ting #6131625. Published by Pek Ling Ting (A0.1012843). - Christmas carol for Piano instrumental solo suitable for grade 1 or 2 learner.- 2 pages- Piano solo piece for performance, recital or leisure playing.- Arranged in G major without modulation.- G position for Left Hand with only minor position switching.
$3.99
A Billings Triptych - for 8-Part Brass Choir
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
William Billings
#
Mike Allsen
#
A Billings Triptych - for 8-Pa
#
Aaron Hettinga
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
Funeral March of A Marionette (puppet)
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Piano seul
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INTERMÉDIAIRE
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Charles Francois Gounod
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Thomas Ling
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Funeral March of A Marionette
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1399635 Composed by Charles Francois Gounod. Arranged by Thomas Ling. Classical,Film/TV,Romantic Period. Score. 4 pages. ...
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Piano Solo - Level 3 - SKU: A0.1399635 Composed by Charles Francois Gounod. Arranged by Thomas Ling. Classical,Film/TV,Romantic Period. Score. 4 pages. Thomas Swee Chin #982912. Published by Thomas Swee Chin (A0.1399635). Originally scored for the orchestra, Gounod's Funeral March of a Marionette is a captivating musical composition that skillfully blends elements of drama, mystery, and whimsy. Composed by Charles Gounod, this piece is perhaps best known as the theme music for the television series Alfred Hitchcock Presents.The composition opens with a solemn and haunting melody played by the woodwinds, setting a somber tone reminiscent of a funeral march. The mournful melody is accompanied by a steady, solemn rhythm in the lower registers, evoking a sense of reverence and solemnity.As the piece progresses, Gounod introduces variations on the main theme, adding layers of complexity and intrigue. The music builds in intensity, with dramatic flourishes and sudden shifts in dynamics, creating a sense of suspense and tension.Despite its mournful undertones, Funeral March of a Marionette also contains moments of whimsy and playfulness, reflecting the quirky and eccentric nature of its titular marionette. These lighter moments provide a stark contrast to the more serious elements of the composition, adding depth and dimension to the music.Overall, Gounod's Funeral March of a Marionette is a masterful composition that combines elements of drama, mystery, and whimsy to create a captivating and evocative musical experience. With its haunting melody, dramatic flourishes, and unexpected twists and turns, it remains a beloved and iconic piece in the classical repertoire.
$6.80
Funeral March of a Marionette (Puppet) / Theme from “Alfred Hitchcock Presents”
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Piano seul
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INTERMÉDIAIRE
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Charles Francois Gounod
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Thomas Ling of Sibu
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Funeral March of a Marionette
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1378651 Composed by Charles Francois Gounod. Arranged by Thomas Ling of Sibu. 19th Century,Instructional,Romantic Period....
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Piano Solo - Level 3 - SKU: A0.1378651 Composed by Charles Francois Gounod. Arranged by Thomas Ling of Sibu. 19th Century,Instructional,Romantic Period. Score. 9 pages. Thomas Swee Chin #963311. Published by Thomas Swee Chin (A0.1378651). 3 versions included- from simple to the full version. Gounod's Funeral March of a Marionette for piano is a haunting and evocative piece that tells a macabre story through music. Originally composed as a short orchestral work, it gained popularity when it was adapted for piano. The piece opens with a solemn and ominous melody, characterized by its melancholic and mournful tone. As the music progresses, the mood shifts, alternating between moments of tension and release. Gounod's use of chromaticism and dissonance adds to the eerie atmosphere, creating a sense of unease and foreboding. The piece builds to a dramatic climax before fading away into silence, leaving listeners with a lingering sense of mystery and intrigue. Despite its brevity, Funeral March of a Marionette is a powerful and emotive composition that showcases Gounod's mastery of musical storytelling.
$8.00
A Breath of Life
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Chun-Wai Wong
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A Breath of Life
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Imagine Music - Digital
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SheetMusicPlus
Oboe, basson, violin, viola, double bass - SKU: IZ.BCMW164 Composed by Chun-Wai Wong. BCMCC (Bassoon Chamber Music Composition Competition). Score and P...
