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ACCORDEON
ALTO
AUTOHARPE
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BASSON
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CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
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PIANO & CLAVIERS
Piano seul
481
Piano, Voix
262
Piano Facile
252
Orgue
154
Piano, Voix et Guitare
32
Instruments en Do
29
Accompagnement Piano
15
Orgue, Trompette (duo)
14
1 Piano, 4 mains
14
Accordéon
10
Piano Trio: piano, violon, violoncelle
9
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
4
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
3
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1
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1
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1
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GUITARES
Guitare
373
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232
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121
Mandoline
107
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41
2 Guitares (duo)
40
Ensemble de guitares
25
Ukulele Baryton
15
Ligne De Mélodie, (Paroles) et Accords
10
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8
3 Guitares (trio)
3
Dulcimer
2
Banjo
2
Piano, Guitare (duo)
2
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2
Luth
1
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1
Guitare, Violon, Violoncelle (trio)
1
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VOIX
Chorale SATB
835
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277
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88
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74
Chorale
70
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68
Chorale TTBB
63
Voix haute
44
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23
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22
Voix seule
22
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17
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15
Pack Instrumental pour Chorale
14
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11
Voix duo
11
Chorale SATTBB, Clavier
8
Voix Soprano, Piano
6
Voix moyenne, Piano
5
Voix Alto, Piano
4
Voix Baryton, Piano
3
Voix, Guitare
3
Chorale SSATTB
2
Voix basse, Piano
2
Chorale SSAB a cappella
1
Voix Tenor
1
Voix basse
1
Voix Tenor, Piano
1
Male Voice
1
Chorale SSATB
1
Instrumentations suivantes
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VENTS
Quatuor de Flûtes à bec
188
Quatuor de Clarinettes: 4 clarinettes
154
Quatuor de Saxophones: 4 saxophones
153
Flûte, Hautbois, Clarinette, Basson
143
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
119
Quatuor de Flûtes : 4 flûtes
115
Flûte à bec Soprano
93
Flûte et Guitare
84
Ensemble de Clarinettes
70
3 Flûtes à bec (trio)
64
Flûte traversière et Piano
58
Flûte traversière
58
2 Saxophones (duo)
54
Flûte à bec Alto
51
Clarinette et Piano
48
Trio de Flûtes: 3 flûtes
47
Ensemble De Flûte à bec
46
2 Flûtes traversières (duo)
46
5 Flûtes à bec
45
Ensemble de Flûtes
43
Ocarina
40
3 Clarinettes (trio)
40
Quintette de Saxophone: 5 saxophones
40
Saxophone Alto et Piano
40
Quintette de Clarinettes: 5 clarinettes
40
3 Saxophones (trio)
37
2 Clarinettes (duo)
35
Hautbois, Piano (duo)
34
Clarinette, Guitare (duo)
33
Quintette de Flûte : 5 flûtes
28
Saxophone (partie séparée)
27
Ensemble de saxophones
26
Flûte à Bec
25
Clarinette (partie séparée)
24
Saxophone Tenor et Piano
23
Cor anglais, Guitare (duo)
21
2 Flûte à bec (duo)
21
Saxophone et Guitare
19
Flûte, Clarinette (duo)
17
Clarinette
16
Cor anglais, Piano
14
Hautbois, Clarinette, Basson (trio d'anches)
12
2 Hautbois (duo)
11
Hautbois (partie séparée)
11
Flute (partie séparée)
11
Flûte, Hautbois, Basson
10
Flûte, Hautbois (duo)
10
Flûte, Violoncelle
9
Saxophone Alto
9
Clarinette, Harpe (duo)
8
Saxophone Soprano et Piano
8
Hautbois, Basson (duo)
8
Flûte à bec, Guitare (duo)
8
Flûte à bec Alto, Piano
7
Cor anglais et Harpe (duo)
6
Clarinette, Basson (duo)
6
Flûte à bec Soprano, Piano
6
Flûte à bec, Harpe
6
Flûte, Clarinette et Basson
5
Flûte, Violon et Violoncelle
5
Hautbois, Guitare (duo)
5
Hautbois
4
Flûte, Violoncelle, Piano (trio)
4
Hautbois, Basson et Piano
4
Flûte, Hautbois, Clarinette (trio)
4
Hautbois, Clarinette (duo)
3
