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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Press
Non classifié
3 077
Piano & claviers
Piano, Voix
20 438
Piano seul
5 390
Piano Facile
1 479
Piano, Voix et Guitare
836
1 Piano, 4 mains
106
Instruments en Do
99
Piano Trio: piano, violon, violoncelle
63
2 Pianos, 4 mains
62
Orgue
58
Piano grosses notes
35
Accompagnement Piano
32
Orgue, Piano (duo)
27
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano (partie séparée)
6
2 Pianos, 8 mains
3
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavier
2
Orgue, Trompette (duo)
2
1 Piano, 6 mains
1
+ 16 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
28
Guitare
16
Piano, Guitare (duo)
4
Guitare notes et tablatures
4
Ukulele
2
Dulcimer
1
Basse electrique
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
1 512
Chorale 3 parties
1 083
Chorale 2 parties
578
Voix Alto, Piano
157
Voix Soprano, Piano
135
Chorale Unison
125
Voix Tenor, Piano
86
Chorale SSAA
86
Chorale TTBB
77
Voix seule
72
Voix haute
64
Voix basse, Piano
55
Voix Baryton, Piano
34
Voix Tenor
27
Voix duo, Piano
26
Chorale
26
Voix Soprano
25
Voix moyenne, Piano
24
Soli, choeur mixte et accompagnement
18
Voix duo
17
Chorale SSAB, Piano
10
Voix Mezzo-Soprano, Piano
10
Chorale SSATB
6
Pack Instrumental pour Chorale
2
Voix basse
1
Chorale SSATTB
1
Chorale SSAATTBB
1
+ 22 instrumentations
Retracter
Vents
Flûte traversière et Piano
953
Clarinette et Piano
428
Hautbois, Piano (duo)
375
Saxophone Alto et Piano
274
Saxophone Soprano et Piano
170
Saxophone Tenor et Piano
165
Saxophone Baryton, Piano
120
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
109
Quatuor de Saxophones: 4 saxophones
83
2 Saxophones (duo)
82
Flûte, Hautbois, Clarinette, Basson
80
Quintette de Saxophone: 5 saxophones
61
Cor anglais, Piano
56
Clarinette
52
2 Flûtes traversières (duo)
47
Flûte, Violon, Piano
41
Clarinette Basse, Piano
35
Flûte traversière
32
2 Clarinettes (duo)
30
Saxophone Alto
28
Flûte à bec Soprano
24
3 Saxophones (trio)
24
3 Clarinettes (trio)
18
2 Hautbois (duo)
16
Saxophone Tenor
16
Flûte à Bec
14
Flûte, Clarinette, Piano (trio)
13
Ensemble de Clarinettes
12
2 Flûte à bec (duo)
12
Flûte à bec Alto
12
Flûte, Clarinette (duo)
12
Quatuor de Clarinettes: 4 clarinettes
12
Flûte, Violoncelle, Piano (trio)
11
Cor Anglais
10
Hautbois
10
Flûte, Hautbois, Piano (trio)
10
Quatuor de Flûtes : 4 flûtes
9
Flûte, Basson et Piano
9
Saxophone Soprano
9
Saxophone (partie séparée)
8
Clarinette, Violoncelle, Piano (trio)
8
Flûte à bec Tenor
7
Flûte, Hautbois, Clarinette (trio)
6
Saxophone Baryton
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Clarinette et Basson
5
Flûte, Alto et Piano
5
Clarinette, Alto et Piano (trio)
5
Hautbois (partie séparée)
5
Piccolo, Piano
5
Flûte à bec Soprano, Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Saxophone, Clarinette (duo)
5
Clarinette, Violon (duo)
4
Hautbois, Violon, Piano
4
Clarinette, Basson, Piano (trio)
4
Trio de Flûtes: 3 flûtes
4
Clarinette et Alto
3
Ensemble de saxophones
3
Saxophone et Piano
3
Ensemble de Flûtes
3
Saxophone et Orgue
3
2 Saxophones, Piano
3
Flûte, Hautbois, Basson
3
Hautbois, Basson et Piano
2
Flûte, Alto (duo)
2
Flûte, Violon
2
5 Flûtes à bec
2
Flûte à Bec, Piano
2
Hautbois, Violoncelle et Piano
2
Flûte, trombone et piano
2
Flûte, Violoncelle
2
Quatuor de Flûtes à bec
2
Hautbois, Flûte
2
Hautbois, Clarinette et Piano (Trio)
2
Hautbois, Basson (duo)
2
Clarinette, Trompette (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Trompette (duo)
1
Hautbois, Clarinette (duo)
1
2 Clarinettes, Basson
1
Flûte, Harpe et Violoncelle
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte et Guitare
1
Flûte, Saxophone (duo)
1
Flûte traversière, Orgue (duo)
1
Clarinette Basse
1
Clarinette, Orgue
1
Flute, harpe et violon
1
+ 86 instrumentations
Retracter
Cuivres
Tuba et Piano
400
Trompette, Piano
309
Trombone et Piano
287
Cor et Piano
257
Euphonium, Piano (duo)
178
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
96
Cor anglais, Piano
56
Trompette
55
Quatuor de Cuivres: 2 trompettes, Cor, trombone
46
Trombone
46
Tuba
21
2 Trombones (duo)
19
2 Cors (duo)
19
2 Trompettes (duo)
17
Cor
14
Trombone basse et Piano
12
3 Trombones (trio)
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Euphonium
11
Cor Anglais
10
Trompette (partie séparée)
9
Quatuor de Cuivres
7
4 Tubas
3
2 Cors, Piano
3
Tuba et Orgue
3
Trio de Cuivres
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Trombone (duo)
3
2 Tubas (duo)
2
Trombone, Tuba (duo)
2
Trompette, Saxophone (duo)
2
Trompette, Trombone, Piano
2
Quatuor de cuivres: 4 trombones
2
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cornet et Piano
1
Trompette, Cor (duo)
1
3 Trompettes (trio)
1
Trombone et orchestre
1
Trombone, Orgue
1
2 Euphoniums (duo)
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone basse
1
Quatuor de cuivres: 4 cors
1
Ensemble de Tubas
1
+ 42 instrumentations
Retracter
Cordes
Violon et Piano
1 101
Violoncelle, Piano
810
Alto, Piano
389
Quatuor à cordes: 2 violons, alto, violoncelle
188
Contrebasse, Piano (duo)
141
Quintette à cordes: 2 violons, alto, violoncelle, basse
67
Violon
49
Violoncelle
44
2 Violons (duo)
26
Alto seul
23
Trio à Cordes: violon, alto, violoncelle
23
Piano Trio: Violon, Alto, Piano
20
2 Altos (duo)
19
2 Violoncelles (duo)
19
Harpe
11
Violon, Alto (duo)