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Oboe, basson, violin, viola, double bass - SKU: IZ.BCMW164 Composed by Chun-Wai Wong. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 77 pages. Imagine Music - Digital #BCMW164. Published by Imagine Music - Digital (IZ.BCMW164). 9 x 12 in inches.What is life for? Wealth? Power? Happiness? Are you really feeling happy with your pursuits? Or would you just go ontirelessly? Do you really feel happy when chasing after those things?And what will you get by the end of your life?I have seen everything that is done under the sun, and behold, all is vanity and a striving after wind. (Ecclesiastes 1:14)The piece is inspired by the book of Ecclesiastes from the Bible. Musically, it is inspired by a traditional Japanese theatricalperformance Kabuki. It is purely musical theatre: the piece unfolds with the wheezing of hollowness of work and life, andit is followed by a wild dance of chase -- a chase after fame and fortune in hopes of getting rid of the depression. Yet, thestruggle only brings fleeting pleasure and pressing anxiety to chase after another goal. Feeling exhausted, one realizes thatwhat one has done are all meaningless: the hollowness never goes away. Only after a hoarse cry does one start to realize themeaning of life, a meaning that transcends all materialistic goals; and only after understanding the reason to live can one take abreath of life.There are references to traditional Japanese instrumental writings, including the sound of Shamisen imitated by pizzicato instrings, drum imitated by pizzicato chords and beating of strings on fingerboard, Japanese flute imitated by the high oboe. Theshifting focus between different musical layers represents the movement of the imaginary dancer who moves forward andbackward on the stage unceasingly.ABreath of Life was commissioned by the Hong Kong Composers' Guild.
$24.00
Ting a Ling
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Accordéon
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Contemporain
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Unknown
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Ting a Ling
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Battistelli Publications
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SheetMusicPlus
Composed by Unknown. Arranged by Al Battistelli. Contemporary. Score. 2 pages. Battistelli Publications #2075547. Published by Battistelli Publication...
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Composed by Unknown. Arranged by Al Battistelli. Contemporary. Score. 2 pages. Battistelli Publications #2075547. Published by Battistelli Publications
$2.99
That's How the Story Goes - A Christmas Musical for Children
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Chorale 2 parties
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DÉBUTANT
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Joanna Mills
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Joanna Mills
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That's How the Story Goes - A
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (2-Part) - Level 1 - SKU: A0.805210 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical...
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Choral Choir (2-Part) - Level 1 - SKU: A0.805210 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 76 pages. Joanna Mills Music #412247. Published by Joanna Mills Music (A0.805210). This charming, original musical pageant retells the Christmas Story through the eyes of the angels and reminds us to always trust in God. In That’s How the Story Goes, the archangels Michael and Raphael are hosting a heavenly campfire, and all the youngest angels want to hear the Christmas Story. Happy to oblige, the other archangels take turns telling their parts of the story. Gabriel tells of visiting Mary, Uriel tells of visiting Joseph, Sealtiel & Jehudiel tell of their visit to the shepherds, and Barachiel tells of visiting the three wise men in their dreams to warn them about King Herod. The musical features a simple script with minimal memorization which allows for maximum flexibility with age-range, cast size, and rehearsal time-- the longer, adapted scripture readings may be read from a book or binder. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Approximate performance time 30 minutes That’s How the Story Goes features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (with optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.
$4.99
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
Sparkling Diamonds
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Nicole Kidman
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Andrew Hodges
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Sparkling Diamonds
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Andrew Hodges
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1509930 By Nicole Kidman. By Jule Styne, Leo Robin, Peter Brown, and Robert Rans. Arranged by Andrew H...