Saxophone Baryton, Piano
3
Hautbois, Flûte
2
Flûte, Trombone (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Ensemble de Hautbois
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Violon
1
Flûte à bec Tenor
1
Flûte, Violon, Piano
1
Clarinette, Contrebasse (duo)
1
Ensemble à vent
1
Clarinette, Tuba
1
Hautbois, Violoncelle
1
Flûte, Saxophone (duo)
1
Flûte et Quatuor à Cordes
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Guitare
1
Hautbois, Clarinette et Piano (Trio)
1
2 Hautbois, Piano
1
Cor Anglais
1
Flûte, Trompette (duo)
1
2 Saxophones, Piano
1
Flute, harpe et violon
1
Clarinette, Trombone (duo)
1
4 Hautbois
1
Clarinette, Violoncelle (duo)
1
Cornemuse
1
Flûte irlandaise
1
2 Flûtes traversières, Piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
371
Quatuor de Cuivres : 2 trompettes, trombone, tuba
78
Quatuor de cuivres: 4 trombones
58
Quatuor de cuivres: 4 cors
56
Quatuor de Cuivres: 2 trompettes, Cor, trombone
46
Ensemble de Trombones
39
Trompette, Piano
38
Trombone
33
Ensemble de Trompettes
30
Trombone et Piano
29
Quatuor de Cuivres
29
Trompette, Trombone (duo)
23
Cor et Piano
23
2 Trombones (duo)
23
Trompette
23
Cor anglais, Guitare (duo)
21
2 Trompettes (duo)
19
Tuba et Piano
18
Trio de Cuivres
18
Trompette (partie séparée)
17
4 Tubas
15
Trombone (partie séparée)
15
Cor anglais, Piano
14
3 Trombones (trio)
13
Cor
13
2 Euphoniums et 2 Tubas
11
Tuba
10
Ensemble de Cors
10
2 Cors (duo)
10
Tuba (partie séparée)
8
Quatuor de cuivres: 4 trompettes
8
Cor (partie séparée)
8
Cor anglais et Harpe (duo)
6
Euphonium
5
Euphonium, Tuba (duo)
4
Cor et Harpe
3
2 Tubas (duo)
3
3 Trompettes (trio)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
3 Euphoniums
1
Trombone basse
1
3 Cors (trio)
1
Trombone basse et Piano
1
Trombone, Orgue
1
Tuba et Orgue
1
Trompette, violon (duo)
1
Trompette, Harpe
1
Cor Anglais
1
4 Euphoniums
1
Trompette, Cor (duo)
1
Cor, Violoncelle (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
279
Violon et Piano
81
Harpe
81
Trio à Cordes: violon, alto, violoncelle
68
Violoncelle, Piano
64
Violon
49
Alto, Piano
43
Violon, Violoncelle (duo)
41
2 Violoncelles (duo)
40
Violoncelle
37
2 Violons (duo)
34
Violoncelle , Guitare (duo)
29
4 Violoncelles
21
Violon, Alto (duo)
20
Violon, Guitare (duo)
20
Violon (partie séparée)
20
Trio à Cordes: 3 violoncelles
18
Alto, Guitare (duo)
17
Harpe, Flûte (duo)
17
Alto seul
17
Trio à cordes
16
2 Altos (duo)
16
Alto, Violoncelle (duo)
15
2 Harpes (duo)
14
Trio à cordes: 3 violins
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Contrebasse, Piano (duo)
11
Harpe, Violoncelle (duo)
11
Alto (partie séparée)
9
Contre Basse
8
Trio à cordes: 3 altos
8
2 Contrebasses (duo)
7
Harpe, Violon (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Quatuor à cordes: 4 violons
7
Alto et Harpe
7
Violoncelle (partie séparée)
7
Contrebasse (partie séparée)
7
Quatuor à cordes : 4 altos
6
Harpe, Voix
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Violoncelle, Contrebasse (duo)
5
Ensemble de Violoncelles
3
Violoncelle, Orgue
2
Piano Trio: Violon, Alto, Piano
2
Violon, Basse continue
2
2 Altos, Piano
1
Harpe et Piano
1
4 Contrebasses
1
Violon, Orgue
1
Flûte, Contrebasse (duo)
1
Ensemble d'Altos
1
2 Violons et Basse continue
1
Alto et Basson
1
2 Violoncelles, Piano
1
Violon, Basson (duo)
1
Ensemble de Violons
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Ensemble de cuivres
289
Orchestre d'harmonie
221
Orchestre à Cordes
166
Orchestre
45
Orchestre de chambre
24
Quintette à Vent
19
Percussion (partie séparée)
15
Cloches
15
Ensemble Jazz
11
Quatuor à Vent : 4 instruments à vents
8
Fanfare
8
Marimba
5
Timbales (partie séparée)
4
Ensemble de Percussions
3
Xylophone
2
Batterie
2
Percussion
2
Orchestre Symphonique
1
Trio à Vent: 3 instruments à vents
1
Vibraphone
1
Ensemble d'École
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Renaissance
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9976
Renaissance Suite (29-Piece Digital Pack)
Orchestre d'harmonie
Concert Band - Level 2-3 - Digital Download SKU: HX.337380 By Tielman Susato. Arran…
(+)
Concert Band - Level 2-3 - Digital Download SKU: HX.337380 By Tielman Susato. Arranged by James Curnow. This edition: scorch. Festival,Renaissance. 1 pages. Duration 390. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.337380).