10
Violon, Violoncelle (duo)
9
Contre Basse
9
Violon (partie séparée)
8
Alto, Violoncelle (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Violon, Clarinette, Piano (trio)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Trio à Cordes: 2 violons, violoncelle
5
Harpe, Voix
4
Harpe, Flûte (duo)
3
Alto (partie séparée)
3
Violoncelle , Guitare (duo)
3
2 Violoncelles, Piano
2
Violoncelle, Orgue
2
2 Contrebasses (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
2 Violons, Piano
1
Trio à Cordes: 2 violons, alto
1
Alto, Orgue
1
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Harpe, Violon (duo)
1
Violoncelle, Contrebasse (duo)
1
Contrebasse (partie séparée)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
107
Orchestre d'harmonie
94
Orchestre
78
Orchestre à Cordes
59
Orchestre de chambre
28
Ensemble de cuivres
26
Jazz combo
15
Xylophone, Piano
15
Marimba
13
Cloches
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Batterie
4
Fanfare
3
Vibraphone
3
Piano et Orchestre
2
Percussion (partie séparée)
2
Ensemble de Percussions
2
Xylophone
1
Orchestre, Violon
1
2 Marimbas
1
Ensemble d'École
1
+ 16 instrumentations
Retracter
Autres
Formation musicale - Solfège
45
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Instruments
ACCORDEON
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CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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Partitions à imprimer
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9976
Piano Discoveries Piano Bk 1B
Piano Facile
Piano - Level 1+ - Digital Download Composed by Janet Vogt Zeitler and Leon Bates. Pi…
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Piano - Level 1+ - Digital Download Composed by Janet Vogt Zeitler and Leon Bates. Piano Discoveries Library Series. Piano Method. 48 pages. Heritage Music Press #40/1072H. Published by Heritage Music Press
Discover the difference a method can make with this exciting series! Piano Discoveries captures the musical imagination of students and teachers alike with appealing and sensitive repertoire, well-integrated and supportive music theory, creative activities, and a gradually paced building of technical skills that equips the student to progress successfully and musically. Created by an exceptional team: composer and teacher, Janet Vogt; world acclaimed concert artist and master teacher, Leon Bates; along with guidance and contributions from innovative composers and teachers including Nancy Telfer, Gail Berenson, Scott McBride Smith, Martha Sherrill Kelsey, and Rebecca Shockley, Piano Discoveries reflects the expertise and talents of its entire creative team.Discover the difference a method can make with this exciting series! Piano Discoveries captures the musical imagination of students and teachers alike with appealing and sensitive repertoire, well-integrated and supportive music theory, creative activities, and a gradually paced building of technical skills that equips the student to progress successfully and musically. Created by an exceptional team: composer and teacher, Janet Vogt; world acclaimed concert artist and master teacher, Leon Bates; along with guidance and contributions from innovative composers and teachers including Nancy Telfer, Gail Berenson, Scott McBride Smith, Martha Sherrill Kelsey, and Rebecca Shockley, Piano Discoveries reflects the expertise and talents of its entire creative team.
$12.95
11.94 €
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Piano Facile
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Janet Vogt Zeitler and Leon Bates
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Piano Discoveries Piano Bk 1B
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Heritage Music Press
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SheetMusicPlus
Fantasie-Legende for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced Intermediate - Digital Download Composed by …
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Piano Accompaniment, Trombone - Advanced Intermediate - Digital Download Composed by Axel Jørgensen. Arranged by Niels_Ole Bo Johansen. 20th Century, Romantic Period, Impressionistic. Score, Solo Part. 2 pages. Published by Cherry Classics Music
Fantasie-Legende für Posaune und Klavier by early 20th Century Danish composer Axel Jørgensen was forgotten for quite a while but has been rediscovered, edited and recorded by noted Danish Trombonist and educator Niels-Ole Bo Johansen.<br> <br> The work is in a late Romantic style with hints of expressionism, about 4 minutes in length and is appropriate for advanced intermediate level performers (range is up to a high B).<br> <br> The beautifully performed sample is by Mr. Johansen and pianist Erik Kaltoft from the CD, The French Connection.Fantasie-Legende für Posaune und Klavier by early 20th Century Danish composer Axel Jørgensen was forgotten for quite a while but has been rediscovered, edited and recorded by noted Danish Trombonist and educator Niels-Ole Bo Johansen.<br> <br> The work is in a late Romantic style with hints of expressionism, about 4 minutes in length and is appropriate for advanced intermediate level performers (range is up to a high B).<br> <br> The beautifully performed sample is by Mr. Johansen and pianist Erik Kaltoft from the CD, The French Connection.