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String Quartet String Quartet - Level 4 - SKU: A0.1509930 By Nicole Kidman. By Jule Styne, Leo Robin, Peter Brown, and Robert Rans. Arranged by Andrew Hodges. 20th Century,Broadway,Chamber,Classical,Musical/Show,Wedding. 14 pages. Andrew Hodges #1085136. Published by Andrew Hodges (A0.1509930). This arrangement of Sparkling Diamonds for string quartet is a captivating reimagining of the iconic Moulin Rouge theme. The piece captures the original song's vibrant energy and playful atmosphere while adapting it to the unique timbral palette of a string quartet.The arrangement showcases the individual strengths of each instrument, creating a harmonious and engaging musical experience. It is suitable for both professional and amateur string quartets.Its moderate difficulty level makes it accessible to groups with varying levels of experience.Potential performance opportunities: Recitals and Concerts: Sparkling Diamonds can be a delightful addition to a string quartet's repertoire, adding a touch of glamour and nostalgia to a concert program. Private Events: The piece is perfect for weddings, galas, and other special occasions where a sophisticated and elegant musical backdrop is desired. Educational Performances: This arrangement can be used in educational settings to introduce students to the repertoire of string quartets and to explore the concept of musical arrangement.
$14.99
What A Wonderful World
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Chorale SSAB a cappella
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INTERMÉDIAIRE
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Louis Armstrong
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Paul Ayres
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What A Wonderful World
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Paul Ayres
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SheetMusicPlus
Choral Choir,Choral,SSAB Chorus - Level 3 - SKU: A0.1495489 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Paul Ayres. 20th Centu...
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Choral Choir,Choral,SSAB Chorus - Level 3 - SKU: A0.1495489 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Paul Ayres. 20th Century,A Cappella,Film/TV,Standards. 6 pages. Paul Ayres #1072006. Published by Paul Ayres (A0.1495489). A beautiful a cappella setting of the classic song, from professional composer-arranger Paul Ayres.Paul's programme note: Rather than having choirs try to imitate the vocal stylings of Louis Armstrong (but inevitably be a pale reflection of the brilliant original recording) this arrangement places the song in the wonderful world of cool Scandinavian chamber ensembles. Go for a pure, classical, Palestrina sound, and the piece becomes almost like a secular motet: a psalm in praise of the beauty of the natural world and universal human love.More information at www.paulayres.co.uk
$2.99
Meditation on Ink Painting《水墨畫之冥想》
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Violoncelle
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Ma Shui Long 馬水é¾
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Meditation on Ink Paintingã
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SpringAutumnmusic
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SheetMusicPlus