Digital Pack includes:Renaissance Suite - Conductor Score (Full Score)Renaissance Suite - Pt.1 - FluteRenaissance Suite - Pt.1 - OboeRenaissance Suite - Pt.1 - Bb Clarinet/Bb TrumpetRenaissance Suite - Pt.1 - ViolinRenaissance Suite - Pt.2 - Bb Clarinet/Bb TrumpetRenaissance Suite - Pt.2 - Eb Alto SaxophoneRenaissance Suite - Pt.2 - ViolinRenaissance Suite - Pt.3 - Bb ClarinetRenaissance Suite - Pt.3 - Bb Tenor SaxophoneRenaissance Suite - Pt.3 - Eb Alto Sax/Alto Clar.Renaissance Suite - Pt.3 - F HornRenaissance Suite - Pt.3 - ViolinRenaissance Suite - Pt.3 - ViolaRenaissance Suite - Pt.4 - Bb Tenor Sax/Bar. T.C.Renaissance Suite - Pt.4 - F HornRenaissance Suite - Pt.4 - Trombone/Bar. B.C./Bsn.Renaissance Suite - Pt.4 - CelloRenaissance Suite - Pt.5 - Bb Bass ClarinetRenaissance Suite - Pt.5 - Trombone/Bar. B.C./Bsn.Renaissance Suite - Pt.5 - Baritone T.C.Renaissance Suite - Pt.5 - CelloRenaissance Suite - Pt.5 - Eb Baritone SaxophoneRenaissance Suite - Pt.5 - TubaRenaissance Suite - Pt.5 - String/Electric BassRenaissance Suite - Percussion 1Renaissance Suite - Percussion 2Renaissance Suite - Mallet PercussionRenaissance Suite - Timpani
Digital Pack includes
:
Renaissance Suite - Conductor Score (Full Score)
Renaissance Suite - Pt.1 - Flute
Renaissance Suite - Pt.1 - Oboe
Renaissance Suite - Pt.1 - Bb Clarinet/Bb Trumpet
Renaissance Suite - Pt.1 - Violin
Renaissance Suite - Pt.2 - Bb Clarinet/Bb Trumpet
Renaissance Suite - Pt.2 - Eb Alto Saxophone
Renaissance Suite - Pt.2 - Violin
Renaissance Suite - Pt.3 - Bb Clarinet
Renaissance Suite - Pt.3 - Bb Tenor Saxophone
Renaissance Suite - Pt.3 - Eb Alto Sax/Alto Clar.
Renaissance Suite - Pt.3 - F Horn
Renaissance Suite - Pt.3 - Violin
Renaissance Suite - Pt.3 - Viola
Renaissance Suite - Pt.4 - Bb Tenor Sax/Bar. T.C.
Renaissance Suite - Pt.4 - F Horn
Renaissance Suite - Pt.4 - Trombone/Bar. B.C./Bsn.
Renaissance Suite - Pt.4 - Cello
Renaissance Suite - Pt.5 - Bb Bass Clarinet
Renaissance Suite - Pt.5 - Trombone/Bar. B.C./Bsn.
Renaissance Suite - Pt.5 - Baritone T.C.
Renaissance Suite - Pt.5 - Cello
Renaissance Suite - Pt.5 - Eb Baritone Saxophone
Renaissance Suite - Pt.5 - Tuba
Renaissance Suite - Pt.5 - String/Electric Bass
Renaissance Suite - Percussion 1
Renaissance Suite - Percussion 2
Renaissance Suite - Mallet Percussion
Renaissance Suite - Timpani
$75.00
68.57 €
#
Orchestre d'harmonie
#
Tielman Susato
#
James Curnow
#
Renaissance Suite
#
Hal Leonard - Digital
#
SheetMusicPlus
Renaissance Suite (28-Piece Digital Pack)
Orchestre d'harmonie
Concert band Timpani - Level 3 - Digital Download SKU: HX.257313 Arranged by James …
(+)
Concert band Timpani - Level 3 - Digital Download SKU: HX.257313 Arranged by James Curnow. Classical,Festival,Renaissance. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.257313).