$15.00
13.83 €
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Trombone et Piano
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Axel Jørgensen
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Niels_Ole Bo Johansen
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Fantasie-Legende for Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
THE GREAT WALL CONCERTO Arranged For 2 Pianos, 4 Hands
Piano seul
Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano - Level 5 - Digital Download S…
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Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano - Level 5 - Digital Download SKU: A0.1316925 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 33 pages. White Piano International Publishing #905605. Published by White Piano International Publishing (A0.1316925). THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands 33 Pages(Piano I Original Piano Score)           &(Piano II Orchestra Adaptation)Advanced Approx. Duration 13 minutes; 30 secondsBy ROBERT VAN HORNE Composing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto, capturing the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression of seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the original Conductor’s Piano & Orchestra Score of the concerto with instrumental parts (currently available at Sheet Music Plus and Sheet Music Direct), the Duo Piano Score of THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands is now also available at those two websites.Both Piano I and Piano II parts are clearly notated with phrasing, dynamics, accents, suggested fingerings and musical word descriptions for 2 Pianos, 4 Hands performances. THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands makes a wonderful and memorable performance piece for two piano recitals as well as a score for practicing with an orchestra, since Piano I is the original piano part.A 2 Pianos, 4 Hands recording or video of THE GREAT WALL CONCERTO is not available at this time, however, a 2006 recorded version with Piano & Orchestra is available for demo purposes only. Except for the piano, all other instruments included are digital samples. A YouTube video can be viewed at: http://www.youtube.com/watch?v=S_Zr10XMnJc In conclusion, THE GREAT WALL CONCERTO For Piano and Orchestra is not only a tribute to the Great Wall of China, but also to the power of music in expressing the inexpressible.Published by White Piano International Publishing Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$15.99
14.74 €
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Piano seul
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO Arranged For 2 Pianos, 4 Hands
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White Piano International Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.91 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.91 €
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Piano seul
#
Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
#
SheetMusicPlus
The Swan, (Le Cygne), by Saint-Saens, for Alto Saxophone and Piano
Saxophone Alto et Piano
Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille S…
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Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by David McKeown. Romantic Period, Repertoire, General Instructional, Recital. Score, Solo Part. 7 pages. Published by David McKeown
Le Cygne, or The Swan, is the penultimate movementof Camille Saint-Saëns’ 1886 suite, Carnivalof the Animals. Most often played as a solo piece for cello with piano,the original version was scored for solo instrument and two pianos. It was the only movement for the Carnivalthat the composer allowed to be heard in public during his lifetime. Thisversion for Alto Saxophone with Pianoaccompaniment has been arranged to best suit the key and pitch of the soloinstrument. The pdf file contains both the piano accompaniment and the separatesolo part.<br> <br> Musicians at an intermediate level and above willfind this ideal for formal and informal performances. The melody is expressiveand legato; the piano accompaniment is challenging in its constant semiquaverarpeggios. The overall performance time is around three minutes. The linked full-length youtube performance is the Clarinet version of this arrangement.<br> <br> Teacherswill enjoy using this arrangement as a fun way to help with expressive playing.The legato in both parts demand precise fingers.Le Cygne, or The Swan, is the penultimate movementof Camille Saint-Saëns’ 1886 suite, Carnivalof the Animals. Most often played as a solo piece for cello with piano,the original version was scored for solo instrument and two pianos. It was the only movement for the Carnivalthat the composer allowed to be heard in public during his lifetime. Thisversion for Alto Saxophone with Pianoaccompaniment has been arranged to best suit the key and pitch of the soloinstrument. The pdf file contains both the piano accompaniment and the separatesolo part.<br> <br> Musicians at an intermediate level and above willfind this ideal for formal and informal performances. The melody is expressiveand legato; the piano accompaniment is challenging in its constant semiquaverarpeggios. The overall performance time is around three minutes. The linked full-length youtube performance is the Clarinet version of this arrangement.<br> <br> Teacherswill enjoy using this arrangement as a fun way to help with expressive playing.The legato in both parts demand precise fingers.
$4.60
4.24 €
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Saxophone Alto et Piano
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Camille Saint- Saens
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The Swan,
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David McKeown
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SheetMusicPlus
Noona Digital Piano Method Book 1
Piano seul
Piano (With Optional MIDI) - Level 1 - Digital Download SKU: LX.40-1001 Composed by…
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Piano (With Optional MIDI) - Level 1 - Digital Download SKU: LX.40-1001 Composed by Walter and Carol Noona. Piano Method. 140 pages. Heritage Music Press #e40/1001. Published by Heritage Music Press (LX.40-1001). UPC: 000308020229.Walter & Carol Noona have combined a proven piano course with the emerging technology of the future. Teachers and students have used the NOONA BASICPIANO COURSE with great success over the last several years. Now, with the added incentive of digital enhancement, students will not only benefit from a sound beginning, but will have the pleasure of creating many SOUNDS. The student will become an orchestrator, an explorer of texture and a rhythmic adventurer! The NOONA DIGITAL PIANO METHOD is an engaging guide to keyboard study and as such can be used in several exciting ways. If the teacher is the only one with a sequencer, the use of this Magic box can be a reward and incentive in the lesson. If a student has this equipment (fully described in the method) in their practice environment or home, the opportunities are unlimited. The NOONA DIGITAL PIANO METHOD welcomes the student to keyboard study for a creative future!
$16.95
15.63 €
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Piano seul
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Walter and Carol Noona
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Noona Digital Piano Method Book 1
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Heritage Music Press
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SheetMusicPlus
Lo How a Rose E'er Blooming A Collection of Christmas Carols for Solo Piano by Michael Ware
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Various. Arranged by Michael…
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Piano Solo - Intermediate - Digital Download Composed by Various. Arranged by Michael Ware. Christian, Sacred, General Worship, Christmas, Recital. Score, Solo Part. 34 pages. Published by MusicWare Press
Lo, How a Rose E’er Blooming is a dynamic collection of seven familiar Christmas carols creatively arranged for solo piano by Michael Ware. Express the joy of the season with bursts of rhythmic energy and intimate, quiet moments. These arrangements are sure to please in a worship or concert setting.<br> <br> Collection Includes:<br> <br> Joy to the World! <br> <br> Lo, How a Rose E’er Blooming <br> <br> Angels from the Realms of Glory <br> <br> (with optional accompaniment track) <br> <br> Good Christian Men, Rejoice!<br> <br> O Holy Night <br> <br> Angels We Have Heard on High <br> <br> Carol of the Bells <br> <br> (with optional accompaniment track)<br> <br> Buying this collection provides you with a code to download the 2 accompaniment tracks from musicwarepress.comLo, How a Rose E’er Blooming is a dynamic collection of seven familiar Christmas carols creatively arranged for solo piano by Michael Ware. Express the joy of the season with bursts of rhythmic energy and intimate, quiet moments. These arrangements are sure to please in a worship or concert setting.<br> <br> Collection Includes:<br> <br> Joy to the World! <br> <br> Lo, How a Rose E’er Blooming <br> <br> Angels from the Realms of Glory <br> <br> (with optional accompaniment track) <br> <br> Good Christian Men, Rejoice!<br> <br> O Holy Night <br> <br> Angels We Have Heard on High <br> <br> Carol of the Bells <br> <br> (with optional accompaniment track)<br> <br> Buying this collection provides you with a code to download the 2 accompaniment tracks from musicwarepress.com