Cello Solo - SKU: A0.961997 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Individual part. 17 pages. SpringAutumnmusic #234188...
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Cello Solo - SKU: A0.961997 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Individual part. 17 pages. SpringAutumnmusic #2341883. Published by SpringAutumnmusic (A0.961997). 《水墨畫之冥想》（ä¹æ”¯å¤§æç´å®¤å…§æ¨‚曲） 1994å¹´ 作曲者自幼喜愛繪畫與音樂。爾後，雖然é¸æ“‡äº†éŸ³æ¨‚為終身志æ¥ï¼Œä½†å°ç¹ªç•«çš„興趣與狂熱，始終有增無減。在已完æˆçš„音樂作å“ä¸ï¼Œå¹¾é¦–å‡èˆ‡ç¹ªç•«æœ‰å¯†åˆ‡çš„關係。作曲者èªç‚ºï¼Œæ‰€æœ‰çš„è—è¡“å‰µä½œï¼Œé›–ç„¶å› å…¶ä½¿ç”¨çš„ç´ æä¸åŒæˆ–表ç¾çš„技法相異，但最後所è¦å‘ˆç¾çš„è—術本質，應是殊途åŒæ¸ï¼ŒéŸ³æ¨‚與繪畫更是ä¸ä¾‹å¤–。 本曲創作的動機，來自於傳統水墨畫ä¸çš„「虛實相生ã€è§€å¿µã€‚å¤äººç¬ªé‡å…‰ã€Œç•«çŒã€äº‘ï¼šå¯¦è™•ä¹‹å¦™ï¼Œçš†å› è™›è™•è€Œç”Ÿï¼Œä¹Ÿå°±æ˜¯ç„¡è™›ä¸æ˜“顯實，無空ä¸èƒ½å˜è™›ã€‚ç„¡ç–ä¸èƒ½æˆå¯†ï¼Œç„¡å¯†ä¸èƒ½è¦‹ç–，是以虛實相生，ç–密相用。作曲者試圖以æ¤ç¹ªç•«æ‰‹æ³•ï¼Œå‘ˆç¾åœ¨æ¤é¦–樂曲çµæ§‹ä¸ï¼Œå¦‚時間與空間的å°æ¯”，織度與密度的互æ›ï¼Œå¯¦é«”與空éˆçš„轉變ç‰ï¼Œä»¥æ±‚音畫之æ„境。 ※本曲由文建會委託創作，首演於1995å¹´11月25日於國家演å¥å»³ï¼Œç”±è²¡åœ˜æ³•äººé‚±å†èˆˆæ–‡æ•™åŸºé‡‘會主辦之「春秋樂集95秋 · 室內樂之夜ã€ã€‚ç”±æ¶‚æƒ æ°‘æ“”ä»»æŒ‡æ®ï¼Œå¤§æç´æ¼”å¥å®¶ç‚ºå«ç¬çŽ²ã€é»ƒæ™ºç‘›ã€é„佩玲ã€æ›¾å²å¦ƒã€æ´ªå©‰å®¹ã€é»ƒéŸ»å®‡ã€åŠ‰å§å«¥ã€è˜‡åƒèŠ³ã€çŽ‹ä½©ç‘œã€‚ 《Meditation on Ink Painting》for Nine Cellos （1994） Music and painting are two beloved arts for Professor Ma since he was a kid. Even he finally decided devoted to music composing for his life, he always had the passion for painting. Several Professor Ma’s compositions were highly inspired from the concepts and techniques of painting. Professor Ma believed that all the arts, although they present differently on the usages of materials or techniques, the essence and highest acheivement of all arts must be the same, including both music and painting. Meditation on Paintings in Ink was directly inspired by the techniques of Chinese traditional ink painting and the concept of the mutuality in virtuality and reality. The composer attempted to transform the philosophy that derive from the virtuality-reality relationship into the composition, presented it as the contrast between time and space, the alternation of texture and density, or, the changing of emptiness and fullness, etc., in order to establish an artistic atmosphere of musical painting. Meditation on Paintings in Ink was commissioned by the Council for Cultural Affairs, premiered in the National Concert Hall, on 25th of November 1995. It was programed in the Euterpe: Spring and Autumn concert series Autumn 1995: A Night of Chamber Music, held by the Chew’s Culture Foundation. The world premiere was conducted by Hwei-Ming Twu and the nine cellists were Wan-Ling Sun, Jyh-Ing Huang, Pei-Ling Cheng (Yi-Chin Cheng) , Shih-Fei Tseng, Wan-Rong Hung, Yun-Yu Huang, Chu-Chuan Liu, Monica C.F. Su and Pei-Yu Wang.
$13.99
The Shadow of the Falling Lead - Score Only
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Orchestre à Cordes
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AVANCÉ
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Apostolos Paraskevas
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The Shadow of the Falling Lead
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Silver Sickle Publications
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1350504 By Apostolos Paraskevas. By Apostolos Paraskevas. 21st Century,Contemporary,Multicultural,World. 30 pages. ...