Digital Pack includes:Renaissance Suite - Full ScoreRenaissance Suite - PiccoloRenaissance Suite - FluteRenaissance Suite - OboeRenaissance Suite - BassoonRenaissance Suite - Bb Clarinet 1Renaissance Suite - Bb Clarinet 2Renaissance Suite - Bb Clarinet 3Renaissance Suite - Eb Alto ClarinetRenaissance Suite - Bb Bass ClarinetRenaissance Suite - Eb Alto Saxophone 1Renaissance Suite - Eb Alto Saxophone 2Renaissance Suite - Bb Tenor SaxophoneRenaissance Suite - Eb Baritone SaxophoneRenaissance Suite - Bb Trumpet 1Renaissance Suite - Bb Trumpet 2Renaissance Suite - Bb Trumpet 3Renaissance Suite - F HornRenaissance Suite - Trombone 1Renaissance Suite - Trombone 2Renaissance Suite - Baritone B.C.Renaissance Suite - Baritone T.C.Renaissance Suite - TubaRenaissance Suite - String BassRenaissance Suite - Percussion 1Renaissance Suite - Percussion 2Renaissance Suite - Mallet PercussionRenaissance Suite - Timpani
Digital Pack includes
:
Renaissance Suite - Full Score
Renaissance Suite - Piccolo
Renaissance Suite - Flute
Renaissance Suite - Oboe
Renaissance Suite - Bassoon
Renaissance Suite - Bb Clarinet 1
Renaissance Suite - Bb Clarinet 2
Renaissance Suite - Bb Clarinet 3
Renaissance Suite - Eb Alto Clarinet
Renaissance Suite - Bb Bass Clarinet
Renaissance Suite - Eb Alto Saxophone 1
Renaissance Suite - Eb Alto Saxophone 2
Renaissance Suite - Bb Tenor Saxophone
Renaissance Suite - Eb Baritone Saxophone
Renaissance Suite - Bb Trumpet 1
Renaissance Suite - Bb Trumpet 2
Renaissance Suite - Bb Trumpet 3
Renaissance Suite - F Horn
Renaissance Suite - Trombone 1
Renaissance Suite - Trombone 2
Renaissance Suite - Baritone B.C.
Renaissance Suite - Baritone T.C.
Renaissance Suite - Tuba
Renaissance Suite - String Bass
Renaissance Suite - Percussion 1
Renaissance Suite - Percussion 2
Renaissance Suite - Mallet Percussion
Renaissance Suite - Timpani
$70.00
64 €
#
Orchestre d'harmonie
#
James Curnow
#
Renaissance Suite
#
Hal Leonard - Digital
#
SheetMusicPlus
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
Instruments en Do
C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermis…
(+)
C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46
10.48 €
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Instruments en Do
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Various
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Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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Wold Meridian
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SheetMusicPlus
Renaissance Recorder Anthology 3
Flûte à bec Alto, Piano
Treble recorder and piano - intermediate - Digital Download 31 Works for Treble (Alto) …
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Treble recorder and piano - intermediate - Digital Download 31 Works for Treble (Alto) Recorder and Piano. This edition: Sheet music. Renaissance, Blockflote, Sammlung. Schott Anthology Series. Downloadable. Op. Vol. 3. Schott Music - Digital #Q54630. Published by Schott Music - Digital
English - French - German. Peter Bowman and Kathryn Bennetts present the third volume in the Renaissance Recorder Anthology series. Featuring well-known and lesser known pieces scored for treble recorder and keyboard instrument from the Renaissance period.English - French - German.
Peter Bowman and Kathryn Bennetts present the third volume in the Renaissance Recorder Anthology series. Featuring well-known and lesser known pieces scored for treble recorder and keyboard instrument from the Renaissance period.
$18.99
17.36 €
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Flûte à bec Alto, Piano
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Renaissance Recorder Anthology 3
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Schott Music - Digital
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SheetMusicPlus
Lute Music of the Renaissance for Baritone Ukulele
Ukulele Baryton
Ukulele, Baritone Ukulele - Digital Download Composed by Various. Renaissance. 205 pages…
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Ukulele, Baritone Ukulele - Digital Download Composed by Various. Renaissance. 205 pages. Published by Published by Morgan Cobb Associates
Who would have thought you could play classical music on aukulele? But you can! Here are 60 Renaissance Lute pieces transcribed for thebaritone ukulele in tablature and modern notation. These pieces have been transcribed for thebaritone ukulele, the four-course Renaissance guitar, or low G ukulele .Who would have thought you could play classical music on aukulele? But you can!
Here are 60 Renaissance Lute pieces transcribed for thebaritone ukulele in tablature and modern notation. These pieces have been transcribed for thebaritone ukulele, the four-course Renaissance guitar, or low G ukulele .
$19.95
18.24 €
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Ukulele Baryton
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Various
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Lute Music of the Renaissance for Baritone Ukulele
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SheetMusicPlus
Renaissance Dances for the Small Harp
Harpe
Harp - Intermediate - Digital Download Arranged by Deborah Dahl Shanks. Renaissance, Eu…
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Harp - Intermediate - Digital Download Arranged by Deborah Dahl Shanks. Renaissance, European. Score. 68 pages. Published by Deborah Dahl Shanks
Renaissance Dances for theSmall Harp includes 21 dances fromlute, vilhuela and other instrumental consorts of the period. The dances are typically associated with thecountry from which they originated. Mostdances are court dances, but some were strictly for listening entertainment. The arrangements are appropriate for a smalllever harp with 1 octave below middle C and tuned to Eb or C. Songsin both tunings are noted with an * in Contents. The songs are very accessible and appropriatefor mid-beginner to intermediate players with limited or easy lever changes.Renaissance Dances for theSmall Harp includes 21 dances fromlute, vilhuela and other instrumental consorts of the period. The dances are typically associated with thecountry from which they originated. Mostdances are court dances, but some were strictly for listening entertainment. The arrangements are appropriate for a smalllever harp with 1 octave below middle C and tuned to Eb or C. Songsin both tunings are noted with an * in Contents. The songs are very accessible and appropriatefor mid-beginner to intermediate players with limited or easy lever changes.
