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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
No more time
Non classifié
507
Piano & claviers
Piano seul
229
Piano, Voix
74
Piano, Voix et Guitare
38
Piano Facile
32
Instruments en Do
14
1 Piano, 4 mains
9
Orgue
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano (partie séparée)
2
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
Accordéon
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
15
Guitare
14
Ukulele
8
Piano, Guitare (duo)
7
Ligne De Mélodie, (Paroles) et Accords
5
Guitare (partie séparée)
4
Mandoline
3
Paroles et Accords
2
2 Guitares (duo)
2
Basse electrique
2
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
84
Chorale 3 parties
15
Chorale 2 parties
12
Chorale SSAA
10
Chorale TTBB
7
Voix Soprano, Piano
6
Voix seule
5
Chorale Unison
4
Voix Baryton, Piano
4
Chorale
2
Voix Tenor, Piano
2
Voix haute
2
Pack Instrumental pour Chorale
2
Voix Moyenne
1
Voix duo, Piano
1
Voix Tenor
1
Voix Alto, Piano
1
Soli, choeur mixte et accompagnement
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
85
Clarinette et Piano
65
2 Saxophones (duo)
63
Hautbois, Piano (duo)
45
Saxophone Soprano et Piano
41
Saxophone Tenor et Piano
40
Saxophone Alto et Piano
40
2 Flûtes traversières (duo)
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Quatuor de Saxophones: 4 saxophones
36
Saxophone Baryton, Piano
35
Saxophone, Clarinette (duo)
34
Clarinette
33
2 Clarinettes (duo)
27
Cor anglais, Piano
27
Clarinette, Violon (duo)
25
3 Saxophones (trio)
25
Clarinette Basse, Piano
21
Quintette de Saxophone: 5 saxophones
19
Hautbois (partie séparée)
18
Flûte, Clarinette (duo)
17
Clarinette, Trompette (duo)
17
Saxophone (partie séparée)
16
Ensemble de saxophones
16
Flûte traversière
15
Quatuor de Clarinettes: 4 clarinettes
15
2 Hautbois (duo)
14
Flûte, Violon
13
Flûte, Hautbois, Clarinette, Basson
13
Hautbois, Clarinette (duo)
12
Flûte, Saxophone (duo)
12
Clarinette et Alto
12
Flûte, Hautbois, Clarinette (trio)
11
Hautbois, Flûte
11
Saxophone Tenor
11
Saxophone Alto
10
Hautbois, Basson (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Flûte, Alto (duo)
9
Flûte, Trompette (duo)
9
Quatuor de Flûtes : 4 flûtes
7
Saxophone Soprano
6
Hautbois
6
Ensemble de Flûtes
6
Quintette de Flûte : 5 flûtes
6
Saxophone Baryton
6
2 Flûte à bec (duo)
5
Ensemble de Clarinettes
4
Piccolo, Piano
4
Quatuor de Flûtes à bec
4
Flûte à bec Soprano
4
Flûte à Bec
3
Ocarina
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte et Guitare
3
Harmonica
2
2 Clarinettes, Piano
2
Flute (partie séparée)
2
Flûte irlandaise
2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Tenor
2
5 Flûtes à bec
2
Clarinette, Violoncelle (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Violon et Violoncelle
1
Ensemble de Hautbois
1
Flûte à bec Alto, Piano
1
Ensemble De Flûte à bec
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto
1
Clarinette, Basson (duo)
1
Clarinette, Guitare (duo)
1
Saxophone et Orgue
1
Flûte à Bec, Piano
1
Flûte, Violoncelle
1
3 Clarinettes (trio)
1
Flûte, Clarinette et Basson
1
+ 72 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
53
Trombone et Piano
43
Euphonium, Piano (duo)
41
Cor et Piano
39
Trompette, Piano
31
Trompette
29
Cor anglais, Piano
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trompette, Saxophone (duo)
23
Cor
15
Trombone
13
Trompette, Trombone (duo)
12
Tuba et Piano
12
2 Trombones (duo)
12
Tuba
11
Trombone (partie séparée)
10
2 Trompettes (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette (partie séparée)
5
Quatuor de Cuivres
4
Tuba et Orgue
4
Quatuor de cuivres: 4 trombones
2
Cor (partie séparée)
2
Ensemble de Trompettes
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Cors
1
Tuba (partie séparée)
1
2 Tubas (duo)
1
4 Tubas
1
2 Cors (duo)
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
109
Violon et Piano
66
Alto, Piano
63
Trio à Cordes: violon, alto, violoncelle
57
Violoncelle, Piano
48
Violon
46
Violon, Violoncelle (duo)
33
2 Violons (duo)
26
Harpe
19
Violoncelle
18
Alto seul
15
2 Altos (duo)
14
Violon, Alto (duo)
14