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String Orchestra - Level 5 - SKU: A0.1350504 By Apostolos Paraskevas. By Apostolos Paraskevas. 21st Century,Contemporary,Multicultural,World. 30 pages. Silver Sickle Publications #935314. Published by Silver Sickle Publications (A0.1350504). In the echoes of history, where the ravages of war leave indelible scars on the fabric of humanity, there emerges a haunting melody that seeks to articulate the unspeakable pain and devastation wrought by the shadow of falling lead. The Shadow of the Falling Lead is a musical composition born out of a deep and poignant reflection on the profound impact of bombing during wartime.As the symphony unfolds, it endeavors to traverse the emotional landscape of those whose lives have been forever altered by the relentless rain of destruction. Each note serves as an empathetic brushstroke, painting the canvas of despair with the hues of sorrow, resilience, and the human spirit's enduring will to survive.The title itself evokes the grim reality of warfare, where the shadow of falling lead becomes an ominous specter, casting darkness over the lives it touches. This composition seeks to transcend the boundaries of language, inviting listeners to immerse themselves in the somber beauty of the music and connect with the shared humanity that unites us all.As we embark on this musical journey, may The Shadow of the Falling Lead serve as a solemn reminder of the cost of conflict and the imperative to strive for a world where the echoes of such devastation become but distant memories, replaced by the harmonious chords of peace and understanding.A solo violin ends this journey as a mother lamenting for her lost children. Â
$25.00
A Caroling Couplet
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Chorale SATB
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Noël
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Linda Spevacek
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A Caroling Couplet
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Heritage Music Press
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SheetMusicPlus
SATB choir, Piano (With Optional a cappella) - I. Here We Come A-Caroling II. My Christmas Wish for You. Composed by Linda Spevacek. Educational, ...
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SATB choir, Piano (With Optional a cappella) - I. Here We Come A-Caroling II. My Christmas Wish for You. Composed by Linda Spevacek. Educational, Christmas. Octavo. 12 pages. Heritage Music Press #15/3137H. Published by Heritage Music Press
ISBN 9781429137812.
This dynamic duo is comprised of a spirited setting of the popular English carol and a gorgeous original ballad. Whether performed as part of your holiday concert or while caroling, this practical and versatile set is destined to become a seasonal staple.
$2.50
To Us This Night Is Born a Child
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Chorale SATB
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way of introduction of the pie
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Ernest Brandon
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To Us This Night Is Born a Chi
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Imagine Music - Digital
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SheetMusicPlus
SATB Chorus & Piano - SKU: IZ.VMW227 Composed by Ernest Brandon. Octavo. 8 pages. Imagine Music - Digital #VMW227. Published by Imagine Music - Digital ...
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SATB Chorus & Piano - SKU: IZ.VMW227 Composed by Ernest Brandon. Octavo. 8 pages. Imagine Music - Digital #VMW227. Published by Imagine Music - Digital (IZ.VMW227). 9 x 12 inches.“Paris Without You is a piece for solo tenor saxophonist and orchestra with jazz quartet accompaniment. By way of introduction of the piece, in 2012, I met my wife, and very early on we had different trips planned. I was going to visit family and Cindy was going back to Paris, a place she had visited many times. So it was that we were almost literally a world apart. Upon both our returns, Cindy shared her many photos of Paris with me, a place I have never been. These photos were but a few that really made an impression on me and made me feel almost as I were there, even though Cindy was there (in one of the most romantic places in the world) as musicians would say, “solo. So the title of this piece suggests a telling of the story in pictures from her perspective.In performing this piece, it is preferable to have a tenor saxophonist who is equally comfortable in an orchestral setting as in a jazz quintet setting. Though all the jazz quintet parts are very specifically written, with either chord voicings and suggested solos, there is room for improvisation in these parts, but using a keen ear and direction to know when to align properly with the orchestra.In my recording of this piece, Maynard Ferguson Band alumni, Andy Weinzler is the featured tenor saxophonist. Many Western New York musicians came together to record this piece, and I thank them all for their incredible musicianship and willingness to perform this piece.
$2.00
"Like a Whirling Sand Clock" - for Clarinet, Cello and Piano [Performance Score and Parts]
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Clarinette, Violoncelle, Piano (trio)
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AVANCÉ
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Contemporain
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Lior Navok
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"Like a Whirling Sand Clo
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Lior Navok Music
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Piano - Level 5 - SKU: A0.976003 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 57 pages. Lior Navok ...