$20.00
18.28 €
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Harpe
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Deborah Dahl Shanks
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Renaissance Dances for the Small Harp
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Deborah Dahl Shanks
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SheetMusicPlus
EASY RENAISSANCE GUITAR MUSIC - Volume 3
Guitare
Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. …
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Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces. <br> I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).<br> The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.<br> The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.<br> Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher’s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.<br> <br> Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.<br> <br> NAVIGATION INDEXES – External and Internal links<br> <br> The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.<br> The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.<br> The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.<br> The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.<br> Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces. <br> I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).<br> The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.<br> The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.<br> Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher’s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.<br> <br> Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.<br> <br> NAVIGATION INDEXES – External and Internal links<br> <br> The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.<br> The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.<br> The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.<br> The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.<br> Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00
13.71 €
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Guitare
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Various
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EASY RENAISSANCE GUITAR MUSIC - Volume 3
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Socrates Arvanitakis
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SheetMusicPlus
The Renaissance Solo-Duo Book
Harpe
Harp - Intermediate - Digital Download Arranged by Darhon Rees- Rohrbacher. Renaissanc…
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Harp - Intermediate - Digital Download Arranged by Darhon Rees- Rohrbacher. Renaissance. 37 pages. Published by Afghan Press Music for the Harp
Fifteen elegant, stately melodies from the Renaissance and early Baroque periods adapted from popular dance tunes, keyboard works and lute songs of the 16th and early 17th centuries. Freely harmonized, they capture the flavor of the period. The "primo" harp part can stand alone as a solo arrangement, while the "secondo" harp part is designed to enhance and fill out the first part. Composers are Gervaise, Dowland, Praetorius, Morley, Arbeau, Caroubel, and the ever popular "Anonymous".<br> <br> Contents: Bransle de Bourgogne, Galliarde for Queen Elizabeth I, Siciliano, Captain Piper's Gailliarde, Pavane d'Angleterre, Spagnoletta, Bransle de Champagne, Nancie, Pavane: Belle Qui Tiens Ma Vie, L'Espagnoletta, Ladie Laiton's Alman, Pavane: Le Force d'Hercole, Sleep Wayward Thoughts, Bransle de la TorcheFifteen elegant, stately melodies from the Renaissance and early Baroque periods adapted from popular dance tunes, keyboard works and lute songs of the 16th and early 17th centuries. Freely harmonized, they capture the flavor of the period. The "primo" harp part can stand alone as a solo arrangement, while the "secondo" harp part is designed to enhance and fill out the first part. Composers are Gervaise, Dowland, Praetorius, Morley, Arbeau, Caroubel, and the ever popular "Anonymous".<br> <br> Contents: Bransle de Bourgogne, Galliarde for Queen Elizabeth I, Siciliano, Captain Piper's Gailliarde, Pavane d'Angleterre, Spagnoletta, Bransle de Champagne, Nancie, Pavane: Belle Qui Tiens Ma Vie, L'Espagnoletta, Ladie Laiton's Alman, Pavane: Le Force d'Hercole, Sleep Wayward Thoughts, Bransle de la Torche
$15.00
13.71 €
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Harpe
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Darhon Rees- Rohrbacher
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The Renaissance Solo-Duo Book
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Afghan Press Music for the Harp
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SheetMusicPlus
20 Renaissance Dances for Woodwinds Ensemble
Large Ensemble Alto Recorder,Baritone Recorder,Bassoon,Flute,Oboe,Soprano Recorder,Tenor R…
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Large Ensemble Alto Recorder,Baritone Recorder,Bassoon,Flute,Oboe,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.742464 Composed by Anthony Holborne, Claude Gervaise, Etienne du Tertre, F. Giesbert, Michael Praetorius, and Pierre Caroubel. Arranged by Javier MartÃnez Maya. Concert,Instructional,Renaissance,Standards. Score and parts. 45 pages. Arte Nova Music Lab #4363001. Published by Arte Nova Music Lab (A0.742464). Renaissance music is European music written from about the year 1400 to 1600. This section of time is called the Renaissance, a word which means rebirth. The Renaissance comes between the Middle Ages and the Baroque times.Putting music into time sections does not mean that there were quick changes of type. Music changed slowly, and early Renaissance music was similar to Medieval music. Slowly music-writers started to try new ideas. A lot of medieval church music had become very hard with lots of rules about rhythms and clashes of notes to make dissonances. A lot of Renaissance composers wrote music which was smoother and more gentle. The music was still polyphonic with each voice having a share of melody. Music was starting to become less modal and more tonal. By the time the Baroque period started composers were using a system of major and minor keys like we do today.Taken from https://simple.wikipedia.org/wiki/Renaissance_music