2 Violoncelles (duo)
13
Contrebasse, Piano (duo)
11
Contre Basse
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
2 Harpes (duo)
5
Alto (partie séparée)
5
Alto, Violoncelle (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
2
Contrebasse (partie séparée)
2
Ensemble de Violoncelles
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Ensemble de Violons
1
Ensemble d'Altos
1
Harpe, Violon (duo)
1
4 Contrebasses
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
65
Orchestre à Cordes
49
Ensemble Jazz
31
Ensemble de cuivres
27
Orchestre
23
Orchestre de chambre
14
Cloches
12
Ensemble de Percussions
3
Jazz combo
3
Batterie (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone, Piano
2
Batterie
2
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
No more time
Partitions à imprimer
3 589 partitions trouvées
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3576
No more time
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Chorale SATB
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FACILE
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Steven Samuel Dubulakta
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Steven Samuel Dubulakta
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No more time
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Semii Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1297316 By Steven Samuel Dubulakta. By Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. A Ca...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1297316 By Steven Samuel Dubulakta. By Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. A Cappella,Advent,Christian,Hip-Hop,Religious. 1 pages. Semii Music #887394. Published by Semii Music (A0.1297316). Title: No more TimeWe're living in an age where there is more trouble and pain. Sickness, death, hunger, sorrow and pain are crippling our lives from living a free, happy life. This song will remind you that we have no more time left to live on. Sooner we're gonna leave this place and go to dwell with Him who have dominion on earth. Please download this song to find comfort in music.Cheers ðŸ™.
$10.99
Sometimes You Gotta Make a Wave
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Chorale 3 parties
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FACILE
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Contemporain
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Jon Arterton
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Sometimes You Gotta Make a Wav
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Jon Arterton
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.777034 Composed by Jon Arterton. Contemporary. Octavo. 11 pages. Jon Arterton #6029403. Published by Jon Arterton...
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Choral Choir (SAB) - Level 2 - SKU: A0.777034 Composed by Jon Arterton. Contemporary. Octavo. 11 pages. Jon Arterton #6029403. Published by Jon Arterton (A0.777034). A song that's just right for these times of political and social unrest. Sometimes you gotta make a wave. Sometimes you gotta take a stand. Sometimes you simply gotta get right up, speak your mind, tell the truth, oh yes. No more thoughts of giving up. No more thoughts of giving in. No more waiting oh so patiently, quietly, cautiously – oh no. Now it’s time to take a chance. Now it’s time to face your fear. Now it’s time to use your voice. Now you haven’t any choice.See a video at https://www.youtube.com/watch?v=WNMEOYulhBs&t=3s
$2.49
Jonathan Kitching : Know No More (ABRSM Drum Kit Exams from 2024, Grade 5, B:2)
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Batterie
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INTERMÉDIAIRE/AVANCÉ
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Jonathan Kitching
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Know No More
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Tomplay
Téléchargez la partition Batterie Know No More (ABRSM Drum Kit Exams from 2024, Grade 5, B:2) de Jonathan Kitching. Partition avec audio Play Along. Exercices...
