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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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PIANO & CLAVIERS
Piano seul
180
Piano, Voix et Guitare
33
Piano Facile
28
Piano, Voix
27
Instruments en Do
10
Orgue
7
Accompagnement Piano
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1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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GUITARES
Guitare notes et tablatures
21
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
4
Ukulele
4
Paroles et Accords
3
2 Guitares (duo)
3
Mandoline
2
3 Guitares (trio)
1
Banjo
1
4 Guitares (Quatuor)
1
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VOIX
Chorale SATB
55
Chorale 3 parties
17
Voix Soprano, Piano
11
Chorale SSAA
8
Voix duo, Piano
7
Chorale Unison
6
Chorale TTBB
6
Voix seule
4
Chorale 2 parties
4
Voix haute
1
Voix duo
1
Voix Tenor
1
Voix basse
1
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VENTS
Saxophone
55
Quatuor de Saxophones: 4 saxophones
50
2 Saxophones (duo)
38
2 Flûtes traversières (duo)
26
Saxophone (partie séparée)
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Saxophone Alto
20
Saxophone, Clarinette (duo)
19
Saxophone Alto et Piano
19
Quintette de Saxophone: 5 saxophones
19
2 Clarinettes (duo)
19
Clarinette
17
Flûte, Hautbois, Clarinette, Basson
17
Hautbois (partie séparée)
12
Flûte traversière
12
Saxophone Tenor
12
Clarinette, Violon (duo)
11
Flûte, Clarinette (duo)
11
Hautbois, Piano (duo)
10
Clarinette, Trompette (duo)
10
Saxophone Tenor et Piano
10
Quatuor de Clarinettes: 4 clarinettes
10
Flûte traversière et Piano
9
Flûte, Violon
8
Hautbois, Basson (duo)
8
Saxophone Soprano
7
Flûte, Alto (duo)
7
3 Saxophones (trio)
7
Saxophone Soprano et Piano
6
Quatuor de Flûtes : 4 flûtes
6
Saxophone Baryton, Piano
6
Hautbois, Flûte
6
2 Hautbois (duo)
6
Hautbois, Clarinette (duo)
6
Ensemble de saxophones
5
Clarinette et Piano
5
Flûte, Saxophone (duo)
5
3 Clarinettes (trio)
5
Clarinette et Alto
5
Flûte, Trompette (duo)
4
Flûte et Guitare
4
Ensemble de Flûtes
4
Clarinette, Violoncelle (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Quintette de Flûte : 5 flûtes
3
Ensemble de Clarinettes
3
Trio de Flûtes: 3 flûtes
3
Clarinette Basse, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
3 Flûtes à bec (trio)
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette, Violon (trio)
1
Cor anglais, Piano
1
Saxophone et Orgue
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette Basse
1
Hautbois, Violoncelle
1
Clarinette, Guitare (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Trombone et Piano
20
Trombone
20
Trompette, Saxophone (duo)
13
Trompette
10
Quatuor de Cuivres
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
6
2 Trombones (duo)
6
Trompette, Trombone (duo)
6
Cor et Piano
6
Trombone (partie séparée)
4
Tuba et Piano
4
Trompette, Piano
4
2 Euphoniums et 2 Tubas
2
Euphonium, Piano (duo)
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 trombones
2
Cor anglais, Piano
1
Ensemble de Tubas
1
Trombone basse
1
Tuba
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon, Violoncelle (duo)
19
Violon
17
Violon et Piano
12
2 Violons (duo)
11
Alto, Piano
10
Violon, Alto (duo)
10
Violoncelle
7
Violoncelle, Piano
7
2 Violoncelles (duo)
7
2 Altos (duo)
6
Violoncelle (partie séparée)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Trio à Cordes: 2 violons, violoncelle
5
Contre Basse
3
Trio à Cordes: violon, alto, violoncelle
3
Contrebasse, Piano (duo)
2
4 Violoncelles
2
Alto seul
2
Alto, Violoncelle (duo)
2
Harpe
2
Quatuor à cordes: 4 violons
1
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orchestre
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
60
Orchestre
36
Ensemble de cuivres
22
Orchestre à Cordes
17
Ensemble Jazz
14
Orchestre de chambre
11
Ensemble de Percussions
6
Jazz combo
5
Cloches
5
Batterie
2
Piano et Orchestre
1
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AUTRES
Vous avez sélectionné:
One Last Time
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2001
Lin-Manuel Miranda : Hamilton - One Last Time (niveau intermédiaire)
Trombone
Téléchargez la partition Trombone Hamilton - One Last Time (niveau interm&ea…
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Téléchargez la partition Trombone Hamilton - One Last Time (niveau intermédiaire) de Miranda Lin-Manuel. Partition pour Trombone avec accomp. orchestre -- Musique de film
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Trombone
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Lin-Manuel Miranda
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Hamilton
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Tomplay
Lin-Manuel Miranda : Hamilton - One Last Time (niveau difficile)
Trombone
Téléchargez la partition Trombone Hamilton - One Last Time (niveau difficile…
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Téléchargez la partition Trombone Hamilton - One Last Time (niveau difficile) de Miranda Lin-Manuel. Partition pour Trombone avec accomp. orchestre -- Musique de film
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Trombone
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Lin-Manuel Miranda
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Hamilton
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Tomplay