$50.00
45.71 €
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the time the Baroque period started composers were using a system of major and minor keys like we do today
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Anthony Holborne, Claude Gervaise, Etienne du Tertre, F
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Javier MartÃnez Maya
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20 Renaissance Dances for Woodwinds Ensemble
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Arte Nova Music Lab
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SheetMusicPlus
Three Renaissance Carols for Horn Quartet
Quatuor de cuivres: 4 cors
Brass Ensemble,French Horn Quartet - Level 4 - Digital Download SKU: A0.1499365 Com…
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Brass Ensemble,French Horn Quartet - Level 4 - Digital Download SKU: A0.1499365 Composed by Various. Arranged by L.C. Harnsberger. Advent,Christmas,Early Music,Holiday,Renaissance. 28 pages. LCH Music #1075419. Published by LCH Music (A0.1499365). The Renaissance period of music was filled with stunning pieces that are rarely heard today. The Christmas music of that era is characterized by beautiful modal melodies and fascinating, driving rhythms that can sometimes be wonderfully syncopated. “Three Renaissance Carols” brings together three magnificent carols, skillfully arranged for horn quartet.The collection starts with the Latin carol “Gaudete,” which features droning reminiscent of bagpipes, and evokes the sounds of Renaissance instruments like the crumhorn and shawm. Next is “Ríu Ríu Chíu,” a contrapuntal Spanish carol that gained popularity when the Monkees performed it on their 1967 Christmas episode. The piece concludes with the energetic and syncopated Spanish carol “E la don, don,” providing a rousing finale.“Three Renaissance Carols” is a unique and engaging arrangement that will captivate audiences with appealing and extraordinary melodies. It is perfect for holiday concerts, church services, caroling parties, and recitals.
$12.99
11.88 €
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Quatuor de cuivres: 4 cors
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Various
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L
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Three Renaissance Carols for Horn Quartet
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LCH Music
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SheetMusicPlus
Melchioro de Barberis & Giacomo Gorzanis: Music of the Italian Renaissance For the Low G Ukulele
Ukulele
Ukulele - Level 2 - Digital Download SKU: A0.1148100 By Michael P Walker. By Melchi…
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Ukulele - Level 2 - Digital Download SKU: A0.1148100 By Michael P Walker. By Melchioro de Barberis and Giacomo Gorzanis. Arranged by Michael P Walker. Classical,Renaissance. Score. 33 pages. Michael P Walker #748290. Published by Michael P Walker (A0.1148100). Melchior de Barberis (1500-1549) was an Italian lutenist and composer.His book Opera Intitolata Contina was published in Venice in 1549. Most of the book is dedicated to the lute, but the final few pages of the book contain 4 pieces (fantasias) for the renaissance guitar. Barberis refers to the instrument as the chitara da sette corde (guitar with seven strings). Giacomo Gorzanis, (1525 – 1578), was a lute virtuoso, blind, and possibly a member of the nobility. He was born in Apulia, near Naples, and probably trained at the Spanish court in Bari. Gorzanis traveled to Austria where he became a citizen and where he published four collections of lute tablature and two collections of Neapolitan lute songs. About Michael P Walker I studied guitar at Birmingham-Southern College under David Walpert who was a student of Andre Segovia and I have been playing guitar, ukulele, Baroque guitar, and the lute for more than fifty years. Just as Adrian Le Roy published these pieces to expand the repertoire of the Renaissance guitar, I have transcribed these compositions with the hope of exposing this rich, beautiful music from the Renaissance to a wider audience of guitar and ukulele players. Along with this book, there are more than 80 books of arrangements of Renaissance, Baroque, Classical, and Romantic era music for the baritone ukulele and there are more than Thirty-Five others with arrangements for the Low G ukulele. You can find them here: https://morgancomusic.com.
$19.95
18.24 €
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Ukulele
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Michael P Walker
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Michael P Walker
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Melchioro de Barberis & Giacomo Gorzanis: Music of the Italian Renaissance For the Low G Ukulele
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Michael P Walker
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SheetMusicPlus
Three Renaissance Dances for Antiphonal Trumpet Quartets
Ensemble de Trompettes
Trumpet Ensemble Trumpet - Level 3 - Digital Download SKU: A0.817170 Composed by Ti…
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Trumpet Ensemble Trumpet - Level 3 - Digital Download SKU: A0.817170 Composed by Tielman Susato. Arranged by Charles Decker. Chamber,Early Music,Historic,Multicultural,Renaissance,World. 25 pages. Charles Decker Music Press #6644327. Published by Charles Decker Music Press (A0.817170). They may be 500 years old, but these three Renaissance instrumental dances from Tillman Susato's 1551 collection The Third Little Music Book, prefaced with to be played on all types of musical instruments, remain appealing music for audiences and performers. These lively popular dances of the day feature homophonic setting, root position chords, primary beat stresses, and individual parts that encompass an octave or less which makes them very accessible for young or inexperienced musicians. Scoring them for antiphonal B-flat trumpet quartets creates a memorable aural and visual performance experience. The recording is of the entire edition.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. Â Use this link to Kendor Music for more of my trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.
