This methodis for third Year students Musical.


It coversthe bulk of the acquisitions requested for
third year of Formation and will make them discover all the language
Musical they need to play theirinstrument.


Each lessonincludes:


- Horizontal and vertical readingnotes
- Reading by the directory
- Reading rhythm
- Rhythm struck hands together one voice and two voice
- Rhythm struck and read by the directory
- Singing
- Theory
- Melodic dictation
- Rhythmic Dictation

This methodis for fourth Year students Musical.


It coversthe bulk of the acquisitions requested for
fourth year of Formation and will make them discover all the language
Musical they need to play theirinstrument.


Each lessonincludes:


- Readingnotes horizontal and vertical
- Reading rhythm by the directory
- Rhythm struck hands together one voice two voice
- Singing
- Theory
- Melodic dictation
- Rhythmic Dictation

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.
The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:

Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method
Due to trilingual nature of all editions (German, English, French), they can be used universally.

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.
The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:

Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method
Due to trilingual nature of all editions (German, English, French), they can be used universally.

?The Jazz Improvisation Workshop? is an entry level music theory workbook for the intermediate and advance student who wishes to learn the theoretical components that are applied in the performance of jazz. The musical "mechanics" of music are the essence of its contents. Scales and chords of all forms are shown and explained in a simplified manner and comprehensive manner. Areas of music theory such as the Cycle of Fifths and the theory of Chord Substitution are also explained in detail.

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ISBN 9781619119345.

This method book is designed to help intermediate to advanced jazz students incorporate classic jazz vocabulary into their original improvisations. Using a series of standard and modern chord progressions, guitarist Davy Mooney provides several short passages that are meant to be played exactly as written within an otherwise improvised solo; students are expected to adapt this written material to their own purposes by improvising into and out of it.In an effort to overcome the disconnect between developing a unique sound and learning the language of past jazz masters, the author eloquently analyzes several phrases and chord changes and comments on various aspects of improvisation, referencing the styles and specific recordings of many outstanding jazz artists. This is the method that Mooney used as a student to personalize his own jazz vocabulary and learn to express himself within the context of the jazz tradition.Mooney proves he has both the vocabulary and the chops to deliver generously repeated guitar/bass/drums backup tracks for student use; he then demonstrates the method by providing transcriptions of his own improvisations, incorporating the same phrases and chord progressions required of the student. The firm message conveyed by this book is that, ayou can do it too.aWritten in standard notation only. Includes access to online audio.

Exercises for Developing Jazz Improvisation Volume II

This method book covers a further 2 techniques to help the developing jazz player expand their jazz skills. These can also be purchased individually:

Examining Diminished Scales

This section looks at Whole/Half and Half/Whole step diminished scales. It includes ascending/descending broken chord exercises plus scale patterns for both Whole/Half and Half/Whole step diminished scales. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the exercises.

Triad Pairs and Hexatonic Scales

This section focuses on 4 common triad pairs and their related hexatonic scales - 2 major triads a whole step apart, 2 major triads a tritone apart, major/augmented triads a whole step apart and 2 minor triads a whole step apart. There are exercises and patterns for each triad pair/hexatonic scale plus suggested chord applications for each. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the practice exercises and sample solos.

Although originally created for sax students, all books have now been adapted for C, Bb, Eb and Bass Clef instruments.

This colouring booklet covers Basic compositions in both treble and bass clef.
Ideal for those needing a little extra help learning music theory.
Perfect for new music students, or those that have tried to read music and given up.
Designed for students with learning challenges by an independent music instructor with 20 years experience teaching.
Use as a supportive exercise book with any standard Piano method book.
www.musicandyoga.online

is colouring booklet covers the 5 note scale in C major in both treble and bass clef with all notes on the staff covered..
Ideal for those needing a little extra help learning music theory.
Perfect for new music students, or those that have tried to read music and given up.
Designed for students with learning challenges by an independent music instructor with 20 years experience teaching.
Use as a supportive exercise book with any standing Piano method book.
www.musicandyoga.online.

This colouring booklet covers the C major scale in both treble and bass clef.

Ideal for those needing a little extra helplearning music theory.
Perfect for new music students, or thosethat have tried to read music and given up.
Designed for students with learningchallenges by an independent music instructor with 20 years experienceteaching.
Use as a supportive exercise book with anystanding Piano method book.
www.musicandyoga.online

This colouring booklet covers the Introduction to the Grand Staff with all notes in C maj covered..
Ideal for those needing a little extra help learning music theory.
Perfect for new music students, or those that have tried to read music and given up.
Designed for students with learning challenges by an independent music instructor with 20 years experience teaching.
Use as a supportive exercise book with any standing Piano method book.
www.musicandyoga.online.

English.

This exciting new teaching method, by the renowned piano pedagogue Hans-Gunter Heumann is ideal for adults and young people looking to learn the piano from scratch, or for those returning to the piano after a break from playing. Using classical music as a basis for learning, this method introduces interesting, varied and well-known pieces right from the outset. The two method books have been carefully designed to progress in small manageable steps, beginning with simple fingering patterns and exercises, onto some of the most beautiful melodies and pieces from the baroque, classical and romantic eras, such as the Ode to Joy, Fur Elise and the Blue Danube Waltz. Leading the student through a range of exercises, repertoire pieces, theory checks, tips on practicing, playing and technique, and composer biographies, the process of learning is made interesting, informed and fun.
The four supplementary volumes present further material to help learning at each stage of the students' development, as well as offering up a wider range of beautiful pieces, for the solo pianist, or piano duet.

English.

This third volume of The Classical Piano Method is for students who have completed Method Book 2, or for those who already have a firm grounding in playing the piano and are returning to the instrument.
Clearly laid out and progressing in small, manageable steps the book features interesting, varied and well-known repertoire from the Baroque, Classical and Romantic eras.