Lin-Manuel Miranda : Hamilton - One Last Time (niveau intermédiaire, sax ténor)
Saxophone
Téléchargez la partition Saxophone Hamilton - One Last Time (niveau interm&e…
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Téléchargez la partition Saxophone Hamilton - One Last Time (niveau intermédiaire, sax ténor) de Miranda Lin-Manuel. Partition pour Saxophone avec accomp. orchestre -- Musique de film
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Saxophone
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Lin-Manuel Miranda
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Hamilton
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Tomplay
Lin-Manuel Miranda : Hamilton - One Last Time (niveau difficile, sax ténor)
Saxophone
Téléchargez la partition Saxophone Hamilton - One Last Time (niveau difficil…
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Téléchargez la partition Saxophone Hamilton - One Last Time (niveau difficile, sax ténor) de Miranda Lin-Manuel. Partition pour Saxophone avec accomp. orchestre -- Musique de film
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Saxophone
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Lin-Manuel Miranda
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Hamilton
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Tomplay
Lin-Manuel Miranda : Hamilton - One Last Time (niveau intermédiaire, sax alto)
Saxophone
Téléchargez la partition Saxophone Hamilton - One Last Time (niveau interm&e…
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Téléchargez la partition Saxophone Hamilton - One Last Time (niveau intermédiaire, sax alto) de Miranda Lin-Manuel. Partition pour Saxophone avec accomp. orchestre -- Musique de film
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Saxophone
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Lin-Manuel Miranda
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Hamilton
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Tomplay
Lin-Manuel Miranda : Hamilton - One Last Time (niveau difficile, sax alto)
Saxophone
Téléchargez la partition Saxophone Hamilton - One Last Time (niveau difficil…
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Téléchargez la partition Saxophone Hamilton - One Last Time (niveau difficile, sax alto) de Miranda Lin-Manuel. Partition pour Saxophone avec accomp. orchestre -- Musique de film
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Saxophone
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Lin-Manuel Miranda
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Hamilton
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Tomplay
Lin-Manuel Miranda : Hamilton - One Last Time (niveau intermédiaire, sax soprano)
Saxophone
Téléchargez la partition Saxophone Hamilton - One Last Time (niveau interm&e…
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Téléchargez la partition Saxophone Hamilton - One Last Time (niveau intermédiaire, sax soprano) de Miranda Lin-Manuel. Partition pour Saxophone avec accomp. orchestre -- Musique de film
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Saxophone
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Lin-Manuel Miranda
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Hamilton
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Tomplay
Lin-Manuel Miranda : Hamilton - One Last Time (niveau difficile, sax soprano)
Saxophone
Téléchargez la partition Saxophone Hamilton - One Last Time (niveau difficil…
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Téléchargez la partition Saxophone Hamilton - One Last Time (niveau difficile, sax soprano) de Miranda Lin-Manuel. Partition pour Saxophone avec accomp. orchestre -- Musique de film
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Saxophone
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Lin-Manuel Miranda
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Hamilton
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Tomplay
The Last Time
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.585681 By…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.585681 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Jeff Tincher. Rock. Score and parts. 17 pages. Jeff Tincher #6352209. Published by Jeff Tincher (A0.585681). Here is one of the early hits by The Rolling Stones. In the original key, this song appeared on the U.S. release Out Of Our Heads. A real 60's rock song. Duration = 3:35. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
12 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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The Rolling Stones
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Jeff Tincher
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The Last Time
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Jeff Tincher
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SheetMusicPlus
One More Last Time for solo baritone saxophone
Saxophone (partie séparée)
Baritone Saxophone Solo - Digital Download SKU: A0.921104 Composed by Nicholas Russ…
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Baritone Saxophone Solo - Digital Download SKU: A0.921104 Composed by Nicholas Russoniello. Contemporary. Individual part. 5 pages. Nicholas Russoniello #2832587. Published by Nicholas Russoniello (A0.921104). A sensual last tango for the solo baritone saxophone.