$18.00
16.59 €
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Piano seul
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Various
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Lo How a Rose E'er Blooming A Collection of Christmas Carols for Solo Piano by Michael Ware
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MusicWare Press
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SheetMusicPlus
Relax with French Impressionist Piano
Piano Facile
Piano - easy to intermediate - Digital Download 28 Beautiful Pieces. This edition: Sh…
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Piano - easy to intermediate - Digital Download 28 Beautiful Pieces. This edition: Sheet music. Relax with. Downloadable. Schott Music - Digital #Q42486. Published by Schott Music - Digital
English.<br> <br> Part of a new series of piano music books edited by British concert pianist Samantha Ward, and designed primarily to be played at home, simply for pleasure. .<br> <br> Selected for their relaxing qualities, the pieces in this volume range from well-known classics to delightful lesser-known gems. Featuring arrangements of pieces by French Impressionist composers, the collection is of easy/intermediate level so a competent amateur pianist will have little difficulty in mastering the pieces.<br> <br> 'RELAX WITH' SERIES - press reviews<br> <br> For those ... who now want to sit down and play the piano of an evening - purely for relaxation and personal satisfaction - these books brilliantly hit their target. They provide a huge range or wonderful music, and the selection of pieces included is near perfect. ... these books so brilliantly meet the demand expressed by so many of my teenage and adult students for beautiful music that can be enjoyed for enjoyment's sake. - PIANODAO.COM<br> <br> Thank you Schott and Samantha Ward for producing these beautiful volumes which will bring you so much joy to learners and adult players alike<br> Beate Toyka , EPTA UK Piano Magazine.English.<br> <br> Part of a new series of piano music books edited by British concert pianist Samantha Ward, and designed primarily to be played at home, simply for pleasure. .<br> <br> Selected for their relaxing qualities, the pieces in this volume range from well-known classics to delightful lesser-known gems. Featuring arrangements of pieces by French Impressionist composers, the collection is of easy/intermediate level so a competent amateur pianist will have little difficulty in mastering the pieces.<br> <br> 'RELAX WITH' SERIES - press reviews<br> <br> For those ... who now want to sit down and play the piano of an evening - purely for relaxation and personal satisfaction - these books brilliantly hit their target. They provide a huge range or wonderful music, and the selection of pieces included is near perfect. ... these books so brilliantly meet the demand expressed by so many of my teenage and adult students for beautiful music that can be enjoyed for enjoyment's sake. - PIANODAO.COM<br> <br> Thank you Schott and Samantha Ward for producing these beautiful volumes which will bring you so much joy to learners and adult players alike<br> Beate Toyka , EPTA UK Piano Magazine.
$12.99
11.98 €
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Piano Facile
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Relax with French Impressionist Piano
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Schott Music - Digital
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SheetMusicPlus
Relax with Baroque Piano
Piano Facile
Piano - easy to intermediate - Digital Download 35 Beautiful Pieces. This edition: Sh…
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Piano - easy to intermediate - Digital Download 35 Beautiful Pieces. This edition: Sheet music. Relax with. Downloadable. Schott Music - Digital #Q42485. Published by Schott Music - Digita
English.<br> <br> Part of a new series of piano music books edited by British concert pianist Samantha Ward, and designed primarily to be played at home, simply for pleasure. .<br> <br> Selected for their relaxing qualities, the pieces in this volume range from well-known classics to delightful lesser-known gems. Featuring arrangements of pieces from the Baroque period, the collection is of easy/intermediate level so a competent amateur pianist will have little difficulty in mastering the pieces.<br> <br> 'RELAX WITH' SERIES - press reviews<br> <br> For those ... who now want to sit down and play the piano of an evening - purely for relaxation and personal satisfaction - these books brilliantly hit their target. They provide a huge range or wonderful music, and the selection of pieces included is near perfect. ... these books so brilliantly meet the demand expressed by so many of my teenage and adult students for beautiful music that can be enjoyed for enjoyment's sake. - PIANODAO.COM<br> <br> Thank you Schott and Samantha Ward for producing these beautiful volumes which will bring so much joy to learners and players alike - Beate Toyka , EPTA UK Piano Magazine.English.<br> <br> Part of a new series of piano music books edited by British concert pianist Samantha Ward, and designed primarily to be played at home, simply for pleasure. .<br> <br> Selected for their relaxing qualities, the pieces in this volume range from well-known classics to delightful lesser-known gems. Featuring arrangements of pieces from the Baroque period, the collection is of easy/intermediate level so a competent amateur pianist will have little difficulty in mastering the pieces.<br> <br> 'RELAX WITH' SERIES - press reviews<br> <br> For those ... who now want to sit down and play the piano of an evening - purely for relaxation and personal satisfaction - these books brilliantly hit their target. They provide a huge range or wonderful music, and the selection of pieces included is near perfect. ... these books so brilliantly meet the demand expressed by so many of my teenage and adult students for beautiful music that can be enjoyed for enjoyment's sake. - PIANODAO.COM<br> <br> Thank you Schott and Samantha Ward for producing these beautiful volumes which will bring so much joy to learners and players alike - Beate Toyka , EPTA UK Piano Magazine.
$12.99
11.98 €
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Piano Facile
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Relax with Baroque Piano
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Schott Music - Digita
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SheetMusicPlus
Relax with Folk Piano
Piano Facile
Piano - easy to intermediate - Digital Download 38 Beautiful Pieces. This edition: Sh…
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Piano - easy to intermediate - Digital Download 38 Beautiful Pieces. This edition: Sheet music. Relax with. Downloadable. Schott Music - Digital #Q42489. Published by Schott Music - Digital
English.<br> <br> Part of a new series of piano music books edited by British concert pianist Samantha Ward, and designed primarily to be played at home, simply for pleasure. .<br> <br> Selected for their relaxing qualities, the pieces in this volume range from well-known classics to delightful lesser-known gems. Featuring arrangements of traditional pieces from around the world, the collection is of easy/intermediate level so a competent amateur pianist will have little difficulty in mastering the pieces.<br> <br> 'RELAX WITH' SERIES - press reviews<br> <br> For those ... who now want to sit down and play the piano of an evening - purely for relaxation and personal satisfaction - these books brilliantly hit their target. They provide a huge range or wonderful music, and the selection of pieces included is near perfect. ... these books so brilliantly meet the demand expressed by so many of my teenage and adult students for beautiful music that can be enjoyed for enjoyment's sake. - PIANODAO.COM<br> <br> Thank you Schott and Samantha Ward for producing these beautiful volumes which will bring you so much joy to learners and adult players alike<br> Beate Toyka , EPTA UK Piano Magazine.English.<br> <br> Part of a new series of piano music books edited by British concert pianist Samantha Ward, and designed primarily to be played at home, simply for pleasure. .<br> <br> Selected for their relaxing qualities, the pieces in this volume range from well-known classics to delightful lesser-known gems. Featuring arrangements of traditional pieces from around the world, the collection is of easy/intermediate level so a competent amateur pianist will have little difficulty in mastering the pieces.<br> <br> 'RELAX WITH' SERIES - press reviews<br> <br> For those ... who now want to sit down and play the piano of an evening - purely for relaxation and personal satisfaction - these books brilliantly hit their target. They provide a huge range or wonderful music, and the selection of pieces included is near perfect. ... these books so brilliantly meet the demand expressed by so many of my teenage and adult students for beautiful music that can be enjoyed for enjoyment's sake. - PIANODAO.COM<br> <br> Thank you Schott and Samantha Ward for producing these beautiful volumes which will bring you so much joy to learners and adult players alike<br> Beate Toyka , EPTA UK Piano Magazine.