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Small Ensemble Cello,Clarinet,Piano - Level 5 - SKU: A0.976003 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 57 pages. Lior Navok Music #4716983. Published by Lior Navok Music (A0.976003). LIKE A WHIRLING SAND CLOCKfor Clarinet, Cello and Piano (2006) Duration: 10:30 minutes Instrumentation: Clarinet, Cello and Piano PROGRAM NOTES: The composer writes about his work: While composing Like a Whirling Sand Clock for clarinet, cello and piano I was occupied with the notion of leaking time process which is a micro cosmos of a larger process, best to be described as going back in time.In September 2006, I feel that the world is standing on a pivot point: on one hand, the various religious and political forces insist on rooting themselves deeper and deeper into what they see as the only truth, while in reality such ideas and especially the religious ones are extremely fundamentalist, reactionary and ill-minded. For me, such clashes of ideas and ideals are reminiscences of the dark middle-ages days and the crusades, where people killed people because of blind belief. Yet, in our days, with sophisticated mass destruction tools as developed most efficiently by humanity, one asks himself towards where we are heading and what will bring tomorrow. The feeling of evaporating, leaking time gets stronger and stronger while our era's events remind more and more what history books tells us.While imagining an ever-whirling sand clock that drops its sand grains one by one while the sand pile is collected at the upper tube and not the lower one, (thus indicating a going back in time process), one can imagine visually what I have tried to portrait with sounds.Like a Whirling Sand Clock was generously commissioned in memory of Adele and John Gray for clarinetist Chen Halevi. INFO: Item: Full Score / Set of Parts Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: Score: 33 Parts: 24Ink: Black & White Paper Size:DIN A4 / Letter.
$18.95
Sailing
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Instruments en Do
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FACILE
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Rod Stewart
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Johannes H
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Sailing
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Johannes H. Hindriks
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1126028 By Rod Stewart. By Gavin Sutherland. Arranged by Johannes H. Hindriks. 20th Century,Pop,Rock. Lead Sheet / Fake...
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C Instrument - Level 2 - SKU: A0.1126028 By Rod Stewart. By Gavin Sutherland. Arranged by Johannes H. Hindriks. 20th Century,Pop,Rock. Lead Sheet / Fake Book. 5 pages. Johannes H. Hindriks #726747. Published by Johannes H. Hindriks (A0.1126028). This Comfort Covers setting of “Sailingâ€, known from Rod Stewart’s singing, is primarily intended to provide bedside support to patients and their loved ones in the hospital, nursing home or hospice. The mezzo-soprano lead voice gently blends with the mostly open guitar chords while the male voice modestly winds its way between the song and the bass line of the guitar, thereby creating a warm and welcoming blend. The 5-page document contains a large-print score with the two voices plus spelled-out guitar chords. Mezzo range: G3–A4; Baritone range: B2–C4. Skill Level: Easy to Intermediate. Capo as preferred. Click here for a full listing of Comfort Covers titles.
$3.99
Letting go of Love
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Piano seul
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INTERMÉDIAIRE
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Max Potseluiev
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Letting go of Love
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Max Potseluiev
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1255179 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Jazz,New Age,Pop. Score. 2 pages. Max Potseluiev ...
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Piano Solo - Level 3 - SKU: A0.1255179 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Jazz,New Age,Pop. Score. 2 pages. Max Potseluiev #848744. Published by Max Potseluiev (A0.1255179). Letting go of Love is a heartfelt and introspective composition that embraces the spirit of a freely improvisational jazz ballad. Inspired by the piano style of Keith Jarrett, this piece invites the listener to embark on a soulful journey of letting go and moving forward. With its soft and evocative melodies, it captures the bittersweet beauty of releasing love and finding inner peace.The music unfolds with a sense of spontaneity, as if the pianist is exploring the depths of their emotions in real-time. The gentle phrasing and delicate harmonies create an intimate atmosphere, allowing the listener to connect with the raw and vulnerable emotions that arise when love is set free.Letting go of Love embodies the essence of improvisation, where each note is an expression of the moment and emotions take shape through the music. The melodies meander freely, navigating through the emotional landscape with a tender touch. The soft dynamics and subtle nuances evoke a sense of vulnerability and acceptance, as the music embraces the journey of releasing attachments and finding solace in the act of letting go.Influenced by Keith Jarrett's piano style, this composition pays homage to his distinctive improvisational approach. It captures the essence of his ability to convey deep emotions through fluid and expressive melodies. The improvisational nature of the piece allows for artistic freedom, creating a unique and personal experience for both the listener and the performer.Letting go of Love is an invitation to embrace the process of healing and growth. The softness of the music provides a comforting space for reflection and self-discovery. Through its gentle and heartfelt melodies, it encourages the listener to release the weight of past attachments and find a renewed sense of freedom and inner peace.Immerse yourself in the soothing and contemplative sounds of Letting go of Love, and allow its improvisational beauty to resonate within. Let the music guide you through the emotional journey of releasing love and finding strength in the act of letting go.