$15.00
13.86 €
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Saxophone (partie séparée)
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Nicholas Russoniello
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One More Last Time for solo baritone saxophone
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Nicholas Russoniello
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SheetMusicPlus
Lin-Manuel Miranda : Hamilton - One Last Time (niveau intermédiaire)
Flûte traversière
Téléchargez la partition Flûte Hamilton - One Last Time (niveau interm…
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Téléchargez la partition Flûte Hamilton - One Last Time (niveau intermédiaire) de Miranda Lin-Manuel. Partition pour Flûte avec accomp. orchestre -- Musique de film
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Flûte traversière
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Lin-Manuel Miranda
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Hamilton
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Tomplay
Grande : One Last Time
Voix seule
Téléchargez la partition Chant One Last Time de Grande. Partition pour Avec …
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Téléchargez la partition Chant One Last Time de Grande. Partition pour Avec accompagnement orchestre -- Pop/rock
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Voix seule
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Grande
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One Last Time
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Tomplay
Lin-Manuel Miranda : Hamilton - One Last Time (niveau intermédiaire)
Trompette
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Téléchargez la partition Trompette Hamilton - One Last Time (niveau intermédiaire) de Miranda Lin-Manuel. Partition pour Trompette avec accomp. orchestre -- Musique de film
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Trompette
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Lin-Manuel Miranda
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Hamilton
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Tomplay
Lin-Manuel Miranda : Hamilton - One Last Time (niveau intermédiaire)
Clarinette
Téléchargez la partition Clarinette Hamilton - One Last Time (niveau interm&…
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Téléchargez la partition Clarinette Hamilton - One Last Time (niveau intermédiaire) de Miranda Lin-Manuel. Partition pour Clarinette avec accomp. orchestre -- Musique de film
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Clarinette
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Lin-Manuel Miranda
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Hamilton
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Tomplay
Lin-Manuel Miranda : Hamilton - One Last Time (niveau difficile)
Flûte traversière
Téléchargez la partition Flûte Hamilton - One Last Time (niveau diffic…
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Téléchargez la partition Flûte Hamilton - One Last Time (niveau difficile) de Miranda Lin-Manuel. Partition pour Flûte avec accomp. orchestre -- Musique de film
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Flûte traversière
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Lin-Manuel Miranda
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Hamilton
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Tomplay
Lin-Manuel Miranda : Hamilton - One Last Time (niveau difficile)
Clarinette
Téléchargez la partition Clarinette Hamilton - One Last Time (niveau diffici…
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Téléchargez la partition Clarinette Hamilton - One Last Time (niveau difficile) de Miranda Lin-Manuel. Partition pour Clarinette avec accomp. orchestre -- Musique de film
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Clarinette
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Lin-Manuel Miranda
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Hamilton
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Tomplay
Lin-Manuel Miranda : Hamilton - One Last Time (niveau difficile)
Trompette
Téléchargez la partition Trompette Hamilton - One Last Time (niveau difficil…
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Téléchargez la partition Trompette Hamilton - One Last Time (niveau difficile) de Miranda Lin-Manuel. Partition pour Trompette avec accomp. orchestre -- Musique de film
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Trompette
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Lin-Manuel Miranda
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Hamilton
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Tomplay
Lin-Manuel Miranda : Hamilton - One Last Time
Voix seule
Téléchargez la partition Chant Hamilton - One Last Time de Miranda Lin-Manue…
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Téléchargez la partition Chant Hamilton - One Last Time de Miranda Lin-Manuel. Partition pour Avec accompagnement orchestre -- Musique de film
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Voix seule
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Lin-Manuel Miranda
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Hamilton
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Tomplay
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
Saxophone et Orgue
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
13.86 €
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Saxophone et Orgue
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Judith Cloud
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What Would Nina Simone Say? For Soprano Sax & Organ
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Judith Cloud
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SheetMusicPlus
5 Famous Songs by Bach for Baritone Sax Quintet
Quintette de Saxophone: 5 saxophones
Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 1 - Digital Download SKU:…
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Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 1 - Digital Download SKU: A0.957296 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748249. Published by Woods Only, Arrangements (A0.957296). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone sax quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897772: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899833: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900374: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901695: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190375Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestant.
$39.99
36.95 €
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Quintette de Saxophone: 5 saxophones
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Baritone Sax Quintet
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Woods Only, Arrangements
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SheetMusicPlus
5 Famous Songs by Bach for Saxophone Choir Quintet
Quintette de Saxophone: 5 saxophones
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.957297 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748253. Published by Woods Only, Arrangements (A0.957297). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for saxophone choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897852: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899873: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900434: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901835: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190379Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protest.
$39.99
36.95 €
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Quintette de Saxophone: 5 saxophones
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Bach, Martin Luther
#
Ander
#
5 Famous Songs by Bach for Saxophone Choir Quintet
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Woods Only, Arrangements
#
SheetMusicPlus
The Progressive Warm Up-Trombone Edition
Trombone
Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exe…
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Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.66 €
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Trombone
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The Progressive Warm Up-Trombone Edition
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SheetMusicPlus
The Last Time
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.585679 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Jeff Tincher. Rock. 16 pages. Jeff Tincher #6352203. Published by Jeff Tincher (A0.585679). Here is one of the early hits by The Rolling Stones. In the original key, this song appeared on the U.S. release Out Of Our Heads. A real 60's rock song. Duration = 3:35. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
12 €
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Quatuor de Saxophones: 4 saxophones
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The Rolling Stones
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Jeff Tincher
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The Last Time
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Jeff Tincher
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SheetMusicPlus
Patricia: A Ragtime Composition
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
12 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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1900 ragtime was
the
popular music
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Joseph Lamb
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F
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Patricia: A Ragtime Composition
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Sweetwater Brass Press
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SheetMusicPlus
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