$12.99
11.98 €
#
Piano Facile
#
Relax with Folk Piano
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Schott Music - Digital
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SheetMusicPlus
Relax with Romantic Piano
Piano Facile
Piano - easy to intermediate - Digital Download 35 Beautiful Pieces. This edition: Sh…
(+)
Piano - easy to intermediate - Digital Download 35 Beautiful Pieces. This edition: Sheet music. Relax with. Downloadable. Schott Music - Digital #Q42487. Published by Schott Music - Digital
English.<br> <br> Part of a new series of piano music books edited by British concert pianist Samantha Ward, and designed primarily to be played at home, simply for pleasure. .<br> <br> Selected for their relaxing qualities, the pieces in this volume range from well-known classics to delightful lesser-known gems. Featuring arrangements of pieces from the Romantic period, the collection is of easy/intermediate level so a competent amateur pianist will have little difficulty in mastering the pieces.<br> <br> 'RELAX WITH' SERIES - press reviews<br> <br> For those ... who now want to sit down and play the piano of an evening - purely for relaxation and personal satisfaction - these books brilliantly hit their target. They provide a huge range or wonderful music, and the selection of pieces included is near perfect. ... these books so brilliantly meet the demand expressed by so many of my teenage and adult students for beautiful music that can be enjoyed for enjoyment's sake. - PIANODAO.COM<br> <br> Thank you Schott and Samantha Ward for producing these beautiful volumes which will bring so much joy to learners and adult players alike<br> Beate Toyka , EPTA UK Piano Magazine.English.<br> <br> Part of a new series of piano music books edited by British concert pianist Samantha Ward, and designed primarily to be played at home, simply for pleasure. .<br> <br> Selected for their relaxing qualities, the pieces in this volume range from well-known classics to delightful lesser-known gems. Featuring arrangements of pieces from the Romantic period, the collection is of easy/intermediate level so a competent amateur pianist will have little difficulty in mastering the pieces.<br> <br> 'RELAX WITH' SERIES - press reviews<br> <br> For those ... who now want to sit down and play the piano of an evening - purely for relaxation and personal satisfaction - these books brilliantly hit their target. They provide a huge range or wonderful music, and the selection of pieces included is near perfect. ... these books so brilliantly meet the demand expressed by so many of my teenage and adult students for beautiful music that can be enjoyed for enjoyment's sake. - PIANODAO.COM<br> <br> Thank you Schott and Samantha Ward for producing these beautiful volumes which will bring so much joy to learners and adult players alike<br> Beate Toyka , EPTA UK Piano Magazine.
$12.99
11.98 €
#
Piano Facile
#
Relax with Romantic Piano
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Schott Music - Digital
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SheetMusicPlus
Relax with Classical Piano
Piano Facile
Piano - easy to intermediate - Digital Download 33 Beautiful Pieces. This edition: Sh…
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Piano - easy to intermediate - Digital Download 33 Beautiful Pieces. This edition: Sheet music. Relax with. Downloadable. Schott Music - Digital #Q42488. Published by Schott Music - Digital
English.<br> <br> Part of a new series of piano music books edited by British concert pianist Samantha Ward, and designed primarily to be played at home, simply for pleasure. .<br> <br> Selected for their relaxing qualities, the pieces in this volume range from well-known classics to delightful lesser-known gems. Featuring arrangements of pieces from the Classical period, the collection is of easy/intermediate level so a competent amateur pianist will have little difficulty in mastering the pieces.<br> <br> 'RELAX WITH' SERIES - press reviews<br> <br> For those ... who now want to sit down and play the piano of an evening - purely for relaxation and personal satisfaction - these books brilliantly hit their target. They provide a huge range or wonderful music, and the selection of pieces included is near perfect. ... these books so brilliantly meet the demand expressed by so many of my teenage and adult students for beautiful music that can be enjoyed for enjoyment's sake. - PIANODAO.COM<br> <br> Thank you Schott and Samantha Ward for producing these beautiful volumes which will bring so much joy to learners and players alike - Beate Toyka , EPTA UK Piano Magazine.English.<br> <br> Part of a new series of piano music books edited by British concert pianist Samantha Ward, and designed primarily to be played at home, simply for pleasure. .<br> <br> Selected for their relaxing qualities, the pieces in this volume range from well-known classics to delightful lesser-known gems. Featuring arrangements of pieces from the Classical period, the collection is of easy/intermediate level so a competent amateur pianist will have little difficulty in mastering the pieces.<br> <br> 'RELAX WITH' SERIES - press reviews<br> <br> For those ... who now want to sit down and play the piano of an evening - purely for relaxation and personal satisfaction - these books brilliantly hit their target. They provide a huge range or wonderful music, and the selection of pieces included is near perfect. ... these books so brilliantly meet the demand expressed by so many of my teenage and adult students for beautiful music that can be enjoyed for enjoyment's sake. - PIANODAO.COM<br> <br> Thank you Schott and Samantha Ward for producing these beautiful volumes which will bring so much joy to learners and players alike - Beate Toyka , EPTA UK Piano Magazine.