$4.99
Come Healing
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Instruments en Do
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FACILE
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Leonard Cohen
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Johannes H
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Come Healing
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Johannes H. Hindriks
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1125370 By Leonard Cohen. By Leonard Cohen and Patrick Leonard. Arranged by Johannes H. Hindriks. 20th Century,Pop,Rock...
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C Instrument - Level 2 - SKU: A0.1125370 By Leonard Cohen. By Leonard Cohen and Patrick Leonard. Arranged by Johannes H. Hindriks. 20th Century,Pop,Rock,Singer/Songwriter. Lead Sheet / Fake Book. 6 pages. Johannes H. Hindriks #726153. Published by Johannes H. Hindriks (A0.1125370). This Comfort Covers setting of “Come Healing†by Leonard Cohen and Patrick Leonard is primarily intended to provide bedside support to patients and their loved ones in the hospital, nursing home or hospice. The mezzo-soprano lead voice gently blends with the mostly open guitar chords while the male voice modestly winds its way between the song and the bass line of the guitar, thereby creating a warm and welcoming blend. The 6-page document contains a large-print score with the two voices plus spelled-out guitar chords. Mezzo range: D4–C5; Baritone range: B2–G3. Skill Level: Easy to Intermediate. Capo as preferred. Click here for a full listing of Comfort Covers titles.
$3.99
For Unto Us a Child is Born - Vocal/Piano/Rhythm
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Classique
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George Frideric Handel
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Deborah Johnson
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For Unto Us a Child is Born -
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Deborah Johnson
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SheetMusicPlus
Drum Set,Guitar,Piano,Voice - Level 4 - SKU: A0.877852 Composed by George Frideric Handel. Arranged by Deborah Johnson. Christmas,Classical,Contemporary...
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Drum Set,Guitar,Piano,Voice - Level 4 - SKU: A0.877852 Composed by George Frideric Handel. Arranged by Deborah Johnson. Christmas,Classical,Contemporary. 9 pages. Deborah Johnson #6639055. Published by Deborah Johnson (A0.877852). This arrangement of For Unto Us a Child is Born, originally composed by George Frideric Handel, has been skillfully arranged by Deborah Johnson. The music falls into several genres, including Christian, Christmas, Classical, Concert, and Contemporary, making it versatile for various musical settings. It's available in both score and parts, totaling 9 pages. Deborah Johnson's rendition of For Unto Us a Child is Born is a lively and upbeat adaptation that was originally featured on the album Merry Christmas Too. This version is perfect for a string orchestra, whether your ensemble is large or small. The download includes the vocal solo, piano part, and chords, spanning a total of 7 pages, along with title pages. The arrangement is tailored for a soprano soloist, showcasing a 2-octave vocal range, from A below middle C to A two octaves above. With its dazzling and spirited interpretation, this arrangement is sure to be a highlight in any Christmas concert. It seamlessly blends Handel's timeless composition with contemporary elements, creating a memorable musical experience that's well-suited for celebrating the holiday season. The MP3 accompaniment track is also available for download as well as the full score with strings. Full song download on Spotify: https://open.spotify.com/track/6mjuoAFusoNGVDjM3g1erg More information here: https://djworksmusic.com/for-unto-us https://djworksmusic.com/products/ for physical albums & info. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnson For Unto Us is performed and arranged by Deborah Johnson. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards. Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson and Tom Keene; Bass Guitar: David Coy; Drums: Dave Spurr; Guitars: John Hunt; Flute: John Reilly; Strings: Living Strings. Recorded at: Tor-Wood-Lea Recording Studios, Engineered by Tom Keene. Bass/Strings Recorded at: A to Z Studios, Engineered by Tim Jaquette. Mixed at: ETC Studio A, Tim Jaquette; Album Mastering: Bernie Grundman.