$9.95
9.1 €
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Ensemble de Trompettes
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Tielman Susato
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Charles Decker
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Three Renaissance Dances for Antiphonal Trumpet Quartets
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Charles Decker Music Press
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SheetMusicPlus
Antonio Rotta Intabolatura de Lauto Lute Music of the Renaissance Transcribed for Baritone Ukulele a
Ukulele
Ukulele - Level 2 - Digital Download SKU: A0.810031 Composed by Antonio Rotta. Arra…
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Ukulele - Level 2 - Digital Download SKU: A0.810031 Composed by Antonio Rotta. Arranged by Michael P. Walker. Renaissance. Score. 182 pages. Michael P Walker #6071635. Published by Michael P Walker (A0.810031). Here are 48 lute compositions from the Renaissance by Antonio Rotta, (1495-1549) who was an Italian lutenist, composer, and music teacher of the Renaissance period in Padua which was part of the Republic of Venice and renowned for its university. Canon Scardeonius of Padua wrote in 1560 that Rotta was not only virtually unrivaled in Italy as a lutenist, but was also an excellent teacher and had grown quite rich by giving lessons on the lute. These pieces have been transcribed for the baritone ukulele, Renaissance guitar, low G ukelele, and many other four-course instruments. Of course, they may all be played on the guitar.
$19.95
18.24 €
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Ukulele
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Antonio Rotta
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Michael P
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Antonio Rotta Intabolatura de Lauto Lute Music of the Renaissance Transcribed for Baritone Ukulele a
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Michael P Walker
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SheetMusicPlus
Basse Danse, from Renaissance Mix, for String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.881463 Composed by John Grady…
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String Orchestra - Level 5 - Digital Download SKU: A0.881463 Composed by John Grady. 20th Century,Contemporary,Renaissance. Score and parts. 15 pages. John Grady #3382313. Published by John Grady (A0.881463). RENAISSANCE MIX is a series of 5 dances from the Renaissance: Basse Danse, Tordion, Pavane, Galliard, and Brawles (Branles). The dances chosen to use as a basis for this composition are taken from a publication by Jacque Moderne published about 1550 under the title Frohliche Musik. These dances are truly music of great fun, and as the title suggests, happiness and joy.Renaissance Mix is written for an advanced string ensemble, or chamber group, from high school musicians through college, or amateur and professional groups. The music is accessible to players and listeners alike. It is tuneful, has powerful rhythms with interesting advanced harmonies, and deeply emotional.
$10.00
9.14 €
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Orchestre à Cordes
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John Grady
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Basse Danse, from Renaissance Mix, for String Orchestra
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John Grady
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SheetMusicPlus
Renaissance Hits for Oboe and Keyboard from Terpsichore (Praetorius)
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1485586 Composed by Various. Arrang…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1485586 Composed by Various. Arranged by Colin Kirkpatrick. Early Music,Renaissance. Score and part. 17 pages. Colin Kirkpatrick Publications #1062647. Published by Colin Kirkpatrick Publications (A0.1485586). These are eleven of the most well-known dances of the Renaissance, (in five movements) selected from the famous collection entitled Terpsichore, published in 1612 by Michael Praetorius. They are sure to be a welcome addition to the oboe player's repertoire. The notes of the oboe part have been kept well within the elementary range and the highest note is the B just above the treble staff.By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced terp-SI-cory and rhymes with the word “hickory”. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble Praetorius was well aware that in practice, they would be played by any instruments that happened to be available.These arrangements for oboe and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas. These delightful dances are sure to add a sparkle to any oboe recital.
$11.99
10.96 €
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Hautbois, Piano (duo)
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the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany
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Various
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Colin Kirkpatrick
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2. Two Ballets
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Renaissance Hits for Oboe and Keyboard from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Renaissance Hits for Viola and Keyboard from Terpsichore (Praetorius)
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1487758 Composed by Various. Arran…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1487758 Composed by Various. Arranged by Colin Kirkpatrick. Baroque,Renaissance. Score and part. 17 pages. Colin Kirkpatrick Publications #1064696. Published by Colin Kirkpatrick Publications (A0.1487758). These are eleven of the most well-known dances of the Renaissance set in five movements and selected from the famous collection entitled Terpsichore, published in 1612 by Michael Praetorius. They are sure to be a welcome addition to the elementary viola repertoire and the music is in the alto clef throughout. The highest note is the F above the alto staff and this appears in only one of the movements..By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced “terp-SI-cory” and rhymes with the word “hickory”. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble, Praetorius was well aware that in practice they would be played by any instruments that happened to be available.These arrangements for viola (or violas) and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas.