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Téléchargez la partition Batterie Know No More (ABRSM Drum Kit Exams from 2024, Grade 5, B:2) de Jonathan Kitching. Partition avec audio Play Along. Exercices et gammes,Pop/rock,R&B et
4.99€
Divertimento in B-Flat, K.439b no 2
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3 Saxophones (trio)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Robert Stevens
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Divertimento in B-Flat, K.439b
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SAXpress.com
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SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1405116 Composed by Wolfgang Am...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1405116 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Stevens. Chamber,Classical. 60 pages. SAXpress.com #988156. Published by SAXpress.com (A0.1405116). Divertimento in B Flat (1783) K439b no 2 W. A. Mozart ((1756 – 1791)) Saxophone Trio, flexible instrumentation Divertimento in B Flat K.439b by Mozart, arranged for sax trio, flexible instrumentation. This is number two of a set of five divertimentos written around 1783. Originally, the works were written for 3 basset horns but were also performed by other wind and string ensembles. They are commonly performed by two clarinets and a bassoon today. This arrangement is for saxophone trio with flexible scoring.Divertimento in B Flat has five movements: Allegro (Common time, tempo around 124 bpm, B-flat major throughout, about 2.25 minutes) Minuetto 1 (3/4 time, tempo around 124-136 bpm, ABA form, B-flat major to E-flat major to B-flat, about 3.75 minutes) Larghetto (3/4 time, tempo around 60 bpm, B flat major throughout, about 4 minutes) Minuetto 2 (3/4 time, tempo around 136 – 144 bpm, ABA form, B-flat major to F to B-flat major, about 3.5 minutes) Rondo (2/4 time, tempo around 144 – 152 bpm, ABACA form, B-flat major except when the C section wanders to F minor, about 3.25 minutes) The first movement features a lively main theme and a carefree, somewhat mellow alternate theme. Minuet 1 has a graceful main theme and relaxed, somewhat playful trio section. The movement three Larghetto is slow and dreamy. It even seems to yawn when the music several times indulges in long pauses. The second Minuet movement is livelier and a bit more colorful and playful than the first with a lively trio section. The concluding Rondo (Allegro) is energetic and colorful, with syncopations and interesting key shifts to add interest.This version of Divertimento in B-flat includes the following parts: Full trio score (C score), 20pp Part 1 – soprano saxophone, 8pp Part 2 – soprano saxophone 2, 8pp Part 2 – alto saxophone, 8pp Part 3 – tenor saxophone, 8pp Part 3 – baritone saxophone, 8pp The printed score and parts are 9″x 12″. The alternate parts included with this arrangement allow a great deal of flexibility in your ensemble. The parts can be played in any combination as long as part one, two, and three are covered. Probably Soprano-Alto-Tenor or Soprano-Alto-Baritone would be the most common grouping. However, even though it is not specified on the parts, there is no reason the piece could not be played by a Tenor/Tenor/Baritone ensemble. Also if a bass sax is available it could certainly cover the part 3 tenor sax part.
$24.95
Hard Times Come Again No More
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Chorale SATB
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DÉBUTANT
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Stephen Foster
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Thomas Degan
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Co
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Hard Times Come Again No More
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Thomas Degan
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1444628 Composed by Stephen Foster. Arranged by Thomas Degan. 19th Century,A Cappella,Early Music,Fo...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1444628 Composed by Stephen Foster. Arranged by Thomas Degan. 19th Century,A Cappella,Early Music,Folk,Patriotic. 2 pages. Thomas Degan #1024522. Published by Thomas Degan (A0.1444628). Hard Times Come Again No More (sometimes, Hard Times) is an American parlor song written by Stephen Foster. It was published in New York City by Firth, Pond & Co. in 1854 as Foster's Melodies No. 28. Well-known and popular in its day,[1] both in the United States and Europe,[2][3] the song asks the fortunate to consider the plight of the less fortunate and includes one of Foster's favorite images: a pale drooping maiden.Released seven years before the American Civil War, it gained great popularity during that conflict as an expression of suffering and hardship, to the point that a satirical version about soldiers' food became widely circulated as well, Hard Tack Come Again No More.-Wikipedia.