$12.99
11.98 €
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Piano Facile
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Relax with Classical Piano
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Schott Music - Digital
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SheetMusicPlus
Classic Duets for Two Pianos - Level 4
2 Pianos, 4 mains
Arranged by Lani Smith. For Piano Duet. Educational Piano Collection. Level 4. Published b…
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Arranged by Lani Smith. For Piano Duet. Educational Piano Collection. Level 4. Published by Heritage Music Press
$18.00
16.59 €
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2 Pianos, 4 mains
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Lani Smith
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Classic Duets for Two Pianos - Level 4
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Heritage Music Press
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SheetMusicPlus
Classic Duets for Two Pianos - Level 3
2 Pianos, 4 mains
Arranged by Lani Smith. For Piano Duet. Educational Piano Collection. Level 3. Published b…
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Arranged by Lani Smith. For Piano Duet. Educational Piano Collection. Level 3. Published by Heritage Music Press
$18.00
16.59 €
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2 Pianos, 4 mains
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Lani Smith
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Classic Duets for Two Pianos - Level 3
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Heritage Music Press
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SheetMusicPlus
Music Essences Vol.2 - Romantic Piano Ballads
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Alexander Holz. Movies, Etud…
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Piano Solo - Intermediate - Digital Download Composed by Alexander Holz. Movies, Etudes and Exercises, Repertoire, Technique Training, Wedding. 28 pages. Published by Alexander Holz
ISBN 9783750256606, 8.3 x 11.7 inches, English, German.<br> <br> Music essences were inspired by the idea of developinga piano book that is not a piano school but offers new pieces next to the oldclassics. So you can expand your repertoire for every occasion.<br> <br> The title describes the pieces as very compressedmusic ideas, or even impressions. They can be musically developed and expandedin mind. Even extended interpretations are conceivable, both in playing and interms of instrumental arrangement.<br> <br> Waltz No. 1 <br> <br> This Piano Sonata in G major has a light, liltingmelody and a midsection that underscores the style of a waltz. It is a verylively and dynamic piece. The mood is enhanced by a few diffuse moments, whichsupports the arc of suspense.<br> <br> Impromptu<br> <br> Based on Franz Schubert, this impromptu is inspired bythe trio of the fourth part of Opus 90 from 1827. The style has been expandedand reinterpreted with modern elements. The theme increases to the upperoctaves and culminates in a new theme in the midsection. It ends with a solemnmood.<br> <br> Summer<br> <br> Originally it is the theme of my first symphony forchorus and orchestra, third Movement. In this arrangement for piano, it is themelody that is intensively underlined and expressed.<br> <br> 2nd Intermezzo <br> <br> In the beginning this piece is like a nocturne byFrederic Chopin, But the midsection is based on the midsection of the secondintermezzo, opus 118 by Johannes Brahms from 1893. Mood, harmony and style ofthe midsection are also inspired by the soundtrack from "PearlHarbor" by Hans Zimmer.ISBN 9783750256606, 8.3 x 11.7 inches, English, German.<br> <br> Music essences were inspired by the idea of developinga piano book that is not a piano school but offers new pieces next to the oldclassics. So you can expand your repertoire for every occasion.<br> <br> The title describes the pieces as very compressedmusic ideas, or even impressions. They can be musically developed and expandedin mind. Even extended interpretations are conceivable, both in playing and interms of instrumental arrangement.<br> <br> Waltz No. 1 <br> <br> This Piano Sonata in G major has a light, liltingmelody and a midsection that underscores the style of a waltz. It is a verylively and dynamic piece. The mood is enhanced by a few diffuse moments, whichsupports the arc of suspense.<br> <br> Impromptu<br> <br> Based on Franz Schubert, this impromptu is inspired bythe trio of the fourth part of Opus 90 from 1827. The style has been expandedand reinterpreted with modern elements. The theme increases to the upperoctaves and culminates in a new theme in the midsection. It ends with a solemnmood.<br> <br> Summer<br> <br> Originally it is the theme of my first symphony forchorus and orchestra, third Movement. In this arrangement for piano, it is themelody that is intensively underlined and expressed.<br> <br> 2nd Intermezzo <br> <br> In the beginning this piece is like a nocturne byFrederic Chopin, But the midsection is based on the midsection of the secondintermezzo, opus 118 by Johannes Brahms from 1893. Mood, harmony and style ofthe midsection are also inspired by the soundtrack from "PearlHarbor" by Hans Zimmer.
$10.95
10.09 €
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Piano seul
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Alexander Holz
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Music Essences Vol.2 - Romantic Piano Ballads
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Alexander Holz
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SheetMusicPlus
Finger Exercises Before Hanon for piano by Yukie Smith
Piano Facile
Small Ensemble Easy Piano - Level 1 - Digital Download SKU: A0.876791 Composed by Y…
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Small Ensemble Easy Piano - Level 1 - Digital Download SKU: A0.876791 Composed by Yukie Smith. Instructional. Score. 8 pages. Yukie Smith #3537399. Published by Yukie Smith (A0.876791). 21 finger exercises (7 main finger exercises + 2 variants for each exercise) for elementary piano players. 7 pages. Also available from https://payhip.com/b/rFf0 (UK). If you're interested in reading about this exercises, please visit https://yukiestpiano.wordpress.com/2018/05/31/finger-exercises-for-piano-before-introducing-hanon/
$2.99
2.76 €
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Piano Facile
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Yukie Smith
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Finger Exercises Before Hanon for piano by Yukie Smith
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Yukie Smith
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SheetMusicPlus
Three Chromicons for piano solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGEThe pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
11.06 €
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Piano seul
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
Softly and Tenderly Piano Hymn Collection Volume 1
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Michael Ware. Christian, Sac…
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Piano Solo - Intermediate - Digital Download Composed by Michael Ware. Christian, Sacred, Praise & Worship, General Worship, Recital. 30 pages. Published by MusicWare Press
Softly and Tenderly Piano Hymn Collection Volume 1 showcases Michael Ware's artistic and accessible hymn arrangements for piano. Enjoy these unique stylistic impressions of classic favorites. Contents include: Immortal, Invisible, God Only Wise, Softly and Tenderly, Come, Thou Fount of Every Blessing, Holy Manna, Grace Greater Than Our Sin, All Creatures of Our God and King, and Londonderry Air.Softly and Tenderly Piano Hymn Collection Volume 1 showcases Michael Ware's artistic and accessible hymn arrangements for piano. Enjoy these unique stylistic impressions of classic favorites. Contents include: Immortal, Invisible, God Only Wise, Softly and Tenderly, Come, Thou Fount of Every Blessing, Holy Manna, Grace Greater Than Our Sin, All Creatures of Our God and King, and Londonderry Air.