$11.99
10.96 €
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Alto, Piano
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the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany
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Various
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Colin Kirkpatrick
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2. Two Ballets
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Renaissance Hits for Viola and Keyboard from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Renaissance Hits for Bassoon and Keyboard from Terpsichore (Praetorius)
Basson, Piano (duo)
Bassoon,Piano - Level 2 - Digital Download SKU: A0.1487747 Composed by Various. Arr…
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.1487747 Composed by Various. Arranged by Colin Kirkpatrick. Baroque,Renaissance. Score and part. 17 pages. Colin Kirkpatrick Publications #1064685. Published by Colin Kirkpatrick Publications (A0.1487747). These are eleven of the most well-known dances of the Renaissance set in five movements and selected from the famous collection entitled Terpsichore, published in 1612 by Michael Praetorius. They are sure to be a welcome addition to the elementary bassoon repertoire and make a pleasing performance item at a recital. The bassoon part is in the bass clef throughout and the highest note is usually the D above the bass staff. In a couple of pieces, the next note E is used.By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced “terp-SI-cory” and rhymes with the word “hickory”. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble, Praetorius was well aware that in practice they would be played by any instruments that happened to be available.These arrangements for bassoon and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas.
$11.99
10.96 €
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Basson, Piano (duo)
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the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany
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Various
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Colin Kirkpatrick
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2. Two Ballets
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Renaissance Hits for Bassoon and Keyboard from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, …
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Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 93 pages. Wold Meridian #993504. Published by Wold Meridian (A0.1411172). A selection of 44 Dance Consort pieces from publications dating from 1500 to 1620 in three, four or five part scores and fully chorded with lyricsRenaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.The 44 pieces that first  appeared in the publication Chording to the Dance Masters, are  presented in full score and with separate parts for each of the lines.  What is more, a number of the pieces have been re-edited to include their lyrics, should you wish to perform them vocally.  They represent some of the best known secular pieces of the Renaissance repertoire.What makes this Wold Meridian edition of these pieces different  from others is that they have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be played with just the melody line and a simple accompaniment.  It also means that keyboard players or fretted strings can join in with ensembles, giving extra sparkle to performances.Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.
$18.00
16.46 €
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Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato
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Alastair Lodge
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Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
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Wold Meridian
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SheetMusicPlus
Brawles, from Renaissance Mix, for String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.881467 Composed by John Grady…
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String Orchestra - Level 5 - Digital Download SKU: A0.881467 Composed by John Grady. 20th Century,Contemporary,Renaissance. Score and parts. 26 pages. John Grady #3382351. Published by John Grady (A0.881467). RENAISSANCE MIX is a series of 5 dances from the Renaissance: Basse Danse, Tordion, Pavane, Galliard, and Brawles (Branles). The dances chosen to use as a basis for this composition are taken from a publication by Jacque Moderne published about 1550 under the title Frohliche Musik. These dances are truly music of great fun, and as the title suggests, happiness and joy.
$10.00
9.14 €
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Orchestre à Cordes
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John Grady
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Brawles, from Renaissance Mix, for String Orchestra
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John Grady
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SheetMusicPlus
Agnes Dei (a Renaissance Mass) by Thomas Tallis for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.877057 Composed by Thomas Tal…
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String Orchestra - Level 3 - Digital Download SKU: A0.877057 Composed by Thomas Tallis (c. 1505-1585). Arranged by Michael O. Shaw. Renaissance,Spiritual. Score and parts. 15 pages. Michael O. Shaw #5023547. Published by Michael O. Shaw (A0.877057). Agnes Dei (a Renaissance Mass) for String OrchestraA harmonically rich adaption of a Renaissance piece by Thomas Tallis originally scored for four voices but adapted for string orchestra. Duration is 4:05 and is great for a short concert piece. Tight harmony is required for intermediate strings. Score plus parts; 15 pages. Comments: https//www.facebook.com/michael.shaw3150
$14.00
12.8 €
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Orchestre à Cordes
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Thomas Tallis
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Michael O
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15 pages. Comments:
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Agnes Dei
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Michael O. Shaw
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SheetMusicPlus
"Great & Majestic is God's Name" Renaissance Dance by M. Praetorius (1595) trans. for Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.982369 Composed by Michael Prae…
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Full Orchestra - Level 4 - Digital Download SKU: A0.982369 Composed by Michael Praetorius. Arranged by Paul Ferington. Praise & Worship,Renaissance,Sacred. Score and parts. 43 pages. Paul K Ferington #6458901. Published by Paul K Ferington (A0.982369). A festive adaptation of Praetorius's Renaissance liturgical dance music (2:45) transcribed for reduced Orchestra; excellent example of terraced dynamics with driving tenor drum reinforcement; suitable for Prelude / Postlude in worship settings or as concert opening / closing repertoire; Organ part included as harmonic reinforcement. Performance Guide included with historical background and suggested Renaissance style / performance practice. .
$16.95
15.5 €
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Orchestre
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Michael Praetorius
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Paul Ferington
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"Great & Majestic is God's Name" Renaissance Dance by M. Praetorius
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Paul K Ferington
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SheetMusicPlus
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