$1.99
Do That To Me One More Time
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Flûte et Guitare
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INTERMÉDIAIRE
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Rock
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Captain & Tennille
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Derek Hasted
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Do That To Me One More Time
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.797812 By Captain & Tennille. By Toni Tennille. Arranged by Derek Hasted. Pop,Rock....
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.797812 By Captain & Tennille. By Toni Tennille. Arranged by Derek Hasted. Pop,Rock. Score and parts. 11 pages. Derek Hasted #6305233. Published by Derek Hasted (A0.797812). DO THAT TO ME ONE MORE TIME - FLUTE and GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This fantastic melody deserves more fame than it gets, though when it first came out it was Captain and Tennille’s second No 1 hit on the Billboard Hot 100 chart.My arrangement captures the three verses that feature in this piece, and also the instrumental break (originally on the lyricon), which has most of the ornamentation, except for the big bends that the lyricon can do electronically. This arrangement is set in the same keys as the original, and modulates from C to G (for the instrumental) and then to D.The accompaniment fits nicely on guitar, and it’s ideal for an intermediate duo. The guitar seldom comes out of first position and uses familiar chord shapes. The flute part has a top G, but it can easily be replaced by another top E if the G is not rock solid. By the same token, some of the repeated notes can be replaced by a sustained note if you feel that makes for a more relaxed articulation.This is one of those pieces that a concert audience will be humming all the way home...I hope you enjoy playing this piece!
$4.99
Do That To Me One More Time
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Rock
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Captain & Tennille
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Derek Hasted
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Do That To Me One More Time
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Derek Hasted
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.797814 By Captain & Tennille. By Toni Tennille. Arranged by Derek Hasted. Pop,Rock. Score...
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.797814 By Captain & Tennille. By Toni Tennille. Arranged by Derek Hasted. Pop,Rock. Score and parts. 13 pages. Derek Hasted #6306437. Published by Derek Hasted (A0.797814). DO THAT TO ME ONE MORE TIME - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This fantastic melody deserves more fame than it gets, though when it first came out it was Captain and Tennille’s second No 1 hit on the Billboard Hot 100 chart.My arrangement captures the three verses that feature in this piece, and also contains the instrumental break (originally on the lyricon), with most of the ornamentation (except for the big bends that the lyricon can do electronically).This arrangement is set in the same keys as the original, and modulates from C to G (for the instrumental) and then to D.The accompaniment fits nicely on guitar, and it’s ideal for an intermediate duo. With the exception of the instrumental break, which is taken by Guitar 1, neither guitar part comes out of first position all that much, and both parts use familiar chord shapes, whichever key the piece is in at that moment...The roles of tune and accompaniment change over at each verse, so there’s plenty of variety for the players and audience alike.This is one of those pieces that a concert audience will be humming all the way home...I hope you enjoy playing this piece!
$4.99
Orgelsinfonie No. 16
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Orgue
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AVANCÉ
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Scho...