$18.99
17.51 €
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Piano seul
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Michael Ware
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Softly and Tenderly Piano Hymn Collection Volume 1
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SheetMusicPlus
PIANO PUR
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Rainer Fabich. 21st Century,…
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Piano Solo - Intermediate - Digital Download Composed by Rainer Fabich. 21st Century, Romantic Period, Contemporary Classical, Impressionistic, Post-Romantic. Individual Part, Score. 80 pages. Published by Fajora Music
Orginal scores from the Rainer Fabich`s CD PIANO PUR played by Michaela Puehn.<br> Piano solo, 80 pages.<br> <br> About the music:<br> In Piano Scenes musical associations are reflected, strung together in a loose sequence of imaginary pictures, such as Water Visions, Waves, Fallen Angel. Images of abstract, musical style (Gradus Ad Parnassum and Homage To Satie) refer in an idealistic way to musical precursors of piano literature.<br> In the very emotional Four Nocturnes there are both exuberant and flirtatious moments, such as the night walk of a lady (Promenade D `une Dame) and Valse Pour ... Thoughtful and sometimes brooding moods sound in Songes De La Nuit (Night Thoughts ) and Une Illusion.<br> The sonic world of Latin America appears in the Imprésiones Latinas. Short snapshots characterize the typical, playful pride and charm of female sex in Cuba (Habañera) or they evoke the untamed vitality of Brazil (Impresión Brasiliana).<br> In addition to the new compositions for piano, the music edition also includes a commissioned composition for Bavarian Television, Piano Reflections and excerpts from a film score for the short film Queen of the Night (directed by Hans Lang, HFF 1996, actors and others by Juliane Köhler). In the dance of puppets, Mozart's famous aria sounds like something from the distant world, slightly alienated.<br> All pieces of the CD Rainer Fabich - Piano Pur, were recorded on a Steinway grand piano (D) in 2005 by the Munich concert pianist Prof. Michaela Puehn in the Great Concert Hall of the Academy of Music and Theater, Munich. Recording, editing and mastering: Prof. Ulrich Kraus. The notes for the film music of the CD, Memoirs of a Frustrated Hedonist (ISBN: 9783737578295) have been published in an extra volume.<br> The first live premiere and American premiere of the two pieces Bulgarian Dance / Bulgarian Dance and Homage to Satie took place in 2018 (The National Opera Center, New York) by Tania Stavreva (piano).<br> Szenen für Klavier / Scenes for piano<br> <br> 01 Opener 1:18 
02 Visionen im Wasser – Water visions 2:33<br> 03 Wellen – Waves 2:43<br> 04 Fallen Angel 2:36 <br> 05 Gradus ad parnassum 2:09 <br> 06 Wiegenlied – Lullaby 2:41<br> 07 Bulgarischer Tanz – Bulgarian dance 2:02 <br> 08 Hommage an Satie – Hommage to Satie 2:31 <br> 09 Just an affair 4:33<br> <br> Vier Nocturnes / Four Nocturnes<br> <br> 10 Songes de la nuit – Night muses 2:18<br> 11 Valse pour … – Waltz for … 2:37<br> 12 Une illusion- An illusion 2:25<br> 13 Promenade d’une dame – Promenade of a lady 3:38<br> <br> Impresiónes latinas<br> <br> 14 Habanera 2:04<br> 15 Canción triste – Melancholic song 1:28<br> 16 Impresión brasiliana - Brasilian impression 2:23<br> <br> Filmmusik “König der Nacht” / Filmmusic “Queen of the night”<br> <br> 17 Tanz der Marionetten – Dance of the marionettes (Piano) 2:06<br> 18 Tanz der Marionetten – Dance of the marionettes (Celesta) 2:00<br> <br> Piano Pur<br> <br> 19 Piano reflections 3:16Orginal scores from the Rainer Fabich`s CD PIANO PUR played by Michaela Puehn.<br> Piano solo, 80 pages.<br> <br> About the music:<br> In Piano Scenes musical associations are reflected, strung together in a loose sequence of imaginary pictures, such as Water Visions, Waves, Fallen Angel. Images of abstract, musical style (Gradus Ad Parnassum and Homage To Satie) refer in an idealistic way to musical precursors of piano literature.<br> In the very emotional Four Nocturnes there are both exuberant and flirtatious moments, such as the night walk of a lady (Promenade D `une Dame) and Valse Pour ... Thoughtful and sometimes brooding moods sound in Songes De La Nuit (Night Thoughts ) and Une Illusion.<br> The sonic world of Latin America appears in the Imprésiones Latinas. Short snapshots characterize the typical, playful pride and charm of female sex in Cuba (Habañera) or they evoke the untamed vitality of Brazil (Impresión Brasiliana).<br> In addition to the new compositions for piano, the music edition also includes a commissioned composition for Bavarian Television, Piano Reflections and excerpts from a film score for the short film Queen of the Night (directed by Hans Lang, HFF 1996, actors and others by Juliane Köhler). In the dance of puppets, Mozart's famous aria sounds like something from the distant world, slightly alienated.<br> All pieces of the CD Rainer Fabich - Piano Pur, were recorded on a Steinway grand piano (D) in 2005 by the Munich concert pianist Prof. Michaela Puehn in the Great Concert Hall of the Academy of Music and Theater, Munich. Recording, editing and mastering: Prof. Ulrich Kraus. The notes for the film music of the CD, Memoirs of a Frustrated Hedonist (ISBN: 9783737578295) have been published in an extra volume.<br> The first live premiere and American premiere of the two pieces Bulgarian Dance / Bulgarian Dance and Homage to Satie took place in 2018 (The National Opera Center, New York) by Tania Stavreva (piano).<br> Szenen für Klavier / Scenes for piano<br> <br> 01 Opener 1:18 
02 Visionen im Wasser – Water visions 2:33<br> 03 Wellen – Waves 2:43<br> 04 Fallen Angel 2:36 <br> 05 Gradus ad parnassum 2:09 <br> 06 Wiegenlied – Lullaby 2:41<br> 07 Bulgarischer Tanz – Bulgarian dance 2:02 <br> 08 Hommage an Satie – Hommage to Satie 2:31 <br> 09 Just an affair 4:33<br> <br> Vier Nocturnes / Four Nocturnes<br> <br> 10 Songes de la nuit – Night muses 2:18<br> 11 Valse pour … – Waltz for … 2:37<br> 12 Une illusion- An illusion 2:25<br> 13 Promenade d’une dame – Promenade of a lady 3:38<br> <br> Impresiónes latinas<br> <br> 14 Habanera 2:04<br> 15 Canción triste – Melancholic song 1:28<br> 16 Impresión brasiliana - Brasilian impression 2:23<br> <br> Filmmusik “König der Nacht” / Filmmusic “Queen of the night”<br> <br> 17 Tanz der Marionetten – Dance of the marionettes (Piano) 2:06<br> 18 Tanz der Marionetten – Dance of the marionettes (Celesta) 2:00<br> <br> Piano Pur<br> <br> 19 Piano reflections 3:16
$29.95
27.61 €
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Piano seul
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Rainer Fabich
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PIANO PUR
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Fajora Music
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SheetMusicPlus
What Child Is This? A Collection of Christmas Carols for Solo Piano by Michael Ware
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Various. Arranged by Michael…