$6.99
Linger
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Chorale SATB
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FACILE
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The Cranberries
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Jay Dougherty
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Linger
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Jay Dougherty
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 2 - SKU: A0.1281266 By The Cranberries. By Dolores O'Riordan and Noel Hogan. Arranged by Jay Dougherty. A Cappella,Ce...
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Choral Choir (SATB divisi) - Level 2 - SKU: A0.1281266 By The Cranberries. By Dolores O'Riordan and Noel Hogan. Arranged by Jay Dougherty. A Cappella,Celtic,Contemporary,Irish,Rock,Singer/Songwriter. Octavo. 14 pages. Jay Dougherty #872610. Published by Jay Dougherty (A0.1281266). This hit song by Irish alternative rock band the Cranberries is from their 1993 debut studio album, Everybody Else Is Doing It, So Why Can't We? This arrangement is written for SSAATB+solo a cappella (7 total parts) by Jay Dougherty. The simple bass line and repeating verses and chorus make for an easy learn. It will be accessible to most a cappella ensembles.Note that there is a 10-copy minimum purchase. If you have fewer than 10 singers in your ensemble, you're still getting a great price for a great song by purchasing the rights to 10 copies.Learning tracks are available at www.jmdougherty.comFor more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.com.
$2.49
Away in a Manger - Clarinet in A Solo w/ Piano
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William J
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Ygor Nunes
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Away in a Manger - Clarinet in
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Ygor Nunes
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SheetMusicPlus
A Clarinet,Piano - Level 2 - SKU: A0.1516800 Composed by William J. Kirkpatrick. Arranged by Ygor Nunes. Children,Christmas,Film/TV,Holiday,Standards. S...
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A Clarinet,Piano - Level 2 - SKU: A0.1516800 Composed by William J. Kirkpatrick. Arranged by Ygor Nunes. Children,Christmas,Film/TV,Holiday,Standards. Score and part. 3 pages. Ygor Nunes #1090978. Published by Ygor Nunes (A0.1516800). Away in a Manger is a timeless Christmas carol that brings the magic of the holiday season to life. With its soft, melodic tune and heartwarming lyrics, it captures the humble birth of Jesus in a simple manger, evoking feelings of peace, joy, and wonder. This beloved song is perfect for creating a cozy, festive atmosphere, reminding us of the true spirit of Christmas—love, hope, and the gift of family.Imagine the gentle sound of a Clarinet in A solo setting the mood, as the melody flows through your home, filling it with the warmth and beauty of the holiday season!
$5.99
Away in a Manger - Clarinet in A Solo
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William J
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Ygor Nunes
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Away in a Manger - Clarinet in
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Ygor Nunes
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SheetMusicPlus
A Clarinet Solo - Level 2 - SKU: A0.1516780 Composed by William J. Kirkpatrick. Arranged by Ygor Nunes. Children,Christmas,Film/TV,Holiday,Standards. In...
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A Clarinet Solo - Level 2 - SKU: A0.1516780 Composed by William J. Kirkpatrick. Arranged by Ygor Nunes. Children,Christmas,Film/TV,Holiday,Standards. Individual part. 1 pages. Ygor Nunes #1090958. Published by Ygor Nunes (A0.1516780). Away in a Manger is a timeless Christmas carol that brings the magic of the holiday season to life. With its soft, melodic tune and heartwarming lyrics, it captures the humble birth of Jesus in a simple manger, evoking feelings of peace, joy, and wonder. This beloved song is perfect for creating a cozy, festive atmosphere, reminding us of the true spirit of Christmas—love, hope, and the gift of family.Imagine the gentle sound of a Clarinet in A solo setting the mood, as the melody flows through your home, filling it with the warmth and beauty of the holiday season!
$4.99
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