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Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
Mozart: Viennese Sonatina No.5 in F (selection of Mvts from 5 Divertimenti K439b) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Viennese Sonatina No.5
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1165838 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Tho...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1165838 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 18 pages. RayThompsonMusic #766210. Published by RayThompsonMusic (A0.1165838). Arranged standard wind quintetIncludes natural Horn in FThe Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of movements from  the Five Wind Divertimentos for 3 basset horns, K. 439b which Mozart wrote in 1783.The Divertimentos are notable for their conciseness of form and their melodic richness. Each divertimento has 5 mvts.They therefore make an excellent introduction to Mozart's piano music, even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement, but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover, some of the Trios have been exchanged and recapitulations have been shortened in some instances.Thry are in varying keys, unlike the original divertimenti, so my arrangements reflect thus.This is my arrangement for wind quintet of Sonatina No.5 in F major.The original 3 parts have been reallocated around the quintet, with some octave and harmony additions.I have added an original natural horn part for a more authentic Mozart sound.There are 3 movements: Larghetto (Divertimento No.4 Mvt.2) Menuetto and Tro (Divertimento No.3 Mvt.2) Polonaise (Divertimento No.5 Mvt.5)
$15.95
Hard Time Come Again No More - for Brass Ensemble, Steven Foster
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Folklorique/Traditionel
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Steven Foster 1854
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K
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Beginner-Intermediate level
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Hard Time Come Again No More -
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KS through Sheet Music Plus
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SheetMusicPlus
Brass Ensemble Trumpet - Level 2 - SKU: A0.1007917 Composed by Steven Foster 1854. Arranged by K.Sater. Folk. Score and parts. 3 pages. KS through Sheet...
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Brass Ensemble Trumpet - Level 2 - SKU: A0.1007917 Composed by Steven Foster 1854. Arranged by K.Sater. Folk. Score and parts. 3 pages. KS through Sheet Music Plus #6245483. Published by KS through Sheet Music Plus (A0.1007917). Hard Times Come Again No More arrangement for Brass Ensemble (3 Trumpet, 1 Flugelhorn, 1 Trombone). Tune by Steven Foster in 1854. Beginner-Intermediate level.
$5.00
Mozart: Viennese Sonatina No.1 in C (selection of Mvts from 5 Divertimenti K439b) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Viennese Sonatina No.1
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1164221 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Tho...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1164221 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 28 pages. RayThompsonMusic #764570. Published by RayThompsonMusic (A0.1164221). Arranged standard wind quintetIncludes natural Horn in C basso (alt Hn in F)The Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of selected movements from the Five Wind Divertimentos for 3 basset horns, K. 439b which Mozart wrote in 1783.The Divertimentos are notable for their conciseness of form and their melodic richness. (Each divertimento has 5 movements.)They therefore make an excellent introduction to Mozart's piano music, even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement, but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover, some of the Trios have been exchanged and recapitulations have been shortened in some instances.This is my arrangement for wind quintet of Viennese Sonatina No.1 in CThe original 3 parts have been reallocated around the quintet, with some octave and harmony additions.I have added an original natural horn part for a more authentic Mozart sound.
$19.95
Mozart: Viennese Sonatina No.3 in D (selection of Mvts from 5 Divertimenti K439b) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Viennese Sonatina No.3
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1168108 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Tho...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1168108 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 21 pages. RayThompsonMusic #768460. Published by RayThompsonMusic (A0.1168108). Arranged wind quintetNatural Horn in D (Alt hn in F)Clarinet in AThe Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of movements from the Five Wind Divertimentos for 3 basset horns, K. 439b which Mozart wrote in 1783.The Divertimentos are notable for their conciseness of form and their melodic richness. Each divertimento has 5 mvts.They therefore make an excellent introduction to Mozart's piano music, even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement, but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover, some of the Trios have been exchanged and recapitulations have been shortened in some instances.Thry are in varying keys, unlike the original divertimenti, so my arrangements reflect thus.This is my arrangement for wind quintet of Sonatina No.3 in D major.The original 3 parts have been reallocated around the quintet, with some octave and harmony additions.I have added an original natural horn part for a more authentic Mozart sound.There are 3 movements: Adagio Menuetto and trio RondoÂ
$19.95
Mozart: Viennese Sonatina No.4 in Bb (selection of Mvts from 5 Divertimenti K439b) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Viennese Sonatina No.4
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1172748 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Tho...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1172748 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 22 pages. RayThompsonMusic #772984. Published by RayThompsonMusic (A0.1172748). Arranged wind quintetIncludes natural Horn in Bb basso (Alt Hn in F provided)The Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of selected movements from the Five Wind Divertimentos for 3 basset horns, K. 439b which Mozart wrote in 1783.The Divertimentos are notable for their conciseness of form and their melodic richness. (Each divertimento has 5 movements.)They therefore make an excellent introduction to Mozart's piano music, even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement, but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover, some of the Trios have been exchanged and recapitulations have been shortened in some instances.This is my arrangement for wind quintet of Viennese Sonatina No.4 in Bb The original 3 parts have been reallocated around the quintet, with some octave and harmony additions.I have added an original natural horn part for a more authentic Mozart sound.