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Piano Solo - Intermediate - Digital Download Composed by Various. Arranged by Michael Ware. Contemporary Classical, Christian, Sacred, Celtic, Christmas. Score, Solo Part. 30 pages. Published by MusicWare Press
What Child Is This? is a dynamic collection of seven familiar Christmas carols creatively arranged for solo piano by Michael Ware. Express the joy of the season with bursts of rhythmic energy and intimate, quiet moments. These arrangements are sure to please in a worship or concert setting.<br> <br> Collection includes:<br> <br> Christmas Angel Medley (Angels We Have Heard on High with Hark! the Herald Angels Sing)<br> <br> What Child Is This? (Greensleeves)<br> <br> On Christmas Day in the Morning (I Saw Three Ships with Good Christian Men, Rejoice)<br> <br> O Come, O Come, Emmanuel<br> <br> Still, Still, Still<br> <br> Sing We Now of Christmas<br> <br> Silent Night<br> <br> <br> <br> YouTube video includes full recordings of all seven carols as performed by the arranger.What Child Is This? is a dynamic collection of seven familiar Christmas carols creatively arranged for solo piano by Michael Ware. Express the joy of the season with bursts of rhythmic energy and intimate, quiet moments. These arrangements are sure to please in a worship or concert setting.<br> <br> Collection includes:<br> <br> Christmas Angel Medley (Angels We Have Heard on High with Hark! the Herald Angels Sing)<br> <br> What Child Is This? (Greensleeves)<br> <br> On Christmas Day in the Morning (I Saw Three Ships with Good Christian Men, Rejoice)<br> <br> O Come, O Come, Emmanuel<br> <br> Still, Still, Still<br> <br> Sing We Now of Christmas<br> <br> Silent Night<br> <br> <br> <br> YouTube video includes full recordings of all seven carols as performed by the arranger.
$18.99
17.51 €
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Piano seul
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Various
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What Child Is This? A Collection of Christmas Carols for Solo Piano by Michael Ware
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MusicWare Press
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SheetMusicPlus
There Is A Redeemer (solo piano)
Piano seul
Piano Solo - Intermediate - Digital Download By Keith Green. Arranged by Michael Ware…
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Piano Solo - Intermediate - Digital Download By Keith Green. Arranged by Michael Ware. Solo Part. 4 pages. Published by MusicWare Press
There is a Redeemer is a much loved hymn of the 1980s by Melody Green. Michael Ware’s peaceful setting helps the worshipper express their thanks to the Father with lush harmonies and soaring lines. It is especially appropriate for Holy Week and Easter.There is a Redeemer is a much loved hymn of the 1980s by Melody Green. Michael Ware’s peaceful setting helps the worshipper express their thanks to the Father with lush harmonies and soaring lines. It is especially appropriate for Holy Week and Easter.
$4.99
4.6 €
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Piano seul
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Keith Green
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Michael Ware
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There Is A Redeemer
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MusicWare Press
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SheetMusicPlus
Ennui Piano Solo - Homage to Erik Satie “Siesta In Palma”
Piano seul
Easy Piano - Level 1 - Digital Download SKU: A0.902567 By Jin Sugahara. By Jin Suga…
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Easy Piano - Level 1 - Digital Download SKU: A0.902567 By Jin Sugahara. By Jin Sugahara. Arranged by Jin Sugahara. New Age. Score. 5 pages. JIN ATELIER #6078341. Published by JIN ATELIER (A0.902567). Ennui & Easy Sheet Music for Piano Solo “Siesta In Palma†Composed by Jin Sugahara.This song is a homage to Erik Satie.Think of it as a “Gymnopedies†that anyone can play easily.Would you like to play the piano?Feel free to use my sheet music except for commercial purposes.It’s OK at your recital or in your piano classroom.Of course you can post your performance on YouTube.It would be great if you could note my name as a composer in either case.Wishing you a wonderful piano life.Jin Sugahara YouTube Channel:https://www.youtube.com/@jinsugaharaJin Sugahara Sheet Music Site:http://www.jinatelier.com/sheetmusic/©2017 JIN ATELIER CO. LTD.#PianoSheetMusic #EnnuiPiano #ErikSatie #Gymnopedies #Impressionism #EasyPiano #PianoSolo
$1.99
1.83 €
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Piano seul
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Jin Sugahara
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Jin Sugahara
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Jin Sugahara
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Ennui Piano Solo - Homage to Erik Satie “Siesta In Palma”
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JIN ATELIER
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SheetMusicPlus
Piano Press Reproducible Coloring Pages and Puzzles
Piano seul
Composed by Elizabeth C. Axford. Children, Instructional. Score. 1 pages. Piano Press #…
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Composed by Elizabeth C. Axford. Children, Instructional. Score. 1 pages. Piano Press #3639383. Published by Piano Press
$9.95
9.17 €
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Piano seul
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Elizabeth C
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Piano Press Reproducible Coloring Pages and Puzzles
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Piano Press
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SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Piano Facile
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically bringing my Debussy works to public attention in their solo piano formats, both through his recent recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores (like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording): [After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap- pears once again where the clock should be ? brieflyI owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically
bringing my Debussy works to public attention in their solo piano formats, both through his recent
recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are
true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores
(like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral
versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world
première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording):
[After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap-
pears once again where the clock should be ? briefly
$19.95
18.39 €
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Piano Facile
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Musik Fabrik Music Publishing
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SheetMusicPlus
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