$19.95
Mozart: Viennese Sonatina No.6 in C (selection of Mvts from 5 Divertimenti) K439b - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Viennese Sonatina No.6
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1163321 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Tho...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1163321 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 25 pages. RayThompsonMusic #763642. Published by RayThompsonMusic (A0.1163321). Arranged standard wind quintetIncludes natural Horn in C bassoThe Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of movements from  the Five Wind Divertimentos for 3 basset horns, K. 439b which Mozart wrote in 1783.The Divertimentos are notable for their conciseness of form and their melodic richness. Each divertimento has 5 mvts They therefore make an excellent introduction to Mozart's piano music, even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement, but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover, some of the Trios have been exchanged and recapitulations have been shortened in some instances.Thry are in varying keys, unlike the original divertimenti, so my arrangements reflect thus.This is my arrangement for wind quintet of No.6 in C major.The original 3 parts have been reallocated around the quintet, with some octave and harmony additions.I have added an original natural horn part for a more authentic Mozart sound.
$19.95
Mozart: Viennese Sonatina No.2 in A (selection of Mvts from 5 Divertimenti K439b) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Viennese Sonatina No.2
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1167851 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Tho...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1167851 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 20 pages. RayThompsonMusic #768204. Published by RayThompsonMusic (A0.1167851). Arranged wind quintetNatural Horn in AClarinet in AThe Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of movements from the Five Wind Divertimentos for 3 basset horns, K. 439b which Mozart wrote in 1783.The Divertimentos are notable for their conciseness of form and their melodic richness. Each divertimento has 5 mvts.They therefore make an excellent introduction to Mozart's piano music, even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement, but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover, some of the Trios have been exchanged and recapitulations have been shortened in some instances.Thry are in varying keys, unlike the original divertimenti, so my arrangements reflect thus.This is my arrangement for wind quintet of Sonatina No.2 in A major.The original 3 parts have been reallocated around the quintet, with some octave and harmony additions.I have added an original natural horn part for a more authentic Mozart sound.There are 4 movements: Allegro Menuetto and Trio Adagio Rondo
$19.95
DvoÅ™ák: Largo from the New World Symphony for Oboe d'Amore & Piano
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549427 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic ...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549427 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494165. Published by jmsgu3 (A0.549427). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,S...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Oboe d'Amore & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe d'Am
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
No More Tears
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New Age
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Contemporain
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Sydney Stevens
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No More Tears
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Sydney Stevens, Water Music
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.859703 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score and parts. 5 pages. Sydney Steven...
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Small Ensemble - Level 3 - SKU: A0.859703 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score and parts. 5 pages. Sydney Stevens, Water Music #5954089. Published by Sydney Stevens, Water Music (A0.859703). Contact: sydneystevenspianostudio@gmail.comNo More Tears: Piano Solo by Sydney Stevens (ASCAP), from the album Waltz of Life.Performance Time: 3:09Sounds like: Liz Story, Peter Kater, Rachel Currea, Michelle Mclaughlin, Greg Star, Doug Hammer, Jim Chappell, Steven Cravis, Laura Sullivan, David Nevue, Scott Cossu.Theme: Moving forward after a difficult period of time.Mood: Hopeful, peacefulMusical Traits: Easy listening, New Age acoustics.Appropriate for: Recital, weddings, special music in church.Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:
$4.95
No More Pain by Anton
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Anton R
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No More Pain by Anton
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Antonality
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published...
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Piano Solo - Level 4 - SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published by Antonality (A0.818064). No More Pain - in memory of Sr. Cecille Tajanlangit, OSC. The very last note says it all...In October 2016, my younger sister Marilou, who is also Sr. Cecille Tajanlangit, OSC, Mother Abbess of the St. Clare Monastery in Biliran, Leyte, Philippines, died of a chronic illness that had no known cure and that had caused her so much pain and suffering through so many years.A few months before, and going into the time that she died, she had been listening to all my works, 24/7, by her bedside. She told me over an overseas call that she was my number one fan and joked that she wanted to be the president of a fan club she was going to start up for me.But then not long afterward, she passed away-more than 13,000 kilometres away from me.I just composed this very sad piano piece to commemorate her life, which she had dedicated to Christ in His sufferings too. I'm sure she will hear this too from wherever she is. I did ask her, when she was still alive, to let God hear all my works when she gets to heaven. She said she would. Maybe that's where my fan club will be set up, among the angels!Those who were by her death bed recount that she twitched slightly on her last breath, and at the next instant a smile of deliverance showed up on her face!Please play the piece and try to decipher the hidden meanings behind each section. Towards the end of the piece, she falls into Jesus' lap and ... on the very last note, everything that she was hoping for came true. NO MORE PAIN!P.S. Musicians who hear this will recognize it as the Tierce de Picardie.
$10.99
Hard Times Come Again No More
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Chorale 3 parties
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Folklorique/Traditionel
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Stephen Foster
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Jon Arterton
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Hard Times Come Again No More
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Jon Arterton
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SheetMusicPlus
Choral Choir (SAB) - SKU: A0.777029 Composed by Stephen Foster. Arranged by Jon Arterton. Folk,Traditional. Octavo. 6 pages. Jon Arterton #5302629. Publ...
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Choral Choir (SAB) - SKU: A0.777029 Composed by Stephen Foster. Arranged by Jon Arterton. Folk,Traditional. Octavo. 6 pages. Jon Arterton #5302629. Published by Jon Arterton (A0.777029). What a perfect song for these times. Tis the song, the sigh of the weary.Hard times, hard times, come again no more.Many days you have lingered all around my door.Oh, hard times, come again no more..
$2.25
Do That To Me One More Time
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Captain & Tennille
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John Fries
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Do That To Me One More Time
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.500265 By Captain & Tennille. By Toni Tennille. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. Lead Sheet / F...
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C Instrument - Level 4 - SKU: A0.500265 By Captain & Tennille. By Toni Tennille. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113453. Published by John Fries (A0.500265). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Do That to Me One More Time is a song performed by the American pop duo Captain & Tennille. It was their 13th charting hit in the United States, and their second number 1 hit on the Billboard Hot 100 chart. It features a Lyricon solo by saxophonist Tom Scott, though Captain mimed to this part on a descant recorder in the promotional video. Do That to Me One More Time was a comeback for the duo, but they failed to achieve further success on Casablanca and their contract was not renewed. Vocalist and songwriter Toni Tennille played the song for Bogart at her house with husband Daryl Dragon in Pacific Palisades, California on an electric piano. Bogart reacted enthusiastically, saying: That's a smash! There's no doubt in my mind that's going to be your first single..
$3.99
TIME 3
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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TIME 3
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066550 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 133. THEMIS KOUTRAS #4764685. P...
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Piano - SKU: A0.1066550 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 133. THEMIS KOUTRAS #4764685. Published by THEMIS KOUTRAS (A0.1066550). This is about time and space travel as we progress in the future we can now wipe the universe off the map it's purpose of this song is for us to learn not to terrorize or horror one another it is for the purpose to war no more that peace comes on earth for the always will we go to extinct? to live no more? or will we learn? to stop all wars? and to stop terror? or horror? will you all learn from me? to go to peace today? and for the always?
$